[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F18227:{\"language\":\"pt-BR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":7,"birthday":8,"deathday":9,"gender":10,"homepage":11,"id":12,"imdb_id":13,"known_for_department":14,"name":15,"place_of_birth":16,"popularity":17,"profile_path":18,"combined_credits":19,"images":645},false,[6],"안느 비아젬스키","Princess Anne Wiazemsky (14 May 1947 - 5 October 2017) was a French actress, of the Russian Rurikid family of Princes Vyazemsky-Counts Levashov. Through her mother, she is the granddaughter of François Mauriac. She appeared in Robert Bresson's Au hasard Balthazar (1966) and in Godard's films La Chinoise (1967) and Week End (1967). She was married to Jean-Luc Godard between 1967 and 1979; they divorced.\n\nWiazemsky is also an author. She has written several novels: Canines (1993), Une Poignée de Gens, Aux Quatre Coins du Monde and Hymnes à l’Amour (1996). The 2003 film All the Fine Promises, directed by Jean-Paul Civeyrac and starring Valérie Crunchant and Bulle Ogier, is based on Hymnes à l'Amour. Her 2007 novel, Jeune Fille, is based on her experience starring in Au hasard Balthazar at the age of 18.\n\nDescription above from the Wikipedia article Anne Wiazemsky, licensed under CC-BY-SA, full list of contributors on Wikipedia.","1947-05-14","2017-10-05",1,null,18227,"nm0926723","Acting","Anne Wiazemsky","Berlin, West Germany",1.2517,"\u002F1YF6xvQQXHgED5vJKSFKTTis7Y6.jpg",{"cast":20,"crew":590},[21,40,56,70,84,100,114,129,138,152,162,177,190,204,217,230,243,252,263,275,285,295,306,319,332,345,357,371,379,387,396,406,415,426,436,445,455,463,472,481,492,503,511,521,530,539,548,556,571,581],{"adult":4,"backdrop_path":22,"genre_ids":23,"id":26,"title":27,"original_language":28,"original_title":29,"overview":30,"popularity":31,"poster_path":32,"release_date":33,"softcore":4,"video":4,"vote_average":34,"vote_count":35,"character":36,"credit_id":37,"order":38,"media_type":39},"\u002F5xKuOSej5ZmcDzrXIg6gqHask3o.jpg",[24,25],18,35,1629,"A Chinesa","fr","La Chinoise","Paris, 1967. Desiludidos com o estilo de vida suburbano, um grupo de estudantes de classe média, liderados por Guillaume e Véronique, forma uma pequena célula maoísta e planeja mudar o mundo a qualquer custo. Após estudarem o crescimento do comunismo na China, os estudantes decidem que devem usar o terrorismo e a violência para desencadear sua própria revolução. O diretor Jean-Luc Godard, cuja defesa do maoísmo beirava a embriaguez, enfureceu muitos críticos tradicionalistas com esta sátira de ritmo acelerado.",3.4199,"\u002F1c0Ufgm1vChuv8ElCc2IeeedWy9.jpg","1967-08-30",6.956,250,"Véronique","52fe4306c3a36847f8034b27",0,"movie",{"adult":4,"backdrop_path":41,"genre_ids":42,"id":44,"title":45,"original_language":28,"original_title":46,"overview":47,"popularity":48,"poster_path":49,"release_date":50,"softcore":4,"video":4,"vote_average":51,"vote_count":52,"character":53,"credit_id":54,"order":55,"media_type":39},"\u002F4Hf1rFXDyk1ggqPUsuwnQEoxw7f.jpg",[24,43],36,3475,"O Último Trem","Le Train","Maio de 1940 - A Alemanha invade a Europa, as pessoas estão em pânico e tentam fugir por todos os meios possíveis. Na França, Julien, um técnico em conserto de rádio, embarca num trem com sua esposa e filho. Os homens são colocados em vagões de gado e apenas as mulheres e idosos podem embarcar nos vagões de passageiros. Os eventos começam a mudar de forma decisiva quando o insignificante técnico encontra uma fugitiva atraente e o amor começa - um amor condenado.",2.4362,"\u002Fo55Dv4Fs3oqfXgjPPU81m6TAVko.jpg","1973-10-31",6.6,78,"Anna Maroyeur","52fe4395c3a36847f805f555",6,{"adult":4,"backdrop_path":57,"genre_ids":58,"id":59,"title":60,"original_language":28,"original_title":60,"overview":61,"popularity":62,"poster_path":63,"release_date":64,"softcore":4,"video":4,"vote_average":65,"vote_count":66,"character":67,"credit_id":68,"order":69,"media_type":39},"\u002F57yyfvKRSGvi2gOsUQccqN4kE66.jpg",[24],4739,"Raphaël ou le débauché","",1.5263,"\u002FePBqrd3iEApV2EnjGPfEBVoKPhb.jpg","1971-04-02",6.1,25,"Diane","52fe43d7c3a36847f8073807",4,{"adult":4,"backdrop_path":71,"genre_ids":72,"id":73,"title":74,"original_language":28,"original_title":75,"overview":76,"popularity":77,"poster_path":78,"release_date":79,"softcore":4,"video":4,"vote_average":80,"vote_count":81,"character":82,"credit_id":83,"order":38,"media_type":39},"\u002F7LPz7NEYtLXcV44j0kRLLkZ54yH.jpg",[24],20108,"A Grande Testemunha","Au hasard Balthazar","Uma obra de enorme cariz simbólico, onde a concepção humana e espiritual das personagens, virtudes, receios e defeitos, é encompassada pelo olhar e presença de um burro, de seu nome Balthazar, que surge quase como uma figura de matriz religiosa. Não é um burro qualquer. No circo descobrem-lhe qualidades extraordinárias, como uma inteligência rara que lhe permite resolver difíceis operações de multiplicar. Intemporal, pela reflexão que provoca e pela universalidade que evoca.",5.4776,"\u002Fg4H2oJ4AYswQMeXtgOpP2pStQRm.jpg","1966-05-25",7.5,533,"Marie","52fe43d7c3a368484e001509",{"adult":4,"backdrop_path":85,"genre_ids":86,"id":88,"title":89,"original_language":90,"original_title":89,"overview":91,"popularity":92,"poster_path":93,"release_date":94,"softcore":4,"video":4,"vote_average":95,"vote_count":96,"character":97,"credit_id":98,"order":99,"media_type":39},"\u002F7o5uc27hJD4L95ZnJO9CR5iHdfQ.jpg",[87,24],9648,5335,"Teorema","it","Em Milão a vida de uma rica família burguesa é totalmente modificada por um misterioso visitante, que seduz a empregada, o filho, a mãe, a filha e finalmente o pai. Além disto, tem um contato intelectual com todos eles, convencendo-os da futilidade da existência, e após cumprir seu objetivo parte em poucos dias. Após sua ida ninguém da família consegue continuar vivendo da mesma forma.",3.9557,"\u002Fc0W9eFpHFUnwJkpW95bGoe5hilS.jpg","1968-09-07",6.976,464,"Odetta, the Daughter","52fe4403c3a36847f807d369",3,{"adult":4,"backdrop_path":101,"genre_ids":102,"id":103,"title":104,"original_language":28,"original_title":105,"overview":106,"popularity":107,"poster_path":108,"release_date":109,"softcore":4,"video":4,"vote_average":51,"vote_count":110,"character":111,"credit_id":112,"order":113,"media_type":39},"\u002FuRElXqD7Dv4KypsnS1OReQS7iFO.jpg",[24],8071,"Tudo Vai Bem","Tout va bien","Godard examina a estrutura de filmes, relacionamentos e revoluções através da vida de um casal em Paris. Jean-Luc Godard disseca a estrutura da sociedade, de filmes, do amor e da revolução. Ele faz perguntas convincentes: O amor pode sobreviver a um relacionamento? A ideologia pode sobreviver a revolução? Ele também analisa as manifestações dos estudantes franceses na década de 1960, com um olhar crítico, e acaba satirizando visões contemporâneas da história. Uma bateria de pensamentos completos com uma crítica da sociedade moderna e dos filmes.",1.75,"\u002FcCaVG0ivzywWapKnrQBElBoUxbs.jpg","1972-04-28",77,"Leftist Woman","52fe4491c3a36847f809d6b9",10,{"adult":4,"backdrop_path":115,"genre_ids":116,"id":117,"title":118,"original_language":28,"original_title":119,"overview":120,"popularity":121,"poster_path":122,"release_date":123,"softcore":4,"video":4,"vote_average":124,"vote_count":125,"character":126,"credit_id":127,"order":128,"media_type":39},"\u002FbeRcdPSD4cYcmMilMpsdrChpNGt.jpg",[25],8075,"Week-End à Francesa","Week End","Um fim de semana supostamente idílico de uma viagem para o campo se transforma em um pesadelo sem fim de engarrafamentos, revolução, canibalismo e assassinato, quando a sociedade burguesa francesa começa a desmoronar sob o peso de suas próprias preocupações como consumidores.",3.1045,"\u002F9rWjb4ROTS1662MRWm5L8RnBpLH.jpg","1967-12-29",6.9,318,"Une Fille à la Ferme (uncredited)","52fe4491c3a36847f809d7ff",24,{"adult":4,"backdrop_path":11,"genre_ids":130,"id":131,"title":132,"original_language":133,"original_title":132,"overview":61,"popularity":134,"poster_path":11,"release_date":135,"softcore":4,"video":4,"vote_average":136,"vote_count":10,"character":36,"credit_id":137,"order":10,"media_type":39},[24],12215,"La Passion","en",0.6643,"1978-03-23",7,"52fe44cb9251416c750412a7",{"adult":4,"backdrop_path":139,"genre_ids":140,"id":142,"title":143,"original_language":28,"original_title":144,"overview":61,"popularity":145,"poster_path":146,"release_date":147,"softcore":4,"video":4,"vote_average":148,"vote_count":149,"character":150,"credit_id":151,"order":136,"media_type":39},"\u002FoQWHso793x78CPSYyg52Jpwecp6.jpg",[24,141],10749,34093,"O Encontro","Rendez-vous",2.1518,"\u002FoO6gQivth4pukkopP0mIplfd0Go.jpg","1985-05-15",5.6,84,"Administrator","52fe45529251416c9102e6fb",{"adult":4,"backdrop_path":11,"genre_ids":153,"id":154,"title":155,"original_language":28,"original_title":155,"overview":61,"popularity":156,"poster_path":157,"release_date":158,"softcore":4,"video":4,"vote_average":136,"vote_count":159,"character":160,"credit_id":161,"order":38,"media_type":39},[25,24],63745,"Qui trop embrasse...",1.0346,"\u002Fj3OgUIFm52GnRULRs3dtZkDmZoT.jpg","1986-06-11",2,"Nathalie","52fe46b9c3a368484e0a0605",{"adult":4,"backdrop_path":163,"genre_ids":164,"id":166,"title":167,"original_language":28,"original_title":168,"overview":169,"popularity":170,"poster_path":171,"release_date":172,"softcore":4,"video":4,"vote_average":148,"vote_count":173,"character":174,"credit_id":175,"order":176,"media_type":39},"\u002FkcDyzBiXrcpLaVpFVGvRgT7gcxk.jpg",[165],99,1005409,"Godard Cinema","Godard, seul le cinéma","Jean-Luc Godard é o cinema, sua quintessência. Ao longo de sua carreira, ele dirigiu mais de 140 filmes. Nós o odiamos tanto quando o adoramos. De onde vem essa aura? De filmes lendários, mas também de Godard ele mesmo. Ele é tanto uma figura pública como um homem rodeado de mistérios. Esse retrato quer nos levar além dos clichês de um mito que às vezes se torna caricatural para encontrar um homem mais sentimental do que parece, um homem que vive sua arte, e às vezes é superado por ela. Porque, sim, Godard é humano. Não só uma máquina que pensa e cria imagens. Ele é carne, sangue, emoções.",1.5848,"\u002Fcz5DGkSyAfoe31AY5yV855Lx2zR.jpg","2023-06-05",14,"Self (archive footage)","643a2476e8d0b404c99dfec8",22,{"adult":4,"backdrop_path":178,"genre_ids":179,"id":180,"title":181,"original_language":90,"original_title":182,"overview":183,"popularity":184,"poster_path":185,"release_date":186,"softcore":4,"video":4,"vote_average":136,"vote_count":187,"character":188,"credit_id":189,"order":69,"media_type":39},"\u002Fe1o66REVW5T3JY0N7mHAaoFr7D5.jpg",[24],48688,"Pocilga","Porcile","A história de um canibal em um páramo medieval está entrelaçada com a do filho de um ex-industrial nazista na Alemanha moderna. O jovem alemão, que se sente mais atraído por porcos do que por sua noiva, e o canibal se tornam vítimas sacrificiais de suas diferentes sociedades.",2.4211,"\u002Fl169d2VYu0xVXvUNf4GzVA1i9TA.jpg","1969-09-02",168,"Ida","52fe4770c3a36847f8135b93",{"adult":4,"backdrop_path":191,"genre_ids":192,"id":194,"title":195,"original_language":133,"original_title":195,"overview":61,"popularity":196,"poster_path":197,"release_date":198,"softcore":4,"video":4,"vote_average":199,"vote_count":200,"character":201,"credit_id":202,"order":203,"media_type":39},"\u002FeNKqAIKKyCT2RNeoGEYflUb7p9w.jpg",[165,193],10402,50789,"Sympathy for the Devil",2.3217,"\u002FwxfNcj87BORjRYYKhY1jGMnVPLo.jpg","1968-12-01",6.3,68,"Eve Democracy","52fe47d7c3a36847f814b161",5,{"adult":4,"backdrop_path":205,"genre_ids":206,"id":207,"title":208,"original_language":28,"original_title":209,"overview":210,"popularity":211,"poster_path":212,"release_date":213,"softcore":4,"video":4,"vote_average":51,"vote_count":214,"character":215,"credit_id":216,"order":136,"media_type":39},"\u002F3fQDbggJOWl1rE6ehQWFJ4hphFz.jpg",[24],89494,"Vladimir e Rosa","Vladimir et Rosa","Interpretação livre do julgamento dos Oito de Chicago, onde o Juiz Hoffman se torna o Juiz Himmler (que faz anotações em páginas de revistas Playboy), os réus se tornam um microcosmo da Revolução Francesa, e Godard e Gorin interpretam Lenin e Karl Rosa, respectivamente, discutindo política e cinema.",1.5486,"\u002F7E0HZylp5wjiWlOtFez9O7XKT62.jpg","1971-04-16",17,"Ann \u002F Women's Liberation Militant (uncredited)","52fe4a1c9251416c910c39fd",{"adult":4,"backdrop_path":218,"genre_ids":219,"id":221,"title":222,"original_language":90,"original_title":222,"overview":61,"popularity":223,"poster_path":224,"release_date":225,"softcore":4,"video":4,"vote_average":226,"vote_count":227,"character":228,"credit_id":229,"order":38,"media_type":39},"\u002F8DvcYl10r4NXnEWOT6OJZksAird.jpg",[24,220,141],878,108179,"Il seme dell'uomo",1.7755,"\u002F8ujurVDzbiTukRu4edPsyz6u7pE.jpg","1969-09-27",6.4,28,"Dora","52fe4a91c3a36847f81d58bf",{"adult":4,"backdrop_path":231,"genre_ids":232,"id":233,"title":234,"original_language":28,"original_title":235,"overview":61,"popularity":236,"poster_path":237,"release_date":238,"softcore":4,"video":4,"vote_average":239,"vote_count":240,"character":241,"credit_id":242,"order":38,"media_type":39},"\u002FdaKEkAHiLt3Yt09ypkUk7kBrNQw.jpg",[141,24],123817,"A Criança Secreta","L'Enfant secret",1.351,"\u002F82TwNIy6Tsk5lfJw5wmhtSkdCqS.jpg","1979-02-20",6.8,29,"Elie","52fe4a9ec3a368484e15dc2b",{"adult":4,"backdrop_path":11,"genre_ids":244,"id":246,"title":247,"original_language":90,"original_title":247,"overview":61,"popularity":248,"poster_path":249,"release_date":250,"softcore":4,"video":4,"vote_average":136,"vote_count":10,"character":61,"credit_id":251,"order":10,"media_type":39},[245],10770,764116,"L'inchiesta",0.7648,"\u002Fa78xWrb3NvchpjG3kkik5GnjgJq.jpg","1971-11-04","64bba66fac6c7908dcbef165",{"adult":4,"backdrop_path":253,"genre_ids":254,"id":255,"title":256,"original_language":28,"original_title":256,"overview":61,"popularity":257,"poster_path":258,"release_date":259,"softcore":4,"video":4,"vote_average":199,"vote_count":260,"character":261,"credit_id":262,"order":99,"media_type":39},"\u002FbwV9X1fN4C4m0cOdpbCHgKnD2r5.jpg",[24],134252,"Le Retour d’Afrique",1.9395,"\u002FxLAcFvEJTVTBXcLkmAjEGyAxAPv.jpg","1973-03-23",15,"Anne","52fe4bc9c3a368484e199287",{"adult":4,"backdrop_path":264,"genre_ids":265,"id":266,"title":267,"original_language":28,"original_title":267,"overview":61,"popularity":268,"poster_path":269,"release_date":270,"softcore":4,"video":4,"vote_average":271,"vote_count":272,"character":273,"credit_id":274,"order":38,"media_type":39},"\u002Fqi7bQOzftLlwilkE9oAQIxhyVDQ.jpg",[141,24],162329,"Elle a passé tant d'heures sous les sunlights...",1.1533,"\u002F6qk5ft0qdvTCblzwz16wCztFYDJ.jpg","1985-10-09",7.3,9,"Christa","52fe4c58c3a36847f82298a1",{"adult":4,"backdrop_path":276,"genre_ids":277,"id":278,"title":279,"original_language":28,"original_title":279,"overview":61,"popularity":280,"poster_path":281,"release_date":282,"softcore":4,"video":4,"vote_average":283,"vote_count":203,"character":174,"credit_id":284,"order":272,"media_type":39},"\u002F51uIx1VkBwsNVWsJetqE7cA1Vav.jpg",[165],1122965,"Godard par 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Bande à Bonnot",1.4801,"\u002FiMz9dMCOO3sXpqnhs79IPtqsbmL.jpg","1968-11-01",5.1,19,"La Vénus rouge","53773c78c3a368554200139d",{"adult":4,"backdrop_path":320,"genre_ids":321,"id":322,"title":323,"original_language":90,"original_title":324,"overview":61,"popularity":325,"poster_path":326,"release_date":327,"softcore":4,"video":4,"vote_average":328,"vote_count":329,"character":330,"credit_id":331,"order":99,"media_type":39},"\u002FdjUVyhJMN4BMwutDiz2GBMb5god.jpg",[24],293425,"As Lutas Ideológicas na Itália","Lotte in Italia",1.2678,"\u002FkRDaeYWLeNP8NXxgisDfY4Y73qy.jpg","1971-04-29",7.1,23,"Store Clerk (uncredited)","541a4844c3a36851100012c0",{"adult":4,"backdrop_path":333,"genre_ids":334,"id":335,"title":336,"original_language":28,"original_title":337,"overview":338,"popularity":339,"poster_path":340,"release_date":341,"softcore":4,"video":4,"vote_average":342,"vote_count":329,"character":343,"credit_id":344,"order":173,"media_type":39},"\u002F81PclDdHaLfpZbKFDsPJr7tsX27.jpg",[165],311267,"Seja Bela e Cale a Boca!","Sois belle et tais-toi !","Em 1976, Delphine Seyrig perguntou a 24 atrizes francesas e americanas sobre suas experiências profissionais enquanto mulheres, seus papéis e relações com os diretores. 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