[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F26959:{\"language\":\"tr-TR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":10,"birthday":11,"deathday":12,"gender":13,"homepage":14,"id":15,"imdb_id":16,"known_for_department":17,"name":18,"place_of_birth":19,"popularity":20,"profile_path":21,"combined_credits":22,"images":1330},false,[6,7,8,9],"Sam Fuller","사무엘 풀러","새뮤얼 풀러","Samuel Michael Fuller ","Samuel Michael Fuller (August 12, 1912 – October 30, 1997) was an American screenwriter, novelist and film director known for low-budget genre movies with controversial themes.\n\nHe was born Samuel Michael Fuller in Worcester, Massachusetts, the son of Benjamin Rabinovitch, a Jewish immigrant  from Russia, and Rebecca Baum, a Jewish immigrant from Poland. After immigrating to America, the family's surname was changed from Rabinovitch to \"Fuller\" possibly by inspiration of a Doctor who arrived in America on the Mayflower.  At the age of 12, he began working in journalism  as a newspaper  copyboy. He became a crime reporter  in New York City at age 17, working for the New York Evening Graphic. He broke the story of Jeanne Eagels' death.  He wrote pulp novels and screenplays  from the mid-1930s onwards. Fuller also became a screenplay  ghostwriter  but would never tell interviewers which screenplays that he ghost-wrote explaining \"that's what a ghost writer is for\".\n\nDuring World War II, Fuller joined the United States Army infantry. He was assigned to the 16th Infantry Regiment, 1st Infantry Division, and saw heavy fighting. He was involved in landings in Africa, Sicily, and Normandy  and also saw action in Belgium and Czechoslovakia. In 1945 he was present at the liberation of the German concentration camp at Falkenau  and shot 16 mm footage which was used later in the documentary Falkenau: The Impossible. For his service, he was awarded the Bronze Star, the Silver Star, and the Purple Heart.  Fuller used his wartime experiences as material in his films, especially in The Big Red One (1980), a nickname of the 1st Infantry Division.\n\nAfter his controversial film \"White Dog\" was shelved by Paramount pictures, Fuller moved to France, and never directed another American film. Fuller eventually returned to America. He died of natural causes in his California home. In November 1997, the Directors Guild held a three hour memorial in his honor, hosted by Curtis Hanson, his long time friend and co-writer on White Dog. He was survived by his wife Christa and daughter Samantha.","1912-08-12","1997-10-30",2,null,26959,"nm0002087","Directing","Samuel Fuller","Worcester, Massachusetts, USA",1.147,"\u002F11kfnmIhc44ea1uFk74FQIEBgDz.jpg",{"cast":23,"crew":641},[24,44,55,69,85,103,118,131,146,158,168,179,187,199,210,220,232,247,256,266,275,283,294,304,315,326,337,347,359,371,381,390,402,413,420,432,440,451,462,469,476,484,492,501,512,519,528,536,550,561,571,580,589,597,606,619,631],{"adult":4,"backdrop_path":25,"genre_ids":26,"id":30,"title":31,"original_language":32,"original_title":33,"overview":34,"popularity":35,"poster_path":36,"release_date":37,"softcore":4,"video":4,"vote_average":38,"vote_count":39,"character":40,"credit_id":41,"order":42,"media_type":43},"\u002F4zJ9w3lZcZI3mBXcNiq6s8bqpDO.jpg",[27,28,29],18,10749,80,2786,"Çılgın Pierrot","fr","Pierrot le fou","Jean-Luc Godard'ın başyapıtı Pierrot le Fou (Çılgın Pierrot), yönetmenin uzun ve parlak kariyerinde önemli bir kilometre taşıdır. Karışık bir dönüm noktası olan film, Godard'ın Breathless (Nefes Nefese, 1960) ve Vivre Sa Vie (Hayatını Yaşamak, 1962) gibi eserlerinin deneysel yaşam gücü ve Week End (Hafta Sonu, 1967) ve Wind from the East (1969) gibi son derece politik, alaycı ve acı bir biçimde komik filmleri arasında kalır. Pierrot le Fou, her ikisinin öğelerini de barındırır ve sırf bu nedenle izleyici için zengin bir deneyim fırsatı sunar. Ancak filmin sahip olduğu bir başka koz da gerçek güzellik duygusu. Eleştirmenler, Godard'ın polemik yaratan üslubuna karşın zarif bir biçimde güzel filmler de yaptığını unutmaya meyilli ama Pierrot le Fou, hiç kuşkusuz Contempt'le (1963) birlikte, bu açıdan değerlendirilmeli.",5.0851,"\u002FeBfWgh4txJ255meWlHj6bJvKxKS.jpg","1965-11-05",7.304,978,"Samuel Fuller (uncredited)","52fe436dc3a36847f80535a5",9,"movie",{"adult":4,"backdrop_path":14,"genre_ids":45,"id":47,"title":48,"original_language":32,"original_title":48,"overview":49,"popularity":50,"poster_path":14,"release_date":51,"softcore":4,"video":4,"vote_average":52,"vote_count":52,"character":53,"credit_id":54,"order":52,"media_type":43},[46],99,1081490,"Un Américain en Normandie","",0.8423,"1994-01-01",0,"Himself","63dad5bb3dc313008233da32",{"adult":4,"backdrop_path":56,"genre_ids":57,"id":58,"title":59,"original_language":60,"original_title":61,"overview":49,"popularity":62,"poster_path":63,"release_date":64,"softcore":4,"video":4,"vote_average":65,"vote_count":66,"character":67,"credit_id":68,"order":42,"media_type":43},"\u002FcqwdCT3KiToWHIkhxMCKu6gqJrC.jpg",[27],30363,"Olayların Gidişi","de","Der Stand der Dinge",2.1791,"\u002FvB64asO8cEursipyjzCCBWTxEao.jpg","1982-03-22",6.4,85,"Joe","52fe44119251416c91003d9f",{"adult":4,"backdrop_path":70,"genre_ids":71,"id":73,"title":74,"original_language":60,"original_title":75,"overview":76,"popularity":77,"poster_path":78,"release_date":79,"softcore":4,"video":4,"vote_average":80,"vote_count":81,"character":82,"credit_id":83,"order":84,"media_type":43},"\u002Fh59F8NcFSlucTK7fUcndD9TB9jg.jpg",[27,72,29],53,11222,"Amerikalı Arkadaşım","Der amerikanische Freund","Wenders, Patricia Highsmith'in Ripley'in Oyunu (Ripley's Game) adlı romanından uyarladığı bu filmde Dennis Hopper, Nicholas Ray ve Samuel Fuller gibi Amerikan sinemasının üç idolunun bir araya getirmektedir. Amerikalı Arkadaş 'Kara Film (Film Noir)' türünün en iyi örneklerinden biri olarak kabul edilir. Filmde Ripley (D.Hopper), sahte tabloları, sanat koleksiyoncularına bile yutturarak muazzam servet edinmiş, kovboy şapkasını kafasından çıkarmayan bir Amerikalı olarak karşımıza çıkar. Önceden tanıdığı bir mafya patronu Ripley'den geçmişi temiz bir kiralık katil bulmasını ister. Ripley'in aklına gelen çerveci Zimmermann (Bruno Ganz)'dır. Kan kanseri olan Zimmermann bu işi özgür iradesiyle kabul eder. Ancak sonrasındaki geri dönülemez gelişmeler Ripley'i ilginç kararlar vermek durumunda bırakır.",4.9918,"\u002Fy5Z9hnVQo63l6HeoFOkEPprpn0H.jpg","1977-06-24",7.091,467,"The American","52fe44149251416c750281fb",5,{"adult":4,"backdrop_path":86,"genre_ids":87,"id":90,"title":91,"original_language":92,"original_title":93,"overview":94,"popularity":95,"poster_path":96,"release_date":97,"softcore":4,"video":4,"vote_average":98,"vote_count":99,"character":100,"credit_id":101,"order":102,"media_type":43},"\u002FvG0xZrv6yehD7T2tNQNCF2iO3Ny.jpg",[88,89],27,35,27740,"Lanetli Eve Dönüş","en","A Return to Salem's Lot","Gazeteci Joe Weber, oğlu Jeremy ile halasından miras kalan harap eve taşınmak için Salem’s Lot’a gelir. Geceleri, ölmüş halasını canlı olarak görür; çünkü kasaba vampirlerle doludur. Vampirler, Joe’ya kan emmenin o kadar kötü olmadığını ve genellikle sığır kanıyla beslendiklerini söyler. Joe, güzel bir vampir kızla bir çocuk sahibi olur ve Jeremy gece okuluna giderken kasabada kabul görmüş gibi görünürler. Ancak vampir avcısı Van Meer, çekiç ve kazıkla ortaya çıkar ve tehlike başlar.",3.1442,"\u002Fsc3jWWodUIaofc176PlYUQzUslj.jpg","1987-09-11",5.987,340,"Van Meer","52fe4563c3a368484e0578ed",1,{"adult":4,"backdrop_path":104,"genre_ids":105,"id":106,"title":107,"original_language":32,"original_title":108,"overview":109,"popularity":110,"poster_path":111,"release_date":112,"softcore":4,"video":4,"vote_average":113,"vote_count":114,"character":115,"credit_id":116,"order":117,"media_type":43},"\u002FF9yotopY4t5P9DBvY28iTIO6hl.jpg",[27,28],28212,"Bohem Hayatı","La Vie de Bohème","Puccini'nin eserine de ilham kaynağı olan 19. yüzyıl romanından (Scenes de la vie de boheme - Henri Murger) uyarlanan film, yoksulluk ve sanatsal takıntılara mahkum üç kaybedenin hikayesini anlatıyor: Arnavut ressam Rodolfo, oyun yazarı Marcel ve besteci Schaunard. Üçünün de problemleri aynıdır: kira ve yemek paraları yoktur ve farkedilmeleri için nafile bir çaba içindedirler. Bütün bunların arasında Rodolfo ve sakin, sürekli olarak perişan halde dolaşan bir kadın olan Mimi arasında gelişen bir ilişki son derece gerçek bir hal alır, özellikle de yoksulluk (ve Rodolfo'nun göçmenlik problemleri) onları ayırdığında.",3.2173,"\u002FhFX3wJwzWK3oytvJkw4fyC6VKx6.jpg","1992-02-27",7.5,159,"Gassot","52fe4582c3a368484e05f64d",11,{"adult":4,"backdrop_path":119,"genre_ids":120,"id":121,"title":122,"original_language":92,"original_title":122,"overview":49,"popularity":123,"poster_path":124,"release_date":125,"softcore":4,"video":4,"vote_average":126,"vote_count":127,"character":128,"credit_id":129,"order":130,"media_type":43},"\u002FnOrvnTf7MmwVe25YqYmwBIg08P5.jpg",[27,72],46625,"The End of Violence",4.2378,"\u002F2ejIzekqpeC2XnSdOrpCw9KYXxF.jpg","1997-09-12",5.4,79,"Louis","52fe4702c3a36847f811ed4b",17,{"adult":4,"backdrop_path":132,"genre_ids":133,"id":135,"title":136,"original_language":92,"original_title":136,"overview":137,"popularity":138,"poster_path":139,"release_date":140,"softcore":4,"video":4,"vote_average":141,"vote_count":142,"character":143,"credit_id":144,"order":145,"media_type":43},"\u002FmpRSzmUX0Lsimgg0M8hZRS2xrDC.jpg",[27,134],10752,16121,"The Big Red One","Birinci Dünya Savaşı'na katılan deneyimli bir çavuş, İkinci Dünya Savaşı'nda da bir mangaya liderlik ediyor. Ve hayatta kalan Er Griff, yazar Er Zab, Sicilyalı Er Vinci ve Er Johnson ile birlikte; sırasıyla Vichy Fransız Afrikası'na, Sicilya'ya, Belçika ve Fransa sınırlarında bulunan Omaha Sahili'ndeki D-Day alanına ve en sonunda da Çekoslovakya'daki bir toplama kampına giderek, savaşın gerçek dehşetiyle yüzleşiyorlar.",5.0253,"\u002Fh0VcqQ3z1RroKk7WtiW0E6DDho2.jpg","1980-05-28",6.7,360,"War Correspondent (uncredited)","62056b77efd3c2008f5a1828",24,{"adult":4,"backdrop_path":147,"genre_ids":148,"id":149,"title":150,"original_language":92,"original_title":150,"overview":49,"popularity":151,"poster_path":152,"release_date":153,"softcore":4,"video":4,"vote_average":154,"vote_count":155,"character":156,"credit_id":157,"order":102,"media_type":43},"\u002F2IDonyjnrPiuN4KrB9myiwrp0Oa.jpg",[46],88030,"Tigrero: A Film That Was Never Made",1.3709,"\u002FmLXywHBqww8uhCiJ6OM5RbOBZz9.jpg","1994-03-25",6.8,13,"Self","52fe49e69251416c910bc7fb",{"adult":4,"backdrop_path":159,"genre_ids":160,"id":161,"title":162,"original_language":92,"original_title":162,"overview":49,"popularity":163,"poster_path":164,"release_date":165,"softcore":4,"video":4,"vote_average":166,"vote_count":42,"character":156,"credit_id":167,"order":52,"media_type":43},"\u002FvBD0PvekfhKSgUa9P07vUsYimU2.jpg",[46],114287,"The Typewriter, the Rifle & the Movie Camera",1.479,"\u002FzHxTRQfes4h1iWLXjyweke5xMgb.jpg","1996-01-17",7.2,"52fe4b48c3a36847f81fc1f5",{"adult":4,"backdrop_path":14,"genre_ids":169,"id":170,"title":171,"original_language":172,"original_title":171,"overview":49,"popularity":173,"poster_path":174,"release_date":175,"softcore":4,"video":4,"vote_average":176,"vote_count":177,"character":156,"credit_id":178,"order":177,"media_type":43},[46],132057,"Anything for John","es",1.1968,"\u002FwYyC09BSmGUXxLHiI2vLJcRl2WI.jpg","1993-09-06",7.3,3,"52fe4b85c3a368484e18d283",{"adult":4,"backdrop_path":14,"genre_ids":180,"id":181,"title":182,"original_language":92,"original_title":182,"overview":49,"popularity":183,"poster_path":14,"release_date":184,"softcore":4,"video":4,"vote_average":185,"vote_count":102,"character":49,"credit_id":186,"order":102,"media_type":43},[46],961417,"Report from Hollywood",1.0827,"1985-01-01",7,"6254812fab684906131b325e",{"adult":4,"backdrop_path":188,"genre_ids":189,"id":190,"title":191,"original_language":92,"original_title":191,"overview":49,"popularity":192,"poster_path":193,"release_date":194,"softcore":4,"video":195,"vote_average":196,"vote_count":197,"character":143,"credit_id":198,"order":145,"media_type":43},"\u002FqrszuQRpcITVvKD6eXKIX86Twob.jpg",[27,134],501906,"The Big Red One: The Reconstruction",1.6787,"\u002FA7IqvfTQCNnl2W3eRxq3f4FkWUW.jpg","2005-05-03",true,8.4,10,"62702442a24c5039390a95ce",{"adult":4,"backdrop_path":200,"genre_ids":201,"id":202,"title":203,"original_language":32,"original_title":203,"overview":49,"popularity":204,"poster_path":205,"release_date":206,"softcore":4,"video":4,"vote_average":207,"vote_count":208,"character":156,"credit_id":209,"order":185,"media_type":43},"\u002FgX5Rt8Hj3ml52MaApZyroeJKB27.jpg",[89],63216,"Brigitte et Brigitte",0.8947,"\u002FwTFcjTwxPzl1ZTdp0NjyV6SdvTk.jpg","1966-12-17",6.3,14,"64f13c74e0ca7f00cbe4b84b",{"adult":4,"backdrop_path":211,"genre_ids":212,"id":213,"title":214,"original_language":92,"original_title":214,"overview":49,"popularity":215,"poster_path":216,"release_date":217,"softcore":4,"video":4,"vote_average":218,"vote_count":155,"character":156,"credit_id":219,"order":52,"media_type":43},"\u002Fm7JrFM97HhcBqT3p2MGh9ox2ZsJ.jpg",[46],229065,"A Fuller Life",1.9081,"\u002FufGFaPLkLTcWYKUAj5AzBU6xfpP.jpg","2013-08-28",6.6,"52fe4ee19251416c7516590f",{"adult":4,"backdrop_path":14,"genre_ids":221,"id":224,"title":225,"original_language":92,"original_title":225,"overview":49,"popularity":226,"poster_path":227,"release_date":228,"softcore":4,"video":4,"vote_average":141,"vote_count":177,"character":229,"credit_id":230,"order":231,"media_type":43},[27,222,223],28,10770,219627,"Tinikling ou La madonne et le dragon",1.0694,"\u002F23CftPMIKuGCxqvMyg4dUZeiEa3.jpg","1990-09-01","Chef de bureau Newsweek","52fe4e6bc3a368484e21f91f",6,{"adult":4,"backdrop_path":233,"genre_ids":234,"id":235,"title":236,"original_language":92,"original_title":237,"overview":238,"popularity":239,"poster_path":240,"release_date":241,"softcore":4,"video":4,"vote_average":242,"vote_count":243,"character":244,"credit_id":245,"order":246,"media_type":43},"\u002FyYddTCIoWvpVl9hbyqEQV3OsX61.jpg",[27,88,72],47955,"Beyaz Köpek","White Dog","Hollywood’da bir oyuncu olan Julie Sawyer bir gece arabasıyla beyaz bir köpeğe çarpar. İyi huylu gözüken bu köpeği evine alıp, iyileştirir. Bir gün, Julie’nin evine bir adam girer ve ona tecavüze yeltenir; fakat köpek adama saldırır ve Julie’yi kurtarır. O olaydan sonra köpeğin saldırıları çoğalır ve birkaç ölüme neden olur. Julie, ölümleri inceleyerek köpeğin siyah ırktan olanlara saldırmak üzere eğitilmiş olduğunu fark eder. Bu durumu bir hayvan eğitmenine danışır; fakat eğitmen onun eğitilemeyeceğini söyleyip, köpeğin öldürülmesini önerir. Siyahi ırktan olan bir eğitmen olan Keys ise, köpeği düzelteceğine inanır ve kendi canını tehlikeye atacağını bile bile eğitmeye koyulur. Daha önce de Hollywood'da birçok film ekonomik veya politik riskler taşıdığı gerekçesiyle makaslanmış, yeniden kurgulanmış veya gösterime çıkartılması geciktirilmişti.ABD'de Paramount stüdyolarında yapıldığı halde hiçbir zaman bu ülkede sinemalarda gösterime çıkamayan filmlerden biriydi.",3.0925,"\u002F2oU700G9pDwFt7px5GxOqDHFPfR.jpg","1982-07-07",6.628,317,"Charlie Felton","53079911925141111f0002c0",12,{"adult":4,"backdrop_path":14,"genre_ids":248,"id":249,"title":250,"original_language":32,"original_title":250,"overview":49,"popularity":251,"poster_path":252,"release_date":253,"softcore":4,"video":4,"vote_average":52,"vote_count":52,"character":254,"credit_id":255,"order":177,"media_type":43},[246,46],993600,"Mer de Chine: Le pays pour mémoire",1.1046,"\u002F5ki8me5duIzb1XXrPSZzYsbH53V.jpg","1988-09-08","Le capitaine 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