[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F34613:{\"language\":\"pt-BR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":9,"birthday":10,"deathday":11,"gender":12,"homepage":13,"id":14,"imdb_id":15,"known_for_department":16,"name":17,"place_of_birth":18,"popularity":19,"profile_path":20,"combined_credits":21,"images":833},false,[6,7,8],"de Broca de Ferrussac","Филипп де Брока","Philippe Claude Alex de Broca de Ferrussac","Philippe Claude Alex de Broca de Ferrussac (15 March 1933 – 26 November 2004) was a French film director.\n\nHe directed 30 full-length feature films, including the highly successful That Man from Rio (L'Homme de Rio), The Man from Acapulco (Le Magnifique) and On Guard (Le Bossu). His works include historical, romantic epics such as Chouans! and King of Hearts (Le Roi de cœur), as well as comedies with a charismatic, breezy hero ready to embark upon any adventure which comes his way, so long as it means escaping everyday modern life: Practice Makes Perfect (Le Cavaleur), The Devil by the Tail (Le Diable par la queue), The African (L'Africain). He had links with the actor Jean-Paul Belmondo, with whom he made six films, as well as with Jean-Pierre Cassel, Philippe Noiret and Jean Rochefort.\n\nPhilippe de Broca was born on 15 March 1933 in Paris. He was the son of a cinema set designer and the grandson of a well-known painter, Alexis de Broca. He studied at the Paris Photography and Cinematography School (école Vaugirard), graduating in 1953. He carried out his military service with the French Army's service cinématographique des armées (army film service) in Germany and then in Algeria, directing or acting as head cameraman on short films. Greatly affected by the war he witnessed in Algeria, he vowed to show life in its best light in his future films \"because laughter is the best defence against upsets in life\". After his discharge from the military, he set off on a journey taking in the length of Africa in Berliet trucks before returning to Paris.\n\nHe began working as an intern with Henri Decoin, before finding assistant positions with Claude Chabrol: Bitter Reunion (Le Beau Serge), The Cousins (Les Cousins), Web of Passion (À Double Tour), François Truffaut: The 400 Blows (Les 400 Coups) and Pierre Schoendoerffer: Ramuntcho. In 1959, Claude Chabrol produced de Broca's first film for him, The Love Game (Les jeux de l'amour) with Jean-Pierre Cassel. De Broca went on to work with Cassel again in The Joker (Le Farceur, 1960), Five Day Lover (L'Amant de cinq jours, 1961), and Male Companion (Un Monsieur de Compagnie, 1964).\n\nDe Broca's first commercial success came with Swords of Blood (Cartouche), filmed in 1962. This film also saw two more names become associated with de Broca: the actor Jean-Paul Belmondo and the producer Alexandre Mnouchkine. International acclaim came with That Man from Rio (L'Homme de Rio) in 1964, Up to His Ears (Les tribulations d'un Chinois en Chine) in 1965, The Man from Acapulco (Le Magnifique) in 1973 and Incorrigible (L'Incorrigible) in 1975.\n\nIn 1966, he co-wrote, directed and produced King of Hearts (Le Roi de Cœur). This parody of the Great War, which some cinema-lovers consider his masterpiece, was a commercial and personal failure, to de Broca's dismay. Yet it eventually achieved genuine cult-film status during the mid 1970s when it was presented in repertory movie theaters as well as non-theatrical college and university film series across the United States, eventually running for five years at the now defunct film house, the Central Square Cinemas [2] in Cambridge, Massachusetts. ...\n\nSource: Article \"Philippe de Broca\" from Wikipedia in English, licensed under CC-BY-SA.","1933-03-15","2004-11-26",2,null,34613,"nm0003606","Directing","Philippe de Broca","Paris, France",1.2631,"\u002F78DpaNfRB0kSDVzWeeOxYiYHBjt.jpg",{"cast":22,"crew":382},[23,44,60,73,87,100,113,124,134,144,156,170,179,192,208,222,234,246,257,269,279,290,305,317,327,338,351,360,372],{"adult":4,"backdrop_path":24,"genre_ids":25,"id":30,"title":31,"original_language":32,"original_title":33,"overview":34,"popularity":35,"poster_path":36,"release_date":37,"softcore":4,"video":4,"vote_average":38,"vote_count":39,"character":40,"credit_id":41,"order":42,"media_type":43},"\u002F9VIir77wPGtyVvB4Oq5t7md9DpX.jpg",[26,27,28,29],35,10749,28,12,19562,"O Magnífico","fr","Le Magnifique","François Merlin, escritor de romances de espionagem, projeta seu alter ego, no personagem que ele criou: Bob Saint-Clair, um super espião, inteligente e carismático, cujos feitos heróicos e conquistas amorosas vem compensar sua vida medíocre e frustrada. Ficção e realidade se mesclam, pois François cria seus personagens baseando-se nas pessoas que o cercam. O grande vilão, o Coronel Karpoff é, na vida real, seu editor e a bela espiã Tatiana é Christine, uma estudante de sociologia, vizinha de François.",2.8414,"\u002F4DlALxChjAiRUX6nrX4zSTFjOo0.jpg","1973-11-23",6.984,399,"Second Plumber (uncredited)","613eaff1322b2b00296ac93c",34,"movie",{"adult":4,"backdrop_path":45,"genre_ids":46,"id":48,"title":49,"original_language":32,"original_title":50,"overview":51,"popularity":52,"poster_path":53,"release_date":54,"softcore":4,"video":4,"vote_average":55,"vote_count":56,"character":57,"credit_id":58,"order":59,"media_type":43},"\u002FxxVO3rDZQAQOS2O26eh3unf0vH7.jpg",[47],18,5562,"Nas Garras do Vício","Le Beau Serge","Depois de 12 anos, François (Jean-Claude Brialy) retorna à sua vila, na França, onde passou toda a infância. Ele percebe que a localidade não sofreu grandes mudanças, ao contrário das pessoas, que nem mais reconhece. François dedica especial atenção ao seu problemático amigo Serge (Gérard Blain), que passa o dia inteiro às voltas com a bebida, sem dar qualquer atenção à esposa grávida.",1.8989,"\u002FcvzE5sXIbkOMD5vdsciPJFT8YyJ.jpg","1959-01-10",6.9,98,"Jacques Rivette de la Chasuble","52fe440fc3a36847f807ff69",9,{"adult":4,"backdrop_path":13,"genre_ids":61,"id":63,"title":64,"original_language":32,"original_title":64,"overview":65,"popularity":66,"poster_path":67,"release_date":68,"softcore":4,"video":4,"vote_average":69,"vote_count":69,"character":70,"credit_id":71,"order":72,"media_type":43},[62,26],10770,256572,"Les Petites Demoiselles","",1.1559,"\u002FuXPC5eGFAevxxLsEEHqc953cOsO.jpg","1964-07-14",0,"Le timide","619c1ce80c0b380091a3eb9e",6,{"adult":4,"backdrop_path":74,"genre_ids":75,"id":77,"title":78,"original_language":32,"original_title":78,"overview":79,"popularity":80,"poster_path":81,"release_date":82,"softcore":4,"video":4,"vote_average":72,"vote_count":83,"character":84,"credit_id":85,"order":86,"media_type":43},"\u002FqqyZlQpaS5sNsypIIxUm2G0VWkk.jpg",[62,76],99,918640,"Belmondo, il était une fois le beau monde","Um perfil de Jean-Paul Belmondo por seus pares. Além de fazer mais de oitenta filmes, o ator também brindou seu público com as cenas perigosas em que dispensou o dublê, seu riso, as brincadeiras, uma desenvoltura e impertinência refrescantes. Cultivando a arte do contrapé, ele atravessou meio século de cinema francês.",1.5483,"\u002FcW8ZtgvmxM1I2n5sAZENnexiXPv.jpg","2011-10-25",1,"Self (archive footage)","61c262fd544c4100619871d3",23,{"adult":4,"backdrop_path":88,"genre_ids":89,"id":90,"title":91,"original_language":32,"original_title":91,"overview":65,"popularity":92,"poster_path":93,"release_date":94,"softcore":4,"video":4,"vote_average":95,"vote_count":96,"character":97,"credit_id":98,"order":99,"media_type":43},"\u002FdLiWHKzhBXTHuS9BSaQHPhL7Vet.jpg",[62],1124502,"Droit de Réponse",1.3607,"\u002FhQlqqeAY5ElrsdPoO9M5kCYwATz.jpg","1981-12-12",8.3,3,"Self","645a3bbb6aa8e000e4bd630d",24,{"adult":4,"backdrop_path":101,"genre_ids":102,"id":103,"title":104,"original_language":32,"original_title":104,"overview":65,"popularity":105,"poster_path":106,"release_date":107,"softcore":4,"video":4,"vote_average":108,"vote_count":109,"character":110,"credit_id":111,"order":112,"media_type":43},"\u002F1Kv0vxoswBD2ZdmWOjNl4FOqTUc.jpg",[26],79446,"Le diable par la queue",2.1373,"\u002FiMEUSjFaunUPiSwYnEAKlrTNI2o.jpg","1969-02-07",6.1,57,"Un passant suédois","645f899cef8b3201388645bb",16,{"adult":4,"backdrop_path":13,"genre_ids":114,"id":115,"title":116,"original_language":117,"original_title":116,"overview":118,"popularity":119,"poster_path":120,"release_date":121,"softcore":4,"video":4,"vote_average":108,"vote_count":122,"character":97,"credit_id":123,"order":12,"media_type":43},[76],51185,"Olhar Estrangeiro","pt","Baseado no livro de Tunico Amâncio, O Brasil dos Gringos, o documentário mostra a visão de diretores, roteiristas e atores internacionais sobre o Brasil, procurando desvendar os clichês que o cinema internacional perpetua a respeito do país.",2.2544,"\u002F3hlyVKzn64kFLSap6RJJa4IGIYS.jpg","2006-10-26",7,"52fe47e5c3a36847f814e09b",{"adult":4,"backdrop_path":13,"genre_ids":125,"id":126,"title":127,"original_language":32,"original_title":127,"overview":65,"popularity":128,"poster_path":129,"release_date":130,"softcore":4,"video":4,"vote_average":131,"vote_count":72,"character":132,"credit_id":133,"order":59,"media_type":43},[26],533457,"Les Pieds nickelés",1.1315,"\u002Fb7jxGG8AVvOJZTZlkbnZZesZXe6.jpg","1964-09-30",6.2,"le chauffeur de taxi","6219f3e8dd926a006915f5a8",{"adult":4,"backdrop_path":13,"genre_ids":135,"id":136,"title":137,"original_language":32,"original_title":137,"overview":138,"popularity":139,"poster_path":140,"release_date":141,"softcore":4,"video":4,"vote_average":59,"vote_count":83,"character":97,"credit_id":142,"order":143,"media_type":43},[76,62],958227,"Elle s'appelait Françoise","Patrick Modiano e Catherine Deneuve relembram a vida e a obra da atriz Françoise Dorléac.",1.0472,"\u002F32vauFt11ge4JWAPowYSuNyxycr.jpg","1996-12-12","624a37e05b2f47009749cbc1",4,{"adult":4,"backdrop_path":145,"genre_ids":146,"id":147,"title":148,"original_language":32,"original_title":148,"overview":65,"popularity":149,"poster_path":150,"release_date":151,"softcore":4,"video":4,"vote_average":152,"vote_count":153,"character":154,"credit_id":155,"order":29,"media_type":43},"\u002Fh3jC4rIdZISzdExZeB8jEyHS5g6.jpg",[26,27],269125,"Les Jeux de l'amour",1.9854,"\u002FPHTz0AkebFKc1k3hNoxGszfqZZ.jpg","1960-06-01",6.346,13,"L'homme au cabaret Le Bateau Mouche","62dc0d49c50ad200dc403609",{"adult":4,"backdrop_path":157,"genre_ids":158,"id":159,"title":160,"original_language":32,"original_title":161,"overview":162,"popularity":163,"poster_path":164,"release_date":165,"softcore":4,"video":4,"vote_average":166,"vote_count":167,"character":168,"credit_id":169,"order":28,"media_type":43},"\u002Fcy7ymUaMEWRoig7LWXpfzaaw2vv.jpg",[47],147,"Os Incompreendidos","Les Quatre Cents Coups","Para o jovem parisiense Antoine Doinel, a vida é uma sucessão de dificuldades. Cercado por adultos insensíveis, incluindo seus pais negligentes, Antoine passa os dias com seu melhor amigo, René, tentando planejar uma vida melhor. Quando um de seus planos dá errado, Antoine acaba se metendo em problemas com a lei, o que leva a ainda mais conflitos com figuras de autoridade insensíveis.",8.1128,"\u002FwHITh5qpAZr9e9Q7mtxXYReJxt2.jpg","1959-06-03",7.995,2410,"Homme dans une fête foraine (non crédité)","5457f0d3c3a368399300015b",{"adult":4,"backdrop_path":13,"genre_ids":171,"id":172,"title":173,"original_language":32,"original_title":173,"overview":65,"popularity":174,"poster_path":175,"release_date":176,"softcore":4,"video":4,"vote_average":177,"vote_count":83,"character":65,"credit_id":178,"order":143,"media_type":43},[26],562539,"Les Filles de La Rochelle",1.361,"\u002FaGMizDvWYZnU8hRhzx2r6bxkWpZ.jpg","1962-08-22",10,"660380380c1255017e12a3d2",{"adult":4,"backdrop_path":180,"genre_ids":181,"id":182,"title":183,"original_language":32,"original_title":183,"overview":184,"popularity":185,"poster_path":186,"release_date":187,"softcore":4,"video":4,"vote_average":188,"vote_count":189,"character":190,"credit_id":191,"order":72,"media_type":43},"\u002F6JSkpxhxeRu1hGgVdXwZpJ0sczT.jpg",[26,47],70456,"Le Cinéma de papa","Claude Berri interpreta a si mesmo ao relatar suas próprias experiências da juventude e da adolescência. Seu pai é dono de uma lucrativa loja de peles. Inicialmente, o pai de Claude espera que seu filho assuma a loja de peles, mas depois cede ao desejo de Claude de se envolver no cinema.",1.8407,"\u002F9BFREi1t5MTPyU3vDivVLt8ZQRo.jpg","1971-02-10",6.5,14,"Jean Timent","5607b482c3a36812070043f6",{"adult":4,"backdrop_path":193,"genre_ids":194,"id":196,"title":197,"original_language":32,"original_title":198,"overview":199,"popularity":200,"poster_path":201,"release_date":202,"softcore":4,"video":4,"vote_average":203,"vote_count":204,"character":205,"credit_id":206,"order":207,"media_type":43},"\u002F4WGuyWf1f94CsEeVIIqDKGw5rmO.jpg",[47,195,27],80,269,"Acossado","À bout de souffle","Após roubar um carro em Marselha, Michel Poiccard (Jean-Paul Belmondo) ruma para Paris. No caminho mata um policial, que tentou prendê-lo por excesso de velocidade, e em Paris persuade a relutante Patricia Franchisi (Jean Seberg), uma estudante americana com quem se envolveu, para escondê-lo até receber o dinheiro que lhe devem. Michel promete a Patricia que irão juntos para a Itália. No entanto, o crime de Michel está nos jornais e agora não há opção. Ele fica escondido no apartamento de Patricia, onde conversam, namoram, ele fala sobre a morte e ela diz que quer ficar grávida dele. Ele perde a consciência da situação na qual se encontra e anda pela cidade cometendo pequenos delitos, mas quando é visto por um informante começa o final da sua trágica perseguição.",10.6436,"\u002FduTBwrPiJV75xGSzq1Xe68UCrdw.jpg","1960-03-16",7.477,2110,"A Journalist (uncredited)","560189c8c3a3685610002329",17,{"adult":4,"backdrop_path":209,"genre_ids":210,"id":212,"title":213,"original_language":32,"original_title":214,"overview":215,"popularity":216,"poster_path":217,"release_date":218,"softcore":4,"video":4,"vote_average":122,"vote_count":219,"character":220,"credit_id":221,"order":122,"media_type":43},"\u002Fwjocv4un0nuaDhwfQg0OCDtwWK1.jpg",[26,47,211],10752,17685,"Esse Mundo é dos Loucos","Le Roi de cœur","Durante a Primeira Guerra Mundial, Charles é enviado à uma cidade da França para desativar uma bomba colocada lá pelos alemães. No entanto Charles é perseguido por alguns alemães e vai parar em um hospício onde os presos se convencem de que ele é o “Rei de Copas”. Sentindo-se na obrigação de ajudar os loucos, ele decide levá-los para fora da cidade.",2.6895,"\u002F8pYKvPnNRkfQSDl8OE5pzlz7uri.jpg","1966-12-21",87,"Adolf Hitler","57ba299ec3a36845df002adf",{"adult":4,"backdrop_path":223,"genre_ids":224,"id":225,"title":226,"original_language":32,"original_title":226,"overview":65,"popularity":227,"poster_path":228,"release_date":229,"softcore":4,"video":4,"vote_average":230,"vote_count":231,"character":232,"credit_id":233,"order":99,"media_type":43},"\u002FaeNAF2tnhgjEyaFVjLxthCYvUn5.jpg",[29,26,27,28],26866,"Cartouche",2.4967,"\u002Fyua1L6oAHW70YWllw6wTFjGA0Rc.jpg","1962-03-07",6.34,206,"L'homme qui crie 'les aristocrates à la lanterne'","5a9082cd9251413362003283",{"adult":4,"backdrop_path":235,"genre_ids":236,"id":237,"title":238,"original_language":32,"original_title":238,"overview":65,"popularity":239,"poster_path":240,"release_date":241,"softcore":4,"video":4,"vote_average":242,"vote_count":243,"character":244,"credit_id":245,"order":86,"media_type":43},"\u002Ffvmndn7Pf9dyTE2750XpCCpFetA.jpg",[26],63961,"Les Veinards",1.6212,"\u002FtKpNEFiCSdDugOMD2rYfRr8yQWM.jpg","1963-04-26",5.6,33,"Le passant qui reçoit l'affiche (segment \"Une nuit avec la vedette\")","5fd66a6ba3770a0040a2eb39",{"adult":4,"backdrop_path":247,"genre_ids":248,"id":249,"title":250,"original_language":32,"original_title":250,"overview":65,"popularity":251,"poster_path":252,"release_date":253,"softcore":4,"video":254,"vote_average":255,"vote_count":96,"character":84,"credit_id":256,"order":12,"media_type":43},"\u002FlUZsf4cMcWWpwnR3lVY0yBbV2MR.jpg",[76],810608,"Le Terminus des prétentieux",1.5859,"\u002FdgU1wDGQJ4Ce0QV0dsTiT0tBkyz.jpg","2020-10-14",true,6.3,"605db8737c6de30028d66ca9",{"adult":4,"backdrop_path":258,"genre_ids":259,"id":260,"title":261,"original_language":32,"original_title":261,"overview":65,"popularity":262,"poster_path":263,"release_date":264,"softcore":4,"video":4,"vote_average":265,"vote_count":266,"character":267,"credit_id":268,"order":83,"media_type":43},"\u002FciFtmqkIdFcxQiU5ssGEH1QxZVS.jpg",[47,27,26],1475157,"Trois rendez-vous",0.8162,"\u002FjqpMyYNNRceuR0E8kGVnFv7KI7x.jpg","1953-12-31",6.8,5,"Alex, le peintre","682badb33a422b7e335b5c12",{"adult":4,"backdrop_path":270,"genre_ids":271,"id":272,"title":273,"original_language":32,"original_title":273,"overview":65,"popularity":274,"poster_path":275,"release_date":276,"softcore":4,"video":4,"vote_average":277,"vote_count":96,"character":97,"credit_id":278,"order":266,"media_type":43},"\u002FtYVV8EpZzhbRn17DPa05XDt01ap.jpg",[76],462097,"Michel Audiard et le mystère du triangle des 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cinéma",75.9108,"\u002FjONImBKU4sK9mBcK5cx7a4R4h5v.jpg","1974-09-25",9.5,"65b3bac2a0f1a20161be64a3","1980-03-04","tv",{"adult":4,"backdrop_path":306,"genre_ids":307,"id":309,"origin_country":310,"original_language":32,"original_name":311,"overview":65,"popularity":312,"poster_path":313,"first_air_date":314,"softcore":4,"name":311,"vote_average":288,"vote_count":96,"character":97,"credit_id":315,"episode_count":83,"first_credit_air_date":316,"media_type":304},"\u002FetNtSeEcl3XpVnKIvV3PrnFwihd.jpg",[293,308],10763,120589,[296],"Le Grand 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