[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F76978:{\"language\":\"tr-TR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":12,"birthday":13,"deathday":14,"gender":15,"homepage":16,"id":17,"imdb_id":18,"known_for_department":19,"name":20,"place_of_birth":21,"popularity":22,"profile_path":23,"combined_credits":24,"images":457},false,[6,7,8,9,10,11],"Масаки Кобаяси","小林正树","고바야시 마사키","코바야시 마사키","마사키 고바야시","마사키 코바야시","Masaki Kobayashi (小林 正樹, Kobayashi Masaki; February 14, 1916 – October 4, 1996) was a Japanese filmmaker. He is best remembered for directing the epic war trilogy The Human Condition (1959–1961), the samurai films Harakiri (1962) and Samurai Rebellion (1967), and the horror anthology epic Kwaidan (1964). Senses of Cinema described him as \"one of the finest depicters of Japanese society in the 1950s and 1960s.\" Although overshadowed by other Japanese filmmakers like Akira Kurosawa and Yasujirō Ozu in his lifetime, his work has gained wider traction in the 21st century with several of his films being ranked as some of the greatest films ever made.\n\nDescription above from the Wikipedia article Masaki Kobayashi, licensed under CC-BY-SA, full list of contributors on Wikipedia.","1916-02-14","1996-10-04",2,null,76978,"nm0462030","Directing","小林正樹","Otaru, Hokkaido, Japan",1.5838,"\u002F5epZ39mf1Ii7xOjqYx2YYq39y5X.jpg",{"cast":25,"crew":53},[26,40],{"adult":4,"backdrop_path":16,"genre_ids":27,"id":29,"title":30,"original_language":31,"original_title":30,"overview":32,"popularity":33,"poster_path":34,"release_date":35,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":37,"credit_id":38,"order":36,"media_type":39},[28],99,598544,"Masaki Kobayashi on 'The Human Condition'","ja","",0.983,"\u002Fbi2oMvLniVXf2r0T3tWRMeB5wxF.jpg","1993-01-01",0,"Self","5cc728099251410961f5c7d3","movie",{"adult":4,"backdrop_path":41,"genre_ids":42,"id":46,"title":47,"original_language":31,"original_title":47,"overview":32,"popularity":48,"poster_path":49,"release_date":50,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":32,"credit_id":51,"order":52,"media_type":39},"\u002F9yhoGN63atZYceIdzbftLicZ6XC.jpg",[43,44,45],28,80,18,1306882,"日本統一６２",1.6703,"\u002F8a4m19NZMEpovBJRuXQ5lZw4yw4.jpg","2024-05-25","6953926376a338c001d7a0b3",12,[54,70,85,90,101,116,119,132,135,138,141,154,164,175,184,195,206,216,225,229,239,249,260,271,280,290,303,314,323,333,343,354,357,369,380,389,398,401,411,414,417,430,444,452],{"adult":4,"backdrop_path":55,"genre_ids":56,"id":59,"title":60,"original_language":31,"original_title":61,"overview":62,"popularity":63,"poster_path":64,"release_date":65,"softcore":4,"video":4,"vote_average":66,"vote_count":67,"credit_id":68,"department":19,"job":69,"media_type":39},"\u002F9GAU0z2wVA8M2D2w36CaloWYYgv.jpg",[57,58,45],27,14,30959,"Hayalet Öyküleri","怪談","250 yıllık bir lanet ve nehirde saklı duran hayaletler artık su yüzüne çıkıyor. Bundan tam 250 yıl önce Shinzaemon adlı zalim bir samuray tefecilik yapan Soetsu'yu öldürür ve cesedini nehire atar. Ancak bu nehirle ilgili bir efsane vardır. Nehirde batan ceset, su yüzüne bir daha asla çıkamayacaktır. Aradan 20 yıl geçer ve Shinzaemon'un oğlu bir tesadüf sonucu karşılaştığı Soetsu'nun kızına aşık olur. Ancak önce kendilerini bekleyen lanet ve nehirin sakladığı hayaletlerle yüzleşmek zorunda kalacaktır * Klasik 12 Japon hayalet hikayesinin toplandığı kitabın adıdır Kwaidan. Usta yönetmen Kobayashi bu hikayeleri inanılmaz yorumlamıştır. 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Parlak bir mühendis olmasının yanında bir hümanist ve savaş karşıtı olan Kaji (Tatsuya Nakadai), Mançurya'daki Çinli esirlerin çalışma şartlarının iyileştirilmesi üzerine yaptığı çalışma sonrasında yeni evlendiği eşi Michiko (Michiyo Aratama) ile birlikte küçük bir maden kasabasına gönderilir. Burada kendi insani politikalarını yerleştirmeye çalışırken birçok iş arkadaşıyla ters düşen Kaji, aynı zamanda Çinli esirlerin güvenini kazanmanın da kolay olmayacağını anlayacaktır.",6.2555,"\u002FsLJkVfze1RrFDdCYvZHqonytep0.jpg","1959-01-15",8.156,304,"52fe44699251416c9100fd77",{"adult":4,"backdrop_path":71,"genre_ids":86,"id":75,"title":76,"original_language":31,"original_title":77,"overview":78,"popularity":79,"poster_path":80,"release_date":81,"softcore":4,"video":4,"vote_average":82,"vote_count":83,"credit_id":87,"department":88,"job":89,"media_type":39},[73,45,74],"52fe44699251416c9100fd91","Writing","Screenplay",{"adult":4,"backdrop_path":91,"genre_ids":92,"id":93,"title":94,"original_language":31,"original_title":94,"overview":32,"popularity":95,"poster_path":96,"release_date":97,"softcore":4,"video":4,"vote_average":98,"vote_count":99,"credit_id":100,"department":19,"job":69,"media_type":39},"\u002FrOmuV9occ2BKOJtca4JflEP7g8I.jpg",[45],27031,"上意討ち 拝領妻始末",3.7149,"\u002FcTyIHiROkThFRlvaNOfQiPg6cod.jpg","1967-05-27",8.2,282,"52fe4528c3a368484e04bb11",{"adult":4,"backdrop_path":102,"genre_ids":103,"id":104,"title":105,"original_language":31,"original_title":106,"overview":107,"popularity":108,"poster_path":109,"release_date":110,"softcore":4,"video":4,"vote_average":111,"vote_count":112,"credit_id":113,"department":114,"job":115,"media_type":39},"\u002F4zNC1BtW9uyOKCjbtMZmtu5oGrt.jpg",[73,45,74],34528,"İnsan Manzaraları II","人間の條件　第３部望郷篇／第４部戦雲篇","İnsan Manzaraları serisinin 2. filminde Kaji (Tatsuya Nakadai) askere çağrılmıştır. Orduya ve savaşa karşı bir kişiliğe sahip olmakla birlikte iyi bir asker olarak dikkat çeken Kaji, aynı zamanda başına geleceklerden hiç çekinmeden doğru bildiklerini söylemeye devam etmektedir. Usta askerlere karşı kendisi gibi acemi erleri savunmaya çalışan Kaji, kendisi usta asker olup acemilerin eğitiminden sorumlu tutulduğunda tüm zorluklara karşın insani tutumunu sürdürmeye çalışacaktır. Ancak artık Japonya gerilemeye başlamış, Sovyet tehlikesi iyice yaklaşmıştır.",4.2697,"\u002F685qZknoJZ4E9xQ027KCyDzwhnM.jpg","1959-11-20",8.212,240,"52fe45699251416c910315a3","Production","Producer",{"adult":4,"backdrop_path":102,"genre_ids":117,"id":104,"title":105,"original_language":31,"original_title":106,"overview":107,"popularity":108,"poster_path":109,"release_date":110,"softcore":4,"video":4,"vote_average":111,"vote_count":112,"credit_id":118,"department":19,"job":69,"media_type":39},[73,45,74],"52fe45699251416c9103158b",{"adult":4,"backdrop_path":120,"genre_ids":121,"id":122,"title":123,"original_language":31,"original_title":124,"overview":125,"popularity":126,"poster_path":127,"release_date":128,"softcore":4,"video":4,"vote_average":129,"vote_count":130,"credit_id":131,"department":88,"job":89,"media_type":39},"\u002Fh9jZQJ97PM9bumabvl81N6jJvvz.jpg",[73,45,74],34530,"İnsan Manzaraları III","人間の條件　完結篇","Masaki Kobayashi'nin İnsan Manzaraları serisinin 3. ve son filminde savaş karşıtı Kaji'nin (Tatsuya Nakadai), birliğinin Kızıl Ordu tarafından yok edilmesinin ardından eşi Michiko'ya (Michiyo Aratama) ulaşabilmek için verdiği büyük mücadele konu ediliyor. Yol boyunca birçok asker ve siville yolu kesişen Kaji, bütün zorlu koşullara rağmen inancını kaybetmemek için olağanüstü bir çaba gösterecektir.",6.0271,"\u002FvXOepk4VzDuX8d5mlFp5wsjBhk1.jpg","1961-01-28",8.429,232,"52fe45699251416c910316eb",{"adult":4,"backdrop_path":120,"genre_ids":133,"id":122,"title":123,"original_language":31,"original_title":124,"overview":125,"popularity":126,"poster_path":127,"release_date":128,"softcore":4,"video":4,"vote_average":129,"vote_count":130,"credit_id":134,"department":19,"job":69,"media_type":39},[73,45,74],"52fe45699251416c910316d3",{"adult":4,"backdrop_path":102,"genre_ids":136,"id":104,"title":105,"original_language":31,"original_title":106,"overview":107,"popularity":108,"poster_path":109,"release_date":110,"softcore":4,"video":4,"vote_average":111,"vote_count":112,"credit_id":137,"department":88,"job":89,"media_type":39},[73,45,74],"52fe45699251416c9103159d",{"adult":4,"backdrop_path":120,"genre_ids":139,"id":122,"title":123,"original_language":31,"original_title":124,"overview":125,"popularity":126,"poster_path":127,"release_date":128,"softcore":4,"video":4,"vote_average":129,"vote_count":130,"credit_id":140,"department":114,"job":115,"media_type":39},[73,45,74],"52fe45699251416c910316f1",{"adult":4,"backdrop_path":142,"genre_ids":143,"id":144,"title":145,"original_language":31,"original_title":146,"overview":147,"popularity":148,"poster_path":149,"release_date":150,"softcore":4,"video":4,"vote_average":151,"vote_count":152,"credit_id":153,"department":19,"job":69,"media_type":39},"\u002F5UOJ8wYxblPNE9KIdzbGCUC7gti.jpg",[43,45,74],14537,"Harakiri","切腹","17. yüzyıl Japonya'sında savaş yılları geride kalınca samuraylar da işsiz kalmıştır. Monarşik düzenin öğüttüğü Ronin'ler, barış zamanında birer posa olarak görülmekte ve birer birer harakiri yapmaktadırlar. Hatta açlık yüzünden onurlarından bile vazgeçip, otorite sahiplerinden para istemekte ve aksi taktirde kapılarının önünde harakiri yapmakla tehdit etmektedirler. 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