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In 1990 the producer Andrés Vicente Gómez persuaded him to return to cinema and entrusted to him the direction of 'Las edades de Lulú', a film which reached the general public. Without abandoning his dedication to painting and photography, reflected in numerous exhibitions, he began the well-known 'Trilogía Ibérica' with 'Jamón Jamón', 'Huevos de Oro' and 'La teta y la luna'. Subsequently, with the short film for internet 'Collar de Moscas' (2001), he revived his interest in avant-garde experimentation and audiovisual formats and at the same time he discovered a vocation for the investigation of digital cinema after the creation of the 'Taller Bigas Luna' project with Catalina Pons in 1999. The experience in the Taller introduced them to the world of new technologies and in 2002 they promoted PLATAFORM BL, dedicated to the creation and promotion of innovative projects and new talents. Despite being catalan, he is a lover of the aragonese culture. 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Yıllar boyunca, tıpkı kulesinin inşaatı gibi Benito'nun da yükselişi ve çöküşünü izleriz. Kişiliğinin gücüyle, kendisine aşık kadınları da-  yıldız olmak isteyen Claudia ve kredi alacağı Amerika eğitimli bankerin kızkardeşi Marta- kullanarak sermaye toplar. Kişiliğinin gücü-\"hueovos de oro\", altın yumurtası-, kalitesiz inşaat malzemesini, inşaat izninin olmayışını ve yetersiz sermayeyi telafi etmeye yetecek midir? 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