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Her family moved west and she attended Hollywood High School, later studying at UCLA. Blessed with a gorgeous musical instrument, and an adept piano player as well, Shirley went on to sing with Gus Arnheim's band on the west coast, appearing at all the swanky clubs of the day, including the Beverly Wilshire Hotel, while making a decent name for herself on radio. She also appeared in a west coast production of \"Anything Goes\".\n\nMGM initially scooped her up, making her unbilled debut in the Jean Harlow starrer Blonde Bombshell (1933). She continued on just as obscurely in the films Hollywood Party (1934), Manhattan Melodrama (1934), The Girl from Missouri (1934), The Merry Widow (1934), and Age of Indiscretion (1935), but was finally promoted to a minor featured role in the classic earthquake epic San Francisco (1936) with Clark Gable and Jeanette MacDonald, in which Shirley sang \"Happy New Year\".\n\nIn 1936, she found more visible work over at Paramount and spent the next few years there paired up vocally and romantically with either Bing Crosby or Bob Hope in their popular vehicles - The Big Broadcast of 1937 (1936), Waikiki Wedding (1937), Thanks for the Memory (1938), Paris Honeymoon (1939), and Some Like It  Hot (1939). Though most were trifling, insignificant time fillers, she was a diverting beauty and quite serviceable in them. She was even given the chance to topline a few of her own movies such as Prison Farm (1938), Sailors on Leave (1941), and A Song for Miss Julie (1945), which was her swan song.\n\nAfter leaving pictures, Shirley Ross was little heard or seen. Married first to agent John Kenneth 'Ken' Dolan, then to Everett S. 'Eddie' Blum, she had three children - two sons and a daughter. 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