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Her parents, Marie (née Legrand, 1877–1956) and Henri Donnadieu (1872–1921), were teachers from France who likely had met at Gia Định High School. They both had previous marriages. Marguerite had two brothers: Pierre, the older, and the younger Paul.\n\nDuras' father fell ill and he returned to France, where he died in 1921, when Duras was seven years old. Between 1922 and 1924, the family lived in France while her mother was on administrative leave. They then moved back to French Indochina when she was posted to Phnom Penh followed by Vĩnh Long and Sa Đéc. The family struggled financially, and her mother made a bad investment in an isolated property and area of rice farmland in Prey Nob, a story which was fictionalized in Un barrage contre le Pacifique (The Sea Wall).\n\nIn 1931, when she was 17, Duras and her family moved to France where she successfully passed the first part of the baccalaureate with the choice of Vietnamese as a foreign language, as she spoke it fluently. Duras returned to Saigon in late 1932 where her mother found a teaching post. There, Marguerite continued her education at the Lycée Chasseloup-Laubat and completed the second part of the baccalaureate, specializing in philosophy.\n\nIn autumn 1933, Duras moved to Paris, graduating with a degree in public law in 1936. At the same time, she took classes in mathematics. She continued her education, earning a diplôme d'études supérieures (DES) in public law and, later, in political economy. After finishing her studies in 1937, she found employment with the French government at the Ministry of the Colonies. In 1939, she married the writer Robert Antelme, whom she had met during her studies.\n\nDuring World War II, from 1942 to 1944, Duras worked for the Vichy government in an office that allocated paper quotas to publishers and in the process operated a de facto book-censorship system. She then became an active member of the PCF (the French Communist Party) and a member of the French Resistance as a part of a small group that also included François Mitterrand, who later became President of France and remained a lifelong friend of hers. Duras' husband, Antelme, was deported to Buchenwald in 1944 for his involvement in the Resistance, and barely survived the experience (weighing on his release, according to Duras, just 38 kg, or 84 pounds). She nursed him back to health, but they divorced once he recovered.\n\nIn 1943, when publishing her first novel, she began to use the surname Duras, after the town that her father came from, Duras, Lot-et-Garonne.\n\nIn 1950, her mother returned to France from Indochina, wealthy from property investments and from the boarding school she had run. ...\n\nSource: Article \"Marguerite Duras\" from Wikipedia in English, licensed under CC-BY-SA.","1914-04-04","1996-03-03",1,null,29905,"nm0243921","Directing","Marguerite Duras","Gia Định, Vietnam",1.2947,"\u002F3VxhnVjV5G86aIOhqFrTHC3aGXL.jpg",{"cast":24,"crew":569},[25,42,55,67,75,85,97,109,121,132,141,148,163,174,184,191,202,210,220,229,238,245,254,269,276,288,298,307,316,326,335,342,351,359,372,383,392,401,409,418,427,435,443,451,459,468,475,483,491,501,511,524,537,548,557],{"adult":4,"backdrop_path":26,"genre_ids":27,"id":29,"title":30,"original_language":31,"original_title":30,"overview":32,"popularity":33,"poster_path":34,"release_date":35,"softcore":4,"video":4,"vote_average":36,"vote_count":37,"character":38,"credit_id":39,"order":40,"media_type":41},"\u002Fr8xJMWhI1Yr55x7ibHSLBwOtVkP.jpg",[28],18,4747,"Nathalie Granger","fr","",2.9736,"\u002Fc5yrKbNHG67C0HggbcJw0OMIhAH.jpg","1973-09-27",6.1,28,"(voice)","63d65345955c6500a0ead02d",11,"movie",{"adult":4,"backdrop_path":43,"genre_ids":44,"id":46,"title":47,"original_language":31,"original_title":47,"overview":32,"popularity":48,"poster_path":49,"release_date":50,"softcore":4,"video":4,"vote_average":51,"vote_count":52,"character":53,"credit_id":54,"order":14,"media_type":41},"\u002FvVRv67FQAN8XfRxVIBCwYNWq6AB.jpg",[28,45],10749,64133,"Le Camion",3.4484,"\u002F93knueN8tjQ3jAe8NrYFbivGi2I.jpg","1977-05-27",6.4,22,"elle","52fe46cac3a368484e0a4061",{"adult":4,"backdrop_path":56,"genre_ids":57,"id":59,"title":60,"original_language":31,"original_title":60,"overview":32,"popularity":61,"poster_path":62,"release_date":63,"softcore":4,"video":4,"vote_average":64,"vote_count":64,"character":65,"credit_id":66,"order":64,"media_type":41},"\u002FAk5gIdCax3tfycPWSGMAkigaDJ.jpg",[58],99,946089,"Marguerite Duras, l'écriture et la vie",1.0086,"\u002F56dIWjrhpmK2LXz8wxgpiSeszvZ.jpg","2021-02-19",0,"Self","62238877d71fb4006cc8cf6e",{"adult":4,"backdrop_path":68,"genre_ids":69,"id":70,"title":71,"original_language":31,"original_title":71,"overview":32,"popularity":72,"poster_path":73,"release_date":32,"softcore":4,"video":4,"vote_average":64,"vote_count":64,"character":65,"credit_id":74,"order":64,"media_type":41},"\u002FzNmqRvjF7wD1QZcj3wS4XMwtlsU.jpg",[58],946101,"Le siècle de Duras",1.0913,"\u002FwR9JrPifoBglCQ4ez5kK4PhdUWW.jpg","622396ca52dc7f0044e21a78",{"adult":4,"backdrop_path":76,"genre_ids":77,"id":78,"title":79,"original_language":31,"original_title":79,"overview":32,"popularity":80,"poster_path":81,"release_date":82,"softcore":4,"video":4,"vote_average":64,"vote_count":64,"character":65,"credit_id":83,"order":84,"media_type":41},"\u002FxYftDzyfMQu6vCiLn64X10VaSsX.jpg",[58],142541,"Un metteur en ordre: Robert Bresson",1.1002,"\u002FsYNSN3d2nVEE8JiyNNMJkE20q4t.jpg","1966-05-11","52fe4ae49251416c750f192d",3,{"adult":4,"backdrop_path":15,"genre_ids":86,"id":88,"title":89,"original_language":31,"original_title":89,"overview":32,"popularity":90,"poster_path":91,"release_date":92,"softcore":4,"video":4,"vote_average":93,"vote_count":14,"character":94,"credit_id":95,"order":96,"media_type":41},[87,28],10402,752485,"Cygne I",1.9768,"\u002FzvPl2BXJj9v8DoR8RKrvURWkUu7.jpg","1976-07-02",7,"Narrator (voice)","64bdeee785c0a2014407c824",2,{"adult":4,"backdrop_path":98,"genre_ids":99,"id":100,"title":101,"original_language":31,"original_title":101,"overview":32,"popularity":102,"poster_path":103,"release_date":104,"softcore":4,"video":4,"vote_average":105,"vote_count":106,"character":107,"credit_id":108,"order":64,"media_type":41},"\u002FXw81zQSDizSyoSDXLvioTJB9nA.jpg",[28],163378,"Les Mains négatives",1.0925,"\u002FAiCTOOx31AyVZ310bscz4lCtNv0.jpg","1978-01-01",7.2,17,"Self - 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Görüntü geri geldiğinde ise bellek, özbilinç ve yaradılış kavramlarını irdelemek için film mecazlarını kullanarak başkahramanı karanlığa bir düşürüp, bir çıkarıyor. Duras, görüntü ve sesle yaptığı deneyleri aşinalık ve doğrusallığın ötesinde daha da ileri götürmek için önceki filmlerinden biri olan Agatha'dan kesilmiş sahneler kullanıyor – anlatı da aynısını yapıyor. Film, yeni ile eski, mevcutla gaip arasında bocalayan, görüntü ile ses arasındaki boşlukların karakterlerin cinsel farklarının yarattığı yarıklarla hizalandığı olağanüstü bir deney. 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