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Marxista dissidente e crítico feroz da sociedade de consumo, ele transpôs para o cinema e para os versos uma estética crua e lírica, unindo o arcaico ao político até sua morte trágica e misteriosa em Ostia, em 1975, deixando um legado de resistência contra a homogeneização cultural.","1922-03-05","1975-11-02",2,null,5970,"nm0001596","Directing","Pier Paolo Pasolini","Bologna, Emilia-Romagna, Italy",2.1385,"\u002FeaIDgDUBEZLS2HP4lexm58iaWbG.jpg",{"cast":21,"crew":671},[22,42,56,71,86,93,109,120,128,140,148,161,176,186,196,204,219,228,235,247,259,268,277,288,299,308,316,323,332,340,346,360,369,377,385,394,402,412,420,429,437,447,456,462,470,480,488,497,505,515,523,532,540,547,556,566,574,585,594,602,610,617,625,634,642,653,661],{"adult":4,"backdrop_path":23,"genre_ids":24,"id":28,"title":29,"original_language":30,"original_title":31,"overview":32,"popularity":33,"poster_path":34,"release_date":35,"softcore":4,"video":4,"vote_average":36,"vote_count":37,"character":38,"credit_id":39,"order":40,"media_type":41},"\u002FzOnb0WKYSrXI1GiIkHdC8qt4PT9.jpg",[25,26,27],35,36,18,5691,"Os Contos de Canterbury","it","I racconti di Canterbury","Segunda parte da Trilogia da Vida do aclamado diretor italiano Pier Paolo Pasolini, o longa é baseado nas obscenas histórias de Geoffrey Chaucer do século XIV. Mergulhando com prazer em alguns dos mais perversos e lascivos contos, Pasolini celebra de forma ardente quase toda forma imaginável de ato sexual com um humor rico, rude e visual mágico. 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Anos mais tarde, já homem e com muita sede de vingança, Réquiem sai em busca de Fergusson, o exterminador de sua família. Ele terá a oportunidade de ficar face a face com aquele que deverá lhe prestar contas.",1.6924,"\u002FhiugO4SLImeRmkWIu8QHPoplZJ9.jpg","1967-03-10",6.391,32,"Father Juan","52fe4a82c3a368484e1577eb",{"adult":4,"backdrop_path":110,"genre_ids":111,"id":112,"title":113,"original_language":30,"original_title":113,"overview":48,"popularity":114,"poster_path":115,"release_date":116,"softcore":4,"video":4,"vote_average":117,"vote_count":118,"character":53,"credit_id":119,"order":85,"media_type":41},"\u002FvkhSE47CCTvF767hhokreqzXPZV.jpg",[44],1047885,"Pier Paolo Pasolini - Una visione nuova",0.9137,"\u002FxwXvfmfxVfMogngldY7K9cNE3Kq.jpg","2023-03-01",7.5,1,"64afc013d6590b00e40b7ee8",{"adult":4,"backdrop_path":12,"genre_ids":121,"id":122,"title":123,"original_language":30,"original_title":123,"overview":48,"popularity":124,"poster_path":125,"release_date":126,"softcore":4,"video":4,"vote_average":85,"vote_count":85,"character":48,"credit_id":127,"order":11,"media_type":41},[44],859790,"Il Cinema di Pasolini (Appunti per un Critofilm)",0.887,"\u002F7nQbJqImonpdBS8xlVDhYIy7nZ3.jpg","1966-05-01","64b09632ba48020143463939",{"adult":4,"backdrop_path":129,"genre_ids":130,"id":131,"title":132,"original_language":30,"original_title":132,"overview":48,"popularity":133,"poster_path":134,"release_date":135,"softcore":4,"video":4,"vote_average":136,"vote_count":137,"character":138,"credit_id":139,"order":85,"media_type":41},"\u002FuULiC6Cppol6pl7S6UKFKgcJjYf.jpg",[44],115187,"Pasolini prossimo nostro",1.1919,"\u002FyyZ6n9mUXnMwtCbaqHx0SqzdZZd.jpg","2006-11-24",5.1,7,"Se stesso","52fe4b62c3a36847f820147f",{"adult":4,"backdrop_path":12,"genre_ids":141,"id":142,"title":143,"original_language":30,"original_title":143,"overview":48,"popularity":144,"poster_path":145,"release_date":146,"softcore":4,"video":4,"vote_average":85,"vote_count":85,"character":48,"credit_id":147,"order":11,"media_type":41},[44],1157789,"Non al denaro non all'amore né al cielo",0.8586,"\u002FA8gf4Ay9nKxnhweIV6T6zBsDmuM.jpg","1995-11-21","64c539e8cadb6b01440d572c",{"adult":4,"backdrop_path":149,"genre_ids":150,"id":151,"title":152,"original_language":30,"original_title":152,"overview":153,"popularity":154,"poster_path":155,"release_date":156,"softcore":4,"video":4,"vote_average":157,"vote_count":158,"character":159,"credit_id":160,"order":85,"media_type":41},"\u002FoO5v2FwBO7499T5epdXybIdVEqU.jpg",[44],185837,"Sopralluoghi in Palestina per il vangelo secondo Matteo","Em 1963, acompanhado por um fotógrafo de noticiários fílmicos e um padre católico, Pier Paolo Pasolini viajou para a Palestina para investigar a possibilidade de filmar o épico bíblico O Evangelho Segundo São Mateus em seus locais históricos aproximados. Editado pelo produtor do filme para potenciais financiadores e distribuidores, \"Locações na Palestina\" apresenta comentários semi-improvisados de Pasolini como sua única trilha sonora. Ao viajarmos de aldeia em aldeia, ouvimos as reflexões idiossincráticas de Pasolini sobre os ensinamentos de Cristo e testemunhamos sua crescente decepção com as pessoas e paisagens que ele vê diante de si. Israel, ele lamenta, é moderna demais. Os palestinos, muito infelizes; seria impossível acreditar que os ensinamentos de Jesus tivessem alcançado estes rostos. 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O filme se desenvolve retratando o mito de Édipo sobre parricídio e incesto. O epílogo mostra Édipo tocando sua flauta na agitação urbana da Bolonha dos anos 60.",3.3547,"\u002Fos4RWsPHUPmAEXPwDfNAsA6ZAl9.jpg","1967-09-07",6.768,375,"High Priest (uncredited)","6291714dfb8346009bacf48a",12,{"adult":4,"backdrop_path":12,"genre_ids":220,"id":221,"title":222,"original_language":47,"original_title":222,"overview":48,"popularity":223,"poster_path":224,"release_date":225,"softcore":4,"video":4,"vote_average":85,"vote_count":85,"character":226,"credit_id":227,"order":85,"media_type":41},[44],988305,"Pier Paolo Pasolini : vivre et encore plus",0.9373,"\u002FfcSFRpHhZrIHXyyPMM76oDv3wEN.jpg","1976-02-03","Lui-même","62ab3616af3da61062634596",{"adult":4,"backdrop_path":12,"genre_ids":229,"id":230,"title":231,"original_language":47,"original_title":231,"overview":48,"popularity":232,"poster_path":12,"release_date":233,"softcore":4,"video":4,"vote_average":85,"vote_count":85,"character":226,"credit_id":234,"order":85,"media_type":41},[44],988473,"Fioretti de Pier Paolo Pasolini 1922\u002F1975",0.941,"1997-01-16","62ab9d73d4d509005150eaf2",{"adult":4,"backdrop_path":236,"genre_ids":237,"id":238,"title":239,"original_language":30,"original_title":239,"overview":48,"popularity":240,"poster_path":241,"release_date":242,"softcore":4,"video":4,"vote_average":243,"vote_count":11,"character":244,"credit_id":245,"order":246,"media_type":41},"\u002FiDq3God63lzNfSvXycS4TTp1Tno.jpg",[44],258727,"Io sono nata viaggiando",1.1785,"\u002Fd8p5dMMOnK0QZFcPFZwNhzUyPeh.jpg","2013-11-11",4.2,"Self (archive footage)","531d7b8ec3a3685c56007dd0",3,{"adult":4,"backdrop_path":248,"genre_ids":249,"id":250,"title":251,"original_language":30,"original_title":252,"overview":253,"popularity":254,"poster_path":255,"release_date":256,"softcore":4,"video":4,"vote_average":117,"vote_count":27,"character":159,"credit_id":257,"order":258,"media_type":41},"\u002FoCCWzOErx04gFk4OatfqpS545q5.jpg",[44],19930,"Notas para uma Oréstia Africana","Appunti per un'Orestiade africana","Um documentário sobre um filme por vir. 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