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Yapımcılık görevini ise Alex Gibney ve Charles Koppelman ikilisi üstlenmiştir.","\u002FxwQVkRJGCH59jGNPR78Aw8wzyZg.jpg",[10],2.2166,"2016-07-08",7.373,272,{"adult":4,"backdrop_path":141,"id":142,"title":143,"original_title":143,"overview":144,"poster_path":145,"media_type":122,"original_language":17,"genre_ids":146,"popularity":147,"release_date":148,"softcore":4,"video":4,"vote_average":149,"vote_count":150},"\u002Fy3bebCmOJ32gzLKpghjKcRoKFRi.jpg",29047,"The Kid Stays in the Picture","Documentary about legendary Paramount producer Robert Evans, based on his famous 1994 autobiography.","\u002FwQd4tf308KGwbUZeoDLPxgYqhiv.jpg",[10],2.7773,"2002-08-16",6.6,102,{"adult":4,"backdrop_path":152,"id":153,"title":154,"original_title":155,"overview":156,"poster_path":157,"media_type":122,"original_language":17,"genre_ids":158,"popularity":159,"release_date":160,"softcore":4,"video":4,"vote_average":161,"vote_count":162},"\u002FpYxLP0MWvhMG1Sx852N2PT8F3zf.jpg",84330,"237 Nolu Oda","Room 237","“Kuantum fiziği gibi bir durum bu: İnsanlar filmi izlerken film değişmeye başlıyor.”(Yönetmen) Bir çok kült filmin radikal yorumları vardır ama hiç birisi bu konuda Stanley Kubrick’in filmi Cinnet’inin (1980) eline su dökemez herhalde. 237 No’lu Oda, Kubrick’in belki de en çok tartışılan filminin altında yatan gizli anlamları, tuhaf sembolleri ve şifreleri çözdüğünü iddia eden bir grup (belki biraz kaçık ve fazlasıyla meraklı) sinefille tanıştırıyor bizi. Cinnet’i baştan sona didik didik eden, onu hiç akla gelmeyecek biçimlerde yeniden düşünmeye sevk eden 237 No’lu Oda bizi hem ikna edici, hem de kışkırtıcı ve tuhaf teorilerle başbaşa bırakıyor. Rodney Ascher, Cinnet’ten aldığı parçalarla bu teorileri ustaca bir araya getirirken bir yandan da günümüzün sinefil kültürünün muhteşem bir portresini çiziyor. 237 No’lu Oda hiç abartısız senenin en keyifli, en kült olmayı hakeden seyirliklerinden birisi.","\u002FwPXxJSz36VjAkxa4MZ0C28uOdwA.jpg",[10],2.7597,"2012-10-26",6.124,547,{"adult":4,"backdrop_path":164,"id":165,"title":166,"original_title":166,"overview":167,"poster_path":168,"media_type":122,"original_language":17,"genre_ids":169,"popularity":170,"release_date":171,"softcore":4,"video":4,"vote_average":172,"vote_count":173},"\u002FeQNlRh69W9HVw46znLOhyMe7dsN.jpg",653610,"Disclosure","An investigation of how Hollywood's fabled stories have deeply influenced how Americans feel about transgender people, and how transgender people have been taught to feel about themselves.","\u002F2MB2FPNxdSlykbH7ghBltoBYnTH.jpg",[10],2.5223,"2020-06-19",7.84,153,{"adult":4,"backdrop_path":175,"id":176,"title":177,"original_title":178,"overview":179,"poster_path":180,"media_type":122,"original_language":17,"genre_ids":181,"popularity":182,"release_date":183,"softcore":4,"video":4,"vote_average":184,"vote_count":185},"\u002FtrPmeJW25TFrejTNSXnLVpu64Fa.jpg",46689,"Çöplük","Waste Land","Çekimi üç yıldan fazla süren “Çöplük\u002FWasteland”belgesel, ünlü sanatçı Vik Muniz’i Brooklyn’deki evinden memleketi Brezilya’da Rio de Janeiro’nun dışında bulunan dünyanın en büyük çöplüğü Jardim Gramacho’ya kadar izliyor. Muniz, burada bir “catador” grubunun fotoğraflarını çekiyor. Muniz’in başlangıçtaki amacı çöplerle birlikte catadorları görüntülemektir. Ancak bu ilham verici karakterlerle yaptığı işbirliği ile onların hayatlarına dahil oluyor. Catadorlar kendilerine umut olan Muniz sayesinde yeniden hayal etmeye başlıyorlar. Yönetmen Lucy Walker yardımcılarıyla birlikte tüm süreç boyunca sanatın dönüştürücü gücü ve insan ruhunun simyasının etkileyici kanıtlarını ortaya koyuyorlar.","\u002FtJf0LR1nxvtePFnKtp4TKXnryRl.jpg",[10],1.6049,"2010-01-24",7.595,131,{"adult":4,"backdrop_path":187,"id":188,"title":189,"original_title":189,"overview":190,"poster_path":191,"media_type":122,"original_language":17,"genre_ids":192,"popularity":193,"release_date":194,"softcore":4,"video":4,"vote_average":195,"vote_count":196},"\u002FbOnfMsSm5cgvI23IVJSXR4t6UzU.jpg",661845,"Belushi","Using previously unheard audiotapes recorded shortly after John Belushi’s death, director R.J. 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Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. 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Belgeselde Ali’nin ezeli rakipleri Joe Frazier ve George Foreman’ın yanı sıra, George Chuvalo, Henry Cooper, Larry Holmes, Ron Lyle, Ken Norton, Earnie Shavers, Leon Spinks ve Ernie Terrell, onunla yaptıkları maçları anlatıyor.","\u002FcvGflJpxYX4tK6WOTFGiwS5BXPD.jpg",[10],1.9352,"2009-05-29",7.3,55,{"adult":4,"backdrop_path":265,"id":266,"title":267,"original_title":268,"overview":269,"poster_path":270,"media_type":122,"original_language":17,"genre_ids":271,"popularity":272,"release_date":273,"softcore":4,"video":4,"vote_average":274,"vote_count":275},"\u002F7iZXhAACaHkt3kfMZhE4h51YrFk.jpg",324308,"Steve Jobs: Makine Adam","Steve Jobs: The Man in the Machine","Dijital çağın estetik vizyonuna sahip bir dehanın biyografisi. Suriye Humus doğumlu bir baba ile Amerikalı bir annenin çocuğu olan Steve Jobs küçük yaşta evlatlık verilir. Gençliğinde teknolojiye olan merakı onu günümüzde 750 milyar $ değerinde bir marka olan \"Apple\" firmasını kankası S. Wozcniak ile beraber kurmuştur. 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