[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F1446517:{\"language\":\"pt-BR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":8,"birthday":9,"deathday":10,"gender":11,"homepage":12,"id":13,"imdb_id":14,"known_for_department":15,"name":16,"place_of_birth":17,"popularity":18,"profile_path":19,"combined_credits":20,"images":106},false,[6,7]," طه الأميري","Abderrahmane Bestandji","Taha El-Amiri, whose real name is Abderrahmane Bestandji, is an actor and director of the Algerian national theater, born on August 20, 1927, in the popular district of Casbah, in the heights of Algiers. Committed actor and activist within the Algerian People's Party (PPA).\n\nHe learned dramaturgy, under the guidance of Mahiedine Bechtarzi, the founding father of Algerian theater, alongside his companion Habib Redha, the martyr Majid Redha, the actress Kelthoum and the actor Hassane El Hassani. His pseudonym Taha El-Amiri, was attributed an artistic basis, since beginning artists used to choose their nicknames. Taha El Amiri began his artistic career in 1947 and in the following years, he distinguished himself in several roles such as Othello, Saladin El Ayoubi, El Khalidoune and other plays. He met Doctor Sholy, as he suffered the pangs of French censorship, at a time when the pronunciation of the word \"freedom\" was synonymous with the banning of any theatrical presentation. Al-Amiri was one of the founders of the FLN artistic troupe, first establishing ties with Mustafa Kateb, then joining Abdelhalim Rais, Ahmed Wahbi and Hassan Chafei in Tunis. The presentation of the play El Khalidoune (The Eternals) in which he participated in Fes (Morocco) had long irritated the French governor who also threatened the Algerian troupe, which moreover continued to inform international public opinion on the Algerian question (the mother question) and to convey the message of the glorious revolution.\n\nAfter independence, Taha El-Amiri joined the Algerian National Theater, where he played in several plays, before retiring to take part in the theater troupe of the radio that he founded at the request of the writer Abdelhamid Benhedouga. This troupe was directed by Habib Redha. Taha El-Amiri will officiate as an actor, director and production manager, while continuing to present three plays per week (two in Darija, one in classical Arabic), until 1913, before returning again to the Algerian National Theater as general director, replacing Mustafa Kateb during the years 1972, 1973, 1974. He will then be transferred to Algerian television to finally retire after a rich artistic career.\n\nTaha El-Amiri said \"I did not remember my birthday, but I rather remembered the days before and after. I do not know why, but it was only after the events of August 20, 1956 that I managed to remember him, against my will, because he was associated with the sacrifices of my compatriots. Taha El-Amiri was praised by the dean of Algerian theater Mahieddine Bachtarzi in his memoirs, he classified the trio, Mustafa Kateb, Abdelkader Alloula, and Taha El-Amiri in the same lineage.\n\nTaha El-Amiri died on September 3, 2024, he is buried in the cemetery of Sidi M'Hamed in Algiers.","1927-08-20","2024-09-03",2,"https:\u002F\u002Fmubi.com\u002Ffr\u002Fcast\u002Ftaha-el-amiri",1446517,"nm5102623","Acting","Taha El-Amiri","Algiers, Algeria",0.4915,"\u002Fh9c699l34vMtsL87PaNiK0eHsFj.jpg",{"cast":21,"crew":105},[22,40,50,60,70,81,95],{"adult":4,"backdrop_path":23,"genre_ids":24,"id":28,"title":29,"original_language":30,"original_title":29,"overview":31,"popularity":32,"poster_path":33,"release_date":34,"softcore":4,"video":4,"vote_average":35,"vote_count":36,"character":31,"credit_id":37,"order":38,"media_type":39},"\u002F1Eigrhqlfo8joBEetDW6QCjrBd9.jpg",[25,26,27],18,36,10752,331879,"La Nuit a Peur du Soleil","ar","",1.0406,"\u002F8KPOv1vjR8qUi6Ho0kRT8aA7CFR.jpg","1965-01-02",10,1,"62260b9dbccf1e0072e5525e",3,"movie",{"adult":4,"backdrop_path":41,"genre_ids":42,"id":44,"title":45,"original_language":30,"original_title":45,"overview":31,"popularity":46,"poster_path":47,"release_date":48,"softcore":4,"video":4,"vote_average":35,"vote_count":36,"character":31,"credit_id":49,"order":38,"media_type":39},"\u002FYwsN3Vpqxrr02BeJWAdFGX7eWN.jpg",[25,43],35,285189,"Le Moulin de Monsieur Fabre",1.1152,"\u002F8tmrhzYHIFsZFWrW21YC4H8SYF0.jpg","1983-01-19","622f70122866fa001b52c46e",{"adult":4,"backdrop_path":51,"genre_ids":52,"id":53,"title":54,"original_language":30,"original_title":54,"overview":31,"popularity":55,"poster_path":56,"release_date":57,"softcore":4,"video":4,"vote_average":35,"vote_count":36,"character":58,"credit_id":59,"order":36,"media_type":39},"\u002Fq5o21IXlIQID7Gn7MYrjORbkddo.jpg",[25],329497,"Zone Interdite",1.6702,"\u002FWfj3CIV5fvtlc8IvF4wxNQrM3B.jpg","1974-01-02","El Hadj","6242fdfbc50ad2005cda8d31",{"adult":4,"backdrop_path":61,"genre_ids":62,"id":63,"title":64,"original_language":30,"original_title":64,"overview":31,"popularity":65,"poster_path":66,"release_date":67,"softcore":4,"video":4,"vote_average":35,"vote_count":36,"character":31,"credit_id":68,"order":69,"media_type":39},null,[25,27],995631,"Le Serment",0.9668,"\u002FqgbxeOg5g6ZeFzR9rqMEsd7MODH.jpg","1963-01-01","65afd8daaad9c20109047dad",0,{"adult":4,"backdrop_path":71,"genre_ids":72,"id":73,"title":74,"original_language":30,"original_title":74,"overview":31,"popularity":75,"poster_path":76,"release_date":77,"softcore":4,"video":4,"vote_average":35,"vote_count":36,"character":78,"credit_id":79,"order":80,"media_type":39},"\u002Fvb9OTyoJ0wSW6rlY5e3WtCOyNhg.jpg",[],333056,"Cri de Pierre",0.607,"\u002FtvYOV9pkOVSzL6j6n6DLLFYRjKV.jpg","1987-01-14","El Mokhtar","55167cbec3a3683485000f94",4,{"adult":4,"backdrop_path":82,"genre_ids":83,"id":84,"title":85,"original_language":30,"original_title":86,"overview":87,"popularity":88,"poster_path":89,"release_date":90,"softcore":4,"video":4,"vote_average":91,"vote_count":92,"character":31,"credit_id":93,"order":94,"media_type":39},"\u002FsBkXUnl7LAcsgTXfl3Ei5a4zEpF.jpg",[25,27,26],52555,"Crônica dos Anos de Fogo","Chronique des Années de Braise","Festival de Cinema de Cannes de 1975, Crônica dos Anos Ardentes de Mohamed Lakhdar-Hamina recebe a Palma de Ouro. Esta é a primeira vez para um filme africano. Crônica meticulosa da evolução do movimento nacional argelino desde 1939 até a eclosão da revolução em 1º de novembro de 1954, o filme demonstra inequivocamente que a “Guerra da Argélia” não é um acidente da história, mas um lento processo de revoltas e sofrimento , ininterruptamente, desde o início da colonização em 1830, até este “Dia Vermelho de Todos os Santos” de 1º de novembro de 54. Composto por seis capítulos, o filme pinta o quadro impiedoso da história política e bélica da Argélia colonial. No seu centro, Ahmed desperta gradualmente para a consciência política contra a colonização, sob o olhar do seu filho, símbolo da nova Argélia, e de Miloud, arenga meio louco, meio profeta, encarnação da memória popular da revolta, da libertação da Argélia e do seu povo.",1.4724,"\u002FrMIDJSkgX2A40jNRluXxExYeomo.jpg","1975-11-26",6.6,30,"66d88e8a84daacebf118276c",13,{"adult":4,"backdrop_path":96,"genre_ids":97,"id":98,"title":99,"original_language":30,"original_title":99,"overview":31,"popularity":100,"poster_path":101,"release_date":102,"softcore":4,"video":4,"vote_average":35,"vote_count":36,"character":103,"credit_id":104,"order":38,"media_type":39},"\u002FsxycGVO8kWtWykrPG4mqUZhBwZ3.jpg",[25,26],946762,"Si Mohand u M'hand, l'insoumis",1.0146,"\u002Feu87hFYTnlZzQt9O8c13CeRu4Ei.jpg","2008-09-10","Cheikh Aheddad","66d89bff31172c4469bd83aa",[],{"profiles":107},[108,113],{"aspect_ratio":109,"height":110,"iso_3166_1":61,"iso_639_1":61,"file_path":19,"vote_average":111,"vote_count":69,"width":112},0.667,1920,5.238,1280,{"aspect_ratio":109,"height":110,"iso_3166_1":61,"iso_639_1":61,"file_path":114,"vote_average":115,"vote_count":36,"width":112},"\u002FgkoAcd6hfLESB7RfnpPIhQhkmKy.jpg",3.334]