[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F7710:{\"language\":\"tr-TR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":8,"birthday":9,"deathday":10,"gender":11,"homepage":12,"id":13,"imdb_id":14,"known_for_department":15,"name":16,"place_of_birth":17,"popularity":18,"profile_path":19,"combined_credits":20,"images":1051},false,[6,7],"ラウラ・ベッティ","Laura Trombetti","Laura Betti (née Trombetti; 1 May 1927 – 31 July 2004) was an Italian actress known particularly for her work with directors Federico Fellini, Pier Paolo Pasolini and Bernardo Bertolucci. She had a long friendship with Pasolini and made a documentary about him in 2001.\n\nBetti became famous for portraying bizarre, grotesque, eccentric, unstable or maniacal roles, like Regina in Bernardo Bertolucci's 1900, Anna the medium in Twitch of the Death Nerve, Giovanna la pazza in Woman Buried Alive, hysterical Rita Zigai in Sbatti il mostro in prima pagina, Therese in Private Vices, Public Virtues, Emilia the servant in Pier Paolo Pasolini's Teorema for which she won the Volpi Cup for Best Actress, and Mildred the protagonist's wife in Mario Bava's Hatchet for the Honeymoon.\n\nBorn Laura Trombetti in Casalecchio di Reno, near Bologna, she grew up to be interested in singing. She first worked professionally in the arts as a jazz singer and moved to Rome.\n\nBetti made her film debut in Federico Fellini's La Dolce Vita (1960). In 1963, she became a close friend of the poet and movie director Pier Paolo Pasolini. Under his direction, she proved a wonderful talent and played in seven of his films, including La ricotta (1963), Teorema (Theorem, 1968), his 1972 version of The Canterbury Tales, in which she played the Wife of Bath; and his controversial Salo (1975) (\"120 Days of Sodom\").\n\nIn 1976, Betti portrayed Regina, a cruel and eroto-maniacal fascist in Bernardo Bertolucci's Novecento (1900). She also played Miss Blandish in his Last Tango in Paris (1972), though her single scene was deleted.\n\nIn 1973 she dubbed the voice of the Devil for the Italian version of William Friedkin's The Exorcist.\n\nFrom the 1960s, Betti dedicated much of her time to literature and politics. She became the muse for a number of leading political and literary figures in Italy and came to personify the revolutionary and Marxist era of 1970s Italy.\n\nIn 2001, she made a documentary about Pasolini, Pier Paolo Pasolini e la ragione di un sogno. She also donated her papers related to their long friendship along with more than 1000 volumes and many documents connected to Pasolini to the archives of the Fondazione Cineteca di Bologna, thus creating the Centro Studi Archivio Pier Paolo Pasolini. This Centro, strongly wanted by Betti, owns also thousands of photograph and all the works of Pasolini: poetry, literature, cinema and journalism. After her death in 2004 her brother Sergio Trombetti has donated all the personal documents of her career to the Centro that has absorbed them under the name Fondo Laura Betti.\n\nSource: Article \"Laura Betti\" from Wikipedia in English, licensed under CC-BY-SA 3.0.","1927-05-01","2004-07-31",1,null,7710,"nm0079341","Acting","Laura Betti","Casalecchio di Reno, Emilia-Romagna, Italy",1.2227,"\u002F7fQu63Y9LDvAKLGVprtvVBGTbi1.jpg",{"cast":21,"crew":1008},[22,40,57,70,84,100,114,127,140,153,165,176,190,201,212,222,235,248,261,273,283,293,305,317,330,342,352,362,372,383,394,404,415,429,441,451,461,473,483,492,504,514,524,537,546,557,567,576,586,596,606,615,629,638,648,657,667,678,689,700,709,720,728,737,748,758,768,777,790,802,812,821,833,844,854,866,874,883,892,902,912,922,931,939,953,966,978,988,1000],{"adult":4,"backdrop_path":23,"genre_ids":24,"id":26,"title":27,"original_language":28,"original_title":29,"overview":30,"popularity":31,"poster_path":32,"release_date":33,"softcore":4,"video":4,"vote_average":34,"vote_count":35,"character":36,"credit_id":37,"order":38,"media_type":39},"\u002Fgk7k11v0G9QiSEpDR5fhr6Ihkwa.jpg",[25],18,570,"Kız Kardeşim","fr","À ma sœur !","İki kız kardeş, karşı cinse merak duydukları ergenlik döneminde, ailece, şirin bir Fransız beldesinde tatile çıkarlar.  Tatilde hukuk fakültesi üçüncü sınıf öğrencisi yakışıklı bir İtalyan genci olan Fernando ile tanışırlar. Fernando bir gece Elena’yı, Anais ile paylaştığı odada baştan çıkarır ve Elena ilk cinsel deneyimini yaşar. Hem kız kardeşini hem de bu ilişkiyi kıskanan Anais’e bir köşede sessizde olanı biteni izlemek düşer. Kız kardeşi Elena, erkek vücudunu keşfederken, Anais de şişmanlığıyla yüzleşerek her geçen gün daha da çok içine kapanmaktadır.",5.0298,"\u002FfjqafvJW9UxiuiVFE0WtGxwvJit.jpg","2001-03-07",6.1,264,"Fernando's Mother","52fe4254c3a36847f8015a1b",5,"movie",{"adult":4,"backdrop_path":41,"genre_ids":42,"id":44,"title":45,"original_language":46,"original_title":47,"overview":48,"popularity":49,"poster_path":50,"release_date":51,"softcore":4,"video":4,"vote_average":52,"vote_count":53,"character":54,"credit_id":55,"order":56,"media_type":39},"\u002Fx5948QrtMqvnf2OBP9ESpdmONQa.jpg",[25,43],36,3870,"1900","it","Novecento","“...1900'ün yalnızca siyasal bir film olarak anılmasını istemem. Bu, daha geniş olarak yaşam, yazgı, aşk ve siyaset üzerine bir filmdir. Çünkü siyaset de gündelik yaşamımızın bir parçasıdır...” - Bernardo Bertolucci Mekan, 19. Yüzyılın sonunda siyasi birliğini sağlamayı ancak başarabilmiş, bu nedenle de sömürgecilik yarışında geri kalmış İtalya. İtalya’nın en ünlü toprak sahiplerinden Berlinghieri ailesinin oğlu Alfredo ve babası çiftçi olan Olmo, 1900 yılında aynı gün doğarlar. Adaletsizliklerle ve ekonomik sıkıntılarla dolu olan 20. Yüzyıl İtalyası’nda iki yakın arkadaş olan Alfredo ve Olmo’nun arasındaki ilişki, yaşları büyüdükçe keskinleşen sınıf farklılıkları ve ülke içi-dışında yaşanan siyasi sorunlar nedeniyle arkadaşlıktan düşmanlığa dönüşür. Savaşa gidip gelen Alfredo, artık Marksist Olmo’nun gözünde, yok edilmesi gereken faşist bir liderden başka bir şey değildir.",4.2632,"\u002F5VOYbc5ZinBkwiUqePIc396pSI0.jpg","1976-08-28",7.8,702,"Regina","52fe43a5c3a36847f80648a3",7,{"adult":4,"backdrop_path":58,"genre_ids":59,"id":60,"title":61,"original_language":46,"original_title":61,"overview":62,"popularity":63,"poster_path":64,"release_date":65,"softcore":4,"video":4,"vote_average":66,"vote_count":56,"character":67,"credit_id":68,"order":69,"media_type":39},"\u002F7Hdpm7a7KAA9YBjR5ScpU7V5qE9.jpg",[25],10848,"La felicità non costa niente","",1.6171,"\u002FwzMGtLhxzFiQdnqGyoRhWL5GMcy.jpg","2003-01-31",3.9,"Suora guardiana","52fe43c29251416c7501d067",6,{"adult":4,"backdrop_path":71,"genre_ids":72,"id":74,"title":75,"original_language":46,"original_title":76,"overview":77,"popularity":78,"poster_path":79,"release_date":80,"softcore":4,"video":4,"vote_average":56,"vote_count":81,"character":82,"credit_id":83,"order":38,"media_type":39},"\u002F7o5uc27hJD4L95ZnJO9CR5iHdfQ.jpg",[73,25],9648,5335,"Teorem","Teorema","Milanolu bir sanayici, durup dururken fabrikasını işçilerine hibe eder. Film, bu garip cömertliği doğuran olayları anlatır. Bundan kısa süre önce, sanayicinin evinde kalmak üzere yakışıklı ve garip bir delikanlı gelmiştir. Delikanlı ev sahiplerinden hiçbir talepte bulunmaz, ama bütün ev halkı onun cazibesine kapılmakta gecikmez. Bir süre sonra misafir aniden evden ayrılınca, burjuva ailesinin üyelerinin ve köy kökenli hizmetçilerinin hayatı altüst olur.",6.6198,"\u002F5nbs2VIj9CMDDtghxSLvA3JgwJa.jpg","1968-09-07",463,"Emilia, the Servant","52fe4403c3a36847f807d371",{"adult":4,"backdrop_path":85,"genre_ids":86,"id":89,"title":90,"original_language":46,"original_title":91,"overview":92,"popularity":93,"poster_path":94,"release_date":95,"softcore":4,"video":4,"vote_average":96,"vote_count":97,"character":98,"credit_id":99,"order":69,"media_type":39},"\u002F2E2tfSguMHWrzbc29j1yKWifKDv.jpg",[87,88],27,53,5486,"Kanlı Körfez","Ecologia del delitto","Mario Bava’nın A Bay of Blood filmi, slasher türünün öncüsü kabul edilen bir İtalyan korku klasiğidir. 1971 yapımı bu film, 13 karakterin vahşi şekillerde öldürülmesini konu alarak, Halloween (1978) ve Friday the 13th (1980) gibi filmlere ilham vermiştir. Basit bir konuya sahip olan film, bir koyu satın almak isteyenler ile orada yaşayanlar arasındaki cinayetler zincirini işler. Bava’nın sanat geçmişi, filmin görsel estetiğine yansırken, su altındaki cesede yapışan ahtapot gibi unutulmaz sahneler sunar. Film, dönemine göre oldukça kanlı ve yaratıcı ölüm sahneleriyle dikkat çeker. Bugün biraz eskimiş görünse de enerjisi ve korku sinemasına katkıları açısından hala büyük bir önem taşımaktadır.",8.3443,"\u002FfCaoxvySAQlqAadngtINCOm7RqQ.jpg","1971-09-08",6.549,449,"Anna Fossati","52fe4408c3a36847f807e5ab",{"adult":4,"backdrop_path":101,"genre_ids":102,"id":104,"title":105,"original_language":46,"original_title":106,"overview":107,"popularity":108,"poster_path":109,"release_date":110,"softcore":4,"video":4,"vote_average":34,"vote_count":111,"character":112,"credit_id":113,"order":11,"media_type":39},"\u002FzOnb0WKYSrXI1GiIkHdC8qt4PT9.jpg",[103,43,25],35,5691,"Canterbury Öyküleri","I racconti di Canterbury","Canterbury'e giden bir grup keşiş, yolda vakit öldürmek için birbirlerine öyküler anlatmaya başlarlar. Fakat bütün bu öykülerin ortak bir yanı vardır: hepsi de son derece açık saçık öykülerdir. Bu noktadan itibaren sırayla anlatılan öyküleri dinlemeye ve izlemeye başlarız. Açık saçık olmalarının yanında aslında hepsi de, kilise ve papazların yaşam tarzlarına yöneltilen bir eleştiri ve insan doğasında bulunan zaafların mizahi bir yoldan ele alınmasını içermektedir.",4.1911,"\u002Fa6T2PYgMlDTG2uCofFJL941zd1M.jpg","1972-09-02",242,"The Wife from Bath","52fe4418c3a36847f8082097",{"adult":4,"backdrop_path":115,"genre_ids":116,"id":118,"title":119,"original_language":46,"original_title":119,"overview":62,"popularity":120,"poster_path":121,"release_date":122,"softcore":4,"video":4,"vote_average":123,"vote_count":11,"character":124,"credit_id":125,"order":126,"media_type":39},"\u002F6BblyX8PoGpkTP7JY7Ad0UMeIuG.jpg",[25,117],80,884798,"Raul - Diritto di uccidere",2.0948,"\u002FpqVvl3R9eXOvEBBagHBXR7kDaSK.jpg","2005-04-15",9,"Usuraia","6167fd78be7f350091e757b6",16,{"adult":4,"backdrop_path":128,"genre_ids":129,"id":130,"title":131,"original_language":46,"original_title":131,"overview":62,"popularity":132,"poster_path":133,"release_date":134,"softcore":4,"video":4,"vote_average":135,"vote_count":136,"character":137,"credit_id":138,"order":139,"media_type":39},"\u002FsaUc6DREYFuUDU0L2lUhcRKdIGC.jpg",[87,88],28050,"Il rosso segno della follia",1.9822,"\u002FqjSHfUcWinFOuKEs120td8Llu8T.jpg","1970-06-02",6.4,121,"Mildred Harrington","52fe4575c3a368484e05c665",2,{"adult":4,"backdrop_path":141,"genre_ids":142,"id":143,"title":144,"original_language":28,"original_title":144,"overview":62,"popularity":145,"poster_path":146,"release_date":147,"softcore":4,"video":4,"vote_average":148,"vote_count":149,"character":150,"credit_id":151,"order":152,"media_type":39},"\u002Fiu76fwO3PFTE3Lb9tthl14eFWz3.jpg",[43,103,25],42131,"La Nuit de Varennes",2.4624,"\u002FAf9qxvsxzv45VnszT1MKFbHj4NJ.jpg","1982-05-15",6.9,75,"Virginia Capacelli","52fe45eec3a36847f80e2e37",8,{"adult":4,"backdrop_path":154,"genre_ids":155,"id":156,"title":157,"original_language":28,"original_title":157,"overview":62,"popularity":158,"poster_path":159,"release_date":160,"softcore":4,"video":4,"vote_average":161,"vote_count":56,"character":162,"credit_id":163,"order":164,"media_type":39},"\u002FbQ0qOig5NYrta7UBB3w9K4XL9bc.jpg",[103,25],63208,"Loin de Manhattan",1.1246,"\u002FiJw3mdTPQkkvMw35ipafN4Jj1MS.jpg","1982-01-27",7.357,"Madame Hanska","52fe46a0c3a368484e09aedd",3,{"adult":4,"backdrop_path":166,"genre_ids":167,"id":168,"title":169,"original_language":46,"original_title":169,"overview":62,"popularity":170,"poster_path":171,"release_date":172,"softcore":4,"video":4,"vote_average":173,"vote_count":123,"character":174,"credit_id":175,"order":69,"media_type":39},"\u002F1rlWWWElpVpGQRGdrM8xSkPB5pK.jpg",[25],39069,"Mamma Ebe",1.0377,"\u002FhAxSnHxLNI2e5p6Q2IBaGXxKVJ8.jpg","1985-04-08",4.9,"Lidia Corradi","52fe46f79251416c91065b17",{"adult":4,"backdrop_path":177,"genre_ids":178,"id":180,"title":181,"original_language":46,"original_title":181,"overview":62,"popularity":182,"poster_path":183,"release_date":184,"softcore":4,"video":4,"vote_average":185,"vote_count":186,"character":187,"credit_id":188,"order":189,"media_type":39},"\u002FcoD5o7g5cN6YobJUsxcLj6DWzfR.jpg",[25,179],10752,46696,"Vizi privati, pubbliche virtù",2.0523,"\u002F3ZgqkdDx8A2xyISXjkFAh7oTga.jpg","1976-05-06",5.2,38,"Teresa","52fe4707c3a36847f811fc57",4,{"adult":4,"backdrop_path":191,"genre_ids":192,"id":194,"title":195,"original_language":28,"original_title":195,"overview":62,"popularity":196,"poster_path":197,"release_date":198,"softcore":4,"video":4,"vote_average":52,"vote_count":139,"character":199,"credit_id":200,"order":139,"media_type":39},"\u002F1DmAfcQibMpMpzvPPlCPiYhV5lJ.jpg",[25,103,193],14,65536,"La nuit, tous les chats sont gris",1.2108,"\u002Fime9O3jG2YrwaRQ0iehwDJ3Neep.jpg","1977-11-23","Jacqueline","52fe470ec3a368484e0b2a4d",{"adult":4,"backdrop_path":202,"genre_ids":203,"id":204,"title":205,"original_language":46,"original_title":205,"overview":62,"popularity":206,"poster_path":207,"release_date":208,"softcore":4,"video":4,"vote_average":148,"vote_count":209,"character":210,"credit_id":211,"order":164,"media_type":39},"\u002FfF7higUaFGlfesmrFxRcyKQkt9l.jpg",[43,25],49125,"Allonsanfàn",2.0154,"\u002Fx6TM8RwxlvpYr5loqkXPFDHmZ1Q.jpg","1974-09-06",44,"Esther Imbriani","52fe4787c3a36847f813ab83",{"adult":4,"backdrop_path":213,"genre_ids":214,"id":215,"title":216,"original_language":28,"original_title":216,"overview":62,"popularity":217,"poster_path":218,"release_date":219,"softcore":4,"video":4,"vote_average":189,"vote_count":189,"character":220,"credit_id":221,"order":164,"media_type":39},"\u002FbQaxXaV5xD1NrPhUT6LpYFD8Nqt.jpg",[25],353014,"Paulina s'en va",1.8727,"\u002FgffwLcFf9vnf2jcofW7XT1Lqq3t.jpg","1969-09-01","Hortense","61e21629eec4f30042f7987d",{"adult":4,"backdrop_path":223,"genre_ids":224,"id":225,"title":226,"original_language":46,"original_title":226,"overview":62,"popularity":227,"poster_path":228,"release_date":229,"softcore":4,"video":4,"vote_average":230,"vote_count":231,"character":232,"credit_id":233,"order":234,"media_type":39},"\u002Fv8S7LXdvkoMhsep0m1IGV0JnJD4.jpg",[103,25],56381,"Il Grande Cocomero",1.852,"\u002F7oWwb1sFEhJleL2Qy0FhyVwVNne.jpg","1993-02-10",6.694,54,"Aida","52fe48fec3a36847f8183e07",17,{"adult":4,"backdrop_path":236,"genre_ids":237,"id":238,"title":239,"original_language":28,"original_title":239,"overview":62,"popularity":240,"poster_path":241,"release_date":242,"softcore":4,"video":4,"vote_average":243,"vote_count":244,"character":245,"credit_id":246,"order":247,"media_type":39},"\u002Fgmn3oC8NrHYYsv4KxqOOIohIDsD.jpg",[88,73],74809,"Un papillon sur l'épaule",1.6131,"\u002FgH2N7DNAmfUnBi67CvXLLVn7EWZ.jpg","1978-05-03",5.962,39,"Mme Carrabo","52fe48dfc3a368484e10f64d",10,{"adult":4,"backdrop_path":249,"genre_ids":250,"id":252,"title":253,"original_language":46,"original_title":253,"overview":62,"popularity":254,"poster_path":255,"release_date":256,"softcore":4,"video":4,"vote_average":257,"vote_count":258,"character":259,"credit_id":260,"order":189,"media_type":39},"\u002FvmaVSxD3ZfE49dQt3Vo50Rh9n87.jpg",[103,251],10749,58147,"Tutta colpa del paradiso",1.4326,"\u002Fu6qjpUTHzCgkLndXOkjN0wZ5Rok.jpg","1985-12-19",6.5,64,"direttrice","52fe4956c3a36847f8194ea9",{"adult":4,"backdrop_path":262,"genre_ids":263,"id":264,"title":265,"original_language":46,"original_title":265,"overview":62,"popularity":266,"poster_path":267,"release_date":268,"softcore":4,"video":4,"vote_average":269,"vote_count":270,"character":271,"credit_id":272,"order":164,"media_type":39},"\u002FuIUStKP5AgmvGJlFuq6LCvPdDHE.jpg",[103,25,251],95614,"Mario, Maria e Mario",1.7299,"\u002FqNMG0LMZnyY78yDFq8bPTd68VND.jpg","1993-12-05",5.8,13,"Laura","52fe498d9251416c750cba33",{"adult":4,"backdrop_path":274,"genre_ids":275,"id":276,"title":277,"original_language":46,"original_title":277,"overview":62,"popularity":278,"poster_path":279,"release_date":280,"softcore":4,"video":4,"vote_average":56,"vote_count":281,"character":187,"credit_id":282,"order":38,"media_type":39},"\u002F5amQC93gHfwPIYiDAEswJcXmdnV.jpg",[25,179],78812,"Era notte a Roma",1.8916,"\u002Ff6Hnb5rhmlhG8dN6sGvvAZuy6FY.jpg","1960-10-07",24,"52fe49b4c3a368484e13a48f",{"adult":4,"backdrop_path":284,"genre_ids":285,"id":286,"title":287,"original_language":46,"original_title":287,"overview":62,"popularity":288,"poster_path":289,"release_date":290,"softcore":4,"video":4,"vote_average":291,"vote_count":234,"character":271,"credit_id":292,"order":189,"media_type":39},"\u002Fkwvb0CepTfBNGOVvt82uNvmLCrI.jpg",[103],107812,"Viaggio con Anita",1.7178,"\u002Ft5zQKXRsMpzPLEP8RmESCSrfktf.jpg","1979-01-05",4.3,"52fe4a88c3a36847f81d3693",{"adult":4,"backdrop_path":294,"genre_ids":295,"id":296,"title":297,"original_language":46,"original_title":297,"overview":62,"popularity":298,"poster_path":299,"release_date":300,"softcore":4,"video":4,"vote_average":301,"vote_count":302,"character":303,"credit_id":304,"order":164,"media_type":39},"\u002FzB67E30GoZsubGWe2L2Sx0YETsu.jpg",[25],110312,"Marianna Ucrìa",1.555,"\u002F7LG1yRZcmnE5hd3hUzXQWZRZOyb.jpg","1997-08-13",6.7,19,"Giuseppa","52fe4ad0c3a36847f81e32e7",{"adult":4,"backdrop_path":306,"genre_ids":307,"id":308,"title":309,"original_language":28,"original_title":309,"overview":62,"popularity":310,"poster_path":311,"release_date":312,"softcore":4,"video":4,"vote_average":313,"vote_count":314,"character":315,"credit_id":316,"order":69,"media_type":39},"\u002Fehxrgbyk3OkoRyur16sNknLe1oz.jpg",[103,25,193],130647,"La Femme aux bottes 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