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He has the highest number of films (seven) that made the 2012 Sight and Sound critics' poll of the Greatest Films of All Time. His works A Man Escaped (1956), Pickpocket (1959) and Au hasard Balthazar (1966) were ranked among the top 100, and other films like Mouchette (1967) and L'Argent (1983) also received many votes. Jean-Luc Godard once wrote, \"He is the French cinema, as Dostoevsky is the Russian novel and Mozart is German music.\"\n\nDescription above from the Wikipedia article Robert Bresson, licensed under CC-BY-SA, full list of contributors on Wikipedia.","1901-09-25","1999-12-18",2,null,10346,"nm0000975","Directing","Robert Bresson","Bromont-Lamothe, Puy-de-Dôme, Auvergne, France",1.3276,"\u002FvgQWc59n5tnlHMD1FdKOoRe2iP7.jpg",{"cast":23,"crew":138},[24,39,51,58,71,81,92,102,112,129],{"adult":4,"backdrop_path":25,"genre_ids":26,"id":28,"title":29,"original_language":30,"original_title":29,"overview":31,"popularity":32,"poster_path":33,"release_date":34,"softcore":4,"video":4,"vote_average":35,"vote_count":35,"character":36,"credit_id":37,"order":35,"media_type":38},"\u002FxYftDzyfMQu6vCiLn64X10VaSsX.jpg",[27],99,142541,"Un metteur en ordre: Robert Bresson","fr","",1.0544,"\u002FsYNSN3d2nVEE8JiyNNMJkE20q4t.jpg","1966-05-11",0,"Self","52fe4ae49251416c750f1921","movie",{"adult":4,"backdrop_path":40,"genre_ids":41,"id":42,"title":43,"original_language":44,"original_title":43,"overview":31,"popularity":45,"poster_path":46,"release_date":47,"softcore":4,"video":4,"vote_average":48,"vote_count":49,"character":36,"credit_id":50,"order":35,"media_type":38},"\u002FkYu9XKhQYgpGe5SHzhdxXDi8SCu.jpg",[27],203663,"De weg naar Bresson","nl",1.9203,"\u002FotBmqsnxaFKrByqhHKGfAf4vZ4Y.jpg","1984-05-13",7,10,"52fe4ce3c3a368484e1cb57f",{"adult":4,"backdrop_path":14,"genre_ids":52,"id":53,"title":54,"original_language":30,"original_title":54,"overview":31,"popularity":55,"poster_path":14,"release_date":56,"softcore":4,"video":4,"vote_average":35,"vote_count":35,"character":36,"credit_id":57,"order":13,"media_type":38},[27],981849,"Festivals 66 Cinéma 67",0.9818,"1967-05-30","6294ba3509ed8f12555225d2",{"adult":4,"backdrop_path":59,"genre_ids":60,"id":61,"title":62,"original_language":63,"original_title":62,"overview":31,"popularity":64,"poster_path":65,"release_date":66,"softcore":4,"video":4,"vote_average":67,"vote_count":68,"character":36,"credit_id":69,"order":70,"media_type":38},"\u002FpmmPUfLIGa80TFJd8bDSz9SDGzY.jpg",[27],219292,"What Is Cinema?","en",1.6129,"\u002Fa7lscT93aGgvD6W5Po7dTVLdv19.jpg","2013-09-06",6.4,25,"57338fea92514140b40006b7",4,{"adult":4,"backdrop_path":14,"genre_ids":72,"id":73,"title":74,"original_language":30,"original_title":74,"overview":31,"popularity":75,"poster_path":76,"release_date":77,"softcore":4,"video":4,"vote_average":78,"vote_count":13,"character":79,"credit_id":80,"order":35,"media_type":38},[27],433492,"Robert Bresson - 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Film, Michel (Martin LaSalle) adında entelektüel ve asi bir gencin yankesicilik takıntısına kapılmasının hikâyesini anlatır. Michel başlangıçta, yankesiciliği basit ve geçimini sağlayan bir iş olarak görür; ancak zamanla yankesicilik bir işten çok, bir amaca ve yaratıcı bir edime dönüşür. Neredeyse anında paçayı ele verdiği amatör bir hırsızlık denemesinden sonra, kendisini eğitmesi için usta bir hırsızın yanına çırak olarak girer. Filmdeki yankesicilik sahneleri, heyecanı ve sinema dilini kullanmadaki ustalığıyla nefes kesicidir. Michel, hasta annesi ve kız arkadaşı Jeanne’la (Marika Green) görüşüyorsa da yankesicilik ona en duygusal ve manevi anlamda doyurucu insan ilişkilerini sunar. Bu durum Michel’in çalma sebebinin, sırf para kazanmak olmadığı anlaşılmaya başladığında, daha da açık bir şekilde görülür. Filmin sonunda, artık yakalanmak umurunda bile değilmiş gibidir.",9.3768,"\u002F6LOGubEfLLikSQPqoXpYkhBLpGI.jpg","1959-12-16",7.281,596,"52fe426bc3a36847f801d0d1",{"adult":4,"backdrop_path":157,"genre_ids":171,"id":160,"title":161,"original_language":30,"original_title":162,"overview":163,"popularity":164,"poster_path":165,"release_date":166,"softcore":4,"video":4,"vote_average":167,"vote_count":168,"credit_id":172,"department":154,"job":155,"media_type":38},[159,111],"52fe426bc3a36847f801d0d7",{"adult":4,"backdrop_path":174,"genre_ids":175,"id":176,"title":177,"original_language":30,"original_title":178,"overview":179,"popularity":180,"poster_path":181,"release_date":182,"softcore":4,"video":4,"vote_average":183,"vote_count":184,"credit_id":185,"department":17,"job":150,"media_type":38},"\u002F7LPz7NEYtLXcV44j0kRLLkZ54yH.jpg",[111],20108,"Rastgele Balthazar","Au hasard Balthazar","Kırsal hayatta geçen bir çocukluktan büyümeye uzanan, kendisine kötü davranılmış, sırtına yük konulmuş bir hayvan, bir eşek olan Balthazar’ın hayat ve ölüm günlükleri. Bir eşeğin gözünden insanın zalimliği, adaletsizliği ve acı çektirme huyu üzerine tarafsız bir bakış.",3.8264,"\u002FwI0TyRjiWWMpxP1TVOzSJnxQbn3.jpg","1966-05-25",7.548,532,"52fe43d7c3a368484e0014ff",{"adult":4,"backdrop_path":174,"genre_ids":187,"id":176,"title":177,"original_language":30,"original_title":178,"overview":179,"popularity":180,"poster_path":181,"release_date":182,"softcore":4,"video":4,"vote_average":183,"vote_count":184,"credit_id":188,"department":154,"job":189,"media_type":38},[111],"52fe43d7c3a368484e001505","Writer",{"adult":4,"backdrop_path":191,"genre_ids":192,"id":193,"title":194,"original_language":30,"original_title":194,"overview":31,"popularity":195,"poster_path":196,"release_date":197,"softcore":4,"video":4,"vote_average":198,"vote_count":199,"credit_id":200,"department":17,"job":150,"media_type":38},"\u002FmAtCjCDYN3c5Bjm6P4wOmDMlJLv.jpg",[111],32097,"Le Diable probablement",2.8162,"\u002F6wBUp7iagH0NeRqPPhYxtx0wsXq.jpg","1977-06-15",6.8,136,"52fe44bb9251416c9101ae93",{"adult":4,"backdrop_path":191,"genre_ids":202,"id":193,"title":194,"original_language":30,"original_title":194,"overview":31,"popularity":195,"poster_path":196,"release_date":197,"softcore":4,"video":4,"vote_average":198,"vote_count":199,"credit_id":203,"department":154,"job":155,"media_type":38},[111],"52fe44bb9251416c9101ae99",{"adult":4,"backdrop_path":205,"genre_ids":206,"id":207,"title":208,"original_language":30,"original_title":209,"overview":210,"popularity":211,"poster_path":212,"release_date":213,"softcore":4,"video":4,"vote_average":214,"vote_count":215,"credit_id":216,"department":17,"job":150,"media_type":38},"\u002Fa62YSsCwYd5EyzB5EbaeX2FmM4m.jpg",[159,111],42112,"Para","L'Argent","500 franklık sahte bir banknot elden ele, dükkandan dükkana dolaşarak sonunda durumun farkında olmayan masum bir adamın eline geçer. Hayatı altüst olan adam, suça ve cinayete yönelmek zorunda kalır.",4.2073,"\u002F7KPq52V27rCukeQUjCflX8DSsZ9.jpg","1983-05-18",6.938,304,"52fe45edc3a36847f80e2a7d",{"adult":4,"backdrop_path":205,"genre_ids":218,"id":207,"title":208,"original_language":30,"original_title":209,"overview":210,"popularity":211,"poster_path":212,"release_date":213,"softcore":4,"video":4,"vote_average":214,"vote_count":215,"credit_id":219,"department":154,"job":189,"media_type":38},[159,111],"52fe45eec3a36847f80e2a83",{"adult":4,"backdrop_path":221,"genre_ids":222,"id":223,"title":224,"original_language":30,"original_title":225,"overview":226,"popularity":227,"poster_path":228,"release_date":229,"softcore":4,"video":4,"vote_average":230,"vote_count":231,"credit_id":232,"department":17,"job":150,"media_type":38},"\u002FluytZGyalDVIBy2jDk51EKV45T8.jpg",[111],43376,"Bir Taşra Papazının Güncesi","Journal d'un curé de campagne","Genç bir taşra papazı, iç karartan Ambricourt köyünün sakinleri tarafından düşmanlık ve güvensizlikle karşılanıyor. Yalnızlıktan ve mide ağrılarından mustarip papaz, tek teselliyi zeki bir adam olan Torcy rahibinde bulur. Papaz yerel şatodaki derin çatışmalara müdahale etmeye çalışır. Kont, kızının mürebbiyesiyle bir ilişki yaşamakta; Kontes ise hâlâ yıllar önce küçük yaşta ölen oğlunun yasını tutmaktadır. İçi düş kırıklığı ve kızgınlıkla dolu olan kızları ise intihar etmeye niyetlidir. Minimalist yönetmen Robert Bresson'un en iyi filmlerindendir.",4.8509,"\u002FuP2jvwz3IpmlJdNnQCfmCbgnkvi.jpg","1951-02-07",7.5,291,"52fe4643c3a36847f80f5363",{"adult":4,"backdrop_path":234,"genre_ids":235,"id":237,"title":238,"original_language":30,"original_title":239,"overview":240,"popularity":241,"poster_path":242,"release_date":243,"softcore":4,"video":4,"vote_average":244,"vote_count":245,"credit_id":246,"department":17,"job":150,"media_type":38},"\u002FlNe2z2qQf0G5gzM51ZyJD0zCDVk.jpg",[111,236],53,15244,"Bir İdam Mahkumu Kaçtı","Un condamné à mort s'est échappé","Bir İdam Mahkumu Kaçtı, sinemada minimalizmin tadına varmak isteyenler için en iyi başlangıç noktası. Filmin büyük bölümü, Fontaine'i (François Leterrier) hücresinde yalnız başına, kendisi gibi tutsak olanlarla iletişim kurarken ve özgürlüğüne doğru adım adım ilerlerken gösterir. Tüm Bresson filmleri gibi bu film de, Bresson'un uzun çalışmalardan sonra geliştirdiği, \"sinematograf\" üzerine kuramlarını ortaya koyar: Dramatiklikten tamamen uzak bir oyunculuk sergileyen amatör oyuncular; görüntü dışı seslere ve onların aktardığı bilgiye olağanüstü bir vurgu; son ve görkemli ana kadar müziğin kullanılmaması. Fransız sinemasının diğer muhteşem hapishane filmleri olan Jaques Becker'in Le trou (Delik, 1960) ve Jean Genet'nin Un chant d'amour (Aşk Şarkısı, 1950) filmleri gibi, Bir İdam Mahkumu Kaçtı da insan ruhunun çektiği acıların ve kurtuluşa yönelten dürtülerin olağanüstü güçlü bir alegorisini sunar..",3.9141,"\u002FdnO2vhjXstEjEJxDmT6R2lPBnFB.jpg","1956-11-11",7.955,642,"52fe46469251416c75072ffb",{"adult":4,"backdrop_path":234,"genre_ids":248,"id":237,"title":238,"original_language":30,"original_title":239,"overview":240,"popularity":241,"poster_path":242,"release_date":243,"softcore":4,"video":4,"vote_average":244,"vote_count":245,"credit_id":249,"department":154,"job":250,"media_type":38},[111,236],"52fe46469251416c75073001","Scenario 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