[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F55916:{\"language\":\"tr-TR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":8,"id":10,"imdb_id":11,"known_for_department":12,"name":13,"place_of_birth":14,"popularity":15,"profile_path":16,"combined_credits":17,"images":522},false,[],"Gabriele Salvatores (born 30 July 1950) is an Italian Academy Award -winning film director and screenwriter. Born in Naples , Salvatores debuted as a theater director in 1972, founding in Milan the Teatro dell'Elfo, for which he directed several avant-garde pieces until 1989.\n\nIn that year, he directed his third feature film, Marrakech Express , which was followed in 1990 by Turné . Both films shared a group of actor-friends, including Diego Abatantuono and Fabrizio Bentivoglio , who will be present in many of his later movies. Turné was screened in the Un Certain Regard section at the 1990 Cannes Film Festival.\n\nIn 1991, Salvatores received international praise for Mediterraneo , which won an Academy Award as best foreign film. It also won three David di Donatello , the most important award for Italian cinema, and a Nastro d'Argento .\n\nIn 1992, he released Puerto Escondido , from the eponymous novel by Pino Cacucci , in which Abatantuono and Bentivoglio were joined by another standard actor for Salvatores, Claudio Bisio . The following year he directed Sud , featuring Silvio Orlando , an attempt to denounce the political and social situation of the Mezzogiorno of Italy seen from the point of view of the unemployed and those at the margins of society.\n\nThe main themes of Salvatores' screenplays are escape from a reality that cannot be accepted or understood, nostalgia for friends, and voyages that never end. A new experimental period, however, started in 1997 with Nirvana , a science fiction\u002F cyberpunk attempt which received mixed reviews. This was followed by the surreal Denti ( Teeth , 2000), and Amnèsia (2002). Both featured Sergio Rubini .\n\nIn 2003 he directed the financially successful I'm Not Scared , based on the Niccolò Ammaniti novel of the same name. In 2005 he directed the noir Quo Vadis, Baby? . 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Güney İtalya'nın müthiş manzaralarını kartpostal gibi görüntülerle veren, yerinde kullanılan müziklerle temiz ve dokunaklı yapısını güçlendiren film, çocukların dünyası ile yetişkinlerin şiddet içeren dünyası arasında gidip gelmeler yaşatır. Özellikle çocuk oyuncuların başarılı performansıyla samimi bir his uyandıran yapıt, yönetmenin korkutma kaygısı gütmeden yarattığı gerilimle seyirciyi sürpriz bir sona hazırlar.",3.5987,"\u002F1ZXyZePhPsgf6de13dSnPM3kTzm.jpg","2003-02-08",981,"52fe44c1c3a368484e03510d",{"adult":4,"backdrop_path":163,"genre_ids":164,"id":165,"title":166,"original_language":26,"original_title":166,"overview":27,"popularity":167,"poster_path":168,"release_date":169,"softcore":4,"video":4,"vote_average":170,"vote_count":171,"credit_id":172,"department":12,"job":133,"media_type":36},"\u002Fg00SVIdMfYA3cAi38jkgONjzerB.jpg",[91,138],41593,"Quo vadis, baby?",1.52,"\u002FzVpYRqeU7prAyy96eGq0nH920xr.jpg","2005-05-27",5.6,58,"52fe45d5c3a36847f80dcf1b",{"adult":4,"backdrop_path":174,"genre_ids":175,"id":177,"title":178,"original_language":26,"original_title":178,"overview":27,"popularity":179,"poster_path":180,"release_date":181,"softcore":4,"video":4,"vote_average":182,"vote_count":183,"credit_id":184,"department":12,"job":133,"media_type":36},"\u002FfnwHwKWBbIvNPcED6tSpkVtzh8R.jpg",[83,176],12,41583,"Marrakech Express",1.2636,"\u002F3dZ3OhtxJa1CqjVmrjU8L40O87n.jpg","1989-05-11",7.3,236,"52fe45d4c3a36847f80dcbdb",{"adult":4,"backdrop_path":186,"genre_ids":187,"id":188,"title":189,"original_language":26,"original_title":189,"overview":27,"popularity":190,"poster_path":191,"release_date":192,"softcore":4,"video":4,"vote_average":78,"vote_count":193,"credit_id":194,"department":195,"job":196,"media_type":36},"\u002Frx9Obt5oMrQGD1bL06rrxnlL3Ce.jpg",[91,138],43592,"Denti",1.4414,"\u002FrDM6mQaExlYkNyMwTEnLmvq7XDA.jpg","2000-10-13",49,"52fe4652c3a36847f80f8ad3","Writing","Screenplay",{"adult":4,"backdrop_path":186,"genre_ids":198,"id":188,"title":189,"original_language":26,"original_title":189,"overview":27,"popularity":190,"poster_path":191,"release_date":192,"softcore":4,"video":4,"vote_average":78,"vote_count":193,"credit_id":199,"department":12,"job":133,"media_type":36},[91,138],"52fe4652c3a36847f80f8a83",{"adult":4,"backdrop_path":201,"genre_ids":202,"id":205,"title":206,"original_language":26,"original_title":207,"overview":208,"popularity":209,"poster_path":210,"release_date":211,"softcore":4,"video":4,"vote_average":212,"vote_count":213,"credit_id":214,"department":12,"job":133,"media_type":36},"\u002Fo2alIK1pBH0xVQIswPXWJwLGy48.jpg",[83,203,204],10749,10752,38251,"Akdeniz","Mediterraneo","İkinci Dünya Savaşı sırasında bir grup İtalyan askeri, Ege Denizi'ndeki küçük bir adayı işgal etmek ve savunmak üzere gönderilir. Büyük bir tedirginlikle adaya çıkan askerler, karşılarında ıssız bir yer bulur. İlk şaşkınlık geçince adanın tadını çıkarmaya başlarlar. Zamanla, gelenlerin tehdit oluşturmadığını fark eden ve saklanan Yunan halkı ortaya çıkar. İki taraf arasında dostane ilişkiler kurulur ve adada hayat, sanki savaş yokmuş gibi devam eder. Farklı milletlerden bu insanlar öyle iyi anlaşır ki, İtalyanlar asker olduklarını bile unutur. Bu deneyim, onlara dostluk, aşk, düşmanlık ve sevgi gibi kavramları yeniden sorgulatır. 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