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Faversham was much admired in such potboilers as Brother Officers (1900), which he revived twice that same year and the next, and he produced, directed, and starred in the original production of The Squaw Man (1906). Productions of both Julius Caesar (1914) and Othello (1917) followed and he became a motion picture star in 1915 courtesy of the burgeoning Metro company. At one point, Faversham's popularity at Metro was second only to that of Francis X. Bushman, the leading matinee idol of the era. Quite elderly by then, Faversham later appeared in bit roles in talkies, including portraying the Duke of Wellington in the Technicolor production of Becky Sharp and, of all things, playing the heroine's father in the low-budget singing cowboy oater The Singing Buckaroo (1937). Faversham's Broadway swan song had come in a 1931 repertory presentation of Julius Caesar, Hamlet, and The Merchant of Venice. 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