[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F21311:{\"language\":\"pt-BR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":9,"birthday":10,"deathday":11,"gender":12,"homepage":13,"id":14,"imdb_id":15,"known_for_department":16,"name":17,"place_of_birth":18,"popularity":19,"profile_path":20,"combined_credits":21,"images":892},false,[6,7,8],"Уэсли Рагглз","Веслі Рагглз","Веслі Раґґлз","Wesley Ruggles (June 11, 1889 – January 8, 1972) was an American film director.\n\nHe was born in Los Angeles, a younger brother of actor Charles Ruggles. He began his career in 1915 as an actor, appearing in a dozen or so silent films, on occasion with Charles Chaplin.\n\nIn 1917, he turned his attention to directing, making more than 50 mostly forgettable films — including a silent film version of Edith Wharton's novel The Age of Innocence (1924) — before he won acclaim with Cimarron in 1931. The adaptation of Edna Ferber's novel Cimarron, about homesteaders settling in the prairies of Oklahoma, was the first Western to win an Academy Award as Best Picture.\n\nAlthough Ruggles followed this success with the light comedy No Man of Her Own (1932) with Clark Gable and Carole Lombard, the comedy I'm No Angel (1933) with Mae West and Cary Grant , College Humor (1933) with Bing Crosby, and Bolero (1934) with George Raft and Carole Lombard, few of his later films were in any way memorable (an exception is Arizona).\n\nHis career was on the downslide when he teamed with the Rank Organisation in 1946 to produce and direct London Town with Sid Field and Petula Clark, based on a story he wrote. The film — British cinema's first attempt at a Technicolor musical extravaganza — is notable as being one of the biggest critical and commercial failures in that country's film history. Ironically, Ruggles had been hired to helm it because as an American, it was thought, he was better equipped to handle a musical — despite the fact that nothing in his past had prepared him to work in the genre. It was his last film. 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\"Carmen\"",1.1003,"\u002FioeCP1UhrBJBNnsceLvhg7GrKC1.jpg","1951-03-01","603ff58766ae4d006f5a89d1",9,[235,245,255,266,279,291,303,316,326,331,341,349,361,364,375,385,394,403,413,424,434,443,452,460,469,478,488,498,507,517,525,533,542,551,561,570,578,581,588,596,601,604,613,621,624,627,636,639,647,650,660,670,673,682,685,694,701,708,715,719,728,737,747,756,766,777,780,784,794,797,800,809,817,825,834,844,852,861,869,877,885],{"adult":4,"backdrop_path":236,"genre_ids":237,"id":238,"title":239,"original_language":29,"original_title":239,"overview":104,"popularity":240,"poster_path":241,"release_date":242,"softcore":4,"video":4,"vote_average":108,"vote_count":120,"credit_id":243,"department":16,"job":244,"media_type":40},"\u002F6lN5P33wIAgRfsbxwmvqhr2ebzQ.jpg",[26],941888,"Sooner or 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Vencedor do Oscar de Melhor Filme, foi o primeiro do gênero faroeste a conseguir tal proeza (fato que só se repetiu mais duas vezes, com Dança com Lobos e Os Imperdoáveis). Faturou ainda as estatuetas de Melhor Direção de Arte e Melhor Roteiro Adaptado.",2.3656,"\u002Fcqvfhi9s1VsTgXcV1B7vX0Cb1qA.jpg","1931-01-26",5.525,161,"52fe461fc3a36847f80edf09",{"adult":4,"backdrop_path":304,"genre_ids":305,"id":307,"title":308,"original_language":29,"original_title":309,"overview":310,"popularity":311,"poster_path":312,"release_date":313,"softcore":4,"video":4,"vote_average":119,"vote_count":314,"credit_id":315,"department":16,"job":244,"media_type":40},"\u002FjqoM8WlI5inX2XKtX8yHcPOj4J8.jpg",[248,148,306],10752,65553,"Ainda Serás Minha","Somewhere I'll Find You","Os irmãos Jonny (Clark Gable) e Junior (Robert Sterling) se apaixonam pela mesma garota (Paula Lane), uma jornalista, durante a Segunda Guerra Mundial. 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