[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F9606:{\"language\":\"tr-TR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":12,"birthday":13,"deathday":14,"gender":15,"homepage":16,"id":17,"imdb_id":18,"known_for_department":19,"name":20,"place_of_birth":21,"popularity":22,"profile_path":23,"combined_credits":24,"images":454},false,[6,7,8,9,10,11],"Eduard Tissé","E. Tisse","Edouard Tissé","Edward Tissé","Eduards Tisē","Э. Тиссэ","Eduard Tisse (13 April 1897 – 18 November 1961) was a Soviet cinematographer. In 1921, Tisse became a professor at Gerasimov Institute of Cinematography. His career took off when he worked with director Sergei Eisenstein on the film Strike. Tisse would become Eisenstein's standard cinematographer for the next twenty years.","1897-04-01","1961-11-18",2,null,9606,"nm0005903","Camera","Эдуард Тиссэ","Liepāja, Latvia",0.753,"\u002F94KdR4OcoEQV5r4rWLSXWwtbOQG.jpg",{"cast":25,"crew":89},[26,42,59,69,81],{"adult":4,"backdrop_path":16,"genre_ids":27,"id":29,"title":30,"original_language":31,"original_title":30,"overview":32,"popularity":33,"poster_path":34,"release_date":35,"softcore":4,"video":4,"vote_average":36,"vote_count":37,"character":38,"credit_id":39,"order":40,"media_type":41},[28],99,394189,"Сергей Эйзенштейн. Мексиканская фантазия","ru","",1.077,"\u002FtkqMZR6wSJHNq4ewpNUZOFwuWqp.jpg","1998-02-12",7,5,"Himself","571b95e292514121a000351c",6,"movie",{"adult":4,"backdrop_path":43,"genre_ids":44,"id":47,"title":48,"original_language":31,"original_title":49,"overview":50,"popularity":51,"poster_path":52,"release_date":53,"softcore":4,"video":4,"vote_average":54,"vote_count":55,"character":56,"credit_id":57,"order":58,"media_type":41},"\u002FlcFVMnRPEVpvRDpXlxGfpuz0ik3.jpg",[45,46],18,36,697,"Ekim","Октябрь","Dünyayı Sarsan On Gün, tüm yönleriyle Sovyet Devrimi'nin canlı tanıklığını yapan bir sarsıcı bir yapımdır. Gerçek tanıklar ve görüntülerle, Rus tarihinin Çarlık despotizminden Bolşevik Devrimi'ne doğru akan zaman dilimindeki tüm evreleri ve olayları anlatılmaktadır. 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Sinema ustası Dziga Vertov'un sinema kuramı ve biçemi Sinema-Göz'e karşı Einsestein, Sinema-Yumruk kuramını geliştirdi ve ilk örneğini Potemkin Zırhlısı'yla verdi..",6.4383,"\u002FfKT3nNTkRMhnRvsxNVSmtguol7s.jpg","1925-12-24",7.567,1349,"52fe4263c3a36847f801a915","Director of Photography",{"adult":4,"backdrop_path":43,"genre_ids":106,"id":47,"title":48,"original_language":31,"original_title":49,"overview":50,"popularity":51,"poster_path":52,"release_date":53,"softcore":4,"video":4,"vote_average":54,"vote_count":55,"credit_id":107,"department":19,"job":104,"media_type":41},[45,46],"52fe426cc3a36847f801d661",{"adult":4,"backdrop_path":109,"genre_ids":110,"id":111,"title":112,"original_language":31,"original_title":113,"overview":114,"popularity":115,"poster_path":116,"release_date":117,"softcore":4,"video":4,"vote_average":118,"vote_count":119,"credit_id":120,"department":19,"job":104,"media_type":41},"\u002FgciZ1BbYpg7h230eK7Pj1MO14rt.jpg",[45,46,93],10235,"Aleksandır Nevskiy","Александр Невский","Film 13. 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Sinemanın Ekim'i dir. Avrupa-Amerikan sinemasının bilinen yöntemlerine ve felsefesine cepheden karşı çıkarak, öyküyü kaldırarak, yıldızları dışlayarak; yıldızların, başoyuncuların arka planında basit bir detay olarak yer alan hiçleri, önemsizleri, figüran olarak sunulanları topyekün \"başoyuncu\" haline getirerek, devrimin işlevini, yani \"ne işe yaradığını\" kendi sinema yönteminde anlatmıştır.",3.161,"\u002F5Jo1sIJbuD9PfaS5dklj6LwxNxO.jpg","1925-04-28",7.4,254,"570205d692514154930000cc",{"adult":4,"backdrop_path":16,"genre_ids":196,"id":198,"title":199,"original_language":31,"original_title":199,"overview":32,"popularity":200,"poster_path":201,"release_date":202,"softcore":4,"video":4,"vote_average":203,"vote_count":36,"credit_id":204,"department":19,"job":104,"media_type":41},[46,197],10402,89903,"Композитор Глинка",1.4677,"\u002FeCFziLyLgtKtDJvWQwNztnSWDga.jpg","1952-06-06",4.7,"5929e769c3a368787004c3d6",{"adult":4,"backdrop_path":16,"genre_ids":206,"id":207,"title":208,"original_language":209,"original_title":208,"overview":32,"popularity":210,"poster_path":211,"release_date":212,"softcore":4,"video":4,"vote_average":213,"vote_count":214,"credit_id":215,"department":171,"job":172,"media_type":41},[45,28],165978,"Frauennot - Frauenglück","de",1.3688,"\u002FvobgHh1M2QSazC5hUjaSDB9C9Mx.jpg","1930-02-05",6.5,10,"5944ec8e9251413fad00d11b",{"adult":4,"backdrop_path":16,"genre_ids":217,"id":207,"title":208,"original_language":209,"original_title":208,"overview":32,"popularity":210,"poster_path":211,"release_date":212,"softcore":4,"video":4,"vote_average":213,"vote_count":214,"credit_id":218,"department":180,"job":181,"media_type":41},[45,28],"5944ebca9251413ff400c7cf",{"adult":4,"backdrop_path":16,"genre_ids":220,"id":207,"title":208,"original_language":209,"original_title":208,"overview":32,"popularity":210,"poster_path":211,"release_date":212,"softcore":4,"video":4,"vote_average":213,"vote_count":214,"credit_id":221,"department":19,"job":104,"media_type":41},[45,28],"5944ecd79251413fb100d111",{"adult":4,"backdrop_path":223,"genre_ids":224,"id":225,"title":226,"original_language":31,"original_title":227,"overview":228,"popularity":229,"poster_path":230,"release_date":231,"softcore":4,"video":4,"vote_average":232,"vote_count":233,"credit_id":234,"department":19,"job":104,"media_type":41},"\u002Fohn9zA2dUbVuo4ajx32Em97qvMr.jpg",[45,46],9797,"Korkunç İvan","Иван Грозный","Büyük usta Eisenstein’dan sinema sanatına büyük yenilikler getiren, bir sinema klasiği. İlk Rus çarı Ivan’ı konu alan, epik tarzda yapılmış düşündürücü bir film. Filmde tarihe Korkunç Ivan olarak geçen Rus çarının öyküsü konu ediliyor. Eisenstein, Korkunç Ivanı üç bölüm halinde çekmeyi tasarlamıştı ancak bu trajedi-operanın sadace iki bölümünü çekebildi. Çünkü Stalin, filmin ikinci bölümünün İvan’ı zayıf bir kişilik olarak gösterdiğini düşünmekteydir. Ve bu ikinci bölüm ancak Stalin’in ölümünden beş yıl sonra gösterime çıkabildi.",3.6651,"\u002FdfqqiPnlCt3f3tjoQn5FqFDTluJ.jpg","1944-11-11",7.3,240,"59a97cca925141579902dbd7",{"adult":4,"backdrop_path":236,"genre_ids":237,"id":238,"title":239,"original_language":31,"original_title":240,"overview":241,"popularity":242,"poster_path":243,"release_date":244,"softcore":4,"video":4,"vote_average":245,"vote_count":246,"credit_id":247,"department":19,"job":104,"media_type":41},"\u002Fw634xBnBcTrtBGFB9AZtTE34q4O.jpg",[46,45],43118,"Korkunç İvan II : Boyarların Düzeni","Иван Грозный. Сказ второй: Боярский заговор","Korkunç İvan, sinemanın büyük ustası Eisenstein'ın her zaman değerini sürdüren, en son ve en anıtsal yapıtıdır.  Eisenstein bu filminde, bütün sanatların öğelerini toplamış, bunları birbirleriyle kaynaştırarak, sinemayı bütün sanatların bileşkesini sağlayan bir araç durumuna getirmeyi amaçlamıştır. Korkunç İvan'da, bir devlet kurucusunun her alanda verdiği savaşımı anlatılmaktadır. Devlet kurma uğruna yüksek bedeller ödemekten çekinmeyen olağanüstü bir kişiliktir, İvan. Devleti soyup talan eden, parmağında oynatan, iktidarı vermek istemeyen ve kukla bir çara razı olan boyarlarla savaşım; dış düşmanlar ve işbirlikçileriyle savaşım; ülkeyi soylularla birlikte soyan ve yönetmek isteyen kiliseyle savaşım; bunun sonucunda da böylesine ağır bir yükün altında ezilen İvan'ın bizzat kendisiyle savaşımı, bu yapıtta bir ruhbilim incelemesine dönüşmektedir.",2.1189,"\u002FlyVyJL7lNfcIzMxD2jwR2OkzYSu.jpg","1958-10-10",7.341,185,"59a97d9b925141580802fe3b",{"adult":4,"backdrop_path":249,"genre_ids":250,"id":253,"title":254,"original_language":31,"original_title":254,"overview":32,"popularity":255,"poster_path":256,"release_date":257,"softcore":4,"video":4,"vote_average":129,"vote_count":214,"credit_id":258,"department":19,"job":104,"media_type":41},"\u002FtWYPCRWsIWwTMdDB4vH9eyg4gcD.jpg",[251,252],10749,35,184508,"Еврейское 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