[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F40914:{\"language\":\"tr-TR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":8,"birthday":9,"deathday":10,"gender":11,"homepage":12,"id":13,"imdb_id":14,"known_for_department":15,"name":16,"place_of_birth":17,"popularity":18,"profile_path":19,"combined_credits":20,"images":467},false,[6,7],"Збигнев Цибульский","Zbyszek Cybulski","From Wikipedia, the free encyclopedia\n\nZbigniew Cybulski Polish pronunciation: [ˈzbiɡɲɛf t͡sɨˈbulskʲi] (November 3, 1927 – January 8, 1967) was a Polish actor, one of the best-known and most popular personalities of the post-World War II history of Poland.\n\nZbigniew Cybulski was born November 3, 1927 in a small village of Kniaże near Śniatyń, Poland (now a part of Sniatyn Raion, Ivano-Frankivsk Oblast, Ukraine). After World War II he joined the Theatre Academy in Kraków. He graduated in 1953 and moved to Gdańsk, where he made his stage debut in Leon Schiller's Wybrzeże Theatre. Also, with his friend Bogumił Kobiela, Cybulski founded a famous student theatre, the Bim-Bom. In the early 1960s, Cybulski moved to Warsaw, where he shortly joined the Kabaret Wagabunda. He also appeared on stage at the Ateneum Theatre, one of the most modern and least conservative Warsaw-based theatres of the epoch.\n\nHowever, Cybulski is best remembered as a screen actor. He first appeared in a 1954 film Kariera as an extra. His first major role came in 1958, when he played in Kazimierz Kutz's Krzyż Walecznych. The same year he also appeared as one of the main characters in Andrzej Wajda's Ashes and Diamonds and Aleksander Ford's The Eighth Day of the Week based on a short story by Marek Hłasko. From then on Cybulski was seen as one of the most notable actors of the Polish Film School and one of the \"young and wrathful\", as his generation of actors were called at the time.\n\nHis most famous films, apart from Ashes and Diamonds, include Wojciech Has' The Saragossa Manuscript. He also acted in numerous television plays, including some based on works by Truman Capote, Anton Chekhov and Jerzy Andrzejewski.\n\nCybulski died in an accident at a Wrocław Główny railway station on January 8, 1967, on his way from the film set. As he jumped on the speeding train (as he often did), he slipped on the steps, fell under the train, and was run over. Before the accident he said goodbye to Marlene Dietrich, a personal friend of his, who was a passenger on the train. 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Filmin adı, filmin kahramanının bombardımanda yıkılmış bir kilisenin duvarında gördüğü 19. yy'da yaşamış Polonyalı şair Cyprian Norwid'a ait bir şiirden gelmektedir. Şiirin dizelerinde, kömürün yüksek ısı ve basınç altında elmasa dönüşmesi olgusuna bir gönderme yapılmaktadır. Filmde, Polonya'da Nazi işgalcilere karşı bir zamanlar zorunlu olarak işbirliği yapmış olan Milliyetçi güçlerin ve Komünistlerin aralarındaki bu ittifakın artık çatırdamaya başladığı 2. Dünya Savaşı'nın son günlerinde, taşralı Milliyetçi bir militan olan Maciek (Zbigniew Cybulski) etkili bir Komünist lideri öldürmekle görevlendirilir. 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Film, göz alıcı bir siyah beyaz görsellikle desteklenen masalsı atmosferi, hikaye içinde hikaye şeklinde özetlenebilecek yapısıyla kusursuz bir uyum göstererek seyircinin de bu rüya içinde kaybolmasını sağlıyor. Çekildiği dönemin ardından neredeyse unutulan bu gerçeküstücü epik, bugünkü kült statüsünü Martin Scorsese ve Francis Ford Coppola tarafından keşfedilip, batılı seyircilerle buluşturulmasına borçlu. 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