[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F130030:{\"language\":\"pt-BR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":11,"birthday":12,"deathday":13,"gender":14,"homepage":15,"id":16,"imdb_id":17,"known_for_department":18,"name":19,"place_of_birth":20,"popularity":21,"profile_path":22,"combined_credits":23,"images":1278},false,[6,7,8,9,10],"Chantal Anne Akerman","Chantal Ackerman","샹탈 아커만","샹탈 아케르만","샹탈 애커만","Chantal Anne Akerman (June 6, 1950 – October 5, 2015) was a Belgian film director, artist and professor of film at the City College of New York. Her best-known film is Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975).\n\nDespite being categorised as such by others, Akerman frequently distanced herself from the feminist label, explaining, \"when people say there is a feminist film language, it is like saying there is only one way for women to express themselves\". Instead, Akerman acknowledged that her cinematic approach took inspiration from the writings of Gilles Deleuze and Felix Guattari, as well as from filmmakers Michael Snow and Jean-Luc Godard.\n\nMany directors have cited Akerman's directorial style as an influence on their work. Kelly Reichardt, Gus Van Sant, and Sofia Coppola have noted their exploration of filming in real time as a tribute to Akerman.","1950-06-06","2015-10-05",1,null,130030,"nm0001901","Directing","Chantal Akerman","Brussels, Belgium",1.7758,"\u002FyQH1lbMA56PKy88LE4o9gryvVK1.jpg",{"cast":24,"crew":629},[25,44,59,74,89,104,118,129,139,149,160,168,181,191,201,214,225,240,251,259,268,278,290,301,310,318,325,334,345,353,362,371,381,393,405,414,423,433,441,452,462,469,476,483,492,501,511,519,528,537,549,557,564,571,580,588,597,610,619],{"adult":4,"backdrop_path":26,"genre_ids":27,"id":30,"title":31,"original_language":32,"original_title":33,"overview":34,"popularity":35,"poster_path":36,"release_date":37,"softcore":4,"video":4,"vote_average":38,"vote_count":39,"character":40,"credit_id":41,"order":42,"media_type":43},"\u002FsbB8VCEJfVXnoBCE3Q9mL8nbl93.jpg",[28,29],35,18,49479,"Exploda Minha Cidade","fr","Saute ma ville","Nos subúrbios de Bruxelas, uma jovem na cozinha de seu apartamento esfrega o chão, lustra os sapatos, dança, cozinha, bebe vinho, então ela fecha a porta com fita adesiva, abre o gás e explode tudo - cantarolando o tempo todo.",1.034,"\u002FpbrwFCun8TD8JeCwmVlvZxhQXTW.jpg","1968-04-09",6.2,62,"The Girl","52fe4797c3a36847f813dd37",0,"movie",{"adult":4,"backdrop_path":45,"genre_ids":46,"id":47,"title":48,"original_language":49,"original_title":48,"overview":50,"popularity":51,"poster_path":52,"release_date":53,"softcore":4,"video":4,"vote_average":54,"vote_count":55,"character":56,"credit_id":57,"order":58,"media_type":43},"\u002F59XIDxqioebbX4Eh3hjbkPL1QAH.jpg",[29],252286,"Seven Women, Seven Sins","en","",1.6398,"\u002FzwftNGXq3NsqRZsJCX5vErybQfV.jpg","1986-04-19",5.5,11,"Film Director (segment Portrait d'une Paresseuse)","61e16460a0b6b50041a4e000",9,{"adult":4,"backdrop_path":60,"genre_ids":61,"id":63,"title":64,"original_language":32,"original_title":65,"overview":66,"popularity":67,"poster_path":68,"release_date":69,"softcore":4,"video":4,"vote_average":70,"vote_count":71,"character":72,"credit_id":73,"order":42,"media_type":43},"\u002F3FBWf8D3UuVULrtWsRBKfhOaBSc.jpg",[29,62],10749,93934,"Eu, Tu, Ele, Ela","Je, tu, il, elle","Após o fim de um relacionamento, uma jovem se isola em um quarto vazio, onde experimenta o tédio, a escrita e a fome. Em seguida, parte em uma jornada errante, cruzando paisagens desoladas e encontros marcantes, até reencontrar uma antiga amante. Minimalista e profundamente íntimo, o filme é um marco do cinema feminista e experimental e o primeiro longa-metragem de Chantal Akerman.",2.6157,"\u002FgNrcfKMNBiVGQuCLqwqWXTchXmp.jpg","1974-11-19",6.512,126,"Julie","52fe49449251416c750c2949",{"adult":4,"backdrop_path":75,"genre_ids":76,"id":78,"title":79,"original_language":32,"original_title":80,"overview":81,"popularity":82,"poster_path":83,"release_date":84,"softcore":4,"video":4,"vote_average":85,"vote_count":86,"character":87,"credit_id":88,"order":42,"media_type":43},"\u002FA37wxjHIy75UhpAi5K0p8iFRQgC.jpg",[77],99,86814,"Notícias de Casa","News from Home","A cineasta belga Chantal Akerman mora em Nova York. As imagens filmadas da cidade americana são acompanhadas pelos textos da sua amorosa mãe que vive em Bruxelas. Enquanto as imagens da cidade de Nova York se aproximam cada vez mais, as palavras da mãe, lidas pela própria Akerman, gradualmente desaparecem.",1.5873,"\u002Fjw2SqVTO3hQIJYFzNaFaJSlZS4U.jpg","1976-11-12",7.1,95,"Self - Letter Reader (voice)","52fe49a09251416c910b37b5",{"adult":4,"backdrop_path":90,"genre_ids":91,"id":92,"title":93,"original_language":32,"original_title":94,"overview":95,"popularity":96,"poster_path":97,"release_date":98,"softcore":4,"video":4,"vote_average":99,"vote_count":100,"character":101,"credit_id":102,"order":103,"media_type":43},"\u002F2qL6rsvq29ueZ0ITh47Jj2F985R.jpg",[29],44012,"Jeanne Dielman","Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles","Considerado como a obra-prima de Akerman, traz a atriz Delphine Seyrig no papel de Jeanne Dielman, uma jovem viúva que vive com seu filho Sylvain seguindo uma ordem imutável: à tarde, enquanto seu filho está na escola, ela cuida do apartamento e recebe os clientes.",5.9221,"\u002FfQ3DFpnEiidA5o2RteKRVK8EMhY.jpg","1976-01-21",7.4,418,"Neighbor (voice) (uncredited)","622f9540cf62cd00446d1356",5,{"adult":4,"backdrop_path":105,"genre_ids":106,"id":107,"title":108,"original_language":32,"original_title":109,"overview":110,"popularity":111,"poster_path":112,"release_date":113,"softcore":4,"video":4,"vote_average":114,"vote_count":115,"character":116,"credit_id":117,"order":42,"media_type":43},"\u002FOtUmiYLYgtHEL8Icg0mOjU61pQ.jpg",[29],109383,"O Quarto","La chambre","Os móveis e a bagunça de um pequeno cômodo de apartamento se tornam o assunto de uma natureza em movimento, com a própria Akerman olhando para si mesma. 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Uma história de paixão, perda e loucura no Sudeste Asiático que a cineasta filmou no Camboja em 2010, com Stanislas Merhar, Aurora Marion e Marc Barbé nos papéis principais. Presente no set, Sopheak Sao filmou Chantal Akerman trabalhando no meio de uma vegetação exótica e nas águas escuras de um rio que parece não levar a lugar nenhum. As imagens que filmou foram editadas em 2021 poe Marwan Montel e mostram como o trabalho formal e estético prevalece sobre o aspecto narrativo na obra da diretora belga. “A Autora de A Loucura de Almayer” é uma oportunidade maravilhosa de conhecer Chantal Akerman de perto e mergulhar no coração de seu trabalho.",1.2358,"\u002FeEJJKMJ0VgVrY56Pq62auF5jkG.jpg","2022-11-13","633fd5080859b4007ea6163a",{"adult":4,"backdrop_path":192,"genre_ids":193,"id":194,"title":195,"original_language":32,"original_title":195,"overview":50,"popularity":196,"poster_path":197,"release_date":198,"softcore":4,"video":4,"vote_average":199,"vote_count":103,"character":137,"credit_id":200,"order":42,"media_type":43},"\u002F4EZZBVDNeZT8ig7LortnrnqQOSd.jpg",[77],137010,"Chantal Akerman par Chantal Akerman",1.45,"\u002FtWWF6m2OuSzPie2nkEJhgzN6vSw.jpg","1997-02-19",6.6,"5547a3f29251412dc60000cd",{"adult":4,"backdrop_path":202,"genre_ids":203,"id":204,"title":205,"original_language":32,"original_title":206,"overview":207,"popularity":208,"poster_path":209,"release_date":210,"softcore":4,"video":4,"vote_average":211,"vote_count":212,"character":137,"credit_id":213,"order":42,"media_type":43},"\u002FkIYjvWbIQKg3udciGh8Kl78XGPy.jpg",[77],354388,"Não é um Filme Caseiro","No Home Movie","O último filme da inovadora Chantal Akerman é um retrato de sua relação com a mãe, Natalia, uma sobrevivente do Holocausto e presença familiar em muitos de seus filmes.",1.1563,"\u002F1lxWkErMjcuXZngzkXOVA4Px6pD.jpg","2016-02-24",6.5,38,"55ccf84d92514131930004fb",{"adult":4,"backdrop_path":215,"genre_ids":216,"id":217,"title":218,"original_language":32,"original_title":218,"overview":50,"popularity":219,"poster_path":220,"release_date":221,"softcore":4,"video":4,"vote_average":222,"vote_count":58,"character":223,"credit_id":224,"order":42,"media_type":43},"\u002FtrPUFMADHCtPWCJC89zyLBEqrKf.jpg",[131,28],368929,"L'Homme à la valise",1.4592,"\u002FfQQYLZpGPJtHtzYS4wJrYa6NnFz.jpg","1983-11-15",6.3,"The Woman","5649db7cc3a368261400b323",{"adult":4,"backdrop_path":226,"genre_ids":227,"id":228,"title":229,"original_language":49,"original_title":230,"overview":231,"popularity":232,"poster_path":233,"release_date":234,"softcore":4,"video":4,"vote_average":235,"vote_count":236,"character":237,"credit_id":238,"order":239,"media_type":43},"\u002F5Fo0SnaEAI8OmzQk0HH0w30RW8d.jpg",[62,29],374471,"Porto - Uma História de Amor","Porto","Jake e Mati são dois forasteiros na cidade do Porto, no norte de Portugal, que experimentaram uma breve conexão. Permanece um mistério sobre os momentos que eles compartilharam e, ao procurar nas memórias, eles revivem as profundezas de uma noite desinibida pelas consequências do tempo. 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O filme apresenta uma jovem mãe, interpretada pela atriz belga Claire Wauthion — que mais tarde apareceria em Eu, Tu, Ele, Ela em 1974 — sua filha Daphna, interpretada pela sobrinha da cineasta, e uma amiga, interpretada pela própria Akerman. 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