[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F19057:{\"language\":\"tr-TR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":8,"birthday":9,"deathday":10,"gender":11,"homepage":12,"id":13,"imdb_id":14,"known_for_department":15,"name":16,"place_of_birth":17,"popularity":18,"profile_path":19,"combined_credits":20,"images":420},false,[6,7],"William Holt","Will Holt","Willy Holt (30 November 1921 – 22 June 2007) was an American production designer, art director and actor who lived in France for many years. He was nominated for an Academy Award in the category Best Art Direction for the film Is Paris Burning?, and won a César Award for Best Production Design for Au revoir, les enfants.\n\nWilly Holt was born in Quincy, Florida, in 1921, the son of an American military photographer and his French wife. After his parents divorced his mother returned with him to her home country, where he was naturalised as a French citizen in 1923. He graduated with a baccalauréat from the Lycée Fermat in Toulouse during the early years of the Occupation.\n\nHolt was married for four years to the actress Micheline Bourday, subsequently marrying the actress Martine Pascal in 1958. He and Pascal had two children.\n\nHolt was a member of the French Resistance and was arrested at Grenoble railway station in December 1943 while transferring money on behalf of anti-Nazi Resistance fighters. He was interned at Auschwitz, via the Drancy internment camp. He survived the death march from Auschwitz to Buchenwald, where he was one of those liberated on 13 April 1945. Holt wrote about his wartime experiences in his 1995 book Femmes en deuil sur camion.\n\nAfter briefly working as a fashion designer, Holt was hired to work in television in 1946. His set designs for several television shows led to further work in cinema, initially as an art director.\n\nAs befitted his Franco-American origins, Holt worked on several productions in both countries, collaborating with a number of internationally renowned film directors such as John Frankenheimer, Stanley Donen, Otto Preminger, Robert Parrish, Fred Zinnemann, Bertrand Blier, Woody Allen, Michael Ritchie, Louis Malle and Roman Polanski.\n\nSource: Article \"Willy Holt\" from Wikipedia in English, licensed under CC-BY-SA 3.0.","1921-11-30","2007-06-22",2,null,19057,"nm0231248","Art","Willy Holt","Quincy, Florida, USA",0.7646,"\u002Fc2hz1XPVCab72qj7zgI35OkI1lL.jpg",{"cast":21,"crew":87},[22,42,55,70],{"adult":4,"backdrop_path":23,"genre_ids":24,"id":28,"title":29,"original_language":30,"original_title":31,"overview":32,"popularity":33,"poster_path":34,"release_date":35,"softcore":4,"video":4,"vote_average":36,"vote_count":37,"character":38,"credit_id":39,"order":40,"media_type":41},"\u002FqVyN9czTgRJ2SAA2BLXESzQEVgz.jpg",[25,26,27],9648,53,27,622,"Dokuzuncu Kapı","en","The Ninth Gate","Dean Corso, zengin koleksiyoncular için eski ve çok değerli kitapları araştıran ve bulan bir araştırmacıdır. Yaptığı görev kültürel birikim, hüner ve çelik gibi sinirler gerektirmektedir. Corso, ünlü bir kitapsever olan Boris Balkan için Satanik ayinleri anlatan bir seri kitabın sonuncusunun peşine düşer. Rivayete göre bu kitap Karanlıklar Krallığının dokuz kapısını açacak bir el yazmasıdır. Geri kalan iki kopyası Avrupa’dadır. NewYork’tan Toledo’ya, Portekiz’den Paris’e giden yollarda Corso labirent gibi tuzaklarla, vahşi ve gizemli ölümlerle karşılaşır.  Kendisini koruyan güçler yardımı ile kendisinden çok daha güçlü bir varlığa karşı adım adım yaklaşmaktadır. Zamanla asıl görevinin bir kitabı bulmaktan çok daha farklı olduğunu anlar.",8.3246,"\u002F7xQoELSBwQZiIHWK62Bl3xScSPs.jpg","1999-08-25",6.499,3510,"Andrew Telfer","52fe425fc3a36847f8019571",9,"movie",{"adult":4,"backdrop_path":12,"genre_ids":43,"id":44,"title":45,"original_language":46,"original_title":45,"overview":47,"popularity":48,"poster_path":49,"release_date":50,"softcore":4,"video":4,"vote_average":51,"vote_count":52,"character":47,"credit_id":53,"order":54,"media_type":41},[],1019557,"Une ombre dans les yeux","fr","",0.9133,"\u002F9nWfv4rLIUQm9WY7VEYGt0xlFMF.jpg","1998-11-16",7,1,"631148188c7b0f0082bd4857",0,{"adult":4,"backdrop_path":56,"genre_ids":57,"id":59,"title":60,"original_language":30,"original_title":60,"overview":61,"popularity":62,"poster_path":63,"release_date":64,"softcore":4,"video":4,"vote_average":65,"vote_count":66,"character":67,"credit_id":68,"order":69,"media_type":41},"\u002FoCC3rSccbJV9bxMDRedtqI6pnla.jpg",[58],35,11030,"Zelig","1920'lerde, sansasyonel bir karakter olan Leonard Zelig’in (Woody Allen) eğlenceli, bir o kadar da fantastik “belgeseli” olan bir yapım. Leonard Zelig kimle tanışırsa onun karakteristik özelliklerini taklit eden bukalemunvari bir adamdır. Huzuru ise sadece psikiyatristi Dr. Eudora Fletcher’ın (Mia Farrow) kollarında bulmaktadır.",2.666,"\u002Fbfs67JaV4B5xVBvtXd3O4R7nk9G.jpg","1983-07-15",7.436,946,"Rally Chancellor","566784059251417401000ab5",28,{"adult":4,"backdrop_path":71,"genre_ids":72,"id":75,"title":76,"original_language":46,"original_title":77,"overview":78,"popularity":79,"poster_path":80,"release_date":81,"softcore":4,"video":4,"vote_average":82,"vote_count":83,"character":84,"credit_id":85,"order":86,"media_type":41},"\u002Fdl9hAJA2n7BspUZuR79z2mFbJze.jpg",[26,69,73,74],10749,80,118732,"Örnek Mücadele","Pour la peau d'un flic","Özel dedektif Choucas, insanların kendisine yaptıkları uyarıları kulak arkası ederek kayıp bir kör kızı aramayı ısrarla sürdürür. Önce kendi evinde Pradier diye birinin saldırısına uğrar, sonra da ona işi veren kadının öldürülmesine tanık olur. Çok geçmeden hem polis, hem de esrarengiz bir katiller ordusu, Choucas'ın ardına düşmüştür.",2.687,"\u002F2RXZnmk4acVaUl3YRDPAcBErnK6.jpg","1981-09-09",5.863,95,"L'homme qui a tué Fanch Tanguy","5f96adfe1cc4ff0037440b1f",12,[88,101,115,127,138,151,162,172,183,191,204,215,228,239,250,262,271,281,292,303,313,323,334,348,359,370,381,391,400,411],{"adult":4,"backdrop_path":89,"genre_ids":90,"id":92,"title":93,"original_language":46,"original_title":93,"overview":47,"popularity":94,"poster_path":95,"release_date":96,"softcore":4,"video":4,"vote_average":97,"vote_count":98,"credit_id":99,"department":15,"job":100,"media_type":41},"\u002Fq5j9eGUnA9LZkasdv0To2DzqEs.jpg",[58,91],18,1785,"Milou en Mai",2.1093,"\u002F6Rwg2OWBL6zSKujw6sGpT1TknaJ.jpg","1990-01-24",6.893,103,"52fe4315c3a36847f8038e47","Production Design",{"adult":4,"backdrop_path":102,"genre_ids":103,"id":105,"title":106,"original_language":46,"original_title":107,"overview":108,"popularity":109,"poster_path":110,"release_date":111,"softcore":4,"video":4,"vote_average":112,"vote_count":113,"credit_id":114,"department":15,"job":100,"media_type":41},"\u002FxaRQqHgXMZCyqLFGZ7E3oDZx0ki.jpg",[91,104],10752,1786,"Elveda Çocuklar","Au revoir les enfants","II. Dünya Savaşı zamanları... Film, savaşın özellikle tüm avrupayı ve avrupadaki yahudileri kırıp geçirdiği bir ortamda katolik okulan giden iki öğrencinin aralarındaki geç başlayan erken biten dostluğun hikayesini konu alıyor.  Bahsi geçen okul da bir çok yer gibi alman milislerin ablukası altındadır. Tüm bu sıkı yönetim ve baskıya rağmen okul yöneticileri isimlerini değiştirmek suretiyle üç yahudi öğrenciyi okullarında saklamayı başarırlar taki okul çalışanlarıdan biri intikam amaçlı ispiyonculuk yapana kadar...",4.7727,"\u002Fq5z9yZuOHqIFOSMPmxtlh2W5kwC.jpg","1987-10-07",7.5,762,"52fe4315c3a36847f8038ee9",{"adult":4,"backdrop_path":116,"genre_ids":117,"id":118,"title":119,"original_language":30,"original_title":119,"overview":47,"popularity":120,"poster_path":121,"release_date":122,"softcore":4,"video":4,"vote_average":123,"vote_count":124,"credit_id":125,"department":15,"job":126,"media_type":41},"\u002F84eZ4TLzv3Z4buxEjUyNLNsuNqt.jpg",[58,91],77937,"Staircase",1.19,"\u002Fzs9xJWbdEo9DI5YPLtxfeWNnogC.jpg","1969-08-20",5.7,26,"60558770c390c5003d6fea1b","Art Direction",{"adult":4,"backdrop_path":128,"genre_ids":129,"id":130,"title":131,"original_language":46,"original_title":131,"overview":47,"popularity":132,"poster_path":133,"release_date":134,"softcore":4,"video":4,"vote_average":135,"vote_count":136,"credit_id":137,"department":15,"job":100,"media_type":41},"\u002Fn2yUgx5oIMDsSpwG9lbWuUxPkgj.jpg",[58],4073,"Les Gaspards",3.2805,"\u002FtyQV7IOa8dBWyTZIX8MH0w6Q88k.jpg","1974-02-06",6.487,39,"52fe43adc3a36847f8066f31",{"adult":4,"backdrop_path":139,"genre_ids":140,"id":141,"title":142,"original_language":30,"original_title":143,"overview":144,"popularity":145,"poster_path":146,"release_date":147,"softcore":4,"video":4,"vote_average":148,"vote_count":149,"credit_id":150,"department":15,"job":100,"media_type":41},"\u002FtL5uUcgmpcCZOnrnjPcNwz1LGqY.jpg",[104,26],3482,"Tren","The Train","Usta yönetmen John Frankenheimer'in imzasını taşıyan filmde, Paris her an Nazilerin kontrolünden çıkıp özgürlüğüne kavuşabilecek gibidir. En azından Alman subayı Albay Franz von Waldheim (Paul Scofield)'in aldığı istihbarat bu yöndedir. Yukarıdan ona gelen emir Jeu de Paume müzesindeki paha biçilmez sanat eserlerini anayurda getirmesi şeklindedir. Eserler Almanya'ya bir trenle sevk edilecek; demiryolu müfettişi Labiche (Burt Lancaster) de bu sevkiyata engel olmaya çalışacaktır. Tren sahnelerinde gerçek trenler ve istasyonlar kullanmakta ısrar eden Frankenheimer'in ne kadar haklı olduğu görülmüş, filme son derece gerçekçi ve heyecan dolu bir hava katan sahneler birçok yönetmeni etkilemişti.",2.802,"\u002FbzgPLB7efMohled42PIn6CcOTnO.jpg","1964-09-24",7.6,401,"52fe4396c3a36847f805fa2f",{"adult":4,"backdrop_path":152,"genre_ids":153,"id":154,"title":155,"original_language":46,"original_title":155,"overview":47,"popularity":156,"poster_path":157,"release_date":158,"softcore":4,"video":4,"vote_average":159,"vote_count":160,"credit_id":161,"department":15,"job":100,"media_type":41},"\u002FqKrjSJFVwl7z8YvODVNEW8VvtPO.jpg",[91,86,58],71630,"Le Ruffian",1.3018,"\u002Fan0US9U10TVGpRTdZL74VsnRP6L.jpg","1983-01-12",6.3,75,"6267704ed954200051691d23",{"adult":4,"backdrop_path":163,"genre_ids":164,"id":165,"title":166,"original_language":46,"original_title":166,"overview":47,"popularity":167,"poster_path":168,"release_date":169,"softcore":4,"video":4,"vote_average":123,"vote_count":170,"credit_id":171,"department":15,"job":100,"media_type":41},"\u002Fxa3KtneThHKjtRTqKxgUsEGLwJB.jpg",[58,74],4268,"La Gueule de l'autre",1.4379,"\u002Fy41Lg1fRDtDf13mXPyGkFe2ej1.jpg","1979-12-12",40,"64da9f90001bbd013aef4523",{"adult":4,"backdrop_path":173,"genre_ids":174,"id":175,"title":176,"original_language":30,"original_title":176,"overview":47,"popularity":177,"poster_path":178,"release_date":179,"softcore":4,"video":4,"vote_average":180,"vote_count":181,"credit_id":182,"department":15,"job":100,"media_type":41},"\u002FhQLJeXgLGIXnCS80PhiGaVreRGc.jpg",[91,104],118533,"The Sergeant",1.3545,"\u002FjwCcfhPDamFTuaqsiJMswyDZH8Y.jpg","1968-12-20",6,15,"611957634a0b19007386d914",{"adult":4,"backdrop_path":12,"genre_ids":184,"id":185,"title":186,"original_language":46,"original_title":186,"overview":47,"popularity":187,"poster_path":188,"release_date":189,"softcore":4,"video":4,"vote_average":51,"vote_count":11,"credit_id":190,"department":15,"job":100,"media_type":41},[26],49986,"Les enragés",2.1346,"\u002FrRR3tbSS1p1r5eWSOSK79yH3KGP.jpg","1985-01-09","618026cff6596f004360b8ea",{"adult":4,"backdrop_path":192,"genre_ids":193,"id":194,"title":195,"original_language":30,"original_title":196,"overview":197,"popularity":198,"poster_path":199,"release_date":200,"softcore":4,"video":4,"vote_average":201,"vote_count":202,"credit_id":203,"department":15,"job":126,"media_type":41},"\u002FanMnNQ6fTK6y0Y0HnC6UMMBo7HO.jpg",[58,73],11686,"Aşk ve Ölüm","Love and Death","Napolyon, Çarlık Rusya’sını işgal etmek isterken, Boris Grushenko adlı korkak bir Rus ülkesini korumaya ve ülkesi icin savaşmaya zorlanır. Fransız ordusu, sayıca çok daha fazla ve daha güçlü olduğu için Rusya savaşı kaybeder. Napolyon artık Moskova’ya ulaşmıştır.  Boris, savaşmanın bile saçma olduğunu düşünürken, yeni evlendiği genç karısı tek çarelerinin Napolyon’u öldürmek olduğunu söyler.  Rusya’nın tarihini komik bir dille anlatan Woody Allen; aşk ve ölüm üzerine de derin bir felsefe yapıyor.",3.0688,"\u002Fro0BXccWnIQbFVJpIKYiMHnEvHR.jpg","1975-06-10",7.453,994,"553f23dec3a36879e7002f8b",{"adult":4,"backdrop_path":205,"genre_ids":206,"id":207,"title":208,"original_language":46,"original_title":208,"overview":47,"popularity":209,"poster_path":210,"release_date":211,"softcore":4,"video":4,"vote_average":212,"vote_count":213,"credit_id":214,"department":15,"job":100,"media_type":41},"\u002FkKhB1MoyPfqYXWzJwewoFWU5n4k.jpg",[58,91],197485,"L'Ami de Vincent",1.985,"\u002Fo12Xy7VSUpfpv6di9cFveu9u8x2.jpg","1983-09-28",6.2,13,"61cea445af58cb0019425e8b",{"adult":4,"backdrop_path":216,"genre_ids":217,"id":218,"title":219,"original_language":30,"original_title":220,"overview":221,"popularity":222,"poster_path":223,"release_date":224,"softcore":4,"video":4,"vote_average":225,"vote_count":226,"credit_id":227,"department":15,"job":100,"media_type":41},"\u002F9NwkPVcLBKMrPKU79XinX73HZNa.jpg",[26,91,73],10497,"Acı Ay","Bitter Moon","Kibar bir adam bir yolculuk sırasında evliliğindeki seks ateşini tekrar yakalamak istemektedir. Tek problem başka bir kadına aşık olmasıdır.",6.1611,"\u002FbW7E4cLWh0elRRbp2VCrtXrY1if.jpg","1992-09-02",7.105,897,"564c64e39251414dc40064d7",{"adult":4,"backdrop_path":229,"genre_ids":230,"id":231,"title":232,"original_language":30,"original_title":232,"overview":47,"popularity":233,"poster_path":234,"release_date":235,"softcore":4,"video":4,"vote_average":236,"vote_count":237,"credit_id":238,"department":15,"job":100,"media_type":41},"\u002FaWCD82xn7mFA2HR4fpEURXrBjZf.jpg",[],246868,"A State of Emergency",1.6598,"\u002FSfVNqeOg1QhopWXqQXgdC2U7PM.jpg","1986-11-01",3.5,4,"65aeb373848eb900ea19c209",{"adult":4,"backdrop_path":240,"genre_ids":241,"id":242,"title":243,"original_language":30,"original_title":243,"overview":47,"popularity":244,"poster_path":245,"release_date":246,"softcore":4,"video":4,"vote_average":247,"vote_count":248,"credit_id":249,"department":15,"job":126,"media_type":41},"\u002FmAZqXy8Ssigm1owFtwC70nT2RcB.jpg",[91,73,58],5767,"Two for the 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Gitan",3.2706,"\u002FoMmqBNdMXCTfLGLSECOCy162MSc.jpg","1975-12-05","57e75f11925141395b00d3cb",{"adult":4,"backdrop_path":272,"genre_ids":273,"id":274,"title":275,"original_language":46,"original_title":275,"overview":47,"popularity":276,"poster_path":277,"release_date":278,"softcore":4,"video":4,"vote_average":212,"vote_count":279,"credit_id":280,"department":15,"job":100,"media_type":41},"\u002Fq8XyS9WkGklUx3DeT0fPviLO7UA.jpg",[74,91,25],12214,"Une affaire d'hommes",1.1943,"\u002F748vVxYth26BFFwMc5Cz4bbb28G.jpg","1981-11-09",19,"6411957bede1b028c597ec6b",{"adult":4,"backdrop_path":282,"genre_ids":283,"id":284,"title":285,"original_language":46,"original_title":285,"overview":47,"popularity":286,"poster_path":287,"release_date":288,"softcore":4,"video":4,"vote_average":289,"vote_count":290,"credit_id":291,"department":15,"job":126,"media_type":41},"\u002F9IxW9ojCaU7WePvoOCOCMMez0sX.jpg",[25,91,74],5953,"La Dame dans l'auto avec des lunettes et un 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homme",1.7735,"\u002FtCeE2sksUOMrKfUnkotvDjsKQwt.jpg","1996-01-31",44,"64b361c60bb076014e4ee8d8",{"adult":4,"backdrop_path":314,"genre_ids":315,"id":316,"title":317,"original_language":30,"original_title":317,"overview":47,"popularity":318,"poster_path":319,"release_date":320,"softcore":4,"video":4,"vote_average":321,"vote_count":311,"credit_id":322,"department":15,"job":100,"media_type":41},"\u002FuR4CgkdLdzxB33NmojQ6IF3fBM7.jpg",[74,26,69],72639,"The Marseille Contract",2.3284,"\u002Fl2oI6xQOKik3g42YIOJctLA5QHv.jpg","1974-09-04",6.034,"5c47e3acc3a3684793879db1",{"adult":4,"backdrop_path":324,"genre_ids":325,"id":326,"title":327,"original_language":30,"original_title":327,"overview":47,"popularity":328,"poster_path":329,"release_date":330,"softcore":4,"video":4,"vote_average":331,"vote_count":332,"credit_id":333,"department":15,"job":100,"media_type":41},"\u002F5hRn3i3lD2hLB08ivUyvrf7Haz8.jpg",[91,73],89571,"Five Days One 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Planlarını gerçekleştirmek için grup \"The Jackal\" olarak bilinen bir İngiliz suikastçı kiralar. 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