[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F1319688:{\"language\":\"tr-TR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":7,"gender":8,"homepage":7,"id":9,"imdb_id":10,"known_for_department":11,"name":12,"place_of_birth":7,"popularity":13,"profile_path":7,"combined_credits":14,"images":449},false,[],"",null,2,1319688,"nm0489376","Directing","Pierre Lary",0.5597,{"cast":15,"crew":110},[16,35,49,60,68,81,93],{"adult":4,"backdrop_path":17,"genre_ids":18,"id":21,"title":22,"original_language":23,"original_title":24,"overview":25,"popularity":26,"poster_path":27,"release_date":28,"softcore":4,"video":4,"vote_average":29,"vote_count":30,"character":31,"credit_id":32,"order":33,"media_type":34},"\u002Fz6NI6n5MvQZMZJbXKLiyFl1yDeA.jpg",[19,20],35,14,4593,"Burjuvazinin Gizemli Çekiciliği","fr","Le Charme discret de la bourgeoisie","Birlikte yemek yemek isteyen bir grup üst sınıf insanın karşısına sürekli absürd, garip ve sürreal engeller çıkar. Grup ise bu engelleri son derece doğal bir şeymiş gibi karşılar. Filmde aynı zamanda dört karakterin rüyalarına da yer verilir. Filmin rasyonel olmak gibi bir endişesi bulunmamaktadır.",6.2555,"\u002F48EAleS3g4BIMV0vZ3CSIcZyx01.jpg","1972-09-15",7.4,951,"(uncredited)","58a88411c3a36863d6000138",27,"movie",{"adult":4,"backdrop_path":36,"genre_ids":37,"id":38,"title":39,"original_language":23,"original_title":40,"overview":41,"popularity":42,"poster_path":43,"release_date":44,"softcore":4,"video":4,"vote_average":29,"vote_count":45,"character":46,"credit_id":47,"order":48,"media_type":34},"\u002FAi3fiCnWzHl3bL4CZQQ1pt2uiOU.jpg",[19],5558,"Özgürlük Hayaleti","Le Fantôme de la liberté","Toplumun kurallarıyla boğuşan, cinsellik ve özgürlüklerinin karmaşasına düşen karakterlerle dolu, birbirine muğlak derecelerde bağlı olan bölümlerden oluşan bir Bunuel filmi. Filmde, bir yemek masası çevresinde klozetlere oturmuş insanların kimsenin görmediği yerlere çekilip yemek yemek için özürlerle sofradan kalkmaları gibi sahneler mevcut. Komik ve çılgın öğelerin bulunduğu filmde, Luis Bunuel sürrealistliğini doyasıya ortaya çıkarmıştır. Onlarca başyapıt çıkarmış bir yönetmenin en sıradışı çalışmalarından biri * bunuel: ironi ve absürtlük... toplumu yerden yere vurarak eleştiren, bitirmediği, yarım bıraktığı hikayeler ile insanı meraktan çıldırtan bir film * İnsanların özgürlüğü aradıkları ama onun anlamını bilmedikleri ve daha çok ondan korkmaları... Sahnelerde hep ters ilişki var, burada asıl özgürlük bir hayalet gibi (komünist manifestonun giriş bölümünde böyle bir hayalet benzetmesi yapılmakta) küçük burjuva ve konfor arayışındaki insanların arasında sadece geziniyor.",6.4527,"\u002FvssJ0mOhgirbPS3cVo0XFAj41yo.jpg","1974-09-10",346,"Acquitted Murderer","5aa8d3300e0a263dca030346",29,{"adult":4,"backdrop_path":7,"genre_ids":50,"id":52,"title":53,"original_language":23,"original_title":53,"overview":6,"popularity":54,"poster_path":55,"release_date":56,"softcore":4,"video":4,"vote_average":57,"vote_count":57,"character":58,"credit_id":59,"order":57,"media_type":34},[51],99,774784,"Portrait d'un cinéaste impatient, Luis Buñuel",0.8772,"\u002F2i0mysg9DcG7eKWgjoxHW1Fg18G.jpg","2013-01-29",0,"Self","5fd2f3b20f1e58003f1a6071",{"adult":4,"backdrop_path":7,"genre_ids":61,"id":62,"title":63,"original_language":23,"original_title":63,"overview":6,"popularity":64,"poster_path":65,"release_date":66,"softcore":4,"video":4,"vote_average":57,"vote_count":57,"character":58,"credit_id":67,"order":8,"media_type":34},[51],784918,"Il était une fois... Le Charme discret de la bourgeoisie",0.9461,"\u002F4U2DXx21Xk2GdNiNJOmaHXLe5DZ.jpg","2013-02-03","5ffbec0aefea7a003e713505",{"adult":4,"backdrop_path":69,"genre_ids":70,"id":72,"title":73,"original_language":23,"original_title":73,"overview":6,"popularity":74,"poster_path":75,"release_date":76,"softcore":4,"video":4,"vote_average":77,"vote_count":78,"character":6,"credit_id":79,"order":80,"media_type":34},"\u002Fe0r7NK4XV9zqrRCpc34U084ktQm.jpg",[71],18,140068,"Il faut tuer Birgitt Haas",1.9449,"\u002FpDPWQm6lVhtuSUssBhodILDGIY4.jpg","1981-09-02",6.4,33,"684abe1e31a9835f87293d5d",20,{"adult":4,"backdrop_path":82,"genre_ids":83,"id":84,"title":85,"original_language":23,"original_title":85,"overview":6,"popularity":86,"poster_path":87,"release_date":88,"softcore":4,"video":4,"vote_average":89,"vote_count":90,"character":91,"credit_id":92,"order":20,"media_type":34},"\u002FhfI0UMSYO2l5PxY9drr3hJAPoHh.jpg",[19],69044,"Viens chez moi, j'habite chez une copine",1.4224,"\u002FfNSRXUkdJadKgqhhlJlRLZjFjAi.jpg","1981-01-25",6.3,160,"Le conducteur","685447026991b656b85d8a3c",{"adult":4,"backdrop_path":94,"genre_ids":95,"id":97,"origin_country":98,"original_language":23,"original_name":100,"overview":6,"popularity":101,"poster_path":102,"first_air_date":103,"softcore":4,"name":100,"vote_average":104,"vote_count":8,"character":105,"credit_id":106,"episode_count":107,"first_credit_air_date":108,"media_type":109},"\u002FtWHvLLKqLcASDGPTH6dGNbsdTts.jpg",[96],10759,42968,[99],"FR","Les Secrets de la mer Rouge",2.3232,"\u002F9idrZvOz3IZIiqXfUFKsTB7p9qz.jpg","1968-05-05",6.5,"Torcill","60198510bc86570040b9617e",13,"1975-09-07","tv",[111,123,133,144,159,171,182,186,195,204,218,227,238,252,255,268,276,287,295,307,316,320,328,337,346,349,357,367,377,387,399,410,415,425,435,440],{"adult":4,"backdrop_path":7,"genre_ids":112,"id":114,"title":115,"original_language":23,"original_title":115,"overview":6,"popularity":116,"poster_path":117,"release_date":118,"softcore":4,"video":4,"vote_average":119,"vote_count":8,"credit_id":120,"department":121,"job":122,"media_type":34},[113],53,349874,"Ça n'arrive qu'aux vivants",1.1462,"\u002FfizBOH5LLpYywtVQ3G5tWq3A2bl.jpg","1959-05-06",8,"622a1b64498ef9001a3e19f5","Writing","Screenplay",{"adult":4,"backdrop_path":124,"genre_ids":125,"id":127,"title":128,"original_language":23,"original_title":128,"overview":6,"popularity":129,"poster_path":130,"release_date":28,"softcore":4,"video":4,"vote_average":89,"vote_count":48,"credit_id":131,"department":11,"job":132,"media_type":34},"\u002FfmomyZSuJXpU67s50HrYTb45Bk8.jpg",[126,113],80,91571,"La Course du lièvre à travers les champs",1.9686,"\u002F9Ms3Tc1FbcbPViWf57W2uYFcDWP.jpg","60903929871b34006d546527","First Assistant Director",{"adult":4,"backdrop_path":7,"genre_ids":134,"id":136,"title":137,"original_language":23,"original_title":137,"overview":6,"popularity":138,"poster_path":139,"release_date":140,"softcore":4,"video":4,"vote_average":141,"vote_count":141,"credit_id":142,"department":11,"job":143,"media_type":34},[71,135],10770,845486,"La banquise",1.8217,"\u002Fb4sgImuA83VCtQeytSkuaUU2gIp.jpg","1998-10-14",1,"60d8caae85b105005e83aab4","Director",{"adult":4,"backdrop_path":145,"genre_ids":146,"id":148,"title":149,"original_language":23,"original_title":150,"overview":151,"popularity":152,"poster_path":153,"release_date":154,"softcore":4,"video":4,"vote_average":155,"vote_count":156,"credit_id":157,"department":11,"job":158,"media_type":34},"\u002Fk6ez8uo3JHHqw9HqN3qCADuukSR.jpg",[19,147],12,46521,"Tenten ve Altın Post","Tintin et le Mystère de la Toison d'or","Belçika'lı çizer Hergé'in ünlü çizgi kahramanı Tenten (Tintin) karakterine dayandırarak senaryosunu André Barret ve Rémo Forlani'nin birlikte yazdıkları filmi Jean-Jacques Vierne yönetmiştir. Başrollerinde Jean-Pierre Talbot ve Georges Wilson'ın oynadıkları bu filmin büyük bir bölümü Türkiye'de geçmektedir.  Tenten (Jean-Pierre Talbot), arkadaşı Kaptan Haddock (Georges Wilson) ve Köpeği Boncuk, Haddock'a ölen bir arkadaşı tarafından miras olarak bırakılan eski bir tekneyi almak üzere İstanbul'a gelirler. Külüstür haldeki gemiye değerinin çok üzerinde bir para teklif edilmesi ile durumdan kuşkulanan Haddock gemiyi satmaktan vazgeçer ve akabinde bir ölüm tehlikesi de atlatır. Olaylar ilerledikçe geminin sırrı yavaş yavaş ortaya çıkacaktır.",3.2602,"\u002FrOBxyy1JxIWFXI2F3T17a3C7spi.jpg","1961-12-06",6.1,112,"60e118c6258823005d7a7b6b","Assistant Director",{"adult":4,"backdrop_path":160,"genre_ids":161,"id":162,"title":163,"original_language":23,"original_title":163,"overview":164,"popularity":165,"poster_path":166,"release_date":167,"softcore":4,"video":4,"vote_average":168,"vote_count":169,"credit_id":170,"department":11,"job":132,"media_type":34},"\u002FdlH6bkq4SJwwlLpr7jAWeG2UATx.jpg",[19,71],35031,"La Voie lactée","Jean ve Pierre adlı iki adam Paris’ten İspanya’daki Santiago de Compostela’ya hacca gitmektedir. Yolculukları 20.yy’da başlar ancak yol aldıkça zaman ve mekanda yolculuk ettikleri görülür. Dini metinlerden alınma birçok tarihi sahneye tanık olurlar; İsa’ya, Marki de Sade’ye, Şeytan’a rastlarlar.",3.5425,"\u002FycKbkUuUunu7uhxPKTaaNwdmEqt.jpg","1969-02-28",7.059,195,"6540630463e6fb013c1d18ab",{"adult":4,"backdrop_path":172,"genre_ids":173,"id":174,"title":175,"original_language":23,"original_title":175,"overview":6,"popularity":176,"poster_path":177,"release_date":178,"softcore":4,"video":4,"vote_average":179,"vote_count":180,"credit_id":181,"department":11,"job":143,"media_type":34},"\u002Fion0KTuR4VW6AjjvGiqP3Divji3.jpg",[113],324718,"L'Indiscrétion",1.353,"\u002F67fEbztyphRiiEkeFLzXwXE1lGa.jpg","1982-07-21",5.2,6,"54da414ac3a3687abe001c67",{"adult":4,"backdrop_path":172,"genre_ids":183,"id":174,"title":175,"original_language":23,"original_title":175,"overview":6,"popularity":176,"poster_path":177,"release_date":178,"softcore":4,"video":4,"vote_average":179,"vote_count":180,"credit_id":184,"department":121,"job":185,"media_type":34},[113],"54da41669251410a3f0018e3","Writer",{"adult":4,"backdrop_path":7,"genre_ids":187,"id":188,"title":189,"original_language":23,"original_title":189,"overview":6,"popularity":190,"poster_path":191,"release_date":192,"softcore":4,"video":4,"vote_average":193,"vote_count":180,"credit_id":194,"department":11,"job":143,"media_type":34},[],202622,"La Revanche",1.126,"\u002FzBuh4akupUCXLwNMidTOcbuGAAJ.jpg","1981-12-16",5.8,"5536038dc3a36815ac001aa5",{"adult":4,"backdrop_path":7,"genre_ids":196,"id":197,"title":198,"original_language":23,"original_title":198,"overview":6,"popularity":199,"poster_path":200,"release_date":201,"softcore":4,"video":4,"vote_average":180,"vote_count":202,"credit_id":203,"department":11,"job":143,"media_type":34},[71],359668,"Le Diable dans la boîte",1.1422,"\u002FpnFGR2rm3ndpHqBr6UViS6X37Zw.jpg","1977-04-19",3,"55f5902bc3a3686d0b0068b9",{"adult":4,"backdrop_path":205,"genre_ids":206,"id":208,"title":209,"original_language":23,"original_title":210,"overview":211,"popularity":212,"poster_path":213,"release_date":214,"softcore":4,"video":4,"vote_average":215,"vote_count":216,"credit_id":217,"department":11,"job":158,"media_type":34},"\u002F9fJPLvrUV32MzpfDwXk7cOnj8hM.jpg",[71,207],10749,649,"Gündüz Güzeli","Belle de jour","Séverine Serizy Paris'te yaşayan ve görünürde mutlu bir evliliği olan her şeye sahip güzel bir kadındır. Séverine doktor olan kocası Pierre'e karşı soğuktur, hatta aralarında fiziksel bir ilişki olmadığı da sezilmektedir. Ancak bu \"soğuk sarışın\"ın ruhunda fırtınalar kopmaktadır. Günün birinde kendisinde gözü de olan aile dostları Henri Husson'dan özel bir randevu evinin adresini alır ve öğleden sonraları bu lüks genelevde çalışmaya başlar. Buradaki yeni adı \"Gündüz Güzeli\"dir artık. Şehvet düşkünü Séverine, randevu evine gittikçe kocasına daha çok bağlanır, aynı zamanda buradaki tiksindirici hayatını da garip bir şekilde kabullenir, zira burada mazoşist cinsel fantezilerini keşfedip yaşamaktadır.",7.5342,"\u002Fxjwxy0qFe1kbGFIggXVRuela16F.jpg","1967-05-24",7.308,1051,"5796a55bc3a3680a3c002109",{"adult":4,"backdrop_path":7,"genre_ids":219,"id":220,"title":221,"original_language":23,"original_title":221,"overview":6,"popularity":222,"poster_path":223,"release_date":224,"softcore":4,"video":4,"vote_average":225,"vote_count":8,"credit_id":226,"department":121,"job":185,"media_type":34},[71,19],132979,"Les Lavandières du Portugal",1.1743,"\u002FaheHAfVmN8Edm3UjlgI5PkqKTRy.jpg","1957-08-23",5.5,"65de2dcf719aeb017be84d61",{"adult":4,"backdrop_path":228,"genre_ids":229,"id":230,"title":231,"original_language":23,"original_title":231,"overview":6,"popularity":232,"poster_path":233,"release_date":234,"softcore":4,"video":4,"vote_average":235,"vote_count":236,"credit_id":237,"department":11,"job":158,"media_type":34},"\u002FvpPdmaGYQUiM9Rb2znWpNyzE3Km.jpg",[71,19],36245,"Le Journal d'une femme de chambre",3.1634,"\u002Fqjg0SdlVW5GA2Fjsf1d5mrD0msU.jpg","1964-03-04",7.091,248,"58a641e6925141743500030a",{"adult":4,"backdrop_path":239,"genre_ids":240,"id":241,"title":242,"original_language":243,"original_title":244,"overview":245,"popularity":246,"poster_path":247,"release_date":248,"softcore":4,"video":4,"vote_average":249,"vote_count":250,"credit_id":251,"department":11,"job":158,"media_type":34},"\u002FrAJEXUzsWRuM5zcmiWs2b10AZTC.jpg",[71],35838,"Seni Sevmeyeceğim","es","Tristana","Annesini yitiren genç kız Tristana, yaşlı bir beyefendi olan Don Lope’nin himayesine verilir. Don Lope ticaret ve dine dair sosyalist görüşlerine rağmen onurlu kişiliğiyle sevilen ve sayılan bir adamdır. Tek zaafı kadınlara olan düşkünlüğüdür. Himayesindeki masum genç kıza âşık olur, onu baştan çıkarır, sevgilisi olur, bir yandan da kızı kendisi gibi özgür olduğuna ikna eder. Tristana özgürlüğünü kullanıp genç sanatçı Horacio ile romantik bir ilişki yaşamaya başlayınca Don Lope kendi dünya görüşünün sonuçlarına katlanmak zorunda kalacaktır.Tristana ur çıkan bacağının kesilmesinin ardından Don Lope’nin evine geri geldiğindeyse, işler tersine döner.",3.3306,"\u002FuziTHMqLARpnSEdi1QtdlX9hR8n.jpg","1970-03-29",7.2,289,"58a741cf925141790400066a",{"adult":4,"backdrop_path":17,"genre_ids":253,"id":21,"title":22,"original_language":23,"original_title":24,"overview":25,"popularity":26,"poster_path":27,"release_date":28,"softcore":4,"video":4,"vote_average":29,"vote_count":30,"credit_id":254,"department":11,"job":158,"media_type":34},[19,20],"58a8871f9251410a0a000307",{"adult":4,"backdrop_path":256,"genre_ids":257,"id":258,"title":259,"original_language":23,"original_title":260,"overview":261,"popularity":262,"poster_path":263,"release_date":264,"softcore":4,"video":4,"vote_average":265,"vote_count":266,"credit_id":267,"department":11,"job":158,"media_type":34},"\u002F79ofDLTW1ozMSYDNWhDYe5cQzAa.jpg",[19,71,207],5781,"Arzunun Şu Karanlık Nesnesi","Cet obscur objet du désir","Hikayenin flashbacklerle aktığı filmde, Mathieu bir trende üstüne bir kova su döktüğü Conchita'yı saplantı haline getirir. Filmde, Mathieu ve Conchita adlı karakterlerin arasında yaşanan arzulayan ve arzulanan dengesi ortaya konulur.  Bunuel'e yakışır tarzda filmde alışılmışın dışında farklılıklar mevcut. Örneğin, Conchita'yı biri daha çocuksu, diğeri daha fettan olan iki ayrı kadın karakter oynar. Ayrıca, filmin örgüsünde o dönemde yaşanan terörizme de, toplumda normal karşılanmış haliyle yer verilmiştir.  Kadın ve Kukla adlı kitaptan sinemaya uyarlanan film Bunuel'un sürrealistliğiyle başka bir boyut kazanmış ve birçok ödül almış ve Oscar'a da iki dalda aday gösterilmiştir.",4.4881,"\u002FvS66R2P1T2I4bFhruHXIJ5aenCS.jpg","1977-08-17",7.437,471,"58a9d9f792514114c600030f",{"adult":4,"backdrop_path":7,"genre_ids":269,"id":270,"title":271,"original_language":23,"original_title":271,"overview":6,"popularity":272,"poster_path":273,"release_date":274,"softcore":4,"video":4,"vote_average":225,"vote_count":8,"credit_id":275,"department":11,"job":158,"media_type":34},[19],444772,"Mon curé chez les 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