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He supplemented his novels' prefaces with artwork from his painter friends Baya, Abdallah Benanteur, Mohammed Khadda and Jean de Maisonseul. Pélégri also assisted on the film adaptation of his novel Les Oliviers de la justice as screenwriter, dialogue writer and actor. The movie won the Cinema and Television Writers Award at the 1962 Cannes Film Festival.","1920-06-20","2003-09-24",2,null,10357,"nm0701798","Acting","Jean Pélégri","Rovigo, French Algeria",0.5601,{"cast":19,"crew":102},[20,38,52,67,78,91],{"adult":4,"backdrop_path":21,"genre_ids":22,"id":25,"title":26,"original_language":27,"original_title":28,"overview":29,"popularity":30,"poster_path":31,"release_date":32,"softcore":4,"video":4,"vote_average":33,"vote_count":34,"character":35,"credit_id":36,"order":10,"media_type":37},"\u002F5ApVROxPul7vu9NiB2DJWqlA3kE.jpg",[23,24],80,18,690,"Yankesici","fr","Pickpocket","Yankesici, Bresson’un üslubunu en iyi örnekleyen filmleri arasındadır. Film, Michel (Martin LaSalle) adında entelektüel ve asi bir gencin yankesicilik takıntısına kapılmasının hikâyesini anlatır. Michel başlangıçta, yankesiciliği basit ve geçimini sağlayan bir iş olarak görür; ancak zamanla yankesicilik bir işten çok, bir amaca ve yaratıcı bir edime dönüşür. Neredeyse anında paçayı ele verdiği amatör bir hırsızlık denemesinden sonra, kendisini eğitmesi için usta bir hırsızın yanına çırak olarak girer. Filmdeki yankesicilik sahneleri, heyecanı ve sinema dilini kullanmadaki ustalığıyla nefes kesicidir. Michel, hasta annesi ve kız arkadaşı Jeanne’la (Marika Green) görüşüyorsa da yankesicilik ona en duygusal ve manevi anlamda doyurucu insan ilişkilerini sunar. Bu durum Michel’in çalma sebebinin, sırf para kazanmak olmadığı anlaşılmaya başladığında, daha da açık bir şekilde görülür. 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