[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F53915:{\"language\":\"tr-TR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":10,"id":11,"imdb_id":12,"known_for_department":13,"name":14,"place_of_birth":15,"popularity":16,"profile_path":10,"combined_credits":17,"images":103},false,[],"Michel Cournot was a French journalist, screenwriter, and film director known for his contributions to literature and cinema. He began his career as a journalist, writing for publications such as France-Soir and L'Express. In 1949, he was awarded the Fénéon Prize for his literary work Martinique. Transitioning to film, Cournot directed Les Gauloises bleues (1968), which was selected for the Cannes Film Festival that year; however, the festival was canceled due to the events of May 1968 in France. He also co-wrote the screenplay for the Canadian television miniseries Les Tisserands du pouvoir (1988), earning a Genie Award nomination for Best Original Screenplay. Cournot's work is characterized by its insightful commentary on society and culture.","1922-05-01","2007-02-08",2,null,53915,"nm0183716","Writing","Michel Cournot","Paris, France",0.4509,{"cast":18,"crew":37},[19],{"adult":4,"backdrop_path":20,"genre_ids":21,"id":23,"title":24,"original_language":25,"original_title":26,"overview":27,"popularity":28,"poster_path":29,"release_date":30,"softcore":4,"video":4,"vote_average":31,"vote_count":32,"character":33,"credit_id":34,"order":35,"media_type":36},"\u002FbeRcdPSD4cYcmMilMpsdrChpNGt.jpg",[22],35,8075,"Haftasonu","fr","Week End","Hafta Sonu, Jean-Luc Godard’ın en vahşi ve en karışık filmi olabilir ki bu da önemli bir şey. Ancak Hafta Sonu, her şeyin ötesinde, yönetmenin en cüretkar filmi. Bu filmde her şey olabilir: Sıradan bir telefon konuşması absürd bir biçimde hoş bir müzik parçasına dönüşür, kahramanlarımız ormanda masal karakterleriyle karşılaşır ve baş karakterler gerçekten her an tüyler ürpertici sonlarla karşı karşıya gelirler. Godard’ın bir epizottan bir başka tuhaf epizota geçme kararı, cesurca ve son derece etkiliydi. Her tür ve renkten radikal yönetmen, bu anlamda Hafta Sonu’na çok şey borçlu. Ancak \"radikal\" yaftası bu film için biraz uygunsuz; çünkü bu tür bir niteleme, korkunç bir siyasileştirme ve mizahi yoksunluk anlamına gelir. Oysa geriye kalan diğer tüm unsurlar, Hafta Sonu’nun bu problemleri yaşamamasını sağlar.",2.9809,"\u002FphGjiGraoH69X6KBYuQtXlQJjnH.jpg","1967-12-29",6.9,318,"Man From Farmyard (uncredited)","52fe4491c3a36847f809d803",7,"movie",[38,51,64,74,77,88,99],{"adult":4,"backdrop_path":10,"genre_ids":39,"id":41,"title":42,"original_language":25,"original_title":42,"overview":43,"popularity":44,"poster_path":10,"release_date":45,"softcore":4,"video":4,"vote_average":46,"vote_count":47,"credit_id":48,"department":49,"job":50,"media_type":36},[40],18,198774,"Les Gauloises bleues","",0.8959,"1969-06-07",6.2,6,"52fe4d889251416c9111977d","Directing","Director",{"adult":4,"backdrop_path":52,"genre_ids":53,"id":55,"title":56,"original_language":25,"original_title":56,"overview":43,"popularity":57,"poster_path":58,"release_date":59,"softcore":4,"video":4,"vote_average":60,"vote_count":61,"credit_id":62,"department":13,"job":63,"media_type":36},"\u002Fr3QeCtENT4gfiOptIxwD4r7vRgy.jpg",[54,40],36,494555,"Les Tisserands du pouvoir",1.7013,"\u002Fa6j3TRlGTafdK8KXYRYC5wsXflZ.jpg","1988-10-21",8,1,"60f63cf6af58cb005e5199a0","Writer",{"adult":4,"backdrop_path":65,"genre_ids":66,"id":67,"title":68,"original_language":25,"original_title":68,"overview":43,"popularity":69,"poster_path":70,"release_date":71,"softcore":4,"video":4,"vote_average":72,"vote_count":61,"credit_id":73,"department":13,"job":63,"media_type":36},"\u002FafaBS1cL8f2piYmmXGb7my4LM82.jpg",[54,40],494558,"Les Tisserands du pouvoir 2, la révolte",1.9133,"\u002F2zkVezi6U9FZHMGd2OO3OjJS2eG.jpg","1988-12-16",9,"60f66609ad87f70073aaddeb",{"adult":4,"backdrop_path":10,"genre_ids":75,"id":41,"title":42,"original_language":25,"original_title":42,"overview":43,"popularity":44,"poster_path":10,"release_date":45,"softcore":4,"video":4,"vote_average":46,"vote_count":47,"credit_id":76,"department":13,"job":63,"media_type":36},[40],"59d967cdc3a3686200031fd4",{"adult":4,"backdrop_path":78,"genre_ids":79,"id":80,"title":81,"original_language":82,"original_title":81,"overview":43,"popularity":83,"poster_path":84,"release_date":85,"softcore":4,"video":4,"vote_average":86,"vote_count":9,"credit_id":87,"department":13,"job":63,"media_type":36},"\u002FvgpuAa3K4i3pMHV4bX9gdKFBg0P.jpg",[22,40],287271,"Леон Гаррос ищет друга","ru",1.2795,"\u002FrjYPctfIJbCbjEcRO2A5vlpoFmE.jpg","1961-01-13",9.5,"5e621b728e2ba60018de6e24",{"adult":4,"backdrop_path":89,"genre_ids":90,"id":91,"title":92,"original_language":25,"original_title":92,"overview":43,"popularity":93,"poster_path":94,"release_date":95,"softcore":4,"video":4,"vote_average":96,"vote_count":97,"credit_id":98,"department":13,"job":63,"media_type":36},"\u002F9Cfo7Xr8JUUY7ASQjt12rlv4V5i.jpg",[22],564840,"Ursule et Grelu",1.3388,"\u002FtDVdmzDWVaP2VakNem6ZkJM2qHG.jpg","1974-01-09",6.3,3,"6957a38768d074f5107c725f",{"adult":4,"backdrop_path":89,"genre_ids":100,"id":91,"title":92,"original_language":25,"original_title":92,"overview":43,"popularity":93,"poster_path":94,"release_date":95,"softcore":4,"video":4,"vote_average":96,"vote_count":97,"credit_id":101,"department":13,"job":102,"media_type":36},[22],"6957a3adfb6e6179ce4aeade","Dialogue",{"profiles":104},[]]