[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F9607:{\"language\":\"pt-BR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":14,"birthday":15,"deathday":16,"gender":17,"homepage":18,"id":19,"imdb_id":20,"known_for_department":21,"name":22,"place_of_birth":23,"popularity":24,"profile_path":25,"combined_credits":26,"images":589},false,[6,7,8,9,10,11,12,13],"Gregory Alexandrov","Grigori Vassílievitx Mormonenko","Grigori Vassílievitx Aleksàndrov","Григо́рий Васи́льевич Алекса́ндров","Григо́рий Васи́льевич Мормоненко","Grigori Vassilievitch Mormonenko","Grigori Vassiliévitch Alexandrov","Г. Александров","Grigori Vasilyevich Aleksandrov or Alexandrov (original family name was Mormonenko; 23 January 1903 - 16 December 1983) was a prominent Soviet film director who was named a People's Artist of the USSR in 1947 and a Hero of Socialist Labor in 1973. He was awarded the Stalin Prizes for 1941 and 1950.\n\nInitially associated with Sergei Eisenstein, with whom he worked as a co-director, screenwriter and actor, Aleksandrov became a major director in his own right in the 1930s, when he directed Jolly Fellows and a string of other musical comedies starring his wife Lyubov Orlova.\n\nThough Aleksandrov remained active until his death, his musicals, amongst the first made in the Soviet Union, remain his most popular films. They rival Ivan Pyryev's films as the most effective and light-hearted showcase ever designed for Stalin-era USSR.\n\nDescription above from the Wikipedia article Grigori Aleksandrov, licensed under CC-BY-SA, full list of contributors on Wikipedia.","1903-01-22","1983-12-16",2,null,9607,"nm0017893","Directing","Grigoriy Aleksandrov","Yekaterinburg, Russian Empire",0.915,"\u002FA8LitAachroJZ2wQq4mdbB698WS.jpg",{"cast":27,"crew":159},[28,47,60,75,89,106,117,128,137,151],{"adult":4,"backdrop_path":29,"genre_ids":30,"id":34,"title":35,"original_language":36,"original_title":37,"overview":38,"popularity":39,"poster_path":40,"release_date":41,"softcore":4,"video":4,"vote_average":42,"vote_count":43,"character":44,"credit_id":45,"order":17,"media_type":46},"\u002F3RH61Z7BP3f215936PJBEG2qQrT.jpg",[31,32,33],18,36,10752,643,"O Encouraçado Potemkin","ru","Броненосец Потёмкин","Em 1905, na Rússia czarista, aconteceu um levante que pressagiou a Revolução de 1917. 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Mais de 200.000 pés de filme mudo foram filmados antes que a produção tivesse que ser interrompida devido ao esgotamento das finanças e às exigências de Stalin de que Eisenstein retornasse à URSS. Esta é uma das várias tentativas de fazer um longa-metragem a partir das imagens existentes, aqui de acordo com o esboço esquelético de Eisenstein e sob a supervisão de Gregori Alexandrov, colaborador de longa data de Eisenstein, inclusive neste projeto.",1.5901,"\u002FmoH8yvwINdiuLfKw6YcoFFnvyIo.jpg","1979-10-01",6.795,56,"Self","52fe469bc3a368484e09a1a7",{"adult":4,"backdrop_path":76,"genre_ids":77,"id":78,"title":79,"original_language":36,"original_title":80,"overview":81,"popularity":82,"poster_path":83,"release_date":84,"softcore":4,"video":4,"vote_average":85,"vote_count":86,"character":87,"credit_id":88,"order":59,"media_type":46},"\u002FbMvuciIEQKzgz0Xt7cwm2oR3nVR.jpg",[31],44967,"A Greve","Стачка","Em \"A Greve\" (1925), Sergei Eisenstein apresenta um drama visual e político que retrata a revolta dos trabalhadores de uma fábrica russa, desencadeada pelo suicídio de um operário injustamente acusado de roubo. Esse trágico ato acende a chama da revolta, reunindo os operários em uma greve que rapidamente se transforma num palco de intensos confrontos com a repressão policial. Utilizando uma montagem inovadora, Eisenstein entrelaça cenas de violência e metáforas visuais – como o abate de animais –, enfatizando a desumanização e a brutalidade do sistema opressor. O filme, portanto, consagra-se como um manifesto poderoso da luta coletiva pela justiça, dignidade e liberdade dos trabalhadores.",2.352,"\u002FrC3V5KT0UIpzOtt6Px1ot1dJ4sE.jpg","1925-04-28",7.4,254,"Factory Foreman","52fe46a7c3a36847f810ac73",{"adult":4,"backdrop_path":90,"genre_ids":91,"id":94,"title":95,"original_language":36,"original_title":96,"overview":97,"popularity":98,"poster_path":99,"release_date":100,"softcore":4,"video":4,"vote_average":101,"vote_count":102,"character":103,"credit_id":104,"order":105,"media_type":46},"\u002Fdf4Emnjgm23mwLPKYm6ILFW36ig.jpg",[92,93],14,35,47703,"Diário de Glumov","Дневник Глумова","Inserção fílmica para a adaptação livre e modernizada de Eisenstein da peça de teatro russa do século XIX de Ostrovskiy, \"The Wise Man\" (\"Na vsyakogo mudretsa dovolno prostoty\"). O anti-herói Glumov tenta escapar da exposição em meio a acrobacias, ousadia e palhaçadas farsas. 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ano.",2.0737,"\u002F4PEqJS7kc5YH4MZPn9vLIszse65.jpg","1928-05-11",6.9,231,"52fe426cc3a36847f801d649","Writing","Screenplay",{"adult":4,"backdrop_path":161,"genre_ids":176,"id":163,"title":164,"original_language":36,"original_title":165,"overview":166,"popularity":167,"poster_path":168,"release_date":169,"softcore":4,"video":4,"vote_average":170,"vote_count":171,"credit_id":177,"department":21,"job":178,"media_type":46},[31,32],"52fe426cc3a36847f801d685","Director",{"adult":4,"backdrop_path":180,"genre_ids":181,"id":182,"title":183,"original_language":36,"original_title":183,"overview":52,"popularity":184,"poster_path":185,"release_date":186,"softcore":4,"video":4,"vote_average":187,"vote_count":188,"credit_id":189,"department":21,"job":178,"media_type":46},"\u002F9K4dDhCV5ZnwYZqFufoe4L70xXU.jpg",[49,93],37128,"Весёлые 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