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Whether performance, opera, musical, museum installation, event, music video or feature film, she initiates and realizes a great number of projects: \"I like to give life to all that’s in my brain\". Never restricted to one style, she gets her inspiration from a broad spectrum of physical forms of expression (from flamenco to classical ballet and hip-hop).\n\nBlanca Li, originally Blanca María Gutiérrez Ortiz, was born in 1964 in Granada, in a nine-member family. She started to take Flamenco dance lessons during her childhood and participated in a contest to join the Spanish Rhythmic Gymnastics Team. She was accepted at the age of twelve, but she abandoned the team six months before the Olympics because of growth disorders. However, due to her need for physical activity, she decided to replace gymnastics with dance.\n\nShe moved to New York at the age of seventeen, where she was trained for five years as a dancer and choreographer at Martha Graham’s School. She also studied with Alvin Ailey, Paul Sanasardo and Merce Cunningham.\n\nIn New York she lived in Harlem, where she witnessed the birth of hip hop. Her first show took place in the East Village and it was a mix of different styles: classical, modern and hip hop dance. During those years, Blanca met Etienne Li, a mathematician who was also a Franco-Korean graffiti artist. He designed the pamphlets of her first show and would later become her partner.\n\nDuring her time in New York, she created Xoxonees with her sister, a flamenco-rap band in which they danced wearing flamenco dressed. They received an offer in Spain, where they released an homonymous album in 1989. In the late eighties, she founded her first company in Madrid, a company she performed with in the Universal Exposition of Seville in 1992, also known as “Expo 92”.\n\nLater that year, she moved to Paris. 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Ölüm kaçınılmazdır ve bu gerçek yolcuların çenesine vurur! 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