[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F793:{\"language\":\"tr-TR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":11,"birthday":12,"deathday":13,"gender":14,"homepage":15,"id":16,"imdb_id":17,"known_for_department":18,"name":19,"place_of_birth":20,"popularity":21,"profile_path":22,"combined_credits":23,"images":1063},false,[6,7,8,9,10],"Luis Buñuel Portolés","루이스 부뉴엘","루이스 브뉘엘","路易斯·布努埃尔","لوئیس بونوئل","Luis Buñuel Portolés (Spanish: [ˈlwis βuˈɲwel poɾtoˈles]; 22 February 1900 – 29 July 1983) was a Spanish filmmaker who worked in France, Mexico, and Spain. He has been widely considered by many film critics, historians, and directors to be one of the greatest and most influential filmmakers of all time. Buñuel's work was known for its avant-garde surrealism which was also infused with political commentary and social satire.\n\nOften associated with the surrealist movement of the 1920s, Buñuel made films from the 1920s through the 1970s. He collaborated with prolific surrealist painter Salvador Dali creating the films Un Chien Andalou (1929), which was made in the silent era and L'Age d'Or (1930). The two films are seen as the birth of Cinematic surrealism. From 1947 to 1960 he developed his skills as a director filming in Mexico making grounded and human melodramas such as Gran Casino (1947), Los Olvidados (1950), and Él (1953). Here is where he gained the fundamentals of storytelling.\n\nBuñuel than transitioned into making artful, unconventional, surrealist, and political satirical films. He earned acclaim with the morally complex arthouse drama film Viridiana (1961) which criticized the Francoist dictatorship. The film won the Palme d'Or at the 1961 Cannes Film Festival. He then criticized political and social conditions in The Exterminating Angel (1962), and The Discreet Charm of the Bourgeoise (1972) the later of which won the Academy Award for Best International Feature Film. He also directed Diary of a Chambermaid (1964), and Belle de Jour (1967), as well as his final film That Obscure Object of Desire (1977) the later of which earned the National Society of Film Critics Award for Best Director.\n\nBuñuel earned five Cannes Film Festival prizes, two Berlin International Film Festival prizes, and a BAFTA Award as well as nominations for two Academy Awards. Buñuel received numerous honors including National Prize for Arts and Sciences for Fine Arts in 1977, the Moscow International Film Festival Contribution to Cinema Prize in 1979, and the Career Golden Lion in 1982. He was nominated once for the Nobel Prize in Literature in 1968. Seven of Buñuel's films are included in Sight & Sound's 2012 critics' poll of the top 250 films of all time.","1900-02-22","1983-07-29",2,null,793,"nm0000320","Directing","Luis Buñuel","Calanda, Teruel, Aragón, España",2.2691,"\u002Fa7wib1eRG6TyonDXpAbF7PZd0f8.jpg",{"cast":24,"crew":400},[25,41,58,74,88,100,110,120,129,137,147,160,172,181,190,200,212,226,237,247,257,271,282,290,300,309,317,326,337,346,358,365,376,390],{"adult":4,"backdrop_path":15,"genre_ids":26,"id":28,"title":29,"original_language":30,"original_title":29,"overview":31,"popularity":32,"poster_path":33,"release_date":34,"softcore":4,"video":4,"vote_average":35,"vote_count":36,"character":37,"credit_id":38,"order":39,"media_type":40},[27],99,673220,"Le Fantôme de Laurent Terzieff","fr","",1.3436,"\u002F7HtqtZCNFFTAsc4Pvh24sQT2yIu.jpg","2020-09-09",6,1,"Self (archive footage)","613994194142910061060632",12,"movie",{"adult":4,"backdrop_path":42,"genre_ids":43,"id":47,"title":48,"original_language":30,"original_title":49,"overview":50,"popularity":51,"poster_path":52,"release_date":53,"softcore":4,"video":4,"vote_average":54,"vote_count":55,"character":56,"credit_id":57,"order":14,"media_type":40},"\u002FjQywhaFDVLPlFw864Bgw5eNtWfi.jpg",[44,45,46],14,53,27,626,"Endülüs Köpeği","Un chien andalou","Bir Endülüs Köpeği, Fransızca orijinal ismi Un Chien Andalou olan (İngilizce: An Andalusian Dog) 16 dakikalık[1] sürrealist filmdir. Deneysel sinemanın ilk örneği kabul edilmektedir.  Ünlü İspanyol ressam Salvador Dali ve İspanyol yazar ve film yönetmeni Luis Buñuel'in gördükleri bazı rüyaları birbirlerine anlatmaları filme esin kaynağı olmuştur. 1928 yılında Fransa'da Luis Buñuel ve Salvador Dali tarafından hazırlanmış ve 1929 yılında Paris'te çekilmiştir.  1920'lerde başlayan deneysel filmlerin en bilinenidir. Filmin yıldızları Simone Mareuil ve Pierre Batcheff ve isimsiz birçok kahramandır.  Filmde bilediği ustura ile bir kadının gözünü ikiye ayıran adam ile bir bulutun Ay’ı kesmesi ilişkilendirilmiştir. Buna benzer avcunun içinde karıncalar dolaşan adam gibi, rüya olduğu bilinen sahnelerin yanı sıra, mantıklı açıklamasının olmadığını düşündürebilecek onlarca sahne de mevcuttur.",4.5759,"\u002FwtCxXsXg2T1Rii6lA9lBtalN2wL.jpg","1929-06-05",7.4,1462,"Man in Prologue (uncredited)","52fe4260c3a36847f8019863",{"adult":4,"backdrop_path":59,"genre_ids":60,"id":63,"title":64,"original_language":30,"original_title":65,"overview":66,"popularity":67,"poster_path":68,"release_date":69,"softcore":4,"video":4,"vote_average":70,"vote_count":71,"character":72,"credit_id":73,"order":61,"media_type":40},"\u002F9fJPLvrUV32MzpfDwXk7cOnj8hM.jpg",[61,62],18,10749,649,"Gündüz Güzeli","Belle de jour","Séverine Serizy Paris'te yaşayan ve görünürde mutlu bir evliliği olan her şeye sahip güzel bir kadındır. Séverine doktor olan kocası Pierre'e karşı soğuktur, hatta aralarında fiziksel bir ilişki olmadığı da sezilmektedir. Ancak bu \"soğuk sarışın\"ın ruhunda fırtınalar kopmaktadır. Günün birinde kendisinde gözü de olan aile dostları Henri Husson'dan özel bir randevu evinin adresini alır ve öğleden sonraları bu lüks genelevde çalışmaya başlar. Buradaki yeni adı \"Gündüz Güzeli\"dir artık. Şehvet düşkünü Séverine, randevu evine gittikçe kocasına daha çok bağlanır, aynı zamanda buradaki tiksindirici hayatını da garip bir şekilde kabullenir, zira burada mazoşist cinsel fantezilerini keşfedip yaşamaktadır.",7.5342,"\u002Fxjwxy0qFe1kbGFIggXVRuela16F.jpg","1967-05-24",7.308,1051,"Man in Gardencafe - Left from the Duke (uncredited)","52fe4264c3a36847f801ae2d",{"adult":4,"backdrop_path":75,"genre_ids":76,"id":78,"title":79,"original_language":30,"original_title":79,"overview":31,"popularity":80,"poster_path":81,"release_date":82,"softcore":4,"video":4,"vote_average":83,"vote_count":84,"character":85,"credit_id":86,"order":87,"media_type":40},"\u002F9sm4hWWjbLVVRhsokPaa1toqHe7.jpg",[62,77,61],35,5729,"L'Âge 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corps",1.641,"\u002F3dIuqnBgqiSXJSM7XECQwEA4MDt.jpg","1973-09-28",5.7,"Un invité (uncredited)","5cbca2330e0a267e34f13adb",23,{"adult":4,"backdrop_path":213,"genre_ids":214,"id":215,"title":216,"original_language":30,"original_title":216,"overview":217,"popularity":218,"poster_path":219,"release_date":220,"softcore":4,"video":4,"vote_average":221,"vote_count":222,"character":223,"credit_id":224,"order":225,"media_type":40},"\u002FdlH6bkq4SJwwlLpr7jAWeG2UATx.jpg",[77,61],35031,"La Voie lactée","Jean ve Pierre adlı iki adam Paris’ten İspanya’daki Santiago de Compostela’ya hacca gitmektedir. Yolculukları 20.yy’da başlar ancak yol aldıkça zaman ve mekanda yolculuk ettikleri görülür. Dini metinlerden alınma birçok tarihi sahneye tanık olurlar; İsa’ya, Marki de Sade’ye, Şeytan’a rastlarlar.",3.5425,"\u002FycKbkUuUunu7uhxPKTaaNwdmEqt.jpg","1969-02-28",7.059,195,"(voice) (uncredited)","5ed3d8621b157d001e537d04",47,{"adult":4,"backdrop_path":227,"genre_ids":228,"id":230,"title":231,"original_language":30,"original_title":231,"overview":31,"popularity":232,"poster_path":233,"release_date":234,"softcore":4,"video":4,"vote_average":96,"vote_count":35,"character":235,"credit_id":236,"order":44,"media_type":40},"\u002FyValNdxxeeCdHtQ2cu4M6ZCFVw7.jpg",[27,229],10770,595713,"Jeanne Moreau, l'affranchie",1.8575,"\u002Fx3pTA6VhdTrRi7N5XNaANay49Jb.jpg","2018-04-02","Self - Filmmaker (archive footage)","5f37778e6bdec30033cb2e9d",{"adult":4,"backdrop_path":238,"genre_ids":239,"id":240,"title":241,"original_language":30,"original_title":241,"overview":31,"popularity":242,"poster_path":243,"release_date":244,"softcore":4,"video":4,"vote_average":245,"vote_count":159,"character":235,"credit_id":246,"order":96,"media_type":40},"\u002Feo5G8SgRxNIwhRNr2PXjG1DOJ9J.jpg",[27,229],476446,"L'Extravagant Monsieur Piccoli",1.8995,"\u002FfgmTqWoPPGGAjGqd8X7h55qeTTo.jpg","2017-05-28",6.5,"5f378579efcea900349adcc8",{"adult":4,"backdrop_path":248,"genre_ids":249,"id":250,"title":251,"original_language":30,"original_title":251,"overview":31,"popularity":252,"poster_path":253,"release_date":254,"softcore":4,"video":4,"vote_average":245,"vote_count":39,"character":255,"credit_id":256,"order":96,"media_type":40},"\u002F1Yy2IDVCTNhDMFT3Xls6kH3ekbo.jpg",[61,62],189567,"Mauprat",1.8559,"\u002FbnNr2OzjKFhRENUHBHXACqLKx8w.jpg","1926-10-18","Monk \u002F Guardsman","5f8c6886eb79c200390e393f",{"adult":4,"backdrop_path":258,"genre_ids":259,"id":260,"title":261,"original_language":30,"original_title":262,"overview":263,"popularity":264,"poster_path":265,"release_date":266,"softcore":4,"video":4,"vote_average":54,"vote_count":267,"character":268,"credit_id":269,"order":270,"media_type":40},"\u002FAi3fiCnWzHl3bL4CZQQ1pt2uiOU.jpg",[77],5558,"Özgürlük Hayaleti","Le Fantôme de la liberté","Toplumun kurallarıyla boğuşan, cinsellik ve özgürlüklerinin karmaşasına düşen karakterlerle dolu, birbirine muğlak derecelerde bağlı olan bölümlerden oluşan bir Bunuel filmi. Filmde, bir yemek masası çevresinde klozetlere oturmuş insanların kimsenin görmediği yerlere çekilip yemek yemek için özürlerle sofradan kalkmaları gibi sahneler mevcut. Komik ve çılgın öğelerin bulunduğu filmde, Luis Bunuel sürrealistliğini doyasıya ortaya çıkarmıştır. Onlarca başyapıt çıkarmış bir yönetmenin en sıradışı çalışmalarından biri * bunuel: ironi ve absürtlük... toplumu yerden yere vurarak eleştiren, bitirmediği, yarım bıraktığı hikayeler ile insanı meraktan çıldırtan bir film * İnsanların özgürlüğü aradıkları ama onun anlamını bilmedikleri ve daha çok ondan korkmaları... Sahnelerde hep ters ilişki var, burada asıl özgürlük bir hayalet gibi (komünist manifestonun giriş bölümünde böyle bir hayalet benzetmesi yapılmakta) küçük burjuva ve konfor arayışındaki insanların arasında sadece geziniyor.",6.4527,"\u002FvssJ0mOhgirbPS3cVo0XFAj41yo.jpg","1974-09-10",346,"Condemned Man (uncredited)","60c253a2839018006edde35d",43,{"adult":4,"backdrop_path":272,"genre_ids":273,"id":274,"title":275,"original_language":30,"original_title":275,"overview":31,"popularity":276,"poster_path":277,"release_date":278,"softcore":4,"video":4,"vote_average":279,"vote_count":280,"character":37,"credit_id":281,"order":35,"media_type":40},"\u002FxO8lwcDnIJVPosFd0AleaGULB9n.jpg",[27],719482,"Catherine Deneuve, belle et bien 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