[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F39953:{\"language\":\"tr-TR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":10,"id":11,"imdb_id":12,"known_for_department":13,"name":14,"place_of_birth":15,"popularity":16,"profile_path":17,"combined_credits":18,"images":713},false,[],"Jean Martin (6 March 1922 - 2 February 2009) was a French actor. Coming from a Berry family, he spent part of his childhood in Biarritz, where his father worked for a furrier. During the Second World War, he hid to escape the Forced Labor Service. Staying in Paris, he appeared in two films by Maurice Tourneur: \"The Devil's Hand\" (1942) then \"Cécile Est Mort\" (1943). At the twilight of the forties, he started doing theater.\n\nIn 1953, Jean Martin gained notoriety by playing the new play by Irish playwright Samuel Beckett, \"Waiting for Godot\", under the direction of Roger Blin, becoming the first to take on the role of Lucky. The same Roger Blin produced “End of the Game” (1957), by the same Beckett, a few years later, and entrusted the same Jean Martin with the role of Clov. In 1960, Jean Martin staged his first play, “Letter Dead”, by Robert Pinget. In 1962, he again staged a play, “The Representatives”, by Aglaé and Mona Mitropoulos, adapted by Michel Arnaud. Alongside this theatrical career which would prove to be rich, Jean Martin returned to cinema: “Notre-Dame de Paris” (1956), by Jean Delannoy, “Paris belongs to us” (1958), by Jacques Rivette, “Ballade for a thug \" (1962), by Jean-Claude Bonnardot, \"La foire aux dunces\" (1963), by Louis Daquin and \"À toi de fait mignon\" (1963), by Bernard Borderie.\n\nIn 1960, he was a signatory of the Manifesto of the 121 entitled “Declaration on the right to insubordination in the Algerian war”. In 1965, a role marked his career, that of Colonel Mathieu, in a film retracing the struggle in 1957 for control of the Casbah district of Algiers between FLN militants and French soldiers: \"The Battle of Algiers\" . Three years after the end of the Algerian War, the subject is still sensitive on each side of the Mediterranean; the film was banned in France upon its release, then censored until 2004. Jean Martin, very convincing in this role of division commander (historically, the commander is General Massu, but the character is inspired by Colonel Bigeard), is the only professional actor in the film. His large stature, his strong personality and his imperious face predispose him to notable roles generally showing authority: chief doctor, police commissioner, high-ranking military officer, ecclesiastical dignitary...; one of the most impressive will undoubtedly be that of a doctor vehemently expelling from his hospital a judge Fayard, Patrick Dewaere, a bit of a cavalier in \"Le Juge Fayard Dit Le Shérif\" (1976). Claude Zidi mocks these roles in his comedies: principal in “La moutarde monte au nose” (1974), bank director in “La Course À L'Échalote” (1975), chief doctor in “L'aile ou la thigh” (1976), principal inspector in “Bête mais disciplined” (1979) and examiner in “Inspecteur la Bavure” (1980). Alongside Jean-Paul Belmondo, he is… cardinal in “L’Hériter” (1972) and… divisional commissioner in “Peur Sur La ville” (1975)! But also alongside Terence Hill in “My Name is Nobody” (1973) in the role of Sullivan, or “One Genius, Two Associates, One Bell (1975).\n\nAfter devoting a large part of his career to the theater, appearing in around fifty films, Jean Martin died on February 2, 2009, in Paris.","1922-03-06","2009-02-02",2,"https:\u002F\u002Fwww.spla.pro\u002Ffr\u002Ffiche.personnes.spla.56361.html",39953,"nm0552483","Acting","Jean Martin","Paris, France",1.2589,"\u002Ff7J7ItHt6AHz8z2PQuWpdH0lCHz.jpg",{"cast":19,"crew":712},[20,39,57,73,87,101,115,130,146,160,175,188,200,211,221,231,243,252,262,274,284,295,309,324,336,347,358,366,377,387,398,409,420,429,441,453,465,476,483,492,504,514,526,535,546,556,566,578,589,602,612,619,635,646,659,671,681,691,702],{"adult":4,"backdrop_path":21,"genre_ids":22,"id":25,"title":26,"original_language":27,"original_title":28,"overview":29,"popularity":30,"poster_path":31,"release_date":32,"softcore":4,"video":4,"vote_average":33,"vote_count":34,"character":35,"credit_id":36,"order":37,"media_type":38},"\u002F8PDs33WTpVOFEUr7bMpWm0FXnQp.jpg",[23,24],35,37,10915,"Dahi İki Arkadaş ve Bir Aptal","it","Un genio, due compari, un pollo","Yetenekli dolandırıcı Joe Thanks yerlilerden nefret eden Binbaşı Cabot’tan 300000 dolar çalmak için melez Bill ve çaylak Lucy ile takım olur. Planlarında kılık değiştirmek, hile ve kovalamaca da vardır. Ancak Joe her zaman ne yaptığını bilir gibi görünmektedir.",2.9595,"\u002F1an4eiFAIRElaUFItzbUtzkZxv5.jpg","1975-12-16",6.3,196,"Colonel Pembroke","52fe43d09251416c7501f273",9,"movie",{"adult":4,"backdrop_path":40,"genre_ids":41,"id":44,"title":45,"original_language":46,"original_title":47,"overview":48,"popularity":49,"poster_path":50,"release_date":51,"softcore":4,"video":4,"vote_average":52,"vote_count":53,"character":54,"credit_id":55,"order":56,"media_type":38},"\u002FkB9Y59YDMOFdm5LgSyTVj4b6hh6.jpg",[42,43],28,53,4909,"Çakalın Günü","en","The Day of the Jackal","Başkan Charles De Gaulle'un Fransız Cezayir'ini özgür bırakma planından hazetmeyen bir grup Fransız paramiliteri, De Gaulle'ü öldürmeyi planlar. Planlarını gerçekleştirmek için grup \"The Jackal\" olarak bilinen bir İngiliz suikastçı kiralar. Plan Fransız polisi tarafından ortaya çıkarılır ve müfettiş Lebel, The Jackal'ın takibindedir.",10.556,"\u002FvThgcb3JOj99yETg8WChuci4LV2.jpg","1973-05-16",7.526,721,"Victor Wolenski","52fe43e1c3a36847f8075f55",16,{"adult":4,"backdrop_path":58,"genre_ids":59,"id":61,"title":62,"original_language":63,"original_title":62,"overview":64,"popularity":65,"poster_path":66,"release_date":67,"softcore":4,"video":4,"vote_average":68,"vote_count":69,"character":70,"credit_id":71,"order":72,"media_type":38},"\u002FwsSKIE5dTt6kHbBV9DJsyKY3Z4z.jpg",[60],18,4947,"Une femme à sa fenêtre","fr","",2.0984,"\u002Fiux4Lb5jPQ19a3usjmdbvXv8MFD.jpg","1976-11-10",5.8,34,"Drieu La Rochelle (uncredited)","52fe43e6c3a36847f807718d",14,{"adult":4,"backdrop_path":74,"genre_ids":75,"id":77,"title":78,"original_language":63,"original_title":78,"overview":64,"popularity":79,"poster_path":80,"release_date":81,"softcore":4,"video":4,"vote_average":82,"vote_count":83,"character":84,"credit_id":85,"order":86,"media_type":38},"\u002FpSL75Sg1APD4OHpQs4VyFb8pIFv.jpg",[56,76,72],10751,22504,"Le Roi et l'Oiseau",2.2887,"\u002F8LlM0gtrwmzmf9z9RvhWvOOl2WE.jpg","1980-03-19",7.762,428,"L’oiseau (voice)","52fe4443c3a368484e0191b7",0,{"adult":4,"backdrop_path":88,"genre_ids":89,"id":91,"title":92,"original_language":27,"original_title":92,"overview":64,"popularity":93,"poster_path":94,"release_date":95,"softcore":4,"video":4,"vote_average":96,"vote_count":97,"character":98,"credit_id":99,"order":100,"media_type":38},"\u002F7LZqAMbXYvy1U3HEfSsnqInLJoL.jpg",[90,60],36,8430,"Il Messia",1.6224,"\u002FaMaTs0SHEn5rFn2VLaQTQysO55t.jpg","1975-10-24",6.6,21,"Pontius Pilate","52fe44a8c3a36847f80a29e7",6,{"adult":4,"backdrop_path":102,"genre_ids":103,"id":104,"title":105,"original_language":27,"original_title":106,"overview":107,"popularity":108,"poster_path":109,"release_date":110,"softcore":4,"video":4,"vote_average":111,"vote_count":112,"character":113,"credit_id":114,"order":9,"media_type":38},"\u002F4II0fdNtTMR0elrMgQSn9wfYuuk.jpg",[23,24],9474,"Benim Adım Hiç Kimse","Il mio nome è Nessuno","Jack Beauregard devrinin son silahşörüdür. Suçların büyüdüğü ve organize olmaya başladığı bir devirde sadece iyi bir silah ve onu kullanan kişi artık herşeyi ifade edememektedir ve \"Vahşi Batı\" artık son demlerini yaşamaktadır. Vergi, merkezi otorite, senato gibi terimler gündelik hayatın popüler sözcükleri haline gelmiştir. Gözleri uzağı eskisi gibi seçemeyen ve içgüdüleriyle silahına davranan Jack, Vahşi Batı'nın acımasız dünyasında yaşlanabilecek kadar yaşamış bir silahşör olarak kimseyi öldürmekten yana değildir. Yinede eski düşmanları ve ondan daha hızlı olduğunu kanıtlamak isteyen şöhret meraklısı pek çok silahşör Jack'i ortadan kaldırmak istemektedir... Tam bu anda karşısına çıkan ve kendisine Hiç kimse diyen genç, ona hayatının son günlerini huzur içerisinde geçirmesini sağlayacak bir teklifte bulunur. Jack'in kaderi Vahşi 150 ile kesişecek ve adı tarih kitaplarına geçecektir...",7.3541,"\u002Feb1kvIacJADms3MMVqeXy4c4Y4o.jpg","1973-12-13",7.273,1103,"Sullivan","52fe44fcc3a36847f80b5da9",{"adult":4,"backdrop_path":116,"genre_ids":117,"id":119,"title":120,"original_language":63,"original_title":121,"overview":64,"popularity":122,"poster_path":123,"release_date":124,"softcore":4,"video":4,"vote_average":125,"vote_count":126,"character":127,"credit_id":128,"order":129,"media_type":38},"\u002FufOOBCOyZbCp6xNYiDH3Zwz5f96.jpg",[43,42,118],80,40180,"Şehrin Üzerinde Korku","Peur sur la ville",3.0773,"\u002F65GUBhnlgNsPgoHKAd7oWxcB4sA.jpg","1975-04-09",7.2,290,"Divisional commissioner Sabin","52fe4585c3a36847f80cbf9d",4,{"adult":4,"backdrop_path":131,"genre_ids":132,"id":136,"title":137,"original_language":63,"original_title":137,"overview":64,"popularity":138,"poster_path":139,"release_date":140,"softcore":4,"video":4,"vote_average":141,"vote_count":142,"character":143,"credit_id":144,"order":145,"media_type":38},null,[118,133,134,135],27,9648,10770,1107742,"Le Gentleman des Antipodes",1.4137,"\u002FfI4vDlnwtR8PVd2QMxUsMYMU52f.jpg","1976-11-04",8,1,"Sainte-Rose","6429469c8de0ae01134fd163",7,{"adult":4,"backdrop_path":147,"genre_ids":148,"id":149,"title":150,"original_language":63,"original_title":151,"overview":152,"popularity":153,"poster_path":154,"release_date":155,"softcore":4,"video":4,"vote_average":156,"vote_count":157,"character":158,"credit_id":159,"order":37,"media_type":38},"\u002Fw17aSMniqH4tZTf1tg0LuXqBGPL.jpg",[23],38090,"Çılgın Maraton","La Course à l'échalote","Tüm entrika, bir kasada bulunan \"carte-blanche\" (kayıtsız şartsız yetki) belgeleri etrafında dönüyor. Bu belgelerdeki boşluğu kim doldurursa, bir revünün sahibi oluyor. İşin içinde büyük paralar var. Kasanın sahibinin yeğeni, amcasını kandırmaya ve belgelere kendi adını yazdırmaya çalışıyor. Ancak işler daha da karmaşık çünkü banka müdürünün de bu işte parmağı var. Bu düzeni, mütevazı bir banka veznedarından (Pierre Richard) başka kim bozabilir ki?",2.5722,"\u002FrXMNpzpqZQCrV3BSAfRMJshEv0P.jpg","1975-10-08",6.1,90,"Le directeur de la banque","52fe46939251416c91058b8f",{"adult":4,"backdrop_path":161,"genre_ids":162,"id":164,"title":165,"original_language":27,"original_title":166,"overview":167,"popularity":168,"poster_path":169,"release_date":170,"softcore":4,"video":4,"vote_average":171,"vote_count":172,"character":173,"credit_id":174,"order":142,"media_type":38},"\u002Fze7GsNSv418o7pzqc9fb00LWWDk.jpg",[60,163,90],10752,17295,"Cezayir Savaşı","La battaglia di Algeri","1950'lerin ikinci yarısında geçen film, Cezayir'in Fransa sömürgesi altından kurtuluşunun öyküsünü anlatıyor. Fransa tarafından terör örgütü olarak kabul edilen Cezayir direniş örgütü FLN'nin dört yöneticisinin yakalanması etrafında dönen hikayede, işgal altındaki bir ulusun direnişi resmediliyor. Direnişin biçimi terörizm şeklini alırken, yönetmen Pontecorvo silahlı mücadelenin meşrutiyetini ispatlamaya girişiyor * Belgesel tarzda çekilen ve Fransa'da uzun yıllar yasaklı kalan film, ABD ve İngiltere gibi ülkelerde işkence sahneleri makaslanarak gösterime girebilmişti. Oscar tarihinde bir ilke imza atan \"La Battaglia di Algeri\" hem 1966'da hem de 1968'de ayrı dallarda ödüle aday gösterilmişti. * bir halkın özgürlük arzusunu ve mücadelesini içinizde hissettirecek mükemmel sahneleri bulunan başarılı ve gerçek film. özellikle son sahnesi unutulmaz.",8.4227,"\u002Fohqf21dJ8PBFmNLXwNCGAajJ1Tv.jpg","1966-09-08",7.9,941,"Colonel Philippe Mathieu","52fe47169251416c7508d54b",{"adult":4,"backdrop_path":176,"genre_ids":177,"id":178,"title":179,"original_language":63,"original_title":179,"overview":64,"popularity":180,"poster_path":181,"release_date":182,"softcore":4,"video":4,"vote_average":183,"vote_count":184,"character":185,"credit_id":186,"order":187,"media_type":38},"\u002FfSU6BUPxIAqPTKiTZ5zKwQMkqYZ.jpg",[118,60],49583,"Le dossier 51",1.8898,"\u002F9Gzv3s2heDvwESo8oYQSm0w3V3.jpg","1978-08-30",6.5,57,"Vénus","52fe479dc3a36847f813f42d",3,{"adult":4,"backdrop_path":189,"genre_ids":190,"id":191,"title":192,"original_language":63,"original_title":192,"overview":64,"popularity":193,"poster_path":194,"release_date":195,"softcore":4,"video":4,"vote_average":196,"vote_count":197,"character":198,"credit_id":199,"order":100,"media_type":38},"\u002FgpEzT7uwD6nOXVnbuyJtRE9fz2p.jpg",[60,163],52366,"Lucie Aubrac",2.0272,"\u002FjpgsYQRoNHnTX6jYtCCyjhzTuLR.jpg","1997-02-26",6.4,75,"Paul Lardanchet","52fe4827c3a36847f815a4f1",{"adult":4,"backdrop_path":201,"genre_ids":202,"id":203,"title":204,"original_language":63,"original_title":204,"overview":64,"popularity":205,"poster_path":206,"release_date":207,"softcore":4,"video":4,"vote_average":156,"vote_count":208,"character":209,"credit_id":210,"order":187,"media_type":38},"\u002Fa0Rt8J5LfQ64V5WI475bkF9DxL8.jpg",[23],51212,"La moutarde me monte au nez",2.5503,"\u002F6myQ6YMUeJWxlAkDm8aHStK4H7R.jpg","1974-10-09",105,"Headmaster","52fe47e8c3a36847f814e801",{"adult":4,"backdrop_path":131,"genre_ids":212,"id":214,"title":215,"original_language":63,"original_title":215,"overview":64,"popularity":216,"poster_path":217,"release_date":218,"softcore":4,"video":4,"vote_average":86,"vote_count":86,"character":219,"credit_id":220,"order":142,"media_type":38},[213],99,530984,"Gustave Moreau",1.3037,"\u002F768ZOtfvZ8dwliCssaTZo7LvaeT.jpg","1962-01-02","Narrator","646d00b0706b9f017247678e",{"adult":4,"backdrop_path":222,"genre_ids":223,"id":224,"title":225,"original_language":63,"original_title":225,"overview":64,"popularity":226,"poster_path":227,"release_date":228,"softcore":4,"video":4,"vote_average":183,"vote_count":141,"character":229,"credit_id":230,"order":133,"media_type":38},"\u002FwkGGH3g7m6waA2rxCEeOrh0bpCg.jpg",[118,134],147545,"Cécile est morte !",1.5497,"\u002FzSxj1M5kLchEqAOYzdtMBY2Mqxg.jpg","1944-03-08","Le garçon d'étage (uncredited)","6205d63dd7fbda0044df68e9",{"adult":4,"backdrop_path":232,"genre_ids":233,"id":234,"title":235,"original_language":63,"original_title":235,"overview":64,"popularity":236,"poster_path":237,"release_date":238,"softcore":4,"video":4,"vote_average":196,"vote_count":239,"character":240,"credit_id":241,"order":242,"media_type":38},"\u002Fw1yGT8wtALEZZ2UG9Cit8yYUV3u.jpg",[43,60,42],57194,"L'Héritier",1.962,"\u002Fh2t1mD2WoOHcT9lqkzmRZ3zwiSA.jpg","1973-03-22",97,"Mgr. Schneider","52fe4927c3a36847f818bc5f",5,{"adult":4,"backdrop_path":131,"genre_ids":244,"id":245,"title":246,"original_language":63,"original_title":246,"overview":64,"popularity":247,"poster_path":248,"release_date":249,"softcore":4,"video":4,"vote_average":86,"vote_count":86,"character":250,"credit_id":251,"order":37,"media_type":38},[23],949274,"HPW ou Anatomie d'un faussaire",1.1715,"\u002Fy5jbE2u4L2Qos4QWUNtD7tDRUcJ.jpg","1971-07-27","Bjorn","622e783acf4b8b00210bc389",{"adult":4,"backdrop_path":253,"genre_ids":254,"id":255,"title":256,"original_language":27,"original_title":256,"overview":64,"popularity":257,"poster_path":258,"release_date":259,"softcore":4,"video":4,"vote_average":125,"vote_count":242,"character":260,"credit_id":261,"order":187,"media_type":38},"\u002F3bS6kI87azeL3jH59JXayasY1vR.jpg",[213],141562,"Marxist Poetry: The Making of The Battle of Algiers",1.4579,"\u002F6gHpQ8bRvcgMLb5566aLM86Ttbk.jpg","2004-08-01","Self","52fe4aba9251416c750ebe7b",{"adult":4,"backdrop_path":263,"genre_ids":264,"id":266,"title":267,"original_language":63,"original_title":267,"overview":64,"popularity":268,"poster_path":269,"release_date":270,"softcore":4,"video":4,"vote_average":96,"vote_count":271,"character":272,"credit_id":273,"order":56,"media_type":38},"\u002Fx57wcwvbvJlIcSxN4WD2a62tYiq.jpg",[265,60,43],10749,112168,"Les Culottes rouges",1.3185,"\u002FAggZm7kPKrWKY4QkeCJzkNvLD3l.jpg","1962-12-19",12,"Un homme de la troupe  (uncredited)","64b1be5ee0ca7f01253c5199",{"adult":4,"backdrop_path":131,"genre_ids":275,"id":276,"title":277,"original_language":63,"original_title":277,"overview":64,"popularity":278,"poster_path":279,"release_date":280,"softcore":4,"video":4,"vote_average":242,"vote_count":187,"character":281,"credit_id":282,"order":283,"media_type":38},[23,118,60],566354,"La Puce et le privé",1.2479,"\u002FxvcIFOPbvnLZlhiVkFbNP2qxTyX.jpg","1981-03-11","Gérard Le Tizou, head waiter","6255659e0dea6e009d664cae",10,{"adult":4,"backdrop_path":285,"genre_ids":286,"id":287,"title":288,"original_language":63,"original_title":288,"overview":64,"popularity":289,"poster_path":290,"release_date":291,"softcore":4,"video":4,"vote_average":100,"vote_count":292,"character":293,"credit_id":294,"order":133,"media_type":38},"\u002FcMWl1tMcuqEpIgSicgh1gecUQdB.jpg",[23,118],55317,"Faut pas prendre les enfants du bon Dieu pour des canards sauvages",1.7145,"\u002Ft9OQqPZECRmDIpc07QcvgZIcHN3.jpg","1968-09-06",58,"A henchman of Charles (uncredited)","62557daecd2f0f006442a933",{"adult":4,"backdrop_path":296,"genre_ids":297,"id":298,"title":299,"original_language":63,"original_title":300,"overview":301,"popularity":302,"poster_path":303,"release_date":304,"softcore":4,"video":4,"vote_average":305,"vote_count":306,"character":307,"credit_id":308,"order":37,"media_type":38},"\u002FcHpBJ6EhBj2ZVCvMIsd8RJuoIjU.jpg",[23],761,"Eti Senin, Kemiği Benim","L'Aile ou la Cuisse","Dünyaca ünlü bir Restoran rehberi hazırlayan Charles Duchemin kılık değiştirerek girdiği restoranlarda yemekleri ve hizmeti gözlemler bunu da çok titiz bir şekilde hazırlanmış rehberinde yayınlar.O yüzden onun rehberinde iyi bir şekilde tanınmak isteyen restoranlar çok dikkatli olmak zorundadırlar.Ancak Baba Duchemin artık işi oğlu Gerard'a devretme zamanının geldiğini düşünmektedir.Fakat Gerard'ın en büyük arzusu ise Sirklerde Palyaço olarak çalışmaktır ve babasından gizlice bu işi 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