[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F74697:{\"language\":\"pt-BR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":8,"birthday":9,"deathday":10,"gender":11,"homepage":12,"id":13,"imdb_id":14,"known_for_department":15,"name":16,"place_of_birth":17,"popularity":18,"profile_path":19,"combined_credits":20,"images":1049},false,[6,7],"Альберто Кавальканти","Cavalcanti","Alberto de Almeida Cavalcanti was a Brazilian-born film director and producer. He was born in Rio de Janeiro, the son of a prominent mathematician. He was a precociously intelligent child, and by the age of 15 was studying law at university. Following an argument with a professor he was expelled. His father sent him to Geneva, Switzerland on condition that he did not study law or politics. Cavalcanti chose to study architecture instead. At 18 he moved to Paris to work for an architect, later switching to working on interior design. After a visit back to Brazil he took up a position at the Brazilian consulate in Liverpool, England.\n\nCavalcanti corresponded with Marcel L'Herbier, a leading light in France's avant-garde film movement. This led to a job offer from L'Herbier for Cavalcanti to work as a set designer. So, in 1920 he left his job at the Consulate and moved back to France to work for L'Herbier; he was to be involved in the making of numerous films, the most notable being L'Inhumaine. \n\nHe was soon making his own films, in 1926 directing his first, Rien Que les Heures (Nothing But Time) — a day in the life of Paris and its citizens. In 1927 he collaborated with Walter Ruttmann on a similar project set in Berlin, called Berlin: Die Sinfonie der Großstadt (Berlin: Symphony of a Big City). \n\nCavalcanti took a job with Paramount's French studios after the talkies came in, but he found himself making more commercial films which could not hold his interest and left Paramount in 1933. In the same year he returned to England to work for John Grierson's GPO Film Unit. He was involved in many capacities, from production to sound engineer. He was to spend seven years at the GPO Film Unit, working on many projects. Much of his work at the GPO was uncredited, he acted as a mentor to many new film makers, but in 1937 he was appointed acting head of the GPO Film Unit when Grierson left for Canada. When told that the only way the position could become permanent was to become a naturalized British citizen, he decided to leave the unit.\n\nIn 1940 Cavalcanti joined Ealing Studios, under the leadership of producer Michael Balcon. He worked as an art editor, producer and director. His most notable works of this period (many of them propaganda films) were Yellow Caesar (1941), Went the Day Well? (1942), Three Songs of Resistance (1943), Champagne Charlie (1944), Dead of Night (as co-director) (1945) and Nicholas Nickleby (1947). In 1946 Cavalcanti left Ealing over a dispute about money. He went on to direct three more films in the UK, before returning to Brazil in 1950.\n\nIn Brazil he worked as a producer for Companhia Cinematográfica Vera Cruz; the company eventually became insolvent. After being blacklisted as a communist in Brazil, he decided to move back to Europe in 1954. He eventually settled in France, where he continued his work in television. 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Com humor e elementos de fantasia, o filme transforma o telefone em símbolo dos bons costumes e da respeitabilidade doméstica.",1.1743,"\u002Fa8FtufjdoKLJeezBhDgBi8w0by6.jpg","1934-04-16",5.8,5,"J. 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Por entre ruídos de película, sua voz ressurge e o cinema se volta sobre si, questionando a memória daquilo que foi esquecido.",1.8259,"\u002FtedLK3QFPQ2qMsM8JBh2YZyUEV8.jpg","2026-04-02","Self (archive footage)","69cacd87309757309b263c02",{"adult":4,"backdrop_path":106,"genre_ids":107,"id":108,"title":109,"original_language":74,"original_title":109,"overview":29,"popularity":110,"poster_path":111,"release_date":112,"softcore":4,"video":4,"vote_average":113,"vote_count":68,"character":48,"credit_id":114,"order":115,"media_type":38},"\u002Fw5kolt7395WeLvt4UlMdgKl6VKx.jpg",[52],295120,"Birth of a Nation",1.5933,"\u002Fy5dmMIbRZ36wTxKlwZQ5dU3ko0N.jpg","1997-08-06",7,"6ab802cfe82611bc7f0c2a0f",92,{"adult":4,"backdrop_path":12,"genre_ids":117,"id":118,"origin_country":119,"original_language":28,"original_name":121,"overview":29,"popularity":122,"poster_path":12,"first_air_date":123,"softcore":4,"name":121,"vote_average":47,"vote_count":34,"character":103,"credit_id":124,"episode_count":11,"first_credit_air_date":125,"media_type":126},[52],209420,[120],"FR","Encyclopédie audiovisuelle du cinéma",4.1094,"1978-09-24","63b41cec1d1bf4008289cafa","1978-11-12","tv",[128,133,138,153,164,178,190,204,215,227,239,250,260,271,281,293,302,305,313,322,329,339,346,353,360,371,383,386,389,400,407,414,422,429,437,446,457,465,468,472,480,488,494,501,509,516,519,526,533,536,549,560,571,574,584,587,594,604,607,617,625,631,634,639,650,662,670,683,690,700,707,715,724,731,739,746,754,761,769,776,779,782,786,797,807,815,822,834,843,850,856,863,870,880,887,896,904,913,921,927,933,936,942,952,955,958,967,970,973,982,991,994,997,1000,1003,1006,1009,1012,1025,1028,1040,1043,1046],{"adult":4,"backdrop_path":12,"genre_ids":129,"id":72,"title":73,"original_language":74,"original_title":75,"overview":76,"popularity":77,"poster_path":78,"release_date":79,"softcore":4,"video":4,"vote_average":80,"vote_count":81,"credit_id":130,"department":131,"job":132,"media_type":38},[71],"604b8e021d78f20075a654cb","Writing","Writer",{"adult":4,"backdrop_path":12,"genre_ids":134,"id":72,"title":73,"original_language":74,"original_title":75,"overview":76,"popularity":77,"poster_path":78,"release_date":79,"softcore":4,"video":4,"vote_average":80,"vote_count":81,"credit_id":135,"department":136,"job":137,"media_type":38},[71],"604b8e78ea37e000454468e6","Editing","Editor",{"adult":4,"backdrop_path":139,"genre_ids":140,"id":143,"title":144,"original_language":74,"original_title":145,"overview":29,"popularity":146,"poster_path":147,"release_date":148,"softcore":4,"video":4,"vote_average":149,"vote_count":150,"credit_id":151,"department":15,"job":152,"media_type":38},"\u002FHvIzYYidy1aeI1YhwmaFcS8Z2j.jpg",[141,142],10752,53,23924,"48 Horas!","Went the Day Well?",1.555,"\u002F6P9SOdqj4fQf3aYatq95f2g3ME6.jpg","1942-12-07",7.1,79,"52fe4479c3a368484e0250df","Director",{"adult":4,"backdrop_path":12,"genre_ids":154,"id":155,"title":156,"original_language":74,"original_title":156,"overview":29,"popularity":157,"poster_path":158,"release_date":159,"softcore":4,"video":4,"vote_average":81,"vote_count":160,"credit_id":161,"department":162,"job":163,"media_type":38},[52],128180,"Granton Trawler",0.5901,"\u002Fl8uwiX9UdJ0Qsm0D1tDiq7FCqU9.jpg","1934-10-18",20,"622ff155109dec001c5e4e6b","Sound","Sound Designer",{"adult":4,"backdrop_path":165,"genre_ids":166,"id":168,"title":169,"original_language":74,"original_title":170,"overview":171,"popularity":172,"poster_path":173,"release_date":174,"softcore":4,"video":4,"vote_average":175,"vote_count":176,"credit_id":177,"department":15,"job":152,"media_type":38},"\u002F9usqa6XNwQIduTwWh55F1xx0FLE.jpg",[167,142],27,13581,"Na Solidão da Noite","Dead of Night","Um arquiteto chega a uma casa de campo que precisa modernizar e tem a sensação de já tê-la visto em um pesadelo recorrente cujo final ele esqueceu. Na hora do chá, cinco convidados contam experiências sobrenaturais. Ao pôr do sol, deixado sozinho com o psicanalista Van Straaten, o arquiteto tenta estrangulá-lo. É o terrível final de um sonho do qual ele acorda. Mas um telefonema o convoca para uma casa de campo: é a mesma do sonho, e ele encontra as mesmas pessoas lá.",3.909,"\u002F6bpPtLRMbfSkH0k6sLdJRIcEeq3.jpg","1945-09-09",7.2,313,"52fe457d9251416c750585c5",{"adult":4,"backdrop_path":179,"genre_ids":180,"id":182,"title":183,"original_language":74,"original_title":183,"overview":29,"popularity":184,"poster_path":185,"release_date":186,"softcore":4,"video":4,"vote_average":187,"vote_count":188,"credit_id":189,"department":15,"job":152,"media_type":38},"\u002Fm6phxxdCeK6yUBBKJqEsoG1yAXX.jpg",[71,25,181],10402,63361,"Champagne Charlie",1.1211,"\u002F1fv3FM1Jar8SfB9UWDjbUOAOltC.jpg","1944-08-25",5.9,11,"52fe46a7c3a368484e09c79b",{"adult":4,"backdrop_path":191,"genre_ids":192,"id":194,"title":195,"original_language":74,"original_title":196,"overview":197,"popularity":198,"poster_path":199,"release_date":200,"softcore":4,"video":4,"vote_average":201,"vote_count":202,"credit_id":203,"department":15,"job":152,"media_type":38},"\u002Fs4Bcy370GvLHzkwSXZY76arZI97.jpg",[25,142,193],80,49334,"Nas Garras da Fatalidade","They Made Me a Fugitive","Na Inglaterra do pós-guerra, o ex-piloto da RAF Clem Morgan, desempregado e entediado com a vida civil, envolve-se com uma gangue de criminosos. Após ser acusado injustamente pela morte de um policial, é preso, mas consegue escapar e parte em busca de vingança contra aqueles que o traíram.",1.9119,"\u002FdJ8VhdQkFPhmLeBmodgXuzyQ1mC.jpg","1947-06-27",6.6,62,"52fe478fc3a36847f813c503",{"adult":4,"backdrop_path":205,"genre_ids":206,"id":207,"title":208,"original_language":74,"original_title":208,"overview":29,"popularity":209,"poster_path":210,"release_date":211,"softcore":4,"video":4,"vote_average":212,"vote_count":213,"credit_id":214,"department":15,"job":152,"media_type":38},"\u002F8mT8NC0OMlYaCS4pYxmLlYJjVBg.jpg",[25],83031,"The Life and Adventures of Nicholas Nickleby",1.6444,"\u002FljEOQFFDWxKgdf2GnXzQzUsee4M.jpg","1947-03-12",6.7,22,"52fe48869251416c9108f75f",{"adult":4,"backdrop_path":216,"genre_ids":217,"id":218,"title":219,"original_language":74,"original_title":220,"overview":29,"popularity":221,"poster_path":222,"release_date":223,"softcore":4,"video":4,"vote_average":224,"vote_count":225,"credit_id":226,"department":15,"job":152,"media_type":38},"\u002Fx9Fe2KiUpJstgI4KI9OzqJVdzad.jpg",[25,193],86946,"O Transgressor","For Them That Trespass",1.3846,"\u002Fg3SCWkSyewttS4SXpTzO1QBPJbB.jpg","1949-04-21",5.3,13,"52fe49aa9251416c910b4a25",{"adult":4,"backdrop_path":12,"genre_ids":228,"id":229,"title":230,"original_language":28,"original_title":231,"overview":232,"popularity":233,"poster_path":234,"release_date":235,"softcore":4,"video":4,"vote_average":236,"vote_count":237,"credit_id":238,"department":15,"job":152,"media_type":38},[25],123656,"A Pequena Lilie","La P’tite Lili","Lili, uma órfã de 16 anos, vive nos subúrbios de Paris, onde é enganada por um homem que a conduz à prostituição. Ao tentar escapar dessa situação, ela planeja fugir em um dia chuvoso.",1.174,"\u002Fi6Ph3c89LqJuh9zL89GhBiJTKeW.jpg","1927-10-01",5.1,14,"52fe4a9ac3a368484e15ce91",{"adult":4,"backdrop_path":12,"genre_ids":240,"id":241,"title":242,"original_language":74,"original_title":243,"overview":244,"popularity":245,"poster_path":246,"release_date":247,"softcore":4,"video":4,"vote_average":248,"vote_count":25,"credit_id":249,"department":15,"job":152,"media_type":38},[52],127992,"Cara de Carvão","Coal Face","Documentário sobre a vida e o trabalho dos mineiros de carvão de uma comunidade de Yorkshire, mostrando as condições perigosas enfrentadas nas minas e os aspectos de sua vida dentro e fora do trabalho.",0.8866,"\u002Fg64lnZmYjO9wplJLjWgzIj5bQBd.jpg","1935-06-03",6.2,"52fe4b0fc3a368484e17571d",{"adult":4,"backdrop_path":251,"genre_ids":252,"id":253,"title":254,"original_language":43,"original_title":254,"overview":255,"popularity":256,"poster_path":257,"release_date":258,"softcore":4,"video":4,"vote_average":113,"vote_count":34,"credit_id":259,"department":131,"job":132,"media_type":38},"\u002F3BAxXX1pstbypsGvxUa8SjTsvVl.jpg",[25],317336,"Angela","Gervásio, um jogador azarado, perde sua última propriedade, a mansão onde mora com a mãe, a enteada Ângela e a esposa doente. O vencedor do jogo, Dinarte, deseja ver a propriedade naquela mesma noite e acaba se envolvendo com Ângela, com quem se casa. 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