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Depois que os soldados alemães tomam uma cidade do leste da Rússia, Alexandre monta sua posição em Novgorod, onde uma grande batalha é travada no congelado Lago Peipus.",2.3941,"\u002F4x9X4l0HK5rshIZWu9PoPOhCsHb.jpg","1938-11-24",7.055,244,"52fe43479251416c7500a3ed",{"adult":4,"backdrop_path":122,"genre_ids":123,"id":124,"title":125,"original_language":31,"original_title":125,"overview":32,"popularity":126,"poster_path":127,"release_date":128,"softcore":4,"video":4,"vote_average":129,"vote_count":37,"credit_id":130,"department":19,"job":104,"media_type":41},"\u002FtLUa3hcEiL4FwhEQU8IuxYc9RP8.jpg",[93],364851,"В горах Югославии",1.2619,"\u002FoOEoAQsbAkyEvwrWgEdP6QyoPiV.jpg","1946-10-31",5.6,"62a7b82f05b54973b2e6bb2f",{"adult":4,"backdrop_path":16,"genre_ids":132,"id":133,"title":134,"original_language":31,"original_title":134,"overview":32,"popularity":135,"poster_path":136,"release_date":65,"softcore":4,"video":4,"vote_average":137,"vote_count":40,"credit_id":138,"department":19,"job":139,"media_type":41},[28],406325,"Живой Ленин",0.9061,"\u002FxQRKhRrlL4BNdXMZ9cZ19J3aOPi.jpg",5.8,"653c49da0fb17f00e5bfbe97","Camera Operator",{"adult":4,"backdrop_path":141,"genre_ids":142,"id":143,"title":144,"original_language":31,"original_title":144,"overview":32,"popularity":145,"poster_path":146,"release_date":147,"softcore":4,"video":4,"vote_average":66,"vote_count":66,"credit_id":148,"department":19,"job":104,"media_type":41},"\u002Fa0B7NJBcTpw9dSmOhjBJ92N1F3u.jpg",[45],673573,"Серп и молот",0.8117,"\u002FxVv9liWmLCvPK5j7Uo9YwKuQqwJ.jpg","1921-01-01","618d69efa313b8008f509b03",{"adult":4,"backdrop_path":150,"genre_ids":151,"id":152,"title":153,"original_language":31,"original_title":153,"overview":32,"popularity":154,"poster_path":155,"release_date":156,"softcore":4,"video":4,"vote_average":157,"vote_count":158,"credit_id":159,"department":19,"job":104,"media_type":41},"\u002FxvpZnK7HCPPYTYIXaxPbHYDx1Da.jpg",[28],184363,"Кино-Правда № 21: Ленинская Кино-Правда. 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Esse trágico ato acende a chama da revolta, reunindo os operários em uma greve que rapidamente se transforma num palco de intensos confrontos com a repressão policial. Utilizando uma montagem inovadora, Eisenstein entrelaça cenas de violência e metáforas visuais – como o abate de animais –, enfatizando a desumanização e a brutalidade do sistema opressor. O filme, portanto, consagra-se como um manifesto poderoso da luta coletiva pela justiça, dignidade e liberdade dos trabalhadores.",3.161,"\u002FrC3V5KT0UIpzOtt6Px1ot1dJ4sE.jpg","1925-04-28",7.4,254,"570205d692514154930000cc",{"adult":4,"backdrop_path":16,"genre_ids":196,"id":198,"title":199,"original_language":31,"original_title":199,"overview":32,"popularity":200,"poster_path":201,"release_date":202,"softcore":4,"video":4,"vote_average":203,"vote_count":36,"credit_id":204,"department":19,"job":104,"media_type":41},[46,197],10402,89903,"Композитор Глинка",1.4677,"\u002FeCFziLyLgtKtDJvWQwNztnSWDga.jpg","1952-06-06",4.7,"5929e769c3a368787004c3d6",{"adult":4,"backdrop_path":16,"genre_ids":206,"id":207,"title":208,"original_language":209,"original_title":210,"overview":32,"popularity":211,"poster_path":212,"release_date":213,"softcore":4,"video":4,"vote_average":214,"vote_count":215,"credit_id":216,"department":180,"job":181,"media_type":41},[45,28],165978,"Miséria e Fortuna de uma Mulher","de","Frauennot - Frauenglück",1.3688,"\u002FvobgHh1M2QSazC5hUjaSDB9C9Mx.jpg","1930-02-05",6.5,10,"5944ebca9251413ff400c7cf",{"adult":4,"backdrop_path":16,"genre_ids":218,"id":207,"title":208,"original_language":209,"original_title":210,"overview":32,"popularity":211,"poster_path":212,"release_date":213,"softcore":4,"video":4,"vote_average":214,"vote_count":215,"credit_id":219,"department":171,"job":172,"media_type":41},[45,28],"5944ec8e9251413fad00d11b",{"adult":4,"backdrop_path":16,"genre_ids":221,"id":207,"title":208,"original_language":209,"original_title":210,"overview":32,"popularity":211,"poster_path":212,"release_date":213,"softcore":4,"video":4,"vote_average":214,"vote_count":215,"credit_id":222,"department":19,"job":104,"media_type":41},[45,28],"5944ecd79251413fb100d111",{"adult":4,"backdrop_path":224,"genre_ids":225,"id":226,"title":227,"original_language":31,"original_title":228,"overview":229,"popularity":230,"poster_path":231,"release_date":232,"softcore":4,"video":4,"vote_average":233,"vote_count":234,"credit_id":235,"department":19,"job":104,"media_type":41},"\u002Fohn9zA2dUbVuo4ajx32Em97qvMr.jpg",[45,46],9797,"Ivan, o Terrível - Parte I","Иван Грозный","Durante a primeira parte do seu reinado, Ivan, o Terrível, enfrenta traição da aristocracia e até dos seus amigos mais próximos, à medida que procura unir o povo russo.",3.6651,"\u002FdfqqiPnlCt3f3tjoQn5FqFDTluJ.jpg","1944-11-11",7.3,240,"59a97cca925141579902dbd7",{"adult":4,"backdrop_path":237,"genre_ids":238,"id":239,"title":240,"original_language":31,"original_title":241,"overview":32,"popularity":242,"poster_path":243,"release_date":244,"softcore":4,"video":4,"vote_average":245,"vote_count":246,"credit_id":247,"department":19,"job":104,"media_type":41},"\u002Fw634xBnBcTrtBGFB9AZtTE34q4O.jpg",[46,45],43118,"Ivan, o Terrível - Parte II","Иван Грозный. 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Mais de 200.000 pés de filme mudo foram filmados antes que a produção tivesse que ser interrompida devido ao esgotamento das finanças e às exigências de Stalin de que Eisenstein retornasse à URSS. Esta é uma das várias tentativas de fazer um longa-metragem a partir das imagens existentes, aqui de acordo com o esboço esquelético de Eisenstein e sob a supervisão de Gregori Alexandrov, colaborador de longa data de Eisenstein, inclusive neste projeto.",1.4672,"\u002FmoH8yvwINdiuLfKw6YcoFFnvyIo.jpg","1979-10-01",6.795,56,"5af17496c3a36837b100660f",{"adult":4,"backdrop_path":320,"genre_ids":321,"id":322,"title":323,"original_language":297,"original_title":324,"overview":325,"popularity":326,"poster_path":327,"release_date":328,"softcore":4,"video":4,"vote_average":40,"vote_count":58,"credit_id":329,"department":19,"job":104,"media_type":41},"\u002FcpJAsPVecd8lluXmqGFgA28XpSW.jpg",[28],394479,"Dia da Morte","Death Day","Durante sua aventura no México, Sergei Eisenstein fez filmagens de uma celebração mexicana do \"Dia da Morte\" para inclusão em seu \"Que Viva México!\" projeto de filme. Quando os mais de 200.000 pés de filme que ele eventualmente expôs no México foram tentados pela primeira vez a serem transformados em um longa-metragem, \"Thunder Over Mexico\", os produtores excluíram o material do Death Day para posterior compilação como um curta independente. 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