[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F2395293:{\"language\":\"pt-BR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":7,"birthday":8,"deathday":8,"gender":9,"homepage":8,"id":10,"imdb_id":8,"known_for_department":11,"name":12,"place_of_birth":8,"popularity":13,"profile_path":14,"combined_credits":15,"images":102},false,[6],"Cora Bockel","Corita Cunha, stage name of Cora Bockel (Buenos Aires, April 17, 1917 — Brazil, 2003), was a Brazilian actress born in Argentina.  Corita Cunha appeared in five films. Her most notable work was in \"O Caçador de Diamantes\", directed in 1933 by Vittorio Capellaro. An orphan, she came to Brazil with her grandmother, Cláudia Montenegro, who was performing in São Paulo nightclubs. Corita was considered one of the most beautiful women in her time, which sparked an obsessive passion for the young actress by Assis Chateaubriand, who was then married.\n\nAfter Assis separated from his wife, Corita moved in with Assis, as did her grandmother Cláudia Montenegro, her great-aunt Maria Montenegro, and Zulema, her cousin. Assis harbored a pathological jealousy of Corita, which contributed to the actress's dissatisfaction. In 1934, the couple's daughter, Tereza Cunha, was born, but she could not take her father's surname because divorce was prohibited at the time. Corita ran away in 1942 with the architect Clito Bockel, with whom she lived for the rest of her life.",null,1,2395293,"Acting","Corita Cunha",0.5456,"\u002FvqUFk1dPMHqcpC0MzAb3pjN1ukF.jpg",{"cast":16,"crew":101},[17,33,47,58,72,82,93],{"adult":4,"backdrop_path":8,"genre_ids":18,"id":21,"title":22,"original_language":23,"original_title":22,"overview":24,"popularity":25,"poster_path":26,"release_date":27,"softcore":4,"video":4,"vote_average":28,"vote_count":9,"character":29,"credit_id":30,"order":31,"media_type":32},[19,20],35,10402,995503,"Coisas Nossas","pt","O primeiro longa brasileiro realizado através do \"único sistema verdadeiro\" de filme sonorizado. Musical inspirado nas produções de Hollywood, apresentando aspectos de um Brasil dos anos 20 e início dos 30. Satiriza alguns conflitos urbanos: dois amigos, após uma discussão, decidem fazer juntos uma serenata para uma namorada em comum, mas acabam trocando tapas durante os preparativos, depois de um trapacear o outro. Um bêbado é encarregado de cortar o cabelo do filho de um cliente em uma barbearia, enquanto o cliente e o dono do estabelecimento conversam sobre a vida: a situação termina em grande confusão pelo péssimo serviço feito na cabeça do menino. Dois compadres se encontram para conversar e contar uns \"causos\" depois de um deles ter sido impedido de tocar suas músicas no hotel onde se hospedava, na cidade. Também é tratada a condição do negro escravo. (Resumo a partir de descrição da trilha sonora original, in: AJP\u002FCN-VPMB)",1.8577,"\u002FzcGmYhQFvLkoQ6zhqa6D9wIpxO0.jpg","1931-11-23",10,"","62c23130813831004c59b672",4,"movie",{"adult":4,"backdrop_path":8,"genre_ids":34,"id":37,"title":38,"original_language":23,"original_title":38,"overview":39,"popularity":40,"poster_path":41,"release_date":42,"softcore":4,"video":4,"vote_average":43,"vote_count":9,"character":44,"credit_id":45,"order":46,"media_type":32},[35,36],12,18,625822,"O Caçador de Diamantes","\"Uma epopéia das bandeiras dos fins do século XVIII\".",1.2178,"\u002Fhhq6GQlP0e5d7lgLwuUYLSgQoLJ.jpg","1934-01-15",8,"D. 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A relação é colocada à prova quando Nilo se envolve nos conflitos militares que abalam São Paulo durante a sublevação de 1924. Separados pelas circunstâncias históricas, ambos enfrentam perdas, saudade e esperança. A música surge como elo afetivo que mantém viva a ligação entre eles.",0.9445,"\u002FctCiUYRGHKmVTcZAFJz0FsFZVaD.jpg","1931-11-16","Irmã de Nilo","687a8d60b94e667f8b528251",2,{"adult":4,"backdrop_path":73,"genre_ids":74,"id":75,"title":76,"original_language":23,"original_title":76,"overview":29,"popularity":77,"poster_path":78,"release_date":79,"softcore":4,"video":4,"vote_average":43,"vote_count":9,"character":29,"credit_id":80,"order":81,"media_type":32},"\u002FkiwjnmCVWz8szcxVMs91mKxMEhA.jpg",[19],1079532,"O Babão",1.7587,"\u002F4TmxdmEkE2ej1Xt3bcC4TML8tTF.jpg","1930-01-12","68bf0c7729f4ce50344e6741",7,{"adult":4,"backdrop_path":8,"genre_ids":83,"id":84,"title":85,"original_language":23,"original_title":85,"overview":86,"popularity":87,"poster_path":88,"release_date":89,"softcore":4,"video":4,"vote_average":90,"vote_count":71,"character":29,"credit_id":91,"order":92,"media_type":32},[19,36],374343,"O Grito da Mocidade","A vida de jovens médicos e estudantes de medicina na capital da República.",1.058,"\u002Fw7EDmtWUemqNDyjlGKIggG1kXQz.jpg","1937-12-25",7.5,"68bf35b03c2b162ba21f5867",6,{"adult":4,"backdrop_path":8,"genre_ids":94,"id":95,"title":96,"original_language":23,"original_title":96,"overview":29,"popularity":97,"poster_path":98,"release_date":99,"softcore":4,"video":4,"vote_average":46,"vote_count":46,"character":29,"credit_id":100,"order":43,"media_type":32},[36],1545067,"Amor e Patriotismo",0.5901,"\u002FatophIYqDz2s7xRRydwjPpbTk5h.jpg","1930-12-15","68c306d921a023df8a9c1c75",[],{"profiles":103},[104],{"aspect_ratio":105,"height":106,"iso_3166_1":8,"iso_639_1":8,"file_path":14,"vote_average":46,"vote_count":46,"width":107},0.667,489,326]