[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F8574:{\"language\":\"tr-TR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":8,"id":10,"imdb_id":11,"known_for_department":12,"name":13,"place_of_birth":14,"popularity":15,"profile_path":16,"combined_credits":17,"images":802},false,[],"Walter Moreira Salles Júnior (\u002Fˈsɑːlɪs\u002F; Brazilian Portuguese: [ˈvawteʁ ˈsalis]; born 12 April 1956) is a Brazilian filmmaker. A major figure of the Resumption Cinema in Brazil, Salles is widely regarded as one of the greatest Brazilian filmmakers of all time. His accolades include an Academy Award accepted for Best International Film, three Cannes Film Festival prizes, three Venice Film Festival prizes, two British Academy Film Awards, a Golden Bear and a Golden Globe.\n\nHe first became internationally known for his film Central Station (1998), which earned two Academy Awards nominations, for Best Foreign Language Film and Best Actress for Fernanda Montenegro, winning a Golden Globe and a BAFTA for Best Foreign Language Film as well as the Golden Bear at the 48th Berlin International Film Festival. His subsequent works include Behind the Sun (2001), The Motorcycle Diaries (2004), Dark Water (2005) and On the Road (2012). At the 97th Academy Awards, his critically acclaimed film I'm Still Here (2024) received a rare double nomination for Best Picture and Best International Feature; it won the latter, becoming the first Brazilian film to win an Academy Award in any category.\n\nHeir to Itaú Unibanco, with a fortune valued at US$4.5 billion (R$24.26 billion), Salles is the third richest filmmaker in the world.\n\nDescription above from the Wikipedia article Walter Salles, licensed under CC-BY-SA, full list of contributors on Wikipedia.","1956-04-12",null,2,8574,"nm0758574","Directing","Walter Salles","Rio de Janeiro, Rio de Janeiro, Brazil",1.2896,"\u002Fg2ZnolTMK9BCB97bZRBgnMaa3e1.jpg",{"cast":18,"crew":133},[19,35,48,61,70,82,91,99,108,118],{"adult":4,"backdrop_path":8,"genre_ids":20,"id":22,"title":23,"original_language":24,"original_title":23,"overview":25,"popularity":26,"poster_path":8,"release_date":27,"softcore":4,"video":28,"vote_average":29,"vote_count":30,"character":31,"credit_id":32,"order":33,"media_type":34},[21],99,965355,"Beneath the Surface: The Making of 'Dark Water'","en","",1.1385,"2005-12-26",true,8.3,3,"Self","6260714aaf43240050d3cbd9",7,"movie",{"adult":4,"backdrop_path":36,"genre_ids":37,"id":38,"title":39,"original_language":40,"original_title":39,"overview":25,"popularity":41,"poster_path":42,"release_date":43,"softcore":4,"video":4,"vote_average":44,"vote_count":45,"character":31,"credit_id":46,"order":47,"media_type":34},"\u002F9PI2pisSVmG1eweWoMeXDajJNyf.jpg",[21],260994,"Onde a Terra Acaba","pt",1.2889,"\u002Fmi6aPu0zTyu9BcP4lbalUmbMdFN.jpg","2002-07-07",7.5,8,"54fb55ab9251413aa0001fbe",9,{"adult":4,"backdrop_path":49,"genre_ids":50,"id":51,"title":52,"original_language":53,"original_title":52,"overview":25,"popularity":54,"poster_path":55,"release_date":56,"softcore":4,"video":4,"vote_average":57,"vote_count":58,"character":31,"credit_id":59,"order":60,"media_type":34},"\u002FsZZbJhYIMhQXBGDj31Wq6VOrITN.jpg",[21],104087,"In viaggio con Che Guevara","it",2.2571,"\u002F9cIL6l16OnFW5fKdJUBmouFLNdF.jpg","2004-01-01",6.6,5,"58db3dc9c3a3687cfb0042e5",1,{"adult":4,"backdrop_path":8,"genre_ids":62,"id":63,"title":64,"original_language":40,"original_title":64,"overview":25,"popularity":65,"poster_path":66,"release_date":67,"softcore":4,"video":4,"vote_average":68,"vote_count":60,"character":25,"credit_id":69,"order":58,"media_type":34},[21],589235,"A Linguagem do Cinema",1.8082,"\u002F7SYggVrL55Hs1gjWawfePND7Q7t.jpg","2001-03-15",6,"5c90fc75c3a368611f507e7c",{"adult":4,"backdrop_path":71,"genre_ids":72,"id":73,"title":74,"original_language":40,"original_title":74,"overview":25,"popularity":75,"poster_path":76,"release_date":77,"softcore":4,"video":4,"vote_average":78,"vote_count":79,"character":31,"credit_id":80,"order":81,"media_type":34},"\u002FcXe0JTQPYxh9Ok9Y2d4KxU2FgG4.jpg",[21],134754,"Crítico",1.6575,"\u002Fz1oavqX1H6TVjsz9nr8J9aAlL2F.jpg","2008-01-22",7.9,19,"5ccc17870e0a262216fecec7",18,{"adult":4,"backdrop_path":8,"genre_ids":83,"id":84,"title":85,"original_language":40,"original_title":85,"overview":25,"popularity":86,"poster_path":87,"release_date":88,"softcore":4,"video":4,"vote_average":89,"vote_count":89,"character":31,"credit_id":90,"order":60,"media_type":34},[21],1426279,"Central Conquista Brasil - 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Film 60’larda iki kenar mahalle çocuğunun seçtiği iki ayrı yolu takip eder.Fotoğrafçı olma hayalleri kurar ama fotoğraf makinesi alacak parası yoktur. Öte yandan, Küçük Ze çocukluğundan beri tam bir suçlu özellikleri taşır; acımasız, akıllı ve hırslıdır. Küçük yaşta planladığı bir genelev soygunu sırasında öldürmenin tadını alır, gün geçtikçe bu konudaki iştahı giderek artar. 70’lerde Ze, sakin ve becerikli Bee’nin desteğiyle, favela’nın (mahallenin) uyuşturucu ticareti üzerindeki kontrolünü sağlamlaştırır. 80’lerin başlarında “Tanrıkent”i çetelerarası savaş sarar ve amansız genç suçlulardan oluşan yeni bir kuşak çıkıp “eskilerin” yerini almaya çalışırken, artık bir fotoğraf makinesine sahip olan Rocket, onu bu bitmek tükenmek bilmez katliam döngüsünü belgelemede kullanır...",18.8483,"\u002FltoNh0NJ8hJTOKbuRvTNc8918Mi.jpg","2002-08-30",8.425,8541,"52fe425ac3a36847f8017aed","Production","Producer",{"adult":4,"backdrop_path":151,"genre_ids":152,"id":153,"title":154,"original_language":155,"original_title":156,"overview":157,"popularity":158,"poster_path":159,"release_date":160,"softcore":4,"video":4,"vote_average":161,"vote_count":162,"credit_id":163,"department":12,"job":164,"media_type":34},"\u002Fo6Ln9kTC4ZrHZNUhWLOwBfUvqXU.jpg",[81],1653,"Motosiklet Günlüğü","es","Diarios de motocicleta","Devrim kahramanı Che’yi herkes tanır. Peki ya bir zamanlar onun Buenos Aires’in varlıklı kesimlerinde yaşayan 23 yaşında bir tıp öğrencisi olduğu kaç kişi bilir? Peki 29 yaşındaki arkadaşı, biyokimyacı Alberto Granado’yla birlikte yaptıkları motosiklet yolculuğunda Latin Amerika’nın gerçekleriyle nasıl yüzleşmek zorunda kaldıklarını? 1952 yılında Ernesto ve Alberto Buenos Aires’ten bir motosikletin sırtında yola çıkarlar. Araçları arızalandığında otostop yapar, halka kaynaşmaya başlarlar. Bildiklerinden çok farklı bir Latin Amerika gerçeği beklemektedir onları. Astımı olan Ernesto ilaçlarını bir kadınla paylaşır; cüzam kolonisinde, hastaların kaderine ortak olurlar. İnka medeniyetinin üzerinde yükselen çarpık kentleşme ve adaletsizliklere şahit olurlar. Bu yolculuk, iki genç adamın geleceklerini şekillendirecektir.",5.7154,"\u002FzC5AlyQ1Q4U4qCMD09LSqDLdugE.jpg","2004-02-06",7.405,1483,"52fe4309c3a36847f8035903","Director",{"adult":4,"backdrop_path":166,"genre_ids":167,"id":168,"title":169,"original_language":40,"original_title":170,"overview":171,"popularity":172,"poster_path":173,"release_date":174,"softcore":4,"video":4,"vote_average":175,"vote_count":176,"credit_id":177,"department":178,"job":179,"media_type":34},"\u002FlrLIy9OFRQg4VkhrCyolfNXJEUH.jpg",[81],666,"Merkez İstasyonu","Central do Brasil","Rio de Janeiro'da çalışan, müşterilere mektup yazıp postalamakla görevli soğuk ve yaşlı bir kadın olan Dora (Fernanda Montenegro), müşterilerden ve insanlardan nefret ediyor. Dokuz yaşında bir çocuk olan Josue (Vinicius de Oliveira), babasını hiç görmemiş. Josue'nun annesi, kocasına mektuplar yazıyor ve bu mektuplar Dora aracılığıyla gönderiliyor. Kadın bir araba kazasında ölünce, Josue'nin sorumluluğunu insanları pislik olarak gören Dora üstlenmek zorunda kalıyor. Dora, Josue'yı babasını görebilmesi için yolculuğa çıkmaya ikna ediyor ve bu iki farklı insan arasında sıradışı bir dostluk kuruluyor.",5.2749,"\u002FqfyWFhUhqeNRU9HmCaBDAxVKRZ9.jpg","1998-04-03",8.116,1086,"52fe4266c3a36847f801baad","Writing","Screenplay",{"adult":4,"backdrop_path":166,"genre_ids":181,"id":168,"title":169,"original_language":40,"original_title":170,"overview":171,"popularity":172,"poster_path":173,"release_date":174,"softcore":4,"video":4,"vote_average":175,"vote_count":176,"credit_id":182,"department":12,"job":164,"media_type":34},[81],"52fe4266c3a36847f801ba9b",{"adult":4,"backdrop_path":184,"genre_ids":185,"id":187,"title":188,"original_language":189,"original_title":190,"overview":191,"popularity":192,"poster_path":193,"release_date":194,"softcore":4,"video":4,"vote_average":195,"vote_count":196,"credit_id":197,"department":12,"job":164,"media_type":34},"\u002Fz5SQmAzMAkK54qMQJC9WsZ6PddL.jpg",[81,186],10749,2266,"Paris, Seni Seviyorum","fr","Paris, je t'aime","Paris'te aşk her yerdedir. Barlarda, kafelerde, Eyfel Kulesi'nin altında, metroda hep aşk vardır.\r Paris, seni seviyorum için çok sayıda uluslararası yönetmenden Paris'te geçen romantik bir hikaye anlatmaları istendi. Projeye katılan tüm yönetmenler, Paris'in zengin sinematografik tarihine rağmen, geriye bakmaktansa, Paris'i bugünkü haliyle, beyaz perdeye hiç taşınmamış yönleriyle aktarmayı yeğlediler. Bu nedenle \"Paris, seni seviyorum\" farklı sosyal sınıflar, kuşaklar, kültürler ve atmosferlerin karışımı. Her yönetmenin, kentin çeşitli yerlerinde geçen farklı yaşam kesitleri sunduğu sevinç, ayrılık, beklenmedik garip rastlantılar ve her şeyden çok aşka dair hikayelerden oluşan, çiçek dürbünü (kalediaskop) gibi bir film.  Natalie Portman, Fanny Ardant, Elijah Wood, Nick Nolte, Juliette Binoche ve Steve Buschemi gibi, ünlü uluslararası oyuncularla 'Paris, seni seviyorum'da Paris'i yeniden keşfedecek; dünyanın bu en romantik şehrine yeniden sevdalanacaksınız.",7.9296,"\u002Fw2ymaGlJqgNHjexYQ6h0ByoGzw8.jpg","2006-06-21",6.776,872,"52fe4348c3a36847f80484a7",{"adult":4,"backdrop_path":199,"genre_ids":200,"id":201,"title":202,"original_language":40,"original_title":202,"overview":25,"popularity":203,"poster_path":204,"release_date":205,"softcore":4,"video":4,"vote_average":206,"vote_count":207,"credit_id":208,"department":148,"job":149,"media_type":34},"\u002F3he9tOMisKv5tEpZMl2sIyaVtVy.jpg",[81],8443,"Cidade Baixa",2.395,"\u002FkCRixUuxdRnz8OThYJ3iWJi0qSv.jpg","2005-11-04",6.5,98,"52fe44aac3a36847f80a2f91",{"adult":4,"backdrop_path":210,"genre_ids":211,"id":212,"title":213,"original_language":40,"original_title":214,"overview":215,"popularity":216,"poster_path":217,"release_date":218,"softcore":4,"video":4,"vote_average":219,"vote_count":220,"credit_id":221,"department":148,"job":149,"media_type":34},"\u002F3WLHzUlF4xvQ6mQwjZFpZdFH6yt.jpg",[81],8902,"Geçiş Çizgisi","Linha de Passe","Sao Paulo'nun kenar mahallesinde yaşayan hamile Cleuza bekar bir annedir Orta sınıf bir ailenin evinde hizmetçilik yaparak para kazanmaktadır 5 bebeğine hamile olan Cleuza'nın çocukları başka erkeklerdendir ve babalarının kim olduğu belli değildir Hepsi de erkek olan 4 üvey kardeş, tüm yoksulluklarına karşın umutlarını korumaya ve hayata tutunmaya çalışır...",1.7582,"\u002FxKx5msZOhp71R7w9LPudDfrFQsz.jpg","2008-09-05",6.7,50,"52fe44c6c3a36847f80a959f",{"adult":4,"backdrop_path":210,"genre_ids":223,"id":212,"title":213,"original_language":40,"original_title":214,"overview":215,"popularity":216,"poster_path":217,"release_date":218,"softcore":4,"video":4,"vote_average":219,"vote_count":220,"credit_id":224,"department":178,"job":179,"media_type":34},[81],"52fe44c6c3a36847f80a9593",{"adult":4,"backdrop_path":210,"genre_ids":226,"id":212,"title":213,"original_language":40,"original_title":214,"overview":215,"popularity":216,"poster_path":217,"release_date":218,"softcore":4,"video":4,"vote_average":219,"vote_count":220,"credit_id":227,"department":12,"job":164,"media_type":34},[81],"52fe44c6c3a36847f80a9581",{"adult":4,"backdrop_path":229,"genre_ids":230,"id":233,"title":234,"original_language":24,"original_title":235,"overview":236,"popularity":237,"poster_path":238,"release_date":239,"softcore":4,"video":4,"vote_average":240,"vote_count":241,"credit_id":242,"department":12,"job":164,"media_type":34},"\u002FXKZjyePvRYPn7JdfRGZO3Q87qu.jpg",[231,232],27,9648,9009,"Karanlık Sular","Dark Water","Bekar anne Dahlia Williams’ın hayata yepyeni bir başlangıç yapmak için kızıyla birlikte New York'un kenar semtlerinden birinde bakımsız bir apartmanın dokuzuncu katına yerleşir. Eski kocasıyla mücadele ettiği velayet davasına bir de çekilmez baş ağrıları eklenince Dahlia'nın hayatı çekilmez bir hal alır.Evin çeşitli yerlerinden tüyler ürperten tuhaf gürültüler gelmektedir.Bunlara bir de evin çeşitli yerlerindeki koyu renk su lekeleri eklenince Dahlia’nın tedirginliği artar. Birileri ya da birşeyler Dahlia ile akıl oyunları oynamaktadır. Hayal gücünün delicesine çalıştığı bir ortamda kendi mantığına ve önsezilerine güvenmesi imkansız gibidir.",9.5783,"\u002FxVRHx9X7ptrPkdyrJxf6RywSdcV.jpg","2005-07-08",5.661,1155,"52fe44d1c3a36847f80abba7",{"adult":4,"backdrop_path":244,"genre_ids":245,"id":247,"title":248,"original_language":40,"original_title":249,"overview":250,"popularity":251,"poster_path":252,"release_date":253,"softcore":4,"video":4,"vote_average":254,"vote_count":255,"credit_id":256,"department":178,"job":179,"media_type":34},"\u002F9fKYqsnqDKvu2vRgTzJMTfPeBoc.jpg",[81,246,186],53,36093,"Güneşin Ardında","Abril Despedaçado","1910 yılında Brezilya'nın en kötü bölgelerinden birinde yaşamakta olan Tonho için hayatının en önemli kararını verme günü gelmiştir. Babası ondan, ölen abisinin intikamını almasını istemektedir. Genç adam, eğer bu cinayeti işlerse, hayatının ikiye bölüneceğini bilmektedir. Bugune kadar yaşadığı yirmi yıl ve cinayetten sonra, öldüreceği kişinin ailesi tarafından kendisi öldürülünceye kadar geçecek zaman. Atalarından kalma bu kan davası geleneği ile buna karşı çıkma arasında bocalamaya başlayan Tonho için verilecek karar hiç de kolay değildir. Köylerine gelen küçük bir gezici sirk, onun düşüncelerini başka yöne çeker ama bu kan davası geleneği yakasını kolay kolay bırakmayacaktır.",2.1414,"\u002FdWJLpe0bWf8bNSD6ec1e2xMtfU2.jpg","2001-12-12",7.36,136,"52fe45cb9251416c9103eb0b",{"adult":4,"backdrop_path":244,"genre_ids":258,"id":247,"title":248,"original_language":40,"original_title":249,"overview":250,"popularity":251,"poster_path":252,"release_date":253,"softcore":4,"video":4,"vote_average":254,"vote_count":255,"credit_id":259,"department":12,"job":164,"media_type":34},[81,246,186],"52fe45cb9251416c9103eaf9",{"adult":4,"backdrop_path":261,"genre_ids":262,"id":264,"title":265,"original_language":189,"original_title":265,"overview":25,"popularity":266,"poster_path":267,"release_date":268,"softcore":4,"video":4,"vote_average":269,"vote_count":270,"credit_id":271,"department":12,"job":164,"media_type":34},"\u002F20vIC3JXCFrsLwv0TpiBbK7IKh2.jpg",[263,81],35,36108,"Chacun son cinema ou Ce petit coup au coeur quand la lumiere s'eteint et que le film commence",2.9522,"\u002FoqsHDWIh26sJXz9Ua3lPQhUx3lK.jpg","2007-10-31",6.4,163,"52fe45cd9251416c9103ee13",{"adult":4,"backdrop_path":273,"genre_ids":274,"id":275,"title":276,"original_language":40,"original_title":276,"overview":25,"popularity":277,"poster_path":278,"release_date":279,"softcore":4,"video":4,"vote_average":280,"vote_count":281,"credit_id":282,"department":148,"job":149,"media_type":34},"\u002F2E2jswt2IBsdUa0NjpEAgJSs51e.jpg",[263,81],43676,"Quincas Berro d'Água",1.9275,"\u002FwqR31Lup29LbKrIPqWrmzDQV3Ov.jpg","2010-05-21",6.9,46,"52fe4659c3a36847f80fa00b",{"adult":4,"backdrop_path":284,"genre_ids":285,"id":287,"title":288,"original_language":24,"original_title":289,"overview":290,"popularity":291,"poster_path":292,"release_date":293,"softcore":4,"video":4,"vote_average":294,"vote_count":295,"credit_id":296,"department":12,"job":164,"media_type":34},"\u002F5dUOTVeNPU2CmEfFniQ8TE6HChG.jpg",[286,81],12,83770,"Yolda","On the Road","Beat kuşağının babası Jack Kerouac'ın, 1947’de gerçekleştirdiği ve üç yıl süren uzun yolculuğunun Yolda adıyla romana dönüşmüş halinin sinema uyarlaması olan filmde, Dean Moriarty (Garrett Hedlund) ve Sal Paradise (Sam Riley), Beat Kuşağı'nın birer portresi gibidirler. \"Onu\" bulmak için sürdürdükleri arayışları, ABD'yi baştan başa geçtikleri, çok yükseldikleri ve bir o kadar da dibe battıkları uzun ve heyecanlı bir yolculuğa dönüşür.",4.4524,"\u002Fg8mJxuRtq4XshiWJ7g87lk04FT5.jpg","2012-05-22",5.616,925,"52fe48be9251416c91096e23",{"adult":4,"backdrop_path":298,"genre_ids":299,"id":300,"title":301,"original_language":40,"original_title":301,"overview":25,"popularity":302,"poster_path":303,"release_date":304,"softcore":4,"video":4,"vote_average":305,"vote_count":306,"credit_id":307,"department":12,"job":164,"media_type":34},"\u002F2QFKbHKiBf6I7DGkcCNO3xTyfMK.jpg",[81,186,246],55145,"A Grande Arte",1.5821,"\u002F7o4BVkRPhGVOreXb95rLy0x7aUw.jpg","1991-06-01",4.5,13,"52fe48bdc3a36847f8176f55",{"adult":4,"backdrop_path":309,"genre_ids":310,"id":311,"title":312,"original_language":40,"original_title":312,"overview":25,"popularity":313,"poster_path":314,"release_date":315,"softcore":4,"video":4,"vote_average":33,"vote_count":60,"credit_id":316,"department":148,"job":149,"media_type":34},"\u002FzL08r0egFw1TDlQ9sLB5O9Jp0AK.jpg",[81],576079,"Querência",2.1031,"\u002Fo6F1JHyxzsaZbCB7AXAhMPa4v3e.jpg","2019-11-21","60dafd7b0e5aba005da3d8ba",{"adult":4,"backdrop_path":318,"genre_ids":319,"id":320,"title":321,"original_language":24,"original_title":321,"overview":25,"popularity":322,"poster_path":323,"release_date":324,"softcore":4,"video":4,"vote_average":325,"vote_count":68,"credit_id":326,"department":148,"job":149,"media_type":34},"\u002Fzn3jCOlAMpoXbCBCZrVxqXNNGfW.jpg",[],176775,"Habi, la extranjera",1.4548,"\u002FdlzynYSf4Mk8hnCipBUEQDB979x.jpg","2013-02-12",4.8,"52fe4d77c3a36847f826270f",{"adult":4,"backdrop_path":328,"genre_ids":329,"id":330,"title":331,"original_language":40,"original_title":332,"overview":333,"popularity":334,"poster_path":335,"release_date":336,"softcore":4,"video":4,"vote_average":337,"vote_count":338,"credit_id":339,"department":12,"job":164,"media_type":34},"\u002Fi9dJI44Zy9rB5I1NjntfRN5932d.jpg",[81,246,186],57811,"Yabancı Toprak","Terra Estrangeira","“Central Station \u002F Merkez İstasyonu” ve “The Motorcycle Diaries \u002F Motosiklet Günlükleri” gibi filmleriyle tanınan Walter Salles ilk filmlerinden biri olan “Foreign Land”i Daniela Thomas ile birlikte çekmiş. Sao Paolo’da yaşlı annesiyle birlikte yaşayan işsiz oyuncu Paco ile Lizbon’da garsonluk yaparak hayatını kazanan Alex’in beklenmedik karşılaşmalarını anlatan “Foreign Land”, siyah beyaz görüntüleri ve izleyiciyi hemen yakalayan senaryosuyla ilgiyi hak eden bir yapım",2.0446,"\u002F9N0ATrUbrVXgGGQ0YzPC4yqTxPf.jpg","1996-09-04",7.258,66,"531bd7dac3a3685c430058e0",{"adult":4,"backdrop_path":341,"genre_ids":342,"id":343,"title":344,"original_language":40,"original_title":344,"overview":25,"popularity":345,"poster_path":346,"release_date":347,"softcore":4,"video":4,"vote_average":348,"vote_count":306,"credit_id":349,"department":12,"job":164,"media_type":34},"\u002FdNvE1Rwdx5eftUxYtWTt0wAGws5.jpg",[81],47140,"O Primeiro Dia",1.326,"\u002FhjzjFXIctiYzR5nzl3n0KBkNqBx.jpg","1998-08-12",5.8,"53a5871bc3a3687a43001250",{"adult":4,"backdrop_path":351,"genre_ids":352,"id":354,"title":355,"original_language":40,"original_title":356,"overview":357,"popularity":358,"poster_path":359,"release_date":360,"softcore":4,"video":4,"vote_average":361,"vote_count":362,"credit_id":363,"department":12,"job":164,"media_type":34},"\u002Fj9uruwRe9qM8RnP758dF7ISB8Bj.jpg",[81,353],36,1000837,"Hâlâ Buradayım","Ainda Estou Aqui","Rio de Janeiro’dayız. Hayat güzel, insanlar plajda keyif yapıyor ve her şey çok rahat, hoş, sakin. Ancak, yıl 1971 ve Brezilya askeri diktatörlüğün git gide sıkılaşan pençesinde eziliyor. O gün, eski milletvekili Rubens Paiva ordu tarafından gözaltına alınır, karısı Eunice de daha sonra tutuklanır. Eunice günler sonra serbest bırakılır, ancak Rubens ortadan kaybolmuştur. Beş çocuğuyla ortada kalan Eunice, ailesinin paramparça oluşuyla hem aktivist hem de bir avukat ve kahraman olarak hayatını ve kendini baştan yaratmak zorunda kalır.",9.8005,"\u002FkwNM2DQoGxfSEfbxEANbBScXt9U.jpg","2024-09-19",7.915,1194,"62d3d5eccf62cd0067742ab4",{"adult":4,"backdrop_path":365,"genre_ids":366,"id":367,"title":368,"original_language":40,"original_title":368,"overview":25,"popularity":369,"poster_path":370,"release_date":371,"softcore":4,"video":4,"vote_average":372,"vote_count":58,"credit_id":373,"department":12,"job":164,"media_type":34},"\u002FjeWLhiDNZuw6y3Ghx2Q4X5KTiyR.jpg",[21],294923,"Socorro Nobre",2.2574,"\u002FiW4mq2aivdBJ8P7MUgzlWK7zst.jpg","1995-11-08",7.4,"5423c520c3a36808720035b2",{"adult":4,"backdrop_path":375,"genre_ids":376,"id":377,"title":378,"original_language":53,"original_title":378,"overview":25,"popularity":379,"poster_path":380,"release_date":381,"softcore":4,"video":4,"vote_average":58,"vote_count":382,"credit_id":383,"department":12,"job":164,"media_type":34},"\u002FhoaLD1f2yleIi4znLepuNTKhbw1.jpg",[81,21],220709,"Venezia 70: Future Reloaded",3.3096,"\u002FmMK3jcVwLrUJAtB4VA0EGR6oSXk.jpg","2013-08-28",21,"5469c363eaeb814540000159",{"adult":4,"backdrop_path":385,"genre_ids":386,"id":387,"title":388,"original_language":40,"original_title":388,"overview":25,"popularity":389,"poster_path":390,"release_date":391,"softcore":4,"video":4,"vote_average":280,"vote_count":306,"credit_id":392,"department":12,"job":164,"media_type":34},"\u002F39tybGGdvzdQiwrASAiCNdFMj3.jpg",[21],299751,"Jia Zhangke, Um Homem de Fenyang",1.3511,"\u002FdwqQNXIDs59sQPWPB6H98rGMyrQ.jpg","2016-05-27","5451427bc3a36802450048fb",{"adult":4,"backdrop_path":394,"genre_ids":395,"id":396,"title":397,"original_language":189,"original_title":398,"overview":399,"popularity":400,"poster_path":401,"release_date":402,"softcore":4,"video":4,"vote_average":403,"vote_count":404,"credit_id":405,"department":148,"job":149,"media_type":34},"\u002FmbfZtrKctrRFsE9NF6z333YdSI7.jpg",[21],662714,"Dağların Denizcisi","Algerien par accident","Yönetmen ve senarist Karim Aïnouz bir gemiye atlayıp daha önce hiç görmediği Cezayir’e gitmeye karar verir. Annesi Iracema’nın anısı ve kamerasının yoldaşlığında, babasının memleketine yaptığı bu Akdeniz yolculuğunu bugün, geçmiş ve gelecek arasında gidip gelerek detaylı bir biçimde aktarır.",1.9142,"\u002Fpag4KMpnGEcYV8oQN1ROopBVcyJ.jpg","2023-09-28",6.8,10,"6187a7410752880044d9bc5f",{"adult":4,"backdrop_path":407,"genre_ids":408,"id":409,"title":410,"original_language":155,"original_title":410,"overview":25,"popularity":411,"poster_path":412,"release_date":413,"softcore":4,"video":4,"vote_average":414,"vote_count":81,"credit_id":415,"department":148,"job":416,"media_type":34},"\u002Fjb1EOhEoqzyY7RXmewtE5K3XH8C.jpg",[81,186],67073,"Nacido y criado",1.4991,"\u002FDGxhgJrQICdni25RwFK1q4tWY4.jpg","2006-10-19",5.4,"656aa2e90859b400ff74bf5c","Co-Producer",{"adult":4,"backdrop_path":8,"genre_ids":418,"id":420,"title":421,"original_language":155,"original_title":421,"overview":25,"popularity":422,"poster_path":423,"release_date":424,"softcore":4,"video":4,"vote_average":425,"vote_count":68,"credit_id":426,"department":148,"job":149,"media_type":34},[21,419],10402,17012,"Café de los maestros",1.2978,"\u002FnlXNEZZ0OCtirvXJbmxD7O368LO.jpg","2008-06-26",7.3,"633afd94481382007aa031f0",{"adult":4,"backdrop_path":8,"genre_ids":428,"id":429,"title":430,"original_language":40,"original_title":430,"overview":25,"popularity":431,"poster_path":432,"release_date":433,"softcore":4,"video":4,"vote_average":33,"vote_count":60,"credit_id":434,"department":12,"job":164,"media_type":34},[21],357936,"Adão ou Somos Todos Filhos da Terra",0.9459,"\u002FhLrC2WM8CjLSrvmdJAJuYPdXB65.jpg","1999-01-02","55e8faa4c3a3682c5d0048c5",{"adult":4,"backdrop_path":436,"genre_ids":437,"id":438,"title":439,"original_language":155,"original_title":440,"overview":441,"popularity":442,"poster_path":443,"release_date":444,"softcore":4,"video":4,"vote_average":206,"vote_count":445,"credit_id":446,"department":178,"job":179,"media_type":34},"\u002FwxTm7Fppm0XnpzuAmCtT0XvLpuE.jpg",[81,353],928118,"Film Anlatıcısı Kız","La contadora de películas","Şilili yazar Hernán Rivera Letelier tarafından yazılmış, bir kız çocuğunun sinema tutkusunu ve hayallerini anlatan \"büyülü bir masal\" olarak tanımlanan bir kitaptır. Bu kitap, bir filmi anlatmanın bir rüyayı anlatmak gibi olduğuna dair bir metaforla, on bir yaşındaki María Margarita'nın sinemaya olan tutkusunu ve bunu anlatma yeteneğini konu alır.",4.4074,"\u002FqCyMdwaiebq6QKEnKRVuYmm0ths.jpg","2023-10-27",52,"61e5e20b6840cc001cdb85e3",{"adult":4,"backdrop_path":448,"genre_ids":449,"id":450,"title":451,"original_language":40,"original_title":451,"overview":25,"popularity":452,"poster_path":453,"release_date":454,"softcore":4,"video":4,"vote_average":33,"vote_count":9,"credit_id":455,"department":12,"job":164,"media_type":34},"\u002F7b78GY0cIxq7sNrnSn1edwyzHHN.jpg",[419],211880,"Marisa Monte: MM ao Vivo",1.1566,"\u002Fm9yWuofGuES1usfjdGMsmgpqN2y.jpg","1989-12-04","639c9a4718864b00a0ae2492",{"adult":4,"backdrop_path":166,"genre_ids":457,"id":168,"title":169,"original_language":40,"original_title":170,"overview":171,"popularity":172,"poster_path":173,"release_date":174,"softcore":4,"video":4,"vote_average":175,"vote_count":176,"credit_id":458,"department":148,"job":149,"media_type":34},[81],"57843aab9251411bc9000759",{"adult":4,"backdrop_path":460,"genre_ids":461,"id":462,"title":463,"original_language":155,"original_title":463,"overview":25,"popularity":464,"poster_path":465,"release_date":466,"softcore":4,"video":4,"vote_average":467,"vote_count":468,"credit_id":469,"department":470,"job":471,"media_type":34},"\u002Fm20HptmxO1QfAVzDDqqWJi5TyZ7.jpg",[81],352162,"Desde allá",3.3483,"\u002FhNr0qkSctGNxWx5belt3ZrMNcyA.jpg","2015-09-10",6.1,139,"57dd5cd99251416c92002625","Crew","Thanks",{"adult":4,"backdrop_path":473,"genre_ids":474,"id":475,"title":476,"original_language":40,"original_title":476,"overview":477,"popularity":478,"poster_path":479,"release_date":480,"softcore":4,"video":4,"vote_average":372,"vote_count":481,"credit_id":482,"department":148,"job":416,"media_type":34},"\u002FveZzmysk4x3clDOsXiAADWVjL40.jpg",[81],377273,"Aquarius","65 yaşındaki Clara, Brezilya’nın Recife şehrinde zengin ve köklü bir ailenin üyesi olarak dünyaya gelmiş olan emekli bir müzik eleştirmenidir. Üst sınıf insanların yaşadığı deniz kenarındaki Boa Viagem Avenue’da 1940’larda ilk olarak iki katlı bir bina olarak inşa edilen Aquarius’ın son sakinidir. O bölgeyi başka planları için kullanmak isteyen bir şirket, etraftaki tüm apartmanları satın almış durumdadır. Clara ise, ancak ölümüyle terkedeceğini söylediği evinden çıkmayı reddeder ve şirket ile arasında soğuk bir savaş başlar. Bu gerilim Clara’yı rahatsız etmekle birlikte günlük hayatını da etkiler. Bütün bunlar ona sevdiklerini, geçmişini ve geleceğini düşündürtecektir.",3.0611,"\u002FtEHOKQVW7Hw7T68uvJEUiJy13CR.jpg","2016-09-01",524,"57d0ecb3c3a3684b9d0036c8",{"adult":4,"backdrop_path":484,"genre_ids":485,"id":489,"title":490,"original_language":40,"original_title":491,"overview":492,"popularity":493,"poster_path":494,"release_date":495,"softcore":4,"video":4,"vote_average":33,"vote_count":496,"credit_id":497,"department":148,"job":149,"media_type":34},"\u002FqSc5JzPvSm6KxVv54nrn7SNXFtk.jpg",[486,419,263,487,488],16,14,10751,1192209,"Nuh'un Gemisi","Arca de Noé","Yağmurlar yağdığında Nuh'un Gemisi'ne her türden yalnızca bir erkek ve bir dişinin girmesine izin verilir. Zeki bir hamam böceğinin yardımıyla ve kaderlerinin talihiyle, Vini ve Tito gemiye gizlice girer ve birlikte geminin etoburları ve bitki yiyicileri arasındaki bir kavgayı önler. Bu arada hayvanlar, dünyaca ünlü şair Vinicius de Moraes'ten ilham alan bir dizi klasik şarkı söyler. Bu yetenekli ve kaçak yolcuların , müziği 40 gün 40 gece hayvanlar arasındaki huzuru ve dengeyi korumak için kullanmaları gerekecektir.",7.8976,"\u002FgvVL8hQypDaMdmNMLhisvTpJWdp.jpg","2024-01-05",120,"65e4bf42fe077a0185115dbb",{"adult":4,"backdrop_path":8,"genre_ids":499,"id":500,"title":501,"original_language":502,"original_title":501,"overview":25,"popularity":503,"poster_path":504,"release_date":505,"softcore":4,"video":4,"vote_average":506,"vote_count":117,"credit_id":507,"department":12,"job":164,"media_type":34},[186,81,263,21,419],305085,"Stories on Human 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