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After completing a degree in Fine Art at Exeter College of Art and Design specialising in animation, he experimented further with animation and DJ-ing before joining Aardman Animations in 1983 as its first employee.\n\nDuring his first nine-year stretch at Aardman he worked on several short films and promos including \"Morph\", \"Sledgehammer\" for Peter Gabriel, Pee-Wee's Playhouse in New York, his own film Ident (1989), which introduced the character Rex, and two Rex the Runt pilot films. His commercial work includes Domestos Big Dom, Grolsch, Cadbury’s Creme Eggs, Weetos and Maltesers and several European commercials.\n\nIn 1992, Starzak left Aardman to pursue a freelance career during which time he worked in New Zealand as Production Adviser for Oscar and Friends, and wrote and directed 13 episodes of Rex the Runt for BBC2, winning the Carlton Award for International Animation at The Indies in 2000.\n\nHe then directed Robbie the Reindeer in 1999 for BBC Animation Unit. Robbie went on to win 19 international awards including a British Academy of Film and Television Arts award (BAFTA). Following the success of Robbie, Starzak worked for two years on a project for Aardman’s feature film department as well as directing and writing the second series of Rex the Runt. In 2002, Starzak was honoured with the Award for Best TV Special for Robbie the Reindeer: Hooves of Fire at the 3rd International Festival of Animated Feature Films and TV Specials. From 2003, he directed two series of Creature Comforts – 2x13 episodes for ITV based on the Academy Award winning Nick Park short film. The first series went on to win 17 awards, and both series were nominated for a BAFTA. The second series includes a half-hour Christmas special. 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Nihayet o gün geldiğinde planları devreye girer ve hem çiftlik sahibini hem de çiftliğin köpeğini atlatarak firar ederler. Çiftçi uyuyakalınca karavanı kendiliğinden şehre gidip ortadan kaybolur. Kuzular sahipsizkalmıştır ve köpek dostlarıyla işbirliği yapıp sahiplerini bulmak için şehre giderler. Sırf biraz eğlenmek için atıldıkları bu macera beklediklerinden çok daha maceralı bir deneyime dönüşecektir.",9.9899,"\u002FbaTcdjBMGHLz1nv0mIlITRTtSsI.jpg","2015-02-05",6.996,1573,"5b38f6ddc3a36846b800483c",{"adult":4,"backdrop_path":171,"genre_ids":184,"id":173,"title":174,"original_language":29,"original_title":175,"overview":176,"popularity":177,"poster_path":178,"release_date":179,"softcore":4,"video":4,"vote_average":180,"vote_count":181,"credit_id":185,"department":112,"job":113,"media_type":38},[92,26,69,43],"5b38f72e0e0a264002043653",{"adult":4,"backdrop_path":187,"genre_ids":188,"id":191,"title":192,"original_language":29,"original_title":192,"overview":193,"popularity":194,"poster_path":195,"release_date":196,"softcore":4,"video":4,"vote_average":197,"vote_count":198,"credit_id":199,"department":132,"job":200,"media_type":38},"\u002Fp55hZFMTWHl2j6xrPKp1qA9kF1I.jpg",[92,26,69,189,190],9648,10749,14447,"A Matter of Loaf and Death","Wallace ve Gromit fırıncılık işine girdiler ve evlerini fırınlar, robotik yoğurucular ve eski moda bir çatı yel değirmeni ile gerçek bir fırına dönüştürdüler. İyi gidiyorlar, ancak Gromit son olaylardan endişe duyuyor: bu yıl 12 yerel fırın iz bırakmadan kayboldu. Ama Wallace umursamıyor. Tüm düşünceleri, Bakery Light'ın eski reklam modeli olan sevimli Piella Bakewell'de. Yakında, Gromit efendisinin hayatının tehlikede olduğunu fark eder ve daha sonra \"Ölümcül Pişirme Vakası\" olarak adlandırılacak bir dizi gizemli cinayetin soruşturmasını üstlenir.",6.117,"\u002Fx4b1HN2TOyMQV6NF1YPea6KgnDs.jpg","2008-12-26",7.362,643,"5bb270440e0a2633b401f2d1","Creative Consultant",{"adult":4,"backdrop_path":202,"genre_ids":203,"id":204,"title":205,"original_language":29,"original_title":205,"overview":206,"popularity":207,"poster_path":208,"release_date":209,"softcore":4,"video":4,"vote_average":210,"vote_count":211,"credit_id":212,"department":132,"job":213,"media_type":38},"\u002FbWpk3hGj95bDxDVk4pvU2K7tN0H.jpg",[92,26,69,42,43],530,"A Grand Day Out","Kötü şans - Wallace'ın peyniri bitti. 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