[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F6026361:{\"language\":\"pt-BR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":8,"birthday":9,"deathday":10,"gender":11,"homepage":12,"id":13,"imdb_id":14,"known_for_department":15,"name":16,"place_of_birth":17,"popularity":18,"profile_path":19,"combined_credits":20,"images":107},false,[6,7],"Abdul Hamid Habati","Hamid Habati","Abdelhamid Habati (Arabic: عبد الحميد حباتي), born June 3, 1945, in Constantine, is an Algerian actor.\n\nHis artistic career began in Constantine, his hometown, in the early 1960s with the \"Al Hilal\" association. He later co-founded the \"Al Bahalil\" group with two other playwrights, Bashir Bin Mohammed and Rashid Zaghimi. During this period, he produced plays including \"Youth's Error\" and \"Marriage is Forbidden.\"\n\nAfter that, he joined the National Institute of Dramatic Arts at the Kifan Tower in Algeria, graduating in 1964 in the second cohort of his class. He then joined the Algerian National Theatre as a professional actor, performing in several plays, including \"Sultan Al Hayer\" and \"What Is Not Good But Just\" (1965). Habati later returned to Constantine and, along with some of his cultural figures, helped establish several cultural spaces, such as the Regional Cultural Center and the Regional Center for Cultural Work. During this period, he presented works such as \"Life and Youth,\" \"The School for Liars,\" \"The Black Day,\" and \"Spark in the Palace.\"\n\nIn the early 1970s, with the opening of four air theatres, including the Constantine theatre as part of the decentralisation decision in 1972, Habati joined the Constantine regional theatre, where he participated in a number of works as a director, actor and writer; Among them are: \"That Answers This\" (1972), \"Who Dies, What Passes\" (1977), \"The Law and the People\" (1978), \"The People of Houma\" (1980), \"No Case Lasting\" (1983), \"Diwan Lajb\" (1996), \"Mr. Minister\" (1997), and \"The Buggy\" (2003).\n\nBeyond his stage work, Abdelhamid Habati has appeared in several notable films, including: \"Mr. Faber's Mill\" by Ahmed Rashdi (1986), \"Patrol Towards the East\" by Amar Alaskari (1971), \"Spatial\" by Mohamed Hazoorly (1976), and \"The Canadian\" by Amar Bahloul (2008).\n\nAbdelhamid Habati passed away at the age of 74 on May 6, 2020, after a career during which he was awarded the title of dean of theater and cinema in Algeria.","1945-06-03","2020-05-06",2,"https:\u002F\u002Ftna.dz\u002Ffr\u002Fabdul-hamid-habati-doyen-du-theatre-et-du-cinema-en-algerie\u002F",6026361,"nm10790048","Acting","Abdelhamid Habati","Constantine, Algeria",0.6472,"\u002F7hv68eJLJLmFM4H3eeMOxDdRK9U.jpg",{"cast":21,"crew":106},[22,40,50,62,78,87,96],{"adult":4,"backdrop_path":23,"genre_ids":24,"id":27,"title":28,"original_language":29,"original_title":28,"overview":30,"popularity":31,"poster_path":32,"release_date":33,"softcore":4,"video":4,"vote_average":34,"vote_count":35,"character":36,"credit_id":37,"order":38,"media_type":39},null,[25,26],18,10749,1640622,"حيزية","ar","",0.6567,"\u002Fkn2KThh7XuPMjD85AkU98KQfrJl.jpg","1977-01-01",10,1,"Le Conteur","699c31d677bb74a4d2b29366",3,"movie",{"adult":4,"backdrop_path":41,"genre_ids":42,"id":43,"title":44,"original_language":29,"original_title":44,"overview":30,"popularity":45,"poster_path":46,"release_date":47,"softcore":4,"video":4,"vote_average":34,"vote_count":35,"character":30,"credit_id":48,"order":49,"media_type":39},"\u002FtlHhRZNNeYdgvGQQCCZ49L1FFtU.jpg",[25],333050,"L'Olivier de Boulhilet",1.385,"\u002FeRRFoXDW5jI8rjL9tS32fW2xFUk.jpg","1978-01-02","699c46aeae4d10083080f443",4,{"adult":4,"backdrop_path":51,"genre_ids":52,"id":53,"title":54,"original_language":29,"original_title":54,"overview":30,"popularity":55,"poster_path":56,"release_date":57,"softcore":4,"video":4,"vote_average":58,"vote_count":59,"character":30,"credit_id":60,"order":61,"media_type":39},"\u002FqBq67dpyh7tPKv7sKH6JFQ71u7R.jpg",[25],333082,"El Kalaa - القلعة",0.6505,"\u002Fi7hBVg39kG14W4oHis3oYxZ4rO6.jpg","1988-01-02",4.9,8,"699c47aaee5d8b71ea374b33",6,{"adult":4,"backdrop_path":63,"genre_ids":64,"id":67,"title":68,"original_language":29,"original_title":69,"overview":70,"popularity":71,"poster_path":72,"release_date":73,"softcore":4,"video":4,"vote_average":74,"vote_count":75,"character":30,"credit_id":76,"order":77,"media_type":39},"\u002FsBkXUnl7LAcsgTXfl3Ei5a4zEpF.jpg",[25,65,66],10752,36,52555,"Crônica dos Anos de Fogo","Chronique des Années de Braise","Festival de Cinema de Cannes de 1975, Crônica dos Anos Ardentes de Mohamed Lakhdar-Hamina recebe a Palma de Ouro. Esta é a primeira vez para um filme africano. Crônica meticulosa da evolução do movimento nacional argelino desde 1939 até a eclosão da revolução em 1º de novembro de 1954, o filme demonstra inequivocamente que a “Guerra da Argélia” não é um acidente da história, mas um lento processo de revoltas e sofrimento , ininterruptamente, desde o início da colonização em 1830, até este “Dia Vermelho de Todos os Santos” de 1º de novembro de 54. Composto por seis capítulos, o filme pinta o quadro impiedoso da história política e bélica da Argélia colonial. No seu centro, Ahmed desperta gradualmente para a consciência política contra a colonização, sob o olhar do seu filho, símbolo da nova Argélia, e de Miloud, arenga meio louco, meio profeta, encarnação da memória popular da revolta, da libertação da Argélia e do seu povo.",1.5048,"\u002FrMIDJSkgX2A40jNRluXxExYeomo.jpg","1975-11-26",6.6,30,"699c47fad031f114f80e62b3",14,{"adult":4,"backdrop_path":79,"genre_ids":80,"id":81,"title":82,"original_language":29,"original_title":82,"overview":30,"popularity":83,"poster_path":84,"release_date":85,"softcore":4,"video":4,"vote_average":59,"vote_count":38,"character":30,"credit_id":86,"order":49,"media_type":39},"\u002FmNTsKyfgaONTkG7d3nY6LKAdW62.jpg",[65,25],329355,"Patrouille à l'Est",1.0205,"\u002FsY3RcD9bz5x8wkqDHH5OXOpUOmB.jpg","1971-01-02","699d73419b0faf3ba62aff3d",{"adult":4,"backdrop_path":88,"genre_ids":89,"id":90,"title":91,"original_language":29,"original_title":91,"overview":30,"popularity":92,"poster_path":93,"release_date":94,"softcore":4,"video":4,"vote_average":59,"vote_count":11,"character":30,"credit_id":95,"order":11,"media_type":39},"\u002FoSatitVprDLzqUTIsvxMfTKEYqH.jpg",[25],330787,"Houria",1.4788,"\u002FyMXthYe734GpXhcnYW0FalUUyRX.jpg","1986-01-02","699d74bebc0b40e6552b007d",{"adult":4,"backdrop_path":97,"genre_ids":98,"id":100,"title":101,"original_language":29,"original_title":101,"overview":30,"popularity":102,"poster_path":103,"release_date":104,"softcore":4,"video":4,"vote_average":34,"vote_count":35,"character":30,"credit_id":105,"order":49,"media_type":39},"\u002FYwsN3Vpqxrr02BeJWAdFGX7eWN.jpg",[25,99],35,285189,"Le Moulin de Monsieur Fabre",1.4472,"\u002F8tmrhzYHIFsZFWrW21YC4H8SYF0.jpg","1983-01-19","699d7873d6d9278dbec0eafb",[],{"profiles":108},[109,114,117],{"aspect_ratio":110,"height":111,"iso_3166_1":23,"iso_639_1":23,"file_path":19,"vote_average":112,"vote_count":35,"width":113},0.667,1920,3.334,1280,{"aspect_ratio":110,"height":111,"iso_3166_1":23,"iso_639_1":23,"file_path":115,"vote_average":116,"vote_count":116,"width":113},"\u002FwhEjqsmbVwOVee2Y26ZrmeB7bq.jpg",0,{"aspect_ratio":110,"height":111,"iso_3166_1":23,"iso_639_1":23,"file_path":118,"vote_average":116,"vote_count":116,"width":113},"\u002FqbSFZWL8Jh3nhumuWvzxLmX2E80.jpg"]