[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F14246:{\"language\":\"pt-BR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":8,"birthday":9,"deathday":10,"gender":11,"homepage":12,"id":13,"imdb_id":14,"known_for_department":15,"name":16,"place_of_birth":17,"popularity":18,"profile_path":19,"combined_credits":20,"images":1647},false,[6,7],"Abraham Hosseinoff","Робер Оссейн","Robert Hossein was a French film actor of Parsi origin, director and writer. He directed the 1982 adaption of Les Misérables, and appeared in Vice and Virtue, Le Casse, Les Uns et les Autres and Venus Beauty Institute. His most recent roles include starring as Michèle Mercier's husband in the Angélique series and as a Catholic priest who falls in love with Claude Jade and becomes a communist in Prêtres interdits (Forbidden Priests) in 1973.\n\nHossein started directing films in 1956 with Les salauds vont en enfer from a story by Frédéric Dard whose novels and plays went on to furnish Hossein with much of his later film material. Right from the start Hossein established his characteristic trademarks: using a seemingly straightforward suspense plot and subverting its conventions (sometimes to the extent of a complete disregard of the traditional demand for a final twist or revelation) in order to concentrate on ritualistic relationships. This is the director's running preoccupation which is always stressed in his films by an extraordinary command of film space and often striking frame compositions where the geometry of human figures and set design is used to accentuate the psychological set-up of the scene. The mechanisms of guilt and the way it destroys relationships is another recurring theme, presumably influenced by Hossein's lifelong interest in the works of Dostoyevski.\n\nAlthough Hossein had some modest international successes with films like Toi, le venin and Le vampire de Dusseldorf, he was much singled out for scorching criticism by the critics and followers of the New Wave for the unashamedly melodramatic frameworks of his films. The fact that he was essentially an auteur director with a consistent set of themes and an extraordinary mastery of original and unusual approaches to staging his stories, was never appreciated. He was not averse to trying his hand at widely different genres and was never defeated, making the strikingly different spaghetti western Une corde, un Colt and the low-budgeted but daringly subversive period drama J'ai tué Raspoutine. However, because of the lack of wider success and continuing adverse criticism, Hossein virtually ended his film directing career in 1970, having concentrated on theatre where his achievements were never questioned, and subsequently returning to film directing only twice. With two or three exceptions, his films remain commercially unavailable and very difficult to see.\n\nHe is the son of André Hossein a Zoroastrian French composer of Azerbaijani-Tajik descent, and a Jewish comedy actress from Kiev. He was married three times: first to Marina Vlady (he has two sons with her, Pierre and Igor), later to Caroline Eliacheff (with whom he has a son, Nicholas). He is currently married to actress Candice Patou, with whom he has one son, Julien.\n\nAccording to an article written by Emannuel Peze, Hossein experienced a conversion to Catholicism in 1971 during a visit to the Marian apparition at San Damiano in Lombardo Italy.\n\nDescription above from the Wikipedia article Robert Hossein, licensed under CC-BY-SA, full list of contributors on Wikipedia.","1927-12-30","2020-12-31",2,null,14246,"nm0396136","Acting","Robert Hossein","Paris, France",1.7106,"\u002FbbwKyCKB3QRHwL3ErMFS6kUEsFb.jpg",{"cast":21,"crew":1487},[22,42,59,74,89,105,116,131,143,156,168,182,196,208,219,231,242,255,266,280,291,302,312,322,331,344,357,368,380,392,400,412,423,437,449,459,470,482,492,503,514,526,536,546,556,567,577,589,600,611,619,629,640,652,663,673,682,693,703,713,723,733,745,756,768,777,787,799,809,819,829,840,850,861,871,881,890,902,911,921,931,944,952,961,972,979,989,1001,1011,1019,1029,1039,1047,1056,1065,1074,1083,1091,1102,1112,1122,1132,1142,1150,1159,1168,1177,1187,1198,1208,1217,1225,1235,1243,1251,1262,1277,1291,1303,1315,1328,1338,1350,1356,1367,1379,1392,1403,1414,1426,1437,1446,1456,1467,1478],{"adult":4,"backdrop_path":23,"genre_ids":24,"id":28,"title":29,"original_language":30,"original_title":31,"overview":32,"popularity":33,"poster_path":34,"release_date":35,"softcore":4,"video":4,"vote_average":36,"vote_count":37,"character":38,"credit_id":39,"order":40,"media_type":41},"\u002FcVPBT3FqKG3BPXlH4Hg54KHxnqQ.jpg",[25,26,27],80,53,18,934,"Rififi","fr","Du rififi chez les hommes","Após cumprir cinco anos de prisão, o ladrão de joias Tony recusa um trabalho rápido oferecido por seu amigo Jo, até descobrir que sua ex-namorada, Mado, se tornou amante do gangster local Pierre Grutter durante sua ausência. Transformando um pequeno furto em um roubo de joias em grande escala, Tony e sua equipe aparentemente saem ilesos, mas suas ações após a conclusão do crime ameaçam a vida de todos os envolvidos.",3.5041,"\u002FkVgmhA1eB0FlI4EctM7PWUoFj95.jpg","1955-04-13",7.784,661,"Rémi Grutter","52fe4290c3a36847f8028733",5,"movie",{"adult":4,"backdrop_path":43,"genre_ids":44,"id":47,"title":48,"original_language":30,"original_title":49,"overview":50,"popularity":51,"poster_path":52,"release_date":53,"softcore":4,"video":4,"vote_average":54,"vote_count":55,"character":56,"credit_id":57,"order":58,"media_type":41},"\u002FvW3zPkA9OdSr2UvDfa4b0UGc1Id.jpg",[45,46,26],28,12,1672,"O Profissional","Le Professionnel","O agente do serviço secreto francês Josselin Beaumont é enviado para derrubar o senhor da guerra africano N'Jala. Mas quando a sua missão é cancelada, ele fica chocado ao saber que o seu governo o está entregando às autoridades locais. Ele é submetido a um julgamento simulado e condenado a 20 anos de trabalhos forçados. Mas Beaumont escapa da prisão e jura não só vingar-se dos seus traidores, mas também terminar a sua missão original.",6.3968,"\u002F8X8yuGB7BH2eHuUqVNjbDZAFVNB.jpg","1981-10-21",7.192,621,"Commissaire Rosen","52fe430ac3a36847f8036185",1,{"adult":4,"backdrop_path":60,"genre_ids":61,"id":62,"title":63,"original_language":30,"original_title":64,"overview":65,"popularity":66,"poster_path":67,"release_date":68,"softcore":4,"video":4,"vote_average":69,"vote_count":70,"character":71,"credit_id":72,"order":73,"media_type":41},"\u002FwpMapYu4TLVM1POawCnS8wSSVQ5.jpg",[26],10524,"A Chave do Mistério","La Disparue de Deauville","Misteriosa produção, o segundo longa-metragem da também atriz francesa Sophie Merceau na direção. Ele conta a história de um homem que, depois que é encontrado um corpo, decide investigar o que está acontecendo. Assim, ele mergulha em uma trama cheia de elementos que fazem até mesmo um elogio aos bons filmes de suspense, com direito a uma misteriosa mulher que é semelhante a uma atriz que morreu seis anos antes. As revelações vão aparecendo aos poucos e surpreendendo os espectadores.",2.4163,"\u002F4tiOkc8pqAWLZx7ed8j6yRUbtTn.jpg","2007-05-23",4.2,31,"Antoine Bérangère","52fe43809251416c75012c53",4,{"adult":4,"backdrop_path":75,"genre_ids":76,"id":78,"title":79,"original_language":30,"original_title":79,"overview":80,"popularity":81,"poster_path":82,"release_date":83,"softcore":4,"video":4,"vote_average":84,"vote_count":85,"character":86,"credit_id":87,"order":88,"media_type":41},"\u002F87kHyYy3LxSkOrEG0kQ4LkimJRl.jpg",[27,77],36,2375,"Prêtres interdits","",1.6053,"\u002Fn8zxFgZdfKwFsDQ5czFEbTYsC7o.jpg","1973-11-22",6,3,"Jean Rastaud","52fe4352c3a36847f804b875",0,{"adult":4,"backdrop_path":90,"genre_ids":91,"id":95,"title":96,"original_language":30,"original_title":96,"overview":80,"popularity":97,"poster_path":98,"release_date":99,"softcore":4,"video":4,"vote_average":100,"vote_count":101,"character":102,"credit_id":103,"order":104,"media_type":41},"\u002Fvcd37bEZ9jxef89rPksYJ3u6KqC.jpg",[92,93,94],35,10749,10402,874773,"L'amour c’est mieux que la vie",1.2617,"\u002FbTCgVKi4fSDT547R2oDTdPwgE4J.jpg","2022-01-19",5.2,23,"Robert Prat","614307dd0cd32a0027414d0b",8,{"adult":4,"backdrop_path":106,"genre_ids":107,"id":108,"title":109,"original_language":30,"original_title":109,"overview":80,"popularity":110,"poster_path":111,"release_date":112,"softcore":4,"video":4,"vote_average":113,"vote_count":40,"character":114,"credit_id":115,"order":58,"media_type":41},"\u002F6ID4xyIirncu7KRipbwpU4tHLKs.jpg",[27],3696,"Les belles au bois dormantes",1.2968,"\u002FTtCyat0VS45HXg3Z2n3XN9A2ED.jpg","1970-05-06",3.6,"Serge Belaïeff","52fe43a3c3a36847f8063c8b",{"adult":4,"backdrop_path":117,"genre_ids":118,"id":120,"title":121,"original_language":122,"original_title":123,"overview":124,"popularity":125,"poster_path":126,"release_date":127,"softcore":4,"video":4,"vote_average":128,"vote_count":25,"character":129,"credit_id":130,"order":58,"media_type":41},"\u002Fj8Hw8Jni7qQkEMyVhPY2mBQi3oN.jpg",[119],37,20361,"Cemitério sem Cruzes","it","Une corde, un Colt...","Dirigido e estrelado por Robert Houssein e escrito por Dario Argento, autor de sucessos do terror como Suspiria, Inferno, Phenomena e muitos outros. Muita ação e suspense numa história com ingredientes explosivos como sequestro e assassinato.",3.124,"\u002Fhful1NzJsh8KSL1YGZhcfB6XsNG.jpg","1969-01-25",6.4,"Manuel","52fe43e3c3a368484e004085",{"adult":4,"backdrop_path":132,"genre_ids":133,"id":134,"title":135,"original_language":30,"original_title":135,"overview":80,"popularity":136,"poster_path":137,"release_date":138,"softcore":4,"video":4,"vote_average":139,"vote_count":140,"character":141,"credit_id":142,"order":58,"media_type":41},"\u002FzN1ICWg3iMimwWJm8g05qcgolcL.jpg",[46,77,93],22183,"Angélique et le Roy",3.79,"\u002F2R57LHb4wJ2fIkVexNJtlfvlzfK.jpg","1966-01-31",6.517,144,"Jeoffrey de Peyrac","52fe4438c3a368484e0165c7",{"adult":4,"backdrop_path":144,"genre_ids":145,"id":146,"title":147,"original_language":30,"original_title":148,"overview":80,"popularity":149,"poster_path":150,"release_date":151,"softcore":4,"video":4,"vote_average":152,"vote_count":153,"character":154,"credit_id":155,"order":85,"media_type":41},"\u002FazrtZLeZCVmG0NPESATV7YOvGCF.jpg",[45,25,26],34184,"Os Ladrões","Le Casse",2.3633,"\u002FcKeJK1mbhpxuUHBh9H7mtIGeStX.jpg","1971-10-27",6.905,137,"Ralph","52fe455a9251416c9102f5a3",{"adult":4,"backdrop_path":157,"genre_ids":158,"id":159,"title":160,"original_language":30,"original_title":160,"overview":80,"popularity":161,"poster_path":162,"release_date":163,"softcore":4,"video":4,"vote_average":164,"vote_count":165,"character":166,"credit_id":167,"order":84,"media_type":41},"\u002F5bM4eG1c3hSsyb7aBpmeKzF9htS.jpg",[92,27,93],33491,"Vénus beauté (institut)",1.938,"\u002Fz0WjrIlZYAd5xXxpPel5bwLFjXa.jpg","1999-02-03",5.9,140,"L'aviateur","52fe451e9251416c910280c3",{"adult":4,"backdrop_path":169,"genre_ids":170,"id":172,"title":173,"original_language":122,"original_title":174,"overview":80,"popularity":175,"poster_path":176,"release_date":177,"softcore":4,"video":4,"vote_average":178,"vote_count":179,"character":180,"credit_id":181,"order":88,"media_type":41},"\u002F6DDaDZMrkbMvRL7CgFYfnyF8L6z.jpg",[171,26],27,28494,"Museu de Horrores","M.D.C. - Maschera di cera",1.8173,"\u002F6SPG9lWMj1UH4B7IoMHhKe3Xdfe.jpg","1997-04-04",5.645,62,"Boris Volkoff","52fe459ac3a368484e064b43",{"adult":4,"backdrop_path":183,"genre_ids":184,"id":185,"title":186,"original_language":30,"original_title":187,"overview":188,"popularity":189,"poster_path":190,"release_date":191,"softcore":4,"video":4,"vote_average":192,"vote_count":193,"character":194,"credit_id":195,"order":88,"media_type":41},"\u002FuLSQy99Tk5Ux3EeCpcvAwPs6f5H.jpg",[27,94],37335,"Retratos da Vida","Les uns et les autres","O filme acompanha quatro famílias, de diferentes nacionalidades (francesa, alemã, russa e americana), mas com a mesma paixão pela música, das décadas de 1930 a 1960. As várias linhas da história se cruzam repetidamente em diferentes lugares e épocas, com suas próprias partituras temáticas que evoluem com o passar do tempo. O principal acontecimento do filme é a Segunda Guerra Mundial, que reúne as histórias das quatro famílias musicais e mistura seus destinos. Embora todos os personagens sejam fictícios, muitos deles são vagamente baseados em ícones musicais históricos (Édith Piaf, Josephine Baker, Herbert von Karajan, Glenn Miller, Rudolf Nureyev, etc.) A sequência de dança do Boléro no final reúne todos os fios.",2.5101,"\u002FqyIJUcmWSvUGGkBtrFkoPXZ7A3U.jpg","1981-05-27",6.9,88,"Simon Meyer \u002F Robert Prat","52fe463f9251416c9104e39b",{"adult":4,"backdrop_path":197,"genre_ids":198,"id":199,"title":200,"original_language":30,"original_title":200,"overview":80,"popularity":201,"poster_path":202,"release_date":203,"softcore":4,"video":4,"vote_average":204,"vote_count":205,"character":206,"credit_id":207,"order":73,"media_type":41},"\u002Fd3rGwVP3bNp7TF5wHa07gFPN8ry.jpg",[27],60967,"Crime et châtiment",1.4891,"\u002F9o8xS4WdtqT1oVMwBjMujCSqo4U.jpg","1956-12-04",7,16,"René Brunel","52fe463fc3a368484e0862e5",{"adult":4,"backdrop_path":209,"genre_ids":210,"id":211,"title":212,"original_language":30,"original_title":212,"overview":80,"popularity":213,"poster_path":214,"release_date":215,"softcore":4,"video":4,"vote_average":128,"vote_count":216,"character":217,"credit_id":218,"order":58,"media_type":41},"\u002FwthhvdweznzC1hKWaQtxlTfgJOv.jpg",[46,93,77],44446,"Angélique et le Sultan",3.6636,"\u002FimLpWbHs01MrKnIRte5P5NQ7dsn.jpg","1968-03-13",125,"Joffrey de Peyrac \"Le Rescator\"","52fe4689c3a36847f8104673",{"adult":4,"backdrop_path":220,"genre_ids":221,"id":222,"title":223,"original_language":30,"original_title":223,"overview":80,"popularity":224,"poster_path":225,"release_date":226,"softcore":4,"video":4,"vote_average":227,"vote_count":228,"character":229,"credit_id":230,"order":58,"media_type":41},"\u002FbiJ3xEAZSOuAlqiBu2rEDTgOJpd.jpg",[46,93,77],44448,"Indomptable Angélique",3.1187,"\u002Fq5ARDW8q5itJ0pZRt7GeBKbPXsA.jpg","1967-10-21",6.547,118,"Joffrey de Peyrac, 'Le Rescator'","52fe4689c3a36847f810468b",{"adult":4,"backdrop_path":232,"genre_ids":233,"id":234,"title":235,"original_language":30,"original_title":235,"overview":80,"popularity":236,"poster_path":237,"release_date":238,"softcore":4,"video":4,"vote_average":239,"vote_count":240,"character":141,"credit_id":241,"order":58,"media_type":41},"\u002Fvp4vAcBbIg9ftcz52mWMGWnFSMY.jpg",[46,93,77],44450,"Angélique, marquise des anges",4.9279,"\u002FenzkXSUTyQlIP6pfseHIS19AuPf.jpg","1964-12-08",6.7,195,"52fe4689c3a36847f81046b5",{"adult":4,"backdrop_path":243,"genre_ids":244,"id":247,"title":248,"original_language":30,"original_title":248,"overview":249,"popularity":250,"poster_path":251,"release_date":252,"softcore":4,"video":4,"vote_average":84,"vote_count":58,"character":253,"credit_id":254,"order":85,"media_type":41},"\u002FqqyZlQpaS5sNsypIIxUm2G0VWkk.jpg",[245,246],10770,99,918640,"Belmondo, il était une fois le beau monde","Um perfil de Jean-Paul Belmondo por seus pares. Além de fazer mais de oitenta filmes, o ator também brindou seu público com as cenas perigosas em que dispensou o dublê, seu riso, as brincadeiras, uma desenvoltura e impertinência refrescantes. Cultivando a arte do contrapé, ele atravessou meio século de cinema francês.",1.2687,"\u002FcW8ZtgvmxM1I2n5sAZENnexiXPv.jpg","2011-10-25","Self","61c2620277e1f60060972cd7",{"adult":4,"backdrop_path":256,"genre_ids":257,"id":258,"title":259,"original_language":30,"original_title":259,"overview":80,"popularity":260,"poster_path":261,"release_date":262,"softcore":4,"video":4,"vote_average":263,"vote_count":101,"character":264,"credit_id":265,"order":88,"media_type":41},"\u002FyfxLPs8oRioy2G1BWLR7qLyVX4V.jpg",[46,25,26],65978,"Le Vampire de Düsseldorf",2.0472,"\u002FnlMW3JREe7X0ReiaV9hbGGYapiA.jpg","1965-04-07",5.652,"Peter Kuerten","52fe4723c3a368484e0b6d3b",{"adult":4,"backdrop_path":267,"genre_ids":268,"id":269,"title":270,"original_language":30,"original_title":271,"overview":272,"popularity":273,"poster_path":274,"release_date":275,"softcore":4,"video":4,"vote_average":276,"vote_count":277,"character":278,"credit_id":279,"order":58,"media_type":41},"\u002F5s17ObZeNvqacLsw9DVFmT4UzD7.jpg",[27,93],66916,"O Repouso do Guerreiro","Le Repos du guerrier","Quando a bela e inocecente jovem burguesa parisiense, Geneniève Le Theil, viaja para Dijon para resolver os problemas pertinentes a uma herança deixada pelo seu rico tio, sem querer abre a porta de outro quarto de hotel, e encontra um suicida perto da morte na cama. Mais tarde, Geneviève vai até o hospital e conhece Reanud Sarti, o depressivo alcoólatra que salvou. Então ela se apaixona por Renauld e o leva para seu apartamento em Paris, iniciando uma destrutiva, masoquista e corrupta relação com um homem muito abusado.",2.3267,"\u002F8jO1Hhjpf7RpEB6KWez0IV4HoAT.jpg","1962-09-05",5.805,41,"Renaud Sarti","52fe4750c3a368484e0c01d7",{"adult":4,"backdrop_path":281,"genre_ids":282,"id":283,"title":284,"original_language":30,"original_title":284,"overview":80,"popularity":285,"poster_path":286,"release_date":287,"softcore":4,"video":4,"vote_average":288,"vote_count":46,"character":289,"credit_id":290,"order":85,"media_type":41},"\u002FhT4cU4xiC4SWVKj31GNmo9224Af.jpg",[27],66446,"Les Enfants du désordre",1.7991,"\u002F438U5fwzohy4XCPACkteuoeWgUr.jpg","1989-11-22",5.4,"Robert","52fe473ec3a368484e0bc871",{"adult":4,"backdrop_path":292,"genre_ids":293,"id":295,"title":296,"original_language":30,"original_title":296,"overview":80,"popularity":297,"poster_path":298,"release_date":299,"softcore":4,"video":4,"vote_average":104,"vote_count":58,"character":300,"credit_id":301,"order":85,"media_type":41},"\u002Fuh3OaNdWSjyAghg7gQLphVwC9vL.jpg",[27,294],10752,65717,"La Longue Marche",1.1769,"\u002FlzAAp2FMK9MRtb2wx7NwcpSTIjC.jpg","1966-05-31","Carnot","52fe4717c3a368484e0b488f",{"adult":4,"backdrop_path":303,"genre_ids":304,"id":305,"title":306,"original_language":30,"original_title":306,"overview":80,"popularity":307,"poster_path":308,"release_date":309,"softcore":4,"video":4,"vote_average":88,"vote_count":88,"character":310,"credit_id":311,"order":88,"media_type":41},"\u002F72HiQ3ls5NdDHCdi3DN59lntb6N.jpg",[246],927304,"Hossein, Ronet, Trintignant : Confidences de trois acteurs 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