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After beginning studies of agriculture and law at French universities, he deserted the French Army in 1958 and joined the anti-French Algerian Resistance in Tunisia, where he worked for the provisional Algerian government in exile. His film career began as he joined the Algerian Maquis (guerrillas).\n\nIn 1959, the Algerian National Liberation Front (FLN) sent him to Prague, where he pursued his cinematography studies at the cinema school, Film and TV School of the Academy of Performing Arts in Prague, the Czech academy for cinema and television. However, he quit his studies in order to work for the Barrandov Studios. Also in 1959, the Algerian ministry of information in exile commissioned Lakhdar-Hamina, together with Djamel Chanderli and Pierre Chaulet, to produce a movie about Algeria's predicament under French colonialism. The documentary film, titled Djazzaïrouna (Our Algeria), aimed at portraying the goals pursued by the Algerian nationalist guerrilla movement, the Maquis.\n\nIn 1960, he joined the Service Cinema, created by the Algerian government in exile.\n\nIn 1961, Lakhdar-Hamina collaborated with Chanderli in the movie Yasmina, which tells the story of a refugee girl who must flee her village following its destruction. Lakhdar-Hamina collaborated again with Chanderli in the 1962 The people's voice and 1961 The guns of freedom. Upon Algerian independence in 1962, he returned to his homeland where, together with his colleagues from Tunisian exile, he founded the Office des actualités algériennes, of which he was director from 1963 until its dissolution in 1974.\n\nFrom 1981 until 1984, he acted as director of the Office National pour le Commerce et l'Industrie Cinématographique, the most important institution for furtherance of the French film industry. One of his most recent films, The last image, was part of the Official Selection at Cannes Film Festival in 1986 and was nominated for the Golden Palm.\n\nLakhdar-Hamina's son, Malik Lakhdar-Hamina, became well known after the release of his first long film, Autumn: October in Algiers (1992), a film that explores the riots of October 1988 through the microcosm of an Algerian family split by a Westernized versus Islamicized view of contemporary Algeria. His other son, Tariq Lakhdar-Hamina, is a film producer.\n\nOn 23 May 2025, Lakhdar-Hamina died in his home in Algiers, at the age of 91.\n\nFrom its inception, Algerian cinema was intertwined with the ideological and existential debates that surrounded the Algerian war of independence and the postcolonial nation-building stage. ...\n\nSource: Article \"Mohammed Lakhdar-Hamina\" from Wikipedia in English, licensed under CC-BY-SA.","1934-02-26","2025-05-23",2,null,544569,"nm0482228","Directing","Mohammed Lakhdar-Hamina","M'sila, Algeria",0.7053,"\u002F4bfSE7eEoLYocMIgVCLrTeOLg6d.jpg",{"cast":20,"crew":146},[21,41,54,70,84,94,106,122,135],{"adult":4,"backdrop_path":22,"genre_ids":23,"id":27,"title":28,"original_language":29,"original_title":30,"overview":31,"popularity":32,"poster_path":33,"release_date":34,"softcore":4,"video":4,"vote_average":35,"vote_count":36,"character":37,"credit_id":38,"order":39,"media_type":40},"\u002FqyHc9Fxgt6Szby7fmItRd9fpM6V.jpg",[24,25,26],36,18,53,399121,"O Oficial e o Espião","fr","J'accuse","Paris, final do século 19. 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Esta é a primeira vez para um filme africano. Crônica meticulosa da evolução do movimento nacional argelino desde 1939 até a eclosão da revolução em 1º de novembro de 1954, o filme demonstra inequivocamente que a “Guerra da Argélia” não é um acidente da história, mas um lento processo de revoltas e sofrimento , ininterruptamente, desde o início da colonização em 1830, até este “Dia Vermelho de Todos os Santos” de 1º de novembro de 54. Composto por seis capítulos, o filme pinta o quadro impiedoso da história política e bélica da Argélia colonial. 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