[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F70:{\"language\":\"tr-TR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":8,"birthday":9,"deathday":10,"gender":11,"homepage":12,"id":13,"imdb_id":14,"known_for_department":15,"name":16,"place_of_birth":17,"popularity":18,"profile_path":19,"combined_credits":20,"images":1349},false,[6,7],"Carl Freund","Karl W. Freund","​From Wikipedia, the free encyclopedia.  \n\nKarl W. Freund, A.S.C. (January 16, 1890-May 3, 1969) was a cinematographer and film director. Born in Dvůr Králové (Königinhof), Bohemia, his career began in 1905 when, at age 15, he got a job as an assistant projectionist for a film company in Berlin where his family moved in 1901. He worked as a cinematographer on over 100 films, including the German Expressionist films The Golem (1920), The Last Laugh (1924) and Metropolis (1927). Freund emigrated to the United States in 1929 where he continued to shoot well remembered films such as Dracula (1931) and Key Largo (1948). He won an Academy Award for Best Cinematography for The Good Earth (1937).\n\nIn 1937, he went to Germany to bring his only daughter, Gerda Maria Freund, back to the United States, saving her from almost certain death in the concentration camps. Karl's ex-wife, Susette Freund (née Liepmannssohn), remained in Germany where she was interned at the Ravensbrück concentration camp and eventually taken in March, 1942 to Bernburg Euthanasia Center where she was murdered.\n\nBetween 1921 and 1935, Freund also directed ten films, of which the best known are probably The Mummy (1932) starring Boris Karloff, and his last film as director, Mad Love (1935) starring Peter Lorre. Freund's only known film as an actor is Carl Dreyer's Michael (1924) in which he has a cameo as a sycophantic art dealer who saves the tobacco ashes dropped by a famous painter. At the beginning of the 1950s, he was persuaded by Desi Arnaz at Desilu to be the cinematographer in 1951 for the televisions series I Love Lucy. Critics have credited Freund for the show's lustrous black and white cinematography, but more importantly, Freund designed the \"flat lighting\" system for shooting sitcoms that is still in use today. This system covers the set in light, thus eliminating shadows and allowing the use of three moving cameras without having to modify the lighting in-between shots. And where Freund did not invent the three camera shooting system, he did perfect it for use with film cameras in front of a live audience. Freund and his production team also worked on other sitcoms produced at\u002Fthrough Desilu such as \"Our Miss Brooks\".\n\nDescription above from the Wikipedia article Karl Freund, licensed under CC-BY-SA, full list of contributors on Wikipedia.","1890-01-16","1969-05-03",2,null,70,"nm0005713","Camera","Karl Freund","Königinhof, Bohemia, Czech Republic",0.8931,"\u002Fi967rbvQCVKgtX1BV1fCZ9hkd5E.jpg",{"cast":21,"crew":66},[22,40,52],{"adult":4,"backdrop_path":23,"genre_ids":24,"id":27,"title":28,"original_language":29,"original_title":28,"overview":30,"popularity":31,"poster_path":32,"release_date":33,"softcore":4,"video":4,"vote_average":34,"vote_count":35,"character":36,"credit_id":37,"order":38,"media_type":39},"\u002FroHOz9bIqW7Ko3B7pWjqYWXm68j.jpg",[25,26],18,10749,55587,"Michael","de","",1.4701,"\u002FznMXZjtIJ3LDtSuhn8UDCuNoCtZ.jpg","1924-09-26",6.4,55,"LeBlanc - Art Dealer","5c085b270e0a2629ce1122d7",5,"movie",{"adult":4,"backdrop_path":12,"genre_ids":41,"id":43,"title":44,"original_language":45,"original_title":44,"overview":30,"popularity":46,"poster_path":12,"release_date":47,"softcore":4,"video":4,"vote_average":48,"vote_count":38,"character":49,"credit_id":50,"order":51,"media_type":39},[42],99,443390,"You Can't Fool a Camera","en",1.0628,"1941-05-23",6,"Himself","678f1347c5ca35a85c5b2caa",4,{"adult":4,"backdrop_path":12,"genre_ids":53,"id":55,"origin_country":56,"original_language":29,"original_name":58,"overview":30,"popularity":59,"poster_path":12,"first_air_date":60,"softcore":4,"name":58,"vote_average":48,"vote_count":61,"character":62,"credit_id":63,"episode_count":61,"first_credit_air_date":64,"media_type":65},[54],10764,88943,[57],"DE","Deutscher Filmpreis",25.4504,"1951-06-06",1,"Self","5cdb1e0ec3a3683c67c639c2","1965-06-27","tv",[67,82,95,110,113,125,135,148,163,176,187,199,214,221,234,245,256,267,279,287,297,307,318,328,338,348,358,367,377,387,397,407,418,427,437,447,457,467,476,486,494,505,515,524,533,543,556,565,573,584,594,607,615,624,634,644,653,662,670,679,689,697,706,715,724,734,743,752,761,769,776,785,795,805,814,823,833,837,846,850,859,869,876,886,895,902,910,919,922,932,936,943,953,963,970,980,989,997,1006,1015,1026,1035,1043,1050,1057,1066,1074,1082,1089,1098,1106,1114,1122,1130,1141,1151,1159,1168,1175,1183,1191,1200,1207,1215,1223,1231,1240,1247,1254,1264,1272,1279,1290,1297,1305,1312,1320,1327,1335,1343],{"adult":4,"backdrop_path":68,"genre_ids":69,"id":71,"title":72,"original_language":45,"original_title":73,"overview":74,"popularity":75,"poster_path":76,"release_date":77,"softcore":4,"video":4,"vote_average":78,"vote_count":79,"credit_id":80,"department":15,"job":81,"media_type":39},"\u002FcemjdP7HrUyJAry85vRT19Hidbi.jpg",[70],27,138,"Drakula","Dracula","John Harker, gizemli ve kolay kolay ele geçmeyen Kont Drakula'yla bir emlâk anlaşması yapmak için Transilvanya'ya gönderilir. Ama ev sahibi bir vampir, insanların kanıyla beslenen bir hortlaktır ve taşınma fikri ona pek de cazip gelmemektedir. Yüzlerce yıllık cehennemi, hayaletlere özgü bir varoluşun ardından, tek istediği huzura ermektir. Yine de, John'ın genç eşi Mina'nın fotoğrafını görüp heyecanlanınca, gemiyle batıya doğru yolculuğa çıkar.",7.8703,"\u002FxveHUI3QwdFC9BZMNDoo5vJYUMr.jpg","1931-02-12",7.168,1431,"52fe421dc3a36847f8004fdf","Director of Photography",{"adult":4,"backdrop_path":83,"genre_ids":84,"id":86,"title":87,"original_language":29,"original_title":87,"overview":88,"popularity":89,"poster_path":90,"release_date":91,"softcore":4,"video":4,"vote_average":92,"vote_count":93,"credit_id":94,"department":15,"job":81,"media_type":39},"\u002FeeMoFKxjjiCi6iep2GEZtSAMYIr.jpg",[25,85],878,19,"Metropolis","Gelecek zaman… İnsanlar iki gruba ayrılmış durumdadır: düşünenler (ancak hiçbir makinenin nasıl çalıştığını bilmiyorlar) ve çalışanlar (fikir sahibi değiller). Düşünenler planları yapıyor, çalışanlar da bunları uyguluyorlar. İki grup da tam değildir ama birleşince bir bütün oluyorlar. Bir gün düşünenlerden biri yeraltına çalışanların yanına iner. Gördükleriyle birlikte hayatın akışı değişmeye başlar…",8.5957,"\u002FvODOVn29fr0nLF9MVfpfKDcxuXF.jpg","1927-01-10",8.082,3238,"52fe420fc3a36847f8000c73",{"adult":4,"backdrop_path":96,"genre_ids":97,"id":98,"title":99,"original_language":29,"original_title":100,"overview":101,"popularity":102,"poster_path":103,"release_date":104,"softcore":4,"video":4,"vote_average":105,"vote_count":106,"credit_id":107,"department":108,"job":109,"media_type":39},"\u002FlVnUdJ7nqho86UievvSr1LpfU6k.jpg",[42],222,"Berlin, Bir Şehir Senfonisi","Berlin, Die Sinfonie der Großstadt","Şehir senfonisi türünün en ünlü örneklerinden biri olan film, iki savaş arasındaki Berlinde bir gün geçirmek üzere bizi zamanda geriye götürüyor. Hareket eden makinelerin büyüsü altındaki kamera, şehirde dolaşarak, görsel izlenimler üzerinden günlük hayatı betimliyor. İmgelerinin gücü ve güzelliği, hele de dinamik kurgusu ile film, izleyiciye o dönemde Berlini sarmalayan devinim duygusunu aktarmayı başarıyor.",3.389,"\u002FjE92co3sb86ounZAocQ9SGKJQeZ.jpg","1927-09-23",7.5,131,"52fe4228c3a36847f8008825","Production","Producer",{"adult":4,"backdrop_path":96,"genre_ids":111,"id":98,"title":99,"original_language":29,"original_title":100,"overview":101,"popularity":102,"poster_path":103,"release_date":104,"softcore":4,"video":4,"vote_average":105,"vote_count":106,"credit_id":112,"department":15,"job":81,"media_type":39},[42],"52fe4228c3a36847f8008819",{"adult":4,"backdrop_path":114,"genre_ids":115,"id":117,"title":118,"original_language":29,"original_title":118,"overview":30,"popularity":119,"poster_path":120,"release_date":121,"softcore":4,"video":4,"vote_average":122,"vote_count":123,"credit_id":124,"department":15,"job":81,"media_type":39},"\u002FnUn1R0nMj1pXR2tZOELgX3zzi1Y.jpg",[116,70],14,2972,"Der Golem, wie er in die Welt kam",3.504,"\u002Fb8L1uRF3NLsAHVQvSjO75v6ClTT.jpg","1920-10-29",7.004,251,"52fe4377c3a36847f80566e5",{"adult":4,"backdrop_path":126,"genre_ids":127,"id":128,"title":129,"original_language":29,"original_title":129,"overview":30,"popularity":130,"poster_path":131,"release_date":132,"softcore":4,"video":4,"vote_average":133,"vote_count":61,"credit_id":134,"department":15,"job":81,"media_type":39},"\u002Fj47aNKg3pdvJ2jM66RxjLWb4Aty.jpg",[70,25],3015,"Der Janus-Kopf",1.1548,"\u002FQomFFEz7FN5plcSmEhAGT2OdGL.jpg","1920-08-26",9,"52fe437cc3a36847f8057cf1",{"adult":4,"backdrop_path":136,"genre_ids":137,"id":138,"title":139,"original_language":45,"original_title":140,"overview":141,"popularity":142,"poster_path":143,"release_date":144,"softcore":4,"video":4,"vote_average":145,"vote_count":146,"credit_id":147,"department":15,"job":81,"media_type":39},"\u002FdLAgQQfiqDxPZZOoHYoA0RHXVNf.jpg",[25,26],43818,"Aşk ve Gurur","Pride and Prejudice","Sosyetik bilinçli Bayan Bennet (Mary Boland), kocasının (Edmund Gwenn) isteksiz yardımıyla, beş kızına, uygun ve zengin birer koca arayışına girişir. Bayan Bennet'in inatçı kızı Elizabeth (Garson) zengin ve yakışıklı, ama bir o kadar da alaycı ve kaba Bay Darcy'e (Olivier) aşık olunca, başından beri zor olan planlar daha da zorlaşır. Ancak bu zeka, görgü ve aşk dolu hikayede Elizabeth, Bay Darcy'nin kalbini sadece kendi koşullarıyla kazanacaktır. İlk başta kendisine gösterdiği ilgisizliğin intikamını tatlı bir şekilde aldıktan sonra.",3.9813,"\u002Fd2zv2xqPe5KYrsbsoweb6CLClfG.jpg","1940-07-26",6.921,159,"605f5c388f26bc002a652cf7",{"adult":4,"backdrop_path":149,"genre_ids":150,"id":153,"title":154,"original_language":45,"original_title":155,"overview":156,"popularity":157,"poster_path":158,"release_date":159,"softcore":4,"video":4,"vote_average":160,"vote_count":161,"credit_id":162,"department":15,"job":81,"media_type":39},"\u002Fm2SXRnAd0d5N6qH2cbgluRgMX4z.jpg",[151,152],80,53,11016,"Ölüm Gemisi","Key Largo","Üç masum insan, bir fırtına ve bir katil tarafından tutsak edilmiştir. Dışarıda bir fırtına vardır, ama hiçbir şey Key Largo'daki otelin içinde yaşanan fırtınayla karşılaştırılamaz. Orada, sadist mafya patronu Johnny Rocco (Edward G. Robinson), otel sahibi Nora Temple'ı (Lauren Bacall), onun felçli kayınpederini (Lionel Barrymore) ve eski bir asker olan Frank McCloud'u (Humphrey Bogart) silah zoruyla rehin tutar. McCloud, Rocco'ya karşı durabilecek tek adamdır. Ancak savaş sonrası dünyasının gerçeklikleri onu savaşma gücünden yoksun bırakmıştır.",5.136,"\u002FrySfmQQZhS7RswOiJcJrww6FcHy.jpg","1948-07-16",7.474,611,"52fe43e39251416c75022081",{"adult":4,"backdrop_path":164,"genre_ids":165,"id":166,"title":167,"original_language":29,"original_title":168,"overview":169,"popularity":170,"poster_path":171,"release_date":172,"softcore":4,"video":4,"vote_average":173,"vote_count":174,"credit_id":175,"department":15,"job":81,"media_type":39},"\u002FsTyt7e2PB5nfY02reL1iZUYPbly.jpg",[25],5991,"Son Adam","Der letzte Mann","Son Adam 1924 Almanya yapımı siyah beyaz dramatik filmdir. Özgün adı Der Letzte Mann olan bu sessiz film ABD'de The Last Laugh (Son Gülüş) adıyla gösterime sunulmuştu.Senaryosunu Carl Mayer'in yazdığı filmi sessiz Alman sinemasının yaratıcı sinemacısı F.W. Murnau yönetmiş, başrolünde ise Emil Jannings oynamıştı. Çoklarına göre Murnau'nun başyapıtı sayılan bu film çevrildiği yıl o zamana kadar yapılmış en iyi film olarak değerlendirilmişti. Filmin görüntülerini dönemin en önemli görüntü yönetmenlerinden Karl Freund çekmiştir. Freund kamerayı o denli devrimci ve kıvrak bir üslupla kullanmıştı ki, Carl Mayer senaryoyu yeni kamera hareketlerine göre yeniden yazmak zorunda kalmıştı.",5.7163,"\u002FwoR2d4zkWgCPlvwQ9kMHcrdiGPJ.jpg","1924-12-23",7.8,373,"52fe4434c3a36847f80884a3",{"adult":4,"backdrop_path":177,"genre_ids":178,"id":179,"title":180,"original_language":29,"original_title":180,"overview":30,"popularity":181,"poster_path":182,"release_date":183,"softcore":4,"video":4,"vote_average":184,"vote_count":185,"credit_id":186,"department":15,"job":81,"media_type":39},"\u002Fkw3OvCSrsRYpYRxoc08QY8qGOUL.jpg",[25],6131,"Manon Lescaut",1.1948,"\u002FpMmdWOPPU5CRdMVc2S8tl2u1LSg.jpg","1926-02-15",5.9,8,"52fe4440c3a36847f808aff9",{"adult":4,"backdrop_path":188,"genre_ids":189,"id":191,"title":192,"original_language":45,"original_title":192,"overview":30,"popularity":193,"poster_path":194,"release_date":195,"softcore":4,"video":4,"vote_average":196,"vote_count":197,"credit_id":198,"department":15,"job":81,"media_type":39},"\u002Fpk5VFZpU1rZmrAjWCCnX4kMzl3T.jpg",[26,190],35,31998,"Without Love",1.6574,"\u002F54ayABmVMl9YVbURzShhRDLXrNQ.jpg","1945-03-22",6.95,30,"606be413d100b6006f7d5aa3",{"adult":4,"backdrop_path":200,"genre_ids":201,"id":202,"title":203,"original_language":45,"original_title":204,"overview":205,"popularity":206,"poster_path":207,"release_date":208,"softcore":4,"video":4,"vote_average":209,"vote_count":210,"credit_id":211,"department":212,"job":213,"media_type":39},"\u002FsBcLY7JPs2PEGhfeiVZaU4HsCYK.jpg",[70,152],28261,"Çılgın Aşk","Mad Love","Aktris Yvonne Orlac (Frances Drake), Paris, Fransa'daki 'Théâtre des Horreurs' daki son performansından sonra dinlenmektedir. Radyodan eşi Stephen Orlac'ın (Colin Clive) çaldığı piyanoyu dinlerken, Yvonne'un her gösterisini izlemiş olan ve evliliğinden bihaber Dr. Gogol (Peter Lorre) tarafından karşılanır. Kocasıyla İngiltere'ye taşınmak üzere olduğunda ise Gogol tiyatronun kalbi kırık bir biçimde ayrılır, Yvonne'un karakteri Galatea'nın balmumu figürünü alır ve ertesi gün evine teslim edilmesini ayarlar.",2.4887,"\u002FlDD8pKd6jSrFLV3RvE0eDGGGxR0.jpg","1935-07-12",7,129,"52fe4585c3a368484e060177","Directing","Director",{"adult":4,"backdrop_path":12,"genre_ids":215,"id":216,"title":217,"original_language":29,"original_title":217,"overview":30,"popularity":218,"poster_path":12,"release_date":219,"softcore":4,"video":4,"vote_average":185,"vote_count":61,"credit_id":220,"department":15,"job":81,"media_type":39},[],822825,"Die Heimkehr des Odysseus",0.8827,"1918-10-25","6085f4692da8460057c50b3b",{"adult":4,"backdrop_path":222,"genre_ids":223,"id":224,"title":225,"original_language":45,"original_title":226,"overview":227,"popularity":228,"poster_path":229,"release_date":230,"softcore":4,"video":4,"vote_average":231,"vote_count":232,"credit_id":233,"department":212,"job":213,"media_type":39},"\u002F7LIbyeZwoeMPPfSaYuQ6VxrCi4T.jpg",[70],15849,"Ölmeyen Mumya","The Mummy","1921 senesinde Mısır’da geçen filmde İngiliz arkeologlar eski Mısır prensi Imhotep’in 3700 yıllık mumyasını bulurlar. Mezarda eski Mısır\"ın bilgelik ve yazı tanrısı Thoth’a ait belgeler de bulunur. Genç bir arkeolog büyük bir hata yaparak belgede yazanları yüksek sesle okur ve mumya tekrar hayata döner. 10 yıl sonra Sir Joseph oğlu Frank’le bölgeye geri döner. Keşif grubunun içinde gizemli Mısırlı Ardath Bay’de vardır. Ardath Bay eski aşkının mezarını bulabilmek için keşif grubuna katılmış olan Mumya’dır. 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