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The Pitoëffs were prominent actors in France, Georges was a founding member of the Cartel des Quatre (Group of Four), a group including Louis Jouvet, Charles Dullin, and Gaston Baty, dedicated to rejuvenating the French theatre.\n\nSacha graduated from Lycée Pasteur in Neuilly-sur-Seine, outside Paris. He studied acting and stage direction under Jouvet at the Théâtre de l'Athénée.\n\nDuring World War II, the younger Pitoëff followed his mother back to Switzerland, where he played his earliest roles. After the war he returned to Paris, becoming general manager at the Théâtre des Bouffes du Nord. He made his directorial debut with a 1950 staging of Uncle Vanya, which proved both a critical and commercial success.\n\nHe became a fixture of Parisian theatre in the 1960s, becoming the director of his own troupe. His repertoire included works by Jean Genet, Eugène Ionesco, Hugo Claus, Robert Musil, Anna Langfus and Anton Chekhov. With Romy Schneider, he staged The Seagull, Uncle Vanya and Three Sisters at Théâtre de l'Œuvre.\n\nIn 1967, he achieved his greatest success with a well-regarded production of Luigi Pirandello's Henry IV, which he directed and starred in, with Claude Jade.\n\nPitoëff played his first film role in 1952, in the omnibus film The Seven Deadly Sins. Appearing in over 50 films, he is probably best known for his performance in Alain Resnais's enigmatic Last Year at Marienbad (1960), as the unnamed man who may or may not be Delphine Seyrig's husband.\n\nHe was featured in roles of various sizes in such films as Henri-Georges Clouzot's Les Espions (1957), Peter Ustinov's Lady L (1965), René Clément's Is Paris Burning? (1966), and Jacques Demy's Donkey Skin (1970). 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Ancak kadın (Delphine Seyrig) yabancıyla bir önceki sene Marienbad’da yaşadıklarını hatırlamamaktadır. 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