[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F3540:{\"language\":\"tr-TR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":10,"id":11,"imdb_id":12,"known_for_department":13,"name":14,"place_of_birth":15,"popularity":16,"profile_path":17,"combined_credits":18,"images":993},false,[],"Raoul Coutard (16 September 1924 – 8 November 2016) was a French cinematographer. He is best known for his connection with the Nouvelle Vague period and particularly for his work with director Jean-Luc Godard. Coutard also shot films for New Wave director François Truffaut as well as Jacques Demy, a contemporary frequently associated with the movement.\n\nHe shot over 75 films during a career that lasted nearly half a century.\n\nCoutard originally planned to study chemistry, but switched to photography because of the cost of tuition. In 1945, Coutard was sent to participate in the French Indochina War; he lived in Vietnam for the next 11 years, working as a war photographer, eventually becoming a freelancer for Paris Match and Look. In 1956, he was approached to shoot a film by Pierre Schoendoerffer, La Passe du Diable. Coutard had never used a movie camera before, and reportedly agreed to the job because of a misunderstanding (he believed he was being hired to shoot production stills of the film).\n\nCoutard's first work collaboration with Jean-Luc Godard was Godard's first feature, À bout de souffle, shot in 1959. He was reportedly \"imposed\" on Godard by producer Georges de Beauregard; the director had already settled on a different cinematographer.\n\nCoutard photographed nearly all of Godard's work in the Nouvelle Vague era (1959 - 1967), with the exception of Masculin, féminin; their last work during this period was Week-end (1967), which marked the end of Godard's work as a 'mainstream' filmmaker. The two did not work together again until Passion; their final collaboration was Godard's next feature, Prénom Carmen. ...\n\nSource: Article \"Raoul Coutard\" from Wikipedia in English, licensed under CC-BY-SA 3.0.","1924-09-16","2016-11-08",2,null,3540,"nm0184170","Camera","Raoul Coutard","Paris, France",1.0631,"\u002FfEwMCINuiSOu4f3CzHG3UL0BNIc.jpg",{"cast":19,"crew":222},[20,39,55,70,80,90,101,114,122,132,149,160,169,180,187,196,209],{"adult":4,"backdrop_path":21,"genre_ids":22,"id":25,"title":26,"original_language":27,"original_title":28,"overview":29,"popularity":30,"poster_path":31,"release_date":32,"softcore":4,"video":4,"vote_average":33,"vote_count":34,"character":35,"credit_id":36,"order":37,"media_type":38},"\u002FafxEiYxANGG88xXVYpNtAHFzTIV.jpg",[23,24],18,10749,266,"Nefret","fr","Le Mépris","Paul Javal isimli bir senarist Fritz Lang’in yeni filmi için bir senaryo yazması için işe alınır. Maddi sıkıntılar nedeniyle hayatını düzene oturtmakta zorlanan Paul, genç ve güzel karısı Camilee'i çok sevmektedir. Homeros'un Odysseia eserinden uyarlanacak olan filmin senaryosu için aldığı sipariş bir süre sonra Paul'ün hayatını allak bullak eder ve karısı ile olan mutluluğu da bozulmaya başlar. Üstelik bunda en büyük sorumluluk da filmin yapımcısındadır.  Filmde Alman sinemasının büyük ismi Fritz Lang kendisini canlandırmaktadır. Camille Javal, ismi ise Bardot’un gerçek adıdır. Godard'ın seyircilerle en fazla yakınlık kuran filmlerinden biri de denilebilir. Filmdeki senarist, bir zaman sonra kendi yazdığı filmin başkahramanına dönüşürken Godard sinema dili üzerine yine özgün fikirler vermektedir.",5.6257,"\u002FtEHgoG7I8lltEbHldTWnhnjvlTs.jpg","1963-10-29",7,1008,"Cameraman","52fe422fc3a36847f800a8d9",5,"movie",{"adult":4,"backdrop_path":40,"genre_ids":41,"id":43,"title":44,"original_language":27,"original_title":45,"overview":46,"popularity":47,"poster_path":48,"release_date":49,"softcore":4,"video":4,"vote_average":50,"vote_count":51,"character":52,"credit_id":53,"order":54,"media_type":38},"\u002F5xKuOSej5ZmcDzrXIg6gqHask3o.jpg",[23,42],35,1629,"Çinli Kız","La Chinoise","Bir grup üniversite öğencisi yaz aylarında Mao'nun politik ve kültürel devrimi üzerine çalışmaya başlarlar. Kendilerinin ve Fransa'nın durduğu noktayı tahlil etmek için yapılan bu araştırmada, sanat, kültür, kadının toplumdaki yeri sorgulanmaya başlanır. Grubun geldiği nokta, şiddetin kullanıldığı bir devrim projesidir.",3.4199,"\u002FaQacTbz1S0EwTmrx4CxobALHlEr.jpg","1967-08-30",6.956,250,"Self - Cinematographer (uncredited)","61d47de531644b0040204193",10,{"adult":4,"backdrop_path":10,"genre_ids":56,"id":59,"title":60,"original_language":61,"original_title":60,"overview":62,"popularity":63,"poster_path":10,"release_date":64,"softcore":4,"video":4,"vote_average":65,"vote_count":66,"character":67,"credit_id":68,"order":69,"media_type":38},[57,58],99,10770,929052,"Cinéma! Cinéma! The French New Wave","en","",0.9135,"1992-06-18",3.3,3,"Self","61e8f3badf294500e30e98e3",8,{"adult":4,"backdrop_path":10,"genre_ids":71,"id":72,"title":73,"original_language":27,"original_title":73,"overview":62,"popularity":74,"poster_path":75,"release_date":76,"softcore":4,"video":4,"vote_average":77,"vote_count":66,"character":67,"credit_id":78,"order":79,"media_type":38},[57],88063,"Godard, l'amour, la poésie",1.8471,"\u002FPpRcFodBgSvbhoUXBDAHd1ceKK.jpg","2007-01-01",7.3,"52fe49e89251416c910bcc0b",1,{"adult":4,"backdrop_path":10,"genre_ids":81,"id":82,"title":83,"original_language":61,"original_title":83,"overview":62,"popularity":84,"poster_path":85,"release_date":86,"softcore":4,"video":4,"vote_average":87,"vote_count":9,"character":67,"credit_id":88,"order":89,"media_type":38},[57],409143,"The Making of Rocky Road to Dublin",0.9736,"\u002FzPXFLLmMm8SzVsn9egQdgdksLfB.jpg","2004-10-11",8.5,"62331e7c2dc44e007948a112",0,{"adult":4,"backdrop_path":91,"genre_ids":92,"id":93,"title":94,"original_language":27,"original_title":94,"overview":62,"popularity":95,"poster_path":96,"release_date":97,"softcore":4,"video":4,"vote_average":98,"vote_count":9,"character":67,"credit_id":99,"order":100,"media_type":38},"\u002FtgOpWaTOrfqTw6G9IXPSEIREGYe.jpg",[57],142474,"Chambre 12, Hôtel de Suède",1.5906,"\u002FmjIPvMCn4GWuA1qdmQ38ffSdG4S.jpg","1993-05-27",4.5,"52fe4ae29251416c750f13ed",4,{"adult":4,"backdrop_path":102,"genre_ids":103,"id":105,"title":106,"original_language":27,"original_title":106,"overview":62,"popularity":107,"poster_path":108,"release_date":109,"softcore":4,"video":4,"vote_average":110,"vote_count":111,"character":112,"credit_id":113,"order":69,"media_type":38},"\u002FmYE1Wh14DgjW5PMw1TQ45vW8U9b.jpg",[104,23],10752,202776,"Hoa-Binh",1.8186,"\u002FtRES6TJ8jdArmMxOm8auhDMoQrS.jpg","1970-06-22",6.9,12,"Angry French man (uncredited)","65b2d658db952d00cadacb52",{"adult":4,"backdrop_path":10,"genre_ids":115,"id":116,"title":117,"original_language":27,"original_title":117,"overview":62,"popularity":118,"poster_path":119,"release_date":120,"softcore":4,"video":4,"vote_average":89,"vote_count":89,"character":67,"credit_id":121,"order":79,"media_type":38},[57],1225528,"Pierre Schoendoerffer, la sentinelle de la mémoire",0.8685,"\u002F8GekIspkGqh4Z9yawxFLQBsiy3S.jpg","2011-10-15","65c2317efc5f060168c5251a",{"adult":4,"backdrop_path":10,"genre_ids":123,"id":124,"title":125,"original_language":126,"original_title":125,"overview":62,"popularity":127,"poster_path":128,"release_date":129,"softcore":4,"video":4,"vote_average":69,"vote_count":79,"character":67,"credit_id":130,"order":131,"media_type":38},[57],363898,"Nouvelle Vague : El cine sin dogmas","es",0.9627,"\u002FgXamyK4tBLfD33qrL2UaGuJdHJS.jpg","2000-04-02","561eb6fec3a3680e1d000a7b",6,{"adult":4,"backdrop_path":133,"genre_ids":134,"id":137,"title":138,"original_language":27,"original_title":139,"overview":140,"popularity":141,"poster_path":142,"release_date":143,"softcore":4,"video":4,"vote_average":144,"vote_count":145,"character":146,"credit_id":147,"order":148,"media_type":38},"\u002FofSyquvDw78bpOmDAwisAfQoBYQ.jpg",[135,136,23],53,80,2721,"Ölümsüz","Z","Devrimci-Sosyalist bir politikacı olan Dr.Lambrakis ,(Yves Montand)barış savunucularının gösterisinde devletin sağ kanadının organize ettiği bir suikaste kurban gider. Cinayetin hemen arkasından devlet ve ordu görevlilerinin yaptıkları tek şey, olayı örtbas etmek için gerekli delilleri ortadan kaldırmaktır. Fakat prosedür gereği açılan davaya atanan savcı, olayın derinlerine indikçe karşılaştığı akıl almaz gerçeklerle yılmadan tıpkı bir dedektif gibi araştırmasına devam eder. Ama bu araştırma sırasında karşısına çıkan engeller, devletin içinde tahmininden de derin makamlardan gelecektir.  Jean-Louis Trintignant'ın bir savcıyı ve Yves Montand'ın da solcu bir partinin önde gelen temsilcilerinden birini canlandırdığı filmde barışın önemi, faşist çeteler ile hükümet içindeki güçlerin ilişkisi bağlamında derin devlet sorunsalı irdelenmektedir.",4.4405,"\u002FcN7A9OODtSQpTgMxC31vFAN8ta.jpg","1969-02-26",7.813,660,"English Surgeon (uncredited)","56565b7d92514101980060f4",30,{"adult":4,"backdrop_path":150,"genre_ids":151,"id":152,"title":153,"original_language":27,"original_title":153,"overview":62,"popularity":154,"poster_path":155,"release_date":156,"softcore":4,"video":4,"vote_average":157,"vote_count":66,"character":62,"credit_id":158,"order":159,"media_type":38},"\u002Fbe0IjKkmhZSPIUPxn3bQkj7RdNm.jpg",[136,42],564331,"L'Explosion",1.5815,"\u002F6QxAxEFGuiohkuX5uIXkVzIftlS.jpg","1971-07-21",3.7,"66209179ccde040188054d70",22,{"adult":4,"backdrop_path":10,"genre_ids":161,"id":162,"title":163,"original_language":27,"original_title":163,"overview":62,"popularity":164,"poster_path":165,"release_date":166,"softcore":4,"video":4,"vote_average":89,"vote_count":89,"character":167,"credit_id":168,"order":66,"media_type":38},[57],1310441,"Il était une fois... « Jules et Jim »",1.1874,"\u002FvktpnyXkZorhzCSFgOQszj62iva.jpg","2008-06-08","Self (chef opérateur)","667ffb8c06107bafe4a84fee",{"adult":4,"backdrop_path":10,"genre_ids":170,"id":171,"title":172,"original_language":173,"original_title":172,"overview":62,"popularity":174,"poster_path":175,"release_date":176,"softcore":4,"video":4,"vote_average":177,"vote_count":9,"character":67,"credit_id":178,"order":179,"media_type":38},[57],723382,"CzechMate: In Search of Jiří Menzel","cs",0.7696,"\u002Fj5ZajkSO97MQu7yOGOB9nXOwQJO.jpg","2018-09-16",6.5,"5f08a623d5ffcb003485c364",23,{"adult":4,"backdrop_path":10,"genre_ids":181,"id":182,"title":183,"original_language":27,"original_title":183,"overview":62,"popularity":184,"poster_path":10,"release_date":185,"softcore":4,"video":4,"vote_average":89,"vote_count":89,"character":62,"credit_id":186,"order":89,"media_type":38},[57],757449,"Alphaville, périphéries...",1.252,"2003-01-01","5f95efa677e1f60036c265fb",{"adult":4,"backdrop_path":188,"genre_ids":189,"id":190,"title":191,"original_language":61,"original_title":191,"overview":62,"popularity":192,"poster_path":193,"release_date":194,"softcore":4,"video":4,"vote_average":33,"vote_count":79,"character":67,"credit_id":195,"order":79,"media_type":38},"\u002FpGpclfZsJ7IptoolBSAuSfCy3YU.jpg",[57],786976,"Jean Seberg: American Actress",0.9558,"\u002FpIR5YZMEwC4laEvVL6S88l1wkwl.jpg","1997-01-16","6004540fe8d0b400402cc780",{"adult":4,"backdrop_path":10,"genre_ids":197,"id":199,"origin_country":200,"original_language":27,"original_name":202,"overview":62,"popularity":203,"poster_path":204,"first_air_date":205,"softcore":4,"name":202,"vote_average":131,"vote_count":9,"character":67,"credit_id":206,"episode_count":79,"first_credit_air_date":207,"media_type":208},[198],10767,136450,[201],"FR","Les Rendez-vous du dimanche",38.9851,"\u002FcsEN53LOtSMucpBohRi8YKY27WU.jpg","1975-01-12","6395d9a42cefc2008ca7090a","1980-01-13","tv",{"adult":4,"backdrop_path":210,"genre_ids":211,"id":213,"origin_country":214,"original_language":27,"original_name":215,"overview":62,"popularity":216,"poster_path":217,"first_air_date":218,"softcore":4,"name":215,"vote_average":219,"vote_count":66,"character":67,"credit_id":220,"episode_count":79,"first_credit_air_date":221,"media_type":208},"\u002FilEht2mkC51htymkX4zYN3vuS77.jpg",[57,212,198],10751,79313,[201],"Cinépanorama",20.7415,"\u002FaA3E04yh8xeNbOEp3Imsq2gqidc.jpg","1956-02-04",8.7,"63b0bed626677800a2bf7c1e","1965-04-24",[223,235,238,251,264,267,280,293,306,309,321,334,345,355,366,378,390,404,414,425,434,446,455,466,469,477,487,496,505,518,531,540,543,553,564,577,589,598,609,622,635,648,658,666,676,687,697,710,720,729,739,749,759,767,774,782,793,802,812,825,834,844,853,860,870,878,887,891,900,910,918,927,936,943,952,961,971,981,990],{"adult":4,"backdrop_path":224,"genre_ids":225,"id":226,"title":227,"original_language":27,"original_title":227,"overview":62,"popularity":228,"poster_path":229,"release_date":230,"softcore":4,"video":4,"vote_average":231,"vote_count":232,"credit_id":233,"department":13,"job":234,"media_type":38},"\u002FymtwNtiuZwbYa1Vetp68VOGgrw3.jpg",[24,23,42],256,"Antoine et Colette",2.6936,"\u002FxCLQTC8COlqJYmzjyvGqM0BGd2I.jpg","1962-06-22",7.159,289,"52fe422ec3a36847f800a367","Director of Photography",{"adult":4,"backdrop_path":21,"genre_ids":236,"id":25,"title":26,"original_language":27,"original_title":28,"overview":29,"popularity":30,"poster_path":31,"release_date":32,"softcore":4,"video":4,"vote_average":33,"vote_count":34,"credit_id":237,"department":13,"job":234,"media_type":38},[23,24],"52fe422fc3a36847f800a8af",{"adult":4,"backdrop_path":239,"genre_ids":240,"id":241,"title":242,"original_language":27,"original_title":243,"overview":244,"popularity":245,"poster_path":246,"release_date":247,"softcore":4,"video":4,"vote_average":248,"vote_count":249,"credit_id":250,"department":13,"job":234,"media_type":38},"\u002F4WGuyWf1f94CsEeVIIqDKGw5rmO.jpg",[23,136,24],269,"Serseri Aşıklar","À bout de souffle","Michel Marsilya'da bir otomobil çalar ve yolda bir polis öldürür. Paris'te Champ Elysees'te New York Harold Tribune gazetesi için stajyerlik yapan Patricia'yı bulur. Daha önce birkaç kez birlikte olmuşlardır. Michel polis tarafından aranırken eski arkadaşlarıyla buluşup Roma'ya gitmek için gerekli parayı elde etmeye çabalar. Ancak ikisi de duygularından bir türlü emin olamaz. Başının polisle belaya girmesini istmeyen Patricia büyük bir ikilemde kalır. Onun bu kararsızlığına aldırış etmeyen Michel ise tam bir güven içinde son hazırlıkları yapmaktadır.",11.2467,"\u002FiIhlwN9DJ6QnFA5cAWzO5UloSeB.jpg","1960-03-16",7.477,2111,"52fe4230c3a36847f800aabf",{"adult":4,"backdrop_path":252,"genre_ids":253,"id":254,"title":255,"original_language":27,"original_title":256,"overview":257,"popularity":258,"poster_path":259,"release_date":260,"softcore":4,"video":4,"vote_average":261,"vote_count":262,"credit_id":263,"department":13,"job":234,"media_type":38},"\u002Fo3GSSYr7AzrdcukNpQrqFEJNOjk.jpg",[23,24],1628,"Jules ve Jim","Jules et Jim","İki erkek ve bir kadın arasındaki üç kişilik aşkın sinema tarihindeki en güzel anlatımlarından biri olan Jules ve Jim, sadece aşk değil, dostluk üzerine de sözleri olan bir film.  Yakın arkadaş olan Jules ve Jim’in hayatları, Catherine ile tanışınca bambaşka bir yöne doğru savrulur. Her ikisi de aynı kadına aşık olsa da Catherine, ilk başlarda sadece Jules’a ilgi duyar. Bildik kadın kimliğinin çok dışında bir karaktere sahip olan Catherine için hayat, alışıldık sınırların çok ötesinde bir anlam taşımaktadır. İlk zamanlardan beri Jim’in ilgisinin de farkında olan Catherine, yıllar sonra onunla da bir yakınlaşma içine girer. Catherine’i terketmeyi düşünmeyen Jules’un da varlığıyla bu unutulmaz üçlü, birlikte yaşamaya başlarlar.",3.753,"\u002FiQPk7jK26RrwYgnAYq5l2Ha3iPc.jpg","1962-01-23",7.532,1080,"52fe4306c3a36847f8034acd",{"adult":4,"backdrop_path":40,"genre_ids":265,"id":43,"title":44,"original_language":27,"original_title":45,"overview":46,"popularity":47,"poster_path":48,"release_date":49,"softcore":4,"video":4,"vote_average":50,"vote_count":51,"credit_id":266,"department":13,"job":234,"media_type":38},[23,42],"52fe4306c3a36847f8034b11",{"adult":4,"backdrop_path":268,"genre_ids":269,"id":270,"title":271,"original_language":27,"original_title":272,"overview":273,"popularity":274,"poster_path":275,"release_date":276,"softcore":4,"video":4,"vote_average":277,"vote_count":278,"credit_id":279,"department":13,"job":234,"media_type":38},"\u002F68NGFE8zD2gaQVH6MqJeKzojFJM.jpg",[23],1626,"Hayatını Yaşamak","Vivre sa vie: film en douze tableaux","Henüz 22 yaşında olan Nana, aktris olma hayalleriyle evliliğini ve çocuğunu bırakır. Fakat güzel Nana için işler hiç de yolunda gitmez. Bu başladığı yeni hayatında kendini bir anda sokaklarda fahişelik yaparken bulur. Sonuç ise kamera hareketleri, kurgusu, ses ve müzik kullanımı, diyalogları ile Godard'ın eteğinde ne varsa döktüğü şiirsel bir başyapıt. Bir düş(üş)ün hikayesi...",5.111,"\u002Fu6mHCZ0Pm3aiN5m5qVaBTtw0zY5.jpg","1962-09-20",7.697,727,"52fe4306c3a36847f803499f",{"adult":4,"backdrop_path":281,"genre_ids":282,"id":283,"title":284,"original_language":27,"original_title":285,"overview":286,"popularity":287,"poster_path":288,"release_date":289,"softcore":4,"video":4,"vote_average":290,"vote_count":291,"credit_id":292,"department":13,"job":234,"media_type":38},"\u002F9yPgh3v4itb0ah4XWgGM4BdAtNa.jpg",[23,24],1719,"Yumuşak Ten","La Peau douce","Pierre Lachenay, başarılı bir edebiyatçı ve yayıncıdır. Lizbon'a bir konferans için giderken Nicole isminde bir hostesle tanışır. Evli ve bir çocuk babası olmasına rağmen Nicole'a karşı duygularını engelleyemeyen Pierre, tüm varlığını kasıp kavuran bir aşkın içine düşer.  Son derece dengesiz bir yapısı olan karısı Franca'dan durumu saklamaya çalışsa da duyguları, artık Nicole'dan ayrı yaşamaya dayanamayacak boyuttadır. Karısından ayrılmaya karar verir ama bu ayrılık herkes için son derece trajik bir sonla noktalanacaktır.",2.9625,"\u002F9bHHaK5ehIcEWvQc24WgHQYtMeR.jpg","1964-04-20",7.154,227,"52fe4310c3a36847f803798b",{"adult":4,"backdrop_path":294,"genre_ids":295,"id":296,"title":297,"original_language":27,"original_title":298,"overview":299,"popularity":300,"poster_path":301,"release_date":302,"softcore":4,"video":4,"vote_average":303,"vote_count":304,"credit_id":305,"department":13,"job":234,"media_type":38},"\u002FkgAZX0WXLuK6YYQ6lKN2UdF1Tho.jpg",[23,135,136],1818,"Piyanisti Vurun","Tirez sur le pianiste","Charlie, barlarda piyano çalarak hayatını kazanmaya çalışan bir piyanisttir. En büyük sorunlarından biri mafyayla başı derde giren kardeşi Chico'dur.  Kardeşini bu belalı adamlardan kurtarmak için ona yardım eden Charlie, bu sefer de kendisini büyük bir belaya bulaştırır. Kardeşine yardım etmesinden dolayı, bu sefer de mafyanın kendi peşine düşmesi ile sıkı bir mücadelenin içine girer.  Bu mücadelede ona en çok desek veren de piyano çaldığı barda çalışan Lena'dır. Lena'nın Charlie'ye duyduğu büyük aşk, tüm tehlikelerine rağmen sevdiği adamın yanında olmasını sağlar. İkilinin gittikçe artan yakınlaşması ile Charlie'nin geçmişi hakkındaki bazı gerçekler de ortaya çıkacaktır. Charlie, acaba gerçekten Charlie değil midir?",5.1588,"\u002FtHubiGr7QSAeY4qdInQ0ibjSFwX.jpg","1960-11-25",7.184,460,"52fe4317c3a36847f8039a03",{"adult":4,"backdrop_path":133,"genre_ids":307,"id":137,"title":138,"original_language":27,"original_title":139,"overview":140,"popularity":141,"poster_path":142,"release_date":143,"softcore":4,"video":4,"vote_average":144,"vote_count":145,"credit_id":308,"department":13,"job":234,"media_type":38},[135,136,23],"52fe4368c3a36847f8051ec9",{"adult":4,"backdrop_path":310,"genre_ids":311,"id":313,"title":314,"original_language":27,"original_title":314,"overview":62,"popularity":315,"poster_path":316,"release_date":317,"softcore":4,"video":4,"vote_average":318,"vote_count":319,"credit_id":320,"department":13,"job":234,"media_type":38},"\u002FzVkewY6kYYiNB6gG5aMyJjoF6yJ.jpg",[136,23,312],9648,4191,"La mariée était en noir",3.7747,"\u002Fd3ZCDAOySTChvBXQ43kBMwDqt9Q.jpg","1968-03-22",7.1,303,"52fe43b1c3a36847f8068205",{"adult":4,"backdrop_path":322,"genre_ids":323,"id":324,"title":325,"original_language":27,"original_title":326,"overview":327,"popularity":328,"poster_path":329,"release_date":330,"softcore":4,"video":4,"vote_average":331,"vote_count":332,"credit_id":333,"department":13,"job":234,"media_type":38},"\u002F4zJ9w3lZcZI3mBXcNiq6s8bqpDO.jpg",[23,24,136],2786,"Çılgın Pierrot","Pierrot le fou","Jean-Luc Godard'ın başyapıtı Pierrot le Fou (Çılgın Pierrot), yönetmenin uzun ve parlak kariyerinde önemli bir kilometre taşıdır. Karışık bir dönüm noktası olan film, Godard'ın Breathless (Nefes Nefese, 1960) ve Vivre Sa Vie (Hayatını Yaşamak, 1962) gibi eserlerinin deneysel yaşam gücü ve Week End (Hafta Sonu, 1967) ve Wind from the East (1969) gibi son derece politik, alaycı ve acı bir biçimde komik filmleri arasında kalır. Pierrot le Fou, her ikisinin öğelerini de barındırır ve sırf bu nedenle izleyici için zengin bir deneyim fırsatı sunar. Ancak filmin sahip olduğu bir başka koz da gerçek güzellik duygusu. Eleştirmenler, Godard'ın polemik yaratan üslubuna karşın zarif bir biçimde güzel filmler de yaptığını unutmaya meyilli ama Pierrot le Fou, hiç kuşkusuz Contempt'le (1963) birlikte, bu açıdan değerlendirilmeli.",5.8375,"\u002FeBfWgh4txJ255meWlHj6bJvKxKS.jpg","1965-11-05",7.303,979,"52fe436dc3a36847f8053579",{"adult":4,"backdrop_path":335,"genre_ids":336,"id":337,"title":338,"original_language":27,"original_title":338,"overview":62,"popularity":339,"poster_path":340,"release_date":341,"softcore":4,"video":4,"vote_average":342,"vote_count":343,"credit_id":344,"department":13,"job":234,"media_type":38},"\u002Fe7CJUZOSz2X0huEc0kLc0543GTX.jpg",[135,136],4270,"La garce",1.5134,"\u002FfwdEELbQxLYOUtgsEkF9PI5xxfG.jpg","1984-09-05",5.1,15,"52fe43b7c3a36847f806a291",{"adult":4,"backdrop_path":346,"genre_ids":347,"id":348,"title":349,"original_language":27,"original_title":349,"overview":62,"popularity":350,"poster_path":351,"release_date":352,"softcore":4,"video":4,"vote_average":353,"vote_count":100,"credit_id":354,"department":13,"job":234,"media_type":38},"\u002Fv0cBZRBQMr7poJHVFUuGnq3kQxw.jpg",[136,23],4287,"Les Aveux les plus doux",1.3428,"\u002FzPk5UMvI1WsggP3d6wGBVDlKiIC.jpg","1971-05-19",6.2,"52fe43b9c3a36847f806a8f7",{"adult":4,"backdrop_path":356,"genre_ids":357,"id":358,"title":359,"original_language":61,"original_title":359,"overview":62,"popularity":360,"poster_path":361,"release_date":362,"softcore":4,"video":4,"vote_average":363,"vote_count":364,"credit_id":365,"department":13,"job":234,"media_type":38},"\u002FgLC8lC42hc7Pz5xyTvezENpmEmm.jpg",[23,135],4529,"L'espion",1.5972,"\u002FeghDjxKLIUBZu2wQr0XY3YKTdfL.jpg","1966-10-19",5.8,9,"52fe43c9c3a36847f806f743",{"adult":4,"backdrop_path":367,"genre_ids":368,"id":369,"title":370,"original_language":27,"original_title":371,"overview":372,"popularity":373,"poster_path":374,"release_date":375,"softcore":4,"video":4,"vote_average":110,"vote_count":376,"credit_id":377,"department":13,"job":234,"media_type":38},"\u002FbeRcdPSD4cYcmMilMpsdrChpNGt.jpg",[42],8075,"Haftasonu","Week End","Hafta Sonu, Jean-Luc Godard’ın en vahşi ve en karışık filmi olabilir ki bu da önemli bir şey. Ancak Hafta Sonu, her şeyin ötesinde, yönetmenin en cüretkar filmi. Bu filmde her şey olabilir: Sıradan bir telefon konuşması absürd bir biçimde hoş bir müzik parçasına dönüşür, kahramanlarımız ormanda masal karakterleriyle karşılaşır ve baş karakterler gerçekten her an tüyler ürpertici sonlarla karşı karşıya gelirler. Godard’ın bir epizottan bir başka tuhaf epizota geçme kararı, cesurca ve son derece etkiliydi. Her tür ve renkten radikal yönetmen, bu anlamda Hafta Sonu’na çok şey borçlu. Ancak \"radikal\" yaftası bu film için biraz uygunsuz; çünkü bu tür bir niteleme, korkunç bir siyasileştirme ve mizahi yoksunluk anlamına gelir. Oysa geriye kalan diğer tüm unsurlar, Hafta Sonu’nun bu problemleri yaşamamasını sağlar.",3.1045,"\u002FphGjiGraoH69X6KBYuQtXlQJjnH.jpg","1967-12-29",318,"52fe4491c3a36847f809d7d5",{"adult":4,"backdrop_path":379,"genre_ids":380,"id":381,"title":382,"original_language":27,"original_title":383,"overview":384,"popularity":385,"poster_path":386,"release_date":387,"softcore":4,"video":4,"vote_average":248,"vote_count":388,"credit_id":389,"department":13,"job":234,"media_type":38},"\u002FkKsy8sCjfOtfHPBT2i8z13bIRij.jpg",[136,23,42],8073,"Çete","Bande à part","Arthur ve Franz her ne pahasına olursa olsun büyük bir vurgun yapıp zengin olmak isteyen iki yakın arkadaştır. Franz yeni tanıştığı genç ve güzel Odile'in büyükannesinin evinde gizlediği paralardan haberdar olduğunda hemen harekete geçerler. Sıfır hatayla planladıkları soyguna genç kızı ikna etmeleri kolay olmasa da, sonunda harekete geçerler. Ancak hayat her zaman planlananı vermez ve bazı sonuçlar beklenenden ağır olabilir * Fransız Yeni Dalgası'nın müstesna ismi Jean-Luc Godard, Serseri Aşıklar'daki üslubunu, teknik olarak daha az deneysel olsa da, tematik olarak sürdürerek, unutulmaz bir yapıma imza atıyor. Ve dikkatli sinemaseverlerin farkedeceği üzere, Quentin Tarantino'ya kuracağı yapım şirketi ismi için de ilham veriyor: 'A Band Apart'",2.7732,"\u002FzRvjanylCLPVMYdTGr56q368y5l.jpg","1964-08-05",631,"52fe4491c3a36847f809d741",{"adult":4,"backdrop_path":391,"genre_ids":392,"id":394,"title":395,"original_language":27,"original_title":396,"overview":397,"popularity":398,"poster_path":399,"release_date":400,"softcore":4,"video":4,"vote_average":401,"vote_count":402,"credit_id":403,"department":13,"job":234,"media_type":38},"\u002FiOUhnp01rP9Xr5QG66LMAKSDkYv.jpg",[23,393,312],878,8072,"Alphaville, Lemmy Caution'un Garip Serüveni","Alphaville, une étrange aventure de Lemmy Caution","Jean-Luc Godard'dan marksist bir polisiye! Godard'ın karanlıkta, elindeki filmlerin duyarlılığına hiç aldırmadan, korkusuzca ve tam bir avantgarde gibi kotardığı \"Alphaville\", Alfa Şehrine gelen bir dedektifin öyküsü aracılığı ile, modern dünyayı, kapitalizmi, geleceği ve toplumsal-ekonomik ilişkileri sorguluyor. * Amerikalı özel dedektif Lemmy Caution, başka bir gezegendeki baskıyla yönetilen bir ülkenin başkenti Alphaville'e gelir. Amacı ülkenin başkanına suikast düzenlemektir. Alpha 60 isimli başkan aslında insan benzeri bir robottan başka bir şey değildir. Ne var ki Lemmy olaylar esnasında çekici bir kadın olan Natacha'yla tanışıp aşık olur. Güzel kadın, Alpha 60'ı tasarlayan bilimadamının kızıdır. Dolayısıyla Lemmy'nin görevi önündeki en büyük engel bu kızla yaşadığı ilişki oluverir.",4.5546,"\u002Fx6LpEHnETtxzLmIwNQLrMVucIve.jpg","1965-05-05",6.893,642,"52fe4491c3a36847f809d6e9",{"adult":4,"backdrop_path":405,"genre_ids":406,"id":407,"title":408,"original_language":27,"original_title":408,"overview":62,"popularity":409,"poster_path":410,"release_date":411,"softcore":4,"video":4,"vote_average":33,"vote_count":412,"credit_id":413,"department":13,"job":234,"media_type":38},"\u002Fp7YwBEvUdl7GUnhXkap3KmdZYUC.jpg",[42,23],11670,"L'Emmerdeur",2.2397,"\u002Fwn3GKVkMuadsQsVMBEKnGsXiT5k.jpg","1973-09-20",268,"52fe44759251416c75035861",{"adult":4,"backdrop_path":415,"genre_ids":416,"id":417,"title":418,"original_language":27,"original_title":418,"overview":62,"popularity":419,"poster_path":420,"release_date":421,"softcore":4,"video":4,"vote_average":422,"vote_count":423,"credit_id":424,"department":13,"job":234,"media_type":38},"\u002F7bFNtXHeXVOD0zhxDcc82Nrpqqc.jpg",[23],267100,"Peaux de vaches",0.9278,"\u002FvQ7sqr5JX5NsQh7PSqLlWa2pXUG.jpg","1989-05-31",6.4,16,"6242d047706e56005dca9072",{"adult":4,"backdrop_path":426,"genre_ids":427,"id":428,"title":429,"original_language":27,"original_title":429,"overview":62,"popularity":430,"poster_path":431,"release_date":432,"softcore":4,"video":4,"vote_average":353,"vote_count":33,"credit_id":433,"department":13,"job":234,"media_type":38},"\u002FgOImkpFSCOUbrYHRZqQf0ZLmIeo.jpg",[23],125320,"Le Cœur fantôme",1.2513,"\u002F9hLYWvePhXWKLFPBxyWXR1w5NMP.jpg","1996-03-27","60bb85b79a9e20006d5b7e3a",{"adult":4,"backdrop_path":435,"genre_ids":436,"id":437,"title":438,"original_language":27,"original_title":438,"overview":62,"popularity":439,"poster_path":440,"release_date":441,"softcore":4,"video":4,"vote_average":442,"vote_count":159,"credit_id":443,"department":444,"job":445,"media_type":38},"\u002F9zfxHwnQMZqtGwRhBbbhdAr48jm.jpg",[104],96492,"La légion saute sur Kolwezi",1.7217,"\u002F75BY7cj2TQDYRSLms3OS2ZuK9zp.jpg","1980-01-09",5.6,"52fe49b59251416c750d0ce5","Directing","Director",{"adult":4,"backdrop_path":447,"genre_ids":448,"id":449,"title":450,"original_language":27,"original_title":450,"overview":62,"popularity":451,"poster_path":452,"release_date":453,"softcore":4,"video":4,"vote_average":54,"vote_count":79,"credit_id":454,"department":13,"job":234,"media_type":38},"\u002F5ziYvAH3JNtxKuYPF2vvK2CJG3N.jpg",[23],388283,"Faut pas rire du bonheur",1.2252,"\u002FgUf9BMitmeQlGNKVuYrAQdfu92.jpg","1995-12-20","60d0879b9a3c490045b282b5",{"adult":4,"backdrop_path":456,"genre_ids":457,"id":458,"title":459,"original_language":27,"original_title":459,"overview":62,"popularity":460,"poster_path":461,"release_date":462,"softcore":4,"video":4,"vote_average":463,"vote_count":464,"credit_id":465,"department":13,"job":234,"media_type":38},"\u002F3VzxvTZnwcNPgQBwMYjmm8ODYoD.jpg",[23,104],86727,"Le Crabe-Tambour",1.1112,"\u002F2ZVXzC749OScK1pBtlhW0wcIN3h.jpg","1977-11-09",6.507,73,"627f623f20e6a555ac43d5d5",{"adult":4,"backdrop_path":102,"genre_ids":467,"id":105,"title":106,"original_language":27,"original_title":106,"overview":62,"popularity":107,"poster_path":108,"release_date":109,"softcore":4,"video":4,"vote_average":110,"vote_count":111,"credit_id":468,"department":444,"job":445,"media_type":38},[104,23],"52fe4cd1c3a368484e1c8181",{"adult":4,"backdrop_path":10,"genre_ids":470,"id":471,"title":472,"original_language":27,"original_title":472,"overview":62,"popularity":473,"poster_path":474,"release_date":475,"softcore":4,"video":4,"vote_average":66,"vote_count":100,"credit_id":476,"department":13,"job":234,"media_type":38},[23,42],179045,"Du sel sur la peau",1.5151,"\u002FWcIa67XH0D0LKbbWSdWkjHuzdt.jpg","1984-01-01","52fe4da0c3a36847f826b505",{"adult":4,"backdrop_path":478,"genre_ids":479,"id":481,"title":482,"original_language":27,"original_title":482,"overview":62,"popularity":483,"poster_path":484,"release_date":485,"softcore":4,"video":4,"vote_average":65,"vote_count":111,"credit_id":486,"department":444,"job":445,"media_type":38},"\u002FymJh9FQ9yRmq7vBih9Amf1MT656.jpg",[480],28,167642,"S.A.S. à San Salvador",1.9464,"\u002F2AXaOB7b2JDOT2nPnmJF8gUerVM.jpg","1983-02-25","5360ea650e0a262f46001100",{"adult":4,"backdrop_path":10,"genre_ids":488,"id":489,"title":490,"original_language":27,"original_title":490,"overview":62,"popularity":491,"poster_path":492,"release_date":493,"softcore":4,"video":4,"vote_average":494,"vote_count":66,"credit_id":495,"department":13,"job":234,"media_type":38},[],805746,"Le Grand Escroc",0.8673,"\u002FgDaQOewplkXDwNDONYhKH6oGH6T.jpg","1964-08-14",7.7,"630dd5df5ab81a007a85c7f3",{"adult":4,"backdrop_path":10,"genre_ids":497,"id":498,"title":499,"original_language":27,"original_title":499,"overview":62,"popularity":500,"poster_path":501,"release_date":502,"softcore":4,"video":4,"vote_average":503,"vote_count":66,"credit_id":504,"department":13,"job":234,"media_type":38},[23],344860,"Le Gang des otages",1.367,"\u002Fz5nb3Xdkmb0zvyA1KI4dKFxjuZm.jpg","1973-02-01",6.3,"558081c8c3a3684f93000562",{"adult":4,"backdrop_path":506,"genre_ids":507,"id":508,"title":509,"original_language":27,"original_title":510,"overview":511,"popularity":512,"poster_path":513,"release_date":514,"softcore":4,"video":4,"vote_average":515,"vote_count":516,"credit_id":517,"department":13,"job":234,"media_type":38},"\u002FcA8YAm0UHpKuWEO2UzlguG2WHSz.jpg",[23,135],60859,"İtiraf","L'Aveu","İtiraf, Artur London'un aynı adlı otobiyografik romanında sinemaya uyarlanmış ve başrolünü Yves Montand'ın oynadığı 1970 tarihli film. 1952 Prag Mahkemeleri döneminde Çekoslovakya'da yaşananları konu edinir.",2.8318,"\u002Fg8y32qXa2mwhV29LxNVl92ICCqg.jpg","1970-04-29",7.329,152,"55be59ab9251413e51004e87",{"adult":4,"backdrop_path":519,"genre_ids":520,"id":521,"title":522,"original_language":27,"original_title":523,"overview":524,"popularity":525,"poster_path":526,"release_date":527,"softcore":4,"video":4,"vote_average":528,"vote_count":529,"credit_id":530,"department":13,"job":234,"media_type":38},"\u002F3Wm76b8SY47zqIU6pJRnYRzPPln.jpg",[136,23,42,24],32689,"Adı Carmen","Prénom Carmen","Terörist bir grubun üyesi olan Carmen X, amcası Jean’dan sahil kenarındaki evini film çekimi için ödünç vermesini ister. Aslında çete bir banka soygunu planlamaktadır. Soygun sırasında Carmen güvenlik görevlisine âşık olur ve onunla kaçmaya karar verir.",4.7924,"\u002Fk0NhFg1Kw3kOG5wiIxDdtZe5iDO.jpg","1983-12-01",6.017,119,"5648d640c3a36826080083a2",{"adult":4,"backdrop_path":10,"genre_ids":532,"id":533,"title":534,"original_language":27,"original_title":534,"overview":62,"popularity":535,"poster_path":10,"release_date":536,"softcore":4,"video":4,"vote_average":89,"vote_count":89,"credit_id":537,"department":538,"job":539,"media_type":38},[57],370555,"Le Défilé du 14 Juillet 1977",0.661,"1977-01-01","565c1593925141692b006ac3","Writing","Writer",{"adult":4,"backdrop_path":10,"genre_ids":541,"id":533,"title":534,"original_language":27,"original_title":534,"overview":62,"popularity":535,"poster_path":10,"release_date":536,"softcore":4,"video":4,"vote_average":89,"vote_count":89,"credit_id":542,"department":444,"job":445,"media_type":38},[57],"565c15899251416925006adc",{"adult":4,"backdrop_path":544,"genre_ids":545,"id":546,"title":547,"original_language":27,"original_title":547,"overview":62,"popularity":548,"poster_path":549,"release_date":550,"softcore":4,"video":4,"vote_average":551,"vote_count":131,"credit_id":552,"department":13,"job":234,"media_type":38},"\u002FwOCbRLmslaoacOcUxVIxo03jgDb.jpg",[111,23],396972,"La passe du Diable",1.5724,"\u002Flp2T0ZM9HuKXdh3spcwZEW7DtGV.jpg","1959-10-08",4.2,"6209245e85867800438dbc9f",{"adult":4,"backdrop_path":554,"genre_ids":555,"id":556,"title":557,"original_language":27,"original_title":557,"overview":62,"popularity":558,"poster_path":559,"release_date":560,"softcore":4,"video":4,"vote_average":561,"vote_count":562,"credit_id":563,"department":13,"job":234,"media_type":38},"\u002FfV44CKkbiKfWIcRgY7KAg5zSWin.jpg",[23],103692,"Sauvage innocence",1.5822,"\u002F4RcB9o9QwQN0C5dfD2gascwSXUM.jpg","2001-12-19",5.9,14,"56e5b23bc3a3685a9e0079a0",{"adult":4,"backdrop_path":565,"genre_ids":566,"id":567,"title":568,"original_language":27,"original_title":569,"overview":570,"popularity":571,"poster_path":572,"release_date":573,"softcore":4,"video":4,"vote_average":574,"vote_count":575,"credit_id":576,"department":13,"job":234,"media_type":38},"\u002FsghiIicSkXstVJwzXhaFi2G0A9O.jpg",[23,24],40652,"Evli Bir Kadın","Une femme mariée: Suite de fragments d'un film tourné en 1964","Fransa'da 1960'larda \"burjuva sineması\" nı yıkarak yerine \"modern sinema\" nın temellerini atan 'anarşist' sinemacı, Yeni Dalga akımının önemli ve ilginç yönetmeni Jean-Luc Godard'ın senaryosunu yazıp yönettiği \"Evli Bir Kadın\", yönetmenin henüz politik filmlerine başlamadığı ilk dönem filmlerinden biridir. Godard aynı zamanda filmin anlatıcısıdır. Başrollerinde Bernard Noël, Macha Méril ve Philippe Leroy'un oynadıkları filmin siyah beyaz görüntülerini Raoul Coutard çekmiştir.  Filmde, Paris'te yaşayan evli ve çalışan bir kadının başka bir adamla aşk yaşarken gebe kalması üzerine aşığı ve kocası arasında bir seçim yapma durumunda kalması anlatılır. Godard bu bildik aşk üçgeni konusu üzerinden modern kültürde kadının rolünü sosyolojik açıdan irdeler, tüketim toplumunda aşkın yerini araştırır.",2.4565,"\u002Fi3KxuoQeuXxQeQuEj2twdEl2dhZ.jpg","1964-12-04",6.885,135,"57193cc6c3a3687c2c00528e",{"adult":4,"backdrop_path":578,"genre_ids":579,"id":581,"title":582,"original_language":61,"original_title":582,"overview":62,"popularity":583,"poster_path":584,"release_date":585,"softcore":4,"video":4,"vote_average":586,"vote_count":587,"credit_id":588,"department":13,"job":234,"media_type":38},"\u002FHv8WL5EHDlOZaKWk3zwAWyGyWn.jpg",[23,580,104],36,281291,"Bethune: The Making of a Hero",1.9406,"\u002FgreZZD4Hrc5DR4qL2ePmr1MOuzc.jpg","1993-09-17",5.2,11,"63f6b2893d7454008efce7ad",{"adult":4,"backdrop_path":590,"genre_ids":591,"id":592,"title":593,"original_language":27,"original_title":593,"overview":62,"popularity":594,"poster_path":595,"release_date":493,"softcore":4,"video":4,"vote_average":596,"vote_count":179,"credit_id":597,"department":13,"job":234,"media_type":38},"\u002FciX59yAbr8LKu9wNLEIAL9bdSWU.jpg",[136,42],78786,"Les Plus Belles Escroqueries du monde",1.7973,"\u002Fx7p3Qfu7DqZEOX59xtRuAHMXvNg.jpg",5.4,"6604fa38f90b19012fa76bd4",{"adult":4,"backdrop_path":599,"genre_ids":600,"id":601,"title":602,"original_language":27,"original_title":603,"overview":604,"popularity":605,"poster_path":606,"release_date":607,"softcore":4,"video":4,"vote_average":177,"vote_count":57,"credit_id":608,"department":13,"job":234,"media_type":38},"\u002FaIOSM79COU9YAEs0Yqsudvx5X3V.jpg",[104,23,42],52705,"Jandarmalar","Les Carabiniers","Savaş halindeki bir ülkenin askerleri, orduya katılacaklara yeryüzündeki cenneti vaat eder. İki yoksul çiftçi, Michelangelo ve Ulysses, çağrıya uyup savaşa gider ve kıyıma ortak olur. Döndüklerinde, yolculuk boyunca sergiledikleri marifetlerini herkese göstermeye heveslidirler.",1.854,"\u002FoBL7ragSWtX8rHswM25BkdzQzWZ.jpg","1963-05-31","599465099251411876007239",{"adult":4,"backdrop_path":610,"genre_ids":611,"id":612,"title":613,"original_language":27,"original_title":614,"overview":615,"popularity":616,"poster_path":617,"release_date":618,"softcore":4,"video":4,"vote_average":619,"vote_count":620,"credit_id":621,"department":13,"job":234,"media_type":38},"\u002Fq53o3eyUorC2WTbdepCiuc2XSix.jpg",[23,24],50785,"Küçük Asker","Le Petit Soldat","1958'de Cezayir Savaşı sırasında, Cezayir direnişine karşı savaşan aşırı sağcı küçük bir gruba mensup genç bir adam olan Bruno Forestier, Fransa'dan Cenevre'ye geldi. Fransız ordusunu terk etmesinin bahanesi olarak fotoğrafçı olarak işe giriyor. Küçük grubun lideri, Poujadist bir milletvekili, onu Cezayir davasının destekçisi olan İsviçreli radyo muhabiri Palivoda'yı öldürmekle suçluyor. Bir arkadaşı, Bruno'yu \"Leslie Caron'la aynı ağıza sahip\", manken olmak isteyen genç bir kızla tanıştırır ve ona aşık olacağına dair 50 dolara bahse girer; Onu gelecek vaat eden bir aktris olan Veronica ile tanıştırdıktan kısa bir süre sonra iddiasını tutar. Le Petit Soldat, Jean-Luc Godard'ın À Bout De Souffle'dan sonraki ikinci uzun metrajlı filmi, Godard'ın Anna Karina'yla birlikte oynadığı ilk filmi. 1960 yılında çekilen film, sansür yasağı nedeniyle 25 Ocak 1963'e kadar gösterime giremedi.",2.4146,"\u002Foplp1fFr1IvopXk0qk7zmxW0FAh.jpg","1963-01-25",6.918,189,"5994630292514153ff01acd1",{"adult":4,"backdrop_path":623,"genre_ids":624,"id":625,"title":626,"original_language":27,"original_title":627,"overview":628,"popularity":629,"poster_path":630,"release_date":631,"softcore":4,"video":4,"vote_average":632,"vote_count":633,"credit_id":634,"department":13,"job":234,"media_type":38},"\u002FoseBXGQMYWTWzAVHJaUEwGgrjGA.jpg",[42,23,24],31522,"Kadın Kadındır","Une femme est une femme","Bir gece klubünde dansçı olarak çalışan Angela'nın en büyük hayali bir çocuk sahibi olmaktır. Fakat erkek arkadaşı Emile buna pek sıcak bakmamaktadır. Angela anne olmaya kesin kararlıdır ve bunun için Emile'in arkadaşı Alfred'e gider.",3.9689,"\u002FkQ55IcfLCaKg1e7ZSNNPT24K03.jpg","1961-09-06",7.311,417,"599463b892514153ff01ada8",{"adult":4,"backdrop_path":636,"genre_ids":637,"id":638,"title":639,"original_language":27,"original_title":640,"overview":641,"popularity":642,"poster_path":643,"release_date":644,"softcore":4,"video":4,"vote_average":645,"vote_count":646,"credit_id":647,"department":13,"job":234,"media_type":38},"\u002F6aurEdQ8fs4zevG4m46Lbhoc9Cu.jpg",[42,23],8074,"Onun Hakkında Bildiğim 2 veya 3 Şey","2 ou 3 choses que je sais d'elle","Jean-Luc Godard'ın fahişeliği modern kapitalist devlette yaşamın ana metaforu olarak işlediği birçok filmden biridir. Godard için, kendisini para için satan bir kadın, yaşam değerini artıran son derece kişisel bir eylem olan sevişmenin nasıl diğer her şey gibi bir mala dönüştüğünün kusursuz bir imgesidir. Bu süreç içinde, insanoğlu kendisiyle yabancılaşarak satılacak ve satın alınacak bir şeye dönüşür.",2.3644,"\u002F8HMOpEyo1EUkiv2xN8ZQfdzqurx.jpg","1967-03-17",6.246,224,"59da68009251412514047e18",{"adult":4,"backdrop_path":649,"genre_ids":650,"id":651,"title":652,"original_language":653,"original_title":652,"overview":62,"popularity":654,"poster_path":655,"release_date":656,"softcore":4,"video":4,"vote_average":33,"vote_count":66,"credit_id":657,"department":13,"job":234,"media_type":38},"\u002Fl5PzGfV2LBPJ5ydUWzvTkg3g1ax.jpg",[42,23,24],595103,"Brennende Betten","de",1.4055,"\u002FzSxxSjA0a8TicY3BL1M3wcZa1EQ.jpg","1988-10-30","663885966611b40124690fb5",{"adult":4,"backdrop_path":10,"genre_ids":659,"id":660,"title":661,"original_language":27,"original_title":661,"overview":62,"popularity":662,"poster_path":663,"release_date":664,"softcore":4,"video":4,"vote_average":177,"vote_count":9,"credit_id":665,"department":13,"job":234,"media_type":38},[42],476493,"Le Trèfle à cinq feuilles",1.0133,"\u002Fd3QRVTlZJ3wRar63wHeAjhqQnyW.jpg","1972-08-22","6462c9698c44b9780bf91ec5",{"adult":4,"backdrop_path":667,"genre_ids":668,"id":669,"title":670,"original_language":27,"original_title":670,"overview":62,"popularity":671,"poster_path":672,"release_date":673,"softcore":4,"video":4,"vote_average":674,"vote_count":100,"credit_id":675,"department":13,"job":234,"media_type":38},"\u002FpaJfpW7wXHiRr95OpmV8bneKQhL.jpg",[42],533496,"La Liberté en croupe",1.1766,"\u002F9L4P4mu8ulZR1ipDQKtwjwN8ozK.jpg","1970-10-30",5.5,"6468b31e006b0101684b943a",{"adult":4,"backdrop_path":677,"genre_ids":678,"id":679,"title":680,"original_language":27,"original_title":680,"overview":62,"popularity":681,"poster_path":682,"release_date":683,"softcore":4,"video":4,"vote_average":684,"vote_count":685,"credit_id":686,"department":13,"job":234,"media_type":38},"\u002FkTqTwjZxM2mB9aStJZNu7pul6Nt.jpg",[136],78405,"Ne réveillez pas un flic qui dort",1.5821,"\u002FhE5NIwQj2uwXicIvex6frwn5xt6.jpg","1988-11-10",5.372,39,"6491bf69263462010cbd88f8",{"adult":4,"backdrop_path":688,"genre_ids":689,"id":690,"title":691,"original_language":27,"original_title":691,"overview":62,"popularity":692,"poster_path":693,"release_date":694,"softcore":4,"video":4,"vote_average":442,"vote_count":695,"credit_id":696,"department":13,"job":234,"media_type":38},"\u002FvYK9XjsqFL4z92J1lhXsLzx16iY.jpg",[23,42],32692,"Passion",1.9318,"\u002FcGs9b9SIfuvzEafvMCAwfFsOMGW.jpg","1982-05-26",68,"5b16de280e0a262df4019105",{"adult":4,"backdrop_path":698,"genre_ids":699,"id":700,"title":701,"original_language":27,"original_title":702,"overview":703,"popularity":704,"poster_path":705,"release_date":706,"softcore":4,"video":4,"vote_average":707,"vote_count":708,"credit_id":709,"department":13,"job":234,"media_type":38},"\u002FbolMHmAoPcY9CQ9IMpJPLSr4azQ.jpg",[57],84972,"Bir Yaz Güncesi","Chronique d'un été (Paris 1960)","Paris, 1960 yazı. Antropolog ve film yapımcısı Jean Rouch ile sosyolog ve film eleştirmeni Edgar Morin kalabalık caddelerde dolaşarak yoldan geçenlere hayatın talihsizlikleriyle nasıl başa çıktıklarını soruyor.",2.1461,"\u002FmE1pAq1bNJ3U6kwrp2SKEjBPxQR.jpg","1961-10-20",7.2,122,"5bfd338f0e0a26360e029b51",{"adult":4,"backdrop_path":711,"genre_ids":712,"id":713,"title":714,"original_language":27,"original_title":714,"overview":62,"popularity":715,"poster_path":716,"release_date":717,"softcore":4,"video":4,"vote_average":77,"vote_count":718,"credit_id":719,"department":13,"job":234,"media_type":38},"\u002Fq1Jn9CG3ePA4Ulk558ijlP75Y7z.jpg",[104,580,23],31344,"La 317ème Section",1.6328,"\u002FewatR5iZ3aEJXRErzhDSUlZfkTf.jpg","1965-03-31",85,"5c0abde7c3a3682515051609",{"adult":4,"backdrop_path":721,"genre_ids":722,"id":723,"title":724,"original_language":61,"original_title":724,"overview":62,"popularity":725,"poster_path":726,"release_date":727,"softcore":4,"video":4,"vote_average":177,"vote_count":9,"credit_id":728,"department":13,"job":234,"media_type":38},"\u002FaBMbEKAfzUmOuPgPVLjk8QYa8SE.jpg",[136,23,135],343042,"Embassy",1.0012,"\u002FtCPKxvZ7DzgMwxM5PtUrCLSPmXZ.jpg","1972-03-02","5c73415e9251415ef1b501a2",{"adult":4,"backdrop_path":730,"genre_ids":731,"id":732,"title":733,"original_language":61,"original_title":733,"overview":62,"popularity":734,"poster_path":735,"release_date":736,"softcore":4,"video":4,"vote_average":737,"vote_count":343,"credit_id":738,"department":13,"job":234,"media_type":38},"\u002F4mhCFlboHCaPrVUNmLF2NEHc6XQ.jpg",[111],61862,"The Southern Star",1.7803,"\u002FbodegCbUIlBB20TsufqSYVWUWfL.jpg","1969-03-04",5.933,"5cc959d992514119e5f9178c",{"adult":4,"backdrop_path":740,"genre_ids":741,"id":742,"title":743,"original_language":27,"original_title":743,"overview":62,"popularity":744,"poster_path":745,"release_date":746,"softcore":4,"video":4,"vote_average":747,"vote_count":343,"credit_id":748,"department":13,"job":234,"media_type":38},"\u002FoSgwRKaOJReLJYoqDx16n5SZaWe.jpg",[42],363295,"Un monsieur de compagnie",1.3855,"\u002F3zj89tfjxW21xjztqo4YXdYgCaQ.jpg","1964-11-04",5.3,"5d1dd707a135337b2f057a16",{"adult":4,"backdrop_path":750,"genre_ids":751,"id":752,"title":753,"original_language":27,"original_title":753,"overview":62,"popularity":754,"poster_path":755,"release_date":756,"softcore":4,"video":4,"vote_average":596,"vote_count":587,"credit_id":757,"department":13,"job":758,"media_type":38},"\u002FA8UksXOiIqvPU2uesDqZGMW4Vck.jpg",[23],142932,"Et Satan conduit le bal",1.4636,"\u002FNUMy13uCfDHxb6EiS82Fc8BW2d.jpg","1962-10-24","5d70cbb3924ce6000f1e1d05","Camera Operator",{"adult":4,"backdrop_path":10,"genre_ids":760,"id":761,"title":762,"original_language":27,"original_title":762,"overview":62,"popularity":763,"poster_path":764,"release_date":765,"softcore":4,"video":4,"vote_average":33,"vote_count":79,"credit_id":766,"department":13,"job":234,"media_type":38},[23],568473,"Blanc de Chine",1.1155,"\u002FuQPjT4sidNQZnk8QQ4S64PPPLSV.jpg","1988-04-20","5e9b1e95310325001cc70acc",{"adult":4,"backdrop_path":10,"genre_ids":768,"id":769,"title":770,"original_language":27,"original_title":770,"overview":62,"popularity":771,"poster_path":10,"release_date":772,"softcore":4,"video":4,"vote_average":89,"vote_count":89,"credit_id":773,"department":444,"job":445,"media_type":38},[],698544,"Une nuit en Lorraine",0.6035,"1975-11-08","5ea9d82fcc9683001cb04542",{"adult":4,"backdrop_path":775,"genre_ids":776,"id":777,"title":778,"original_language":27,"original_title":778,"overview":62,"popularity":779,"poster_path":780,"release_date":302,"softcore":4,"video":4,"vote_average":596,"vote_count":54,"credit_id":781,"department":13,"job":234,"media_type":38},"\u002F5Saqb7pFZWPqCltEBoWhrSw7AQ.jpg",[42],99275,"Tire-au-flanc 62",1.8635,"\u002FejbSBiK6bapLmXavI7ILNTVMgeE.jpg","5ecd417619690c001c70a91b",{"adult":4,"backdrop_path":783,"genre_ids":784,"id":785,"title":786,"original_language":27,"original_title":786,"overview":787,"popularity":788,"poster_path":789,"release_date":790,"softcore":4,"video":4,"vote_average":318,"vote_count":791,"credit_id":792,"department":13,"job":234,"media_type":38},"\u002FbX9WDVEdNftHE0BO3jsufoj7jKr.jpg",[23,24],40641,"Lola","Canı sıkılan genç bir adam, eski sevgilisiyle buluşur. Kadın aradan geçen yıllarda değişmiştir. Tek başına çocuğunu büyütürken bir yandan da kabare dansçılığı yapar. Genç adam kısa sürede yeniden ona âşık olur.",2.9318,"\u002FcdHH3cn00f9pAxR9pFS4B0zsFLA.jpg","1961-03-03",308,"5ecd4195d18b24002441b167",{"adult":4,"backdrop_path":10,"genre_ids":794,"id":796,"title":797,"original_language":27,"original_title":797,"overview":62,"popularity":798,"poster_path":799,"release_date":800,"softcore":4,"video":4,"vote_average":33,"vote_count":79,"credit_id":801,"department":13,"job":234,"media_type":38},[57,795],10402,546135,"Petit Jour",0.8996,"\u002FgyJAehHWJrke5disDE2wPFXfCMQ.jpg","1962-01-01","5ecd42378efe73001d15ae33",{"adult":4,"backdrop_path":803,"genre_ids":804,"id":805,"title":806,"original_language":27,"original_title":806,"overview":62,"popularity":807,"poster_path":808,"release_date":230,"softcore":4,"video":4,"vote_average":809,"vote_count":810,"credit_id":811,"department":13,"job":234,"media_type":38},"\u002FuJlc4aNPF3Y8yAqahJTKBwgwPVW.jpg",[23,24],8773,"L'Amour à vingt ans",2.4186,"\u002FsU4o25RZullugxoXZstXKN8bPPF.jpg",6.7,55,"5ecd42b11da7a6001ccfd1f6",{"adult":4,"backdrop_path":813,"genre_ids":814,"id":815,"title":816,"original_language":27,"original_title":817,"overview":818,"popularity":819,"poster_path":820,"release_date":821,"softcore":4,"video":4,"vote_average":822,"vote_count":823,"credit_id":824,"department":13,"job":234,"media_type":38},"\u002F7Mg5eGXNXiPUy9cmfi6ebr2Ulgn.jpg",[136,312,42],29369,"Amerikan Malı","Made in U.S.A","Çetin ceviz dedektif Paula Nelson, sevgilisiyle buluşmak üzere Atlantic City’ye gider. Şehre varınca adamın öldüğünü öğrenir ve olayı araştırmaya başlar. Otel odasında karşılaştığı biri, yazar David Goodis’in evinde ölü bulununca, Paula da bir cinayet zanlısına dönüşür.",2.065,"\u002FaoHsHSd69jEH4xj91IalknKXSIg.jpg","1967-01-27",6.123,109,"5ecd6658976e480023e6ca6c",{"adult":4,"backdrop_path":826,"genre_ids":827,"id":828,"title":829,"original_language":27,"original_title":829,"overview":62,"popularity":830,"poster_path":831,"release_date":832,"softcore":4,"video":4,"vote_average":33,"vote_count":66,"credit_id":833,"department":13,"job":234,"media_type":38},"\u002F9PJmptjMKPI7f2sBrXVqKm8cfu9.jpg",[42,136],428362,"Comme un pot de fraises !..",1.0115,"\u002FAmtB6tsi6fPnL4c1p8ljF3U8VaW.jpg","1974-09-11","5ecd667b5be00e001f957ec6",{"adult":4,"backdrop_path":835,"genre_ids":836,"id":837,"title":838,"original_language":27,"original_title":838,"overview":62,"popularity":839,"poster_path":840,"release_date":841,"softcore":4,"video":4,"vote_average":503,"vote_count":842,"credit_id":843,"department":13,"job":234,"media_type":38},"\u002FtwTm2iMNeZtzJbZQAxF6tH4gbPf.jpg",[23,24],84003,"La naissance de l'amour",1.4472,"\u002FuYNxF3p7inOfRKN62yAeZoKUzE4.jpg","1993-09-22",17,"5ecd66ecdb952d0021b63ff7",{"adult":4,"backdrop_path":845,"genre_ids":846,"id":847,"title":848,"original_language":27,"original_title":848,"overview":62,"popularity":849,"poster_path":850,"release_date":851,"softcore":4,"video":4,"vote_average":363,"vote_count":685,"credit_id":852,"department":13,"job":234,"media_type":38},"\u002FtyqSX1VonD5TkaSNQFaR92BImrS.jpg",[42,24],64097,"Max mon amour",1.9896,"\u002FyPN6q3xh7xGpsYqChhRxMjFm3tr.jpg","1986-10-22","5ecd66aa0f36550022181f92",{"adult":4,"backdrop_path":10,"genre_ids":854,"id":855,"title":856,"original_language":61,"original_title":856,"overview":62,"popularity":857,"poster_path":10,"release_date":858,"softcore":4,"video":4,"vote_average":33,"vote_count":79,"credit_id":859,"department":13,"job":234,"media_type":38},[23],685299,"Scruggs",0.8992,"1965-01-01","5ecd6725976e480023e6cb12",{"adult":4,"backdrop_path":861,"genre_ids":862,"id":863,"title":864,"original_language":27,"original_title":864,"overview":62,"popularity":865,"poster_path":866,"release_date":867,"softcore":4,"video":4,"vote_average":561,"vote_count":868,"credit_id":869,"department":13,"job":234,"media_type":38},"\u002FtIqcAOe23mIGghMUQR7sT6Y2WMj.jpg",[23,135],46088,"La Diagonale du fou",1.8483,"\u002FqecIRVo0zMy93iRo7YoG8RD1pFm.jpg","1984-04-15",45,"5ecd6693976e480022e6c938",{"adult":4,"backdrop_path":10,"genre_ids":871,"id":872,"title":873,"original_language":27,"original_title":873,"overview":62,"popularity":874,"poster_path":875,"release_date":876,"softcore":4,"video":4,"vote_average":131,"vote_count":9,"credit_id":877,"department":13,"job":234,"media_type":38},[135,136],295333,"Il gèle en enfer",1.1118,"\u002FsLYW2ze2eCb3E9MJuOpAc9g3D0L.jpg","1990-04-25","5ecd66c90f36550020181c88",{"adult":4,"backdrop_path":879,"genre_ids":880,"id":881,"title":882,"original_language":61,"original_title":882,"overview":62,"popularity":883,"poster_path":884,"release_date":885,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":886,"department":13,"job":234,"media_type":38},"\u002FglGMJSjK0ERVsAWehF18i92mq0z.jpg",[57],78457,"Rocky Road to Dublin",1.6451,"\u002FplqyUJICWEYdaxyhXTgbahTRpJM.jpg","1968-09-30","5ecd666a976e480021e6cb42",{"adult":4,"backdrop_path":102,"genre_ids":888,"id":105,"title":106,"original_language":27,"original_title":106,"overview":62,"popularity":107,"poster_path":108,"release_date":109,"softcore":4,"video":4,"vote_average":110,"vote_count":111,"credit_id":889,"department":538,"job":890,"media_type":38},[104,23],"67a252c6eea89adf09030704","Adaptation",{"adult":4,"backdrop_path":892,"genre_ids":893,"id":894,"title":895,"original_language":27,"original_title":895,"overview":62,"popularity":896,"poster_path":897,"release_date":898,"softcore":4,"video":4,"vote_average":674,"vote_count":33,"credit_id":899,"department":13,"job":234,"media_type":38},"\u002FuUBy1IgKQvk6seoNyoG7K09sIkh.jpg",[42,393],66827,"La Poupée",0.9199,"\u002FcyRSaS640H9d1ZwH1LU8SCw7orp.jpg","1962-11-07","68164ddff279a934ca913093",{"adult":4,"backdrop_path":901,"genre_ids":902,"id":903,"title":904,"original_language":27,"original_title":904,"overview":62,"popularity":905,"poster_path":906,"release_date":907,"softcore":4,"video":4,"vote_average":363,"vote_count":908,"credit_id":909,"department":13,"job":234,"media_type":38},"\u002F4shlmB1Pm0oI66Kqsx2oGY2jYuv.jpg",[23],406406,"Vacances portugaises",1.5465,"\u002FuJpYNe2a2jco83h3pNj6XP38Lox.jpg","1963-10-09",13,"682763324b49537fd2a17acb",{"adult":4,"backdrop_path":10,"genre_ids":911,"id":912,"title":913,"original_language":27,"original_title":913,"overview":62,"popularity":914,"poster_path":915,"release_date":916,"softcore":4,"video":4,"vote_average":33,"vote_count":79,"credit_id":917,"department":13,"job":234,"media_type":38},[23],562173,"Ramuntcho",1.4028,"\u002Fm2euRIUYdT2FfRKmJcqUi22DVKL.jpg","1958-08-20","689877eba100ffff205d0d50",{"adult":4,"backdrop_path":919,"genre_ids":920,"id":921,"title":922,"original_language":61,"original_title":922,"overview":62,"popularity":923,"poster_path":924,"release_date":925,"softcore":4,"video":4,"vote_average":363,"vote_count":364,"credit_id":926,"department":13,"job":234,"media_type":38},"\u002FeSsJOkMZXzMoIZLS21Q45Mt4iPZ.jpg",[23,24,111],140249,"The Sailor from Gibraltar",1.3605,"\u002FhLwuBwmsoF3hORmqaq1sdRTKH1s.jpg","1967-01-01","6942e5244a9ef993c808f6f5",{"adult":4,"backdrop_path":928,"genre_ids":929,"id":930,"title":931,"original_language":27,"original_title":931,"overview":62,"popularity":932,"poster_path":933,"release_date":934,"softcore":4,"video":4,"vote_average":363,"vote_count":33,"credit_id":935,"department":13,"job":234,"media_type":38},"\u002Fl2EWMaxiWKbl3VhuZstqprq9lhe.jpg",[23],66814,"Les Grandes Personnes",1.12,"\u002F9U3feUIj7o38RPrXrce4ohCG7ki.jpg","1961-02-03","6973c56050aa119c9437ba2e",{"adult":4,"backdrop_path":10,"genre_ids":937,"id":938,"title":939,"original_language":653,"original_title":939,"overview":62,"popularity":940,"poster_path":10,"release_date":941,"softcore":4,"video":4,"vote_average":364,"vote_count":79,"credit_id":942,"department":13,"job":234,"media_type":38},[312],1660726,"Parachute",1.8235,"1986-01-01","69cae8d6aa43e5efce263e4d",{"adult":4,"backdrop_path":944,"genre_ids":945,"id":946,"title":947,"original_language":27,"original_title":947,"overview":62,"popularity":948,"poster_path":949,"release_date":950,"softcore":4,"video":4,"vote_average":89,"vote_count":89,"credit_id":951,"department":13,"job":234,"media_type":38},"\u002F77xyy3ACdxJgo7QP3mV2ukVF1wD.jpg",[],1566835,"The Wild Palms",0.9187,"\u002F7aWmQ7pB7ZKf5nphmryzQd8wgsa.jpg","2025-11-25","69caea84cc92df2eda44ed86",{"adult":4,"backdrop_path":953,"genre_ids":954,"id":955,"title":956,"original_language":27,"original_title":956,"overview":62,"popularity":957,"poster_path":958,"release_date":959,"softcore":4,"video":4,"vote_average":674,"vote_count":33,"credit_id":960,"department":13,"job":234,"media_type":38},"\u002FlXPLhRSzF7icmYm30tsuOYr2zrf.jpg",[24,23],392735,"L'horizon",1.1346,"\u002F23DxfLAIEeClk1cBG2yv4TRqkLy.jpg","1967-04-12","69caea9264e8685489839a09",{"adult":4,"backdrop_path":962,"genre_ids":963,"id":964,"title":965,"original_language":27,"original_title":965,"overview":62,"popularity":966,"poster_path":967,"release_date":400,"softcore":4,"video":4,"vote_average":968,"vote_count":969,"credit_id":970,"department":13,"job":234,"media_type":38},"\u002FrEC4aSxY9jq8YmBIpzPCPkmZyil.jpg",[42],926519,"l'avatar botanique de mademoiselle flora",1.1587,"\u002FjV7LWoQbwXplgdIbMvT4UB8O1E3.jpg",5.7,29,"69caea9a041e7838546375f3",{"adult":4,"backdrop_path":972,"genre_ids":973,"id":974,"title":975,"original_language":976,"original_title":975,"overview":62,"popularity":977,"poster_path":978,"release_date":979,"softcore":4,"video":4,"vote_average":422,"vote_count":423,"credit_id":980,"department":13,"job":234,"media_type":38},"\u002F3dwBSpeZnagBQWvo0mh42TJesVO.jpg",[23,104,312,136],85217,"Als twee druppels water","nl",1.3471,"\u002FkKQHzes6ouG6UWvcFciz5owuFnw.jpg","1963-02-21","69caeab873d822c0918aad43",{"adult":4,"backdrop_path":982,"genre_ids":983,"id":984,"title":985,"original_language":27,"original_title":985,"overview":62,"popularity":986,"poster_path":987,"release_date":988,"softcore":4,"video":4,"vote_average":131,"vote_count":37,"credit_id":989,"department":13,"job":234,"media_type":38},"\u002FnRBMqy3whJ8sImONqwY8Go2ANUJ.jpg",[23,111],480845,"Pêcheur d'Islande",1.0705,"\u002FszhaxO4Z29w9q9faqyJqovIseub.jpg","1959-06-24","69caeac3d8b95958515af558",{"adult":4,"backdrop_path":750,"genre_ids":991,"id":752,"title":753,"original_language":27,"original_title":753,"overview":62,"popularity":754,"poster_path":755,"release_date":756,"softcore":4,"video":4,"vote_average":596,"vote_count":587,"credit_id":992,"department":13,"job":234,"media_type":38},[23],"6a8508ed6bbee77c089a4503",{"profiles":994},[995],{"aspect_ratio":996,"height":997,"iso_3166_1":10,"iso_639_1":10,"file_path":17,"vote_average":89,"vote_count":89,"width":998},0.667,450,300]