[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F1296875:{\"language\":\"pt-BR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":7,"birthday":8,"deathday":9,"gender":10,"homepage":11,"id":12,"imdb_id":13,"known_for_department":14,"name":15,"place_of_birth":16,"popularity":17,"profile_path":18,"combined_credits":19,"images":712},false,[6],"Luiz Rosemberg","A Brazilian filmmaker, visual artist and essayist who worked extensively in film and video, Luiz Rosemberg Filho (1943 - 2019) is best kown for his features \"O Jardim das Espumas\" (1971), \"A$$untina das Amérikas\" (1976), \"Crônica de um Industrial\" (1978) and \"Guerra do Paraguay\" (2017).\n\nRosemberg began his work with the arts as a painter during his teenage years, having his first contact with cinema during the early 1960s. His first film, \"Balada da Página 3\", is now lost. After releasing \"O Jardim das Espumas\" in the early 1970s, he moved to Paris, where he stayed until 1974 and became a close friend to fellow Brazilian director Glauber Rocha.  By the late 1980s, Rosemberg was already transitioning his medium from film to video, with his works assuming an even more experimental, essayist nature. In the 2000s, he embraced the digital medium.\n\nHe was commonly paired with the Brazilian Cinema Marginal movement, even though he rejected this framing for his work. His films \"O Jardim das Espumas\" and \"Crônica de um Industrial\" were censored by his country's then ruling military dictatorship. After \"O Santo e a Vedete\" (1982), he did'nt release a feature until \"Dois Casamentos\" (2014). Through all of this period (and after it), though, he continued to make short films and produced a number of collages, many of which have film as a subject.\n\nAt December 2017, then aged 74, Rosemberg began publishing a series of Facebook posts containing his memories and thoughts on film, his friends, travels, politics, women, censorship, war, love, sex and the passing of time. He published those texts until February 2019, with a total of 404 posts that were later compiled into selected writings by his longtime colaborator, DoP Renaud Leenhardt.\n\nShortly after releasing \"Os Príncipes\" (2018), Rosemberg was hospitalized and submited to a surgery that would remove an hernia. He passed away in 2019, having finished the editing process of \"Bobo da Corte\" (2019), his last film, just before his death.","1943-08-24","2019-05-19",2,null,1296875,"nm0741872","Directing","Luiz Rosemberg Filho","Rio de Janeiro, Rio de Janeiro, Brazil",0.508,"\u002F5Fu9G9OJviiSw9RUDmwBbC489pl.jpg",{"cast":20,"crew":110},[21,36,48,59,68,82,89,100],{"adult":4,"backdrop_path":11,"genre_ids":22,"id":24,"title":25,"original_language":26,"original_title":25,"overview":27,"popularity":28,"poster_path":29,"release_date":30,"softcore":4,"video":4,"vote_average":31,"vote_count":32,"character":33,"credit_id":34,"order":23,"media_type":35},[23],18,258518,"Perdida","pt","",0.6418,"\u002FwzCyOWWXDkVtA3L6kXzWh3bvcCp.jpg","1976-03-19",4.4,7,"Voyeur do bar do posto","64752ca9924ce600bfd3dd02","movie",{"adult":4,"backdrop_path":11,"genre_ids":37,"id":39,"title":40,"original_language":26,"original_title":40,"overview":27,"popularity":41,"poster_path":42,"release_date":43,"softcore":4,"video":4,"vote_average":44,"vote_count":45,"character":27,"credit_id":46,"order":47,"media_type":35},[38],99,846415,"O Espectador que o Cinema Esqueceu",0.7612,"\u002F7szv5H97JNQ261sW6vrUF3m6UBo.jpg","1991-03-01",8,1,"6519a8c8a199a60138b93dfe",5,{"adult":4,"backdrop_path":11,"genre_ids":49,"id":51,"title":52,"original_language":26,"original_title":52,"overview":53,"popularity":54,"poster_path":55,"release_date":56,"softcore":4,"video":4,"vote_average":57,"vote_count":44,"character":15,"credit_id":58,"order":44,"media_type":35},[23,50],878,306715,"O Jardim das Espumas","Um planeta extremamente pobre, dominado pela irracionalidade e opressão, recebe a visita de um emissário dos planetas ricos, interessado em acordos econômicos. Antes de se encontrar com o governante, ele é sequestrado pela facção contraditória do sistema, o oposto de tudo aquilo que é dito oficialmente. Dois estudantes são interrogados sobre o seu desaparecimento e mortos, sendo seus corpos, abandonados numa estrada. O emissário, ao tomar contato com a realidade do planeta, descobre que vai fomentar um mito que não deve ser desenvolvido ali. (Extraído de Guia de Filmes, 47) (Cinemateca Brasileira)",1.1474,"\u002FvH6XOfZGWxIUNtXassSA2WLt7yj.jpg","1971-01-01",5.4,"5478fe72925141298100034e",{"adult":4,"backdrop_path":11,"genre_ids":60,"id":61,"title":62,"original_language":26,"original_title":62,"overview":27,"popularity":63,"poster_path":11,"release_date":64,"softcore":4,"video":4,"vote_average":65,"vote_count":65,"character":66,"credit_id":67,"order":65,"media_type":35},[],344970,"Rosemberg 70",1.0146,"2015-06-17",0,"himself","5581a855925141791400001c",{"adult":4,"backdrop_path":69,"genre_ids":70,"id":71,"title":72,"original_language":26,"original_title":72,"overview":73,"popularity":74,"poster_path":75,"release_date":76,"softcore":4,"video":4,"vote_average":77,"vote_count":78,"character":79,"credit_id":80,"order":81,"media_type":35},"\u002FmYENL0NFCdz0FHVRZfPfZzwMzgY.jpg",[23],195560,"A Queda","Um acidente em um canteiro de obras, resultando em uma morte, desencadeia um trabalhador em uma luta por justiça que expõe os mecanismos de exploração e as relações de classe de um país que passou por uma década de 'modernização conservadora' em ritmo acelerado. das forças armadas. Como uma espécie de sequencia do clássico Os Fuzis (1964), seguindo o destino desses personagens, que passam de impositores da exploração para explorados. Oferece mais do que um instantâneo do período: o lapso de tempo correspondente na ficção e na realidade captura a passagem de um pedaço da história brasileira entre os dois filmes e, portanto, também as transformações nas abordagens cinematográficas do social e político entre os dois momentos. Igualmente ousado em conteúdo e forma, e na originalidade da adequação de um ao outro. Ganhou o Urso de Prata em Berlim.",1.2073,"\u002F6X2rNuXg1LTaodsgkwZLe7FJZE.jpg","1976-08-20",6.8,6,"Assessor","5ecca349021cee002089bdd1",9,{"adult":4,"backdrop_path":11,"genre_ids":83,"id":84,"title":85,"original_language":26,"original_title":85,"overview":86,"popularity":87,"poster_path":11,"release_date":27,"softcore":4,"video":4,"vote_average":65,"vote_count":65,"character":27,"credit_id":88,"order":45,"media_type":35},[],830603,"Fragmentos de um Discurso Amoroso","Imagens, músicas e poemas. Um mistura entre ficção e documentário, e o cotidiano da cidade.",0.9119,"60a25e60b0ba7e0058408012",{"adult":4,"backdrop_path":11,"genre_ids":90,"id":91,"title":92,"original_language":26,"original_title":92,"overview":93,"popularity":94,"poster_path":95,"release_date":96,"softcore":4,"video":4,"vote_average":47,"vote_count":97,"character":98,"credit_id":99,"order":65,"media_type":35},[38],463129,"Rosemberg - Cinema, Colagem e Afetos","A vida e a obra do diretor Luiz Rosemberg Filho",0.9904,"\u002FsajdUalvxVmNa84yIQpejfztyZr.jpg","2017-06-23",3,"Selfie","672974b514d4a3997203423d",{"adult":4,"backdrop_path":11,"genre_ids":101,"id":102,"title":103,"original_language":26,"original_title":103,"overview":104,"popularity":105,"poster_path":106,"release_date":107,"softcore":4,"video":4,"vote_average":65,"vote_count":65,"character":27,"credit_id":108,"order":109,"media_type":35},[23],626234,"Notícias do Fim do Mundo","O ator Alexandre Taylor trabalha coordenando um grupo de dança dramática popular, na periferia da capital Kibuna. O grupo é convidado pelo governador para fazer uma apresentação em uma festa oferecida ao embaixador de um país rico. Alexandre Taylor enxerga no convite o momento propício para o último e grandioso ato da sua vida, com consequências inesperadas, ao assumir o nome de Mestre Jacaúna.",1.0557,"\u002FhaCqGVk1mACKmhtBpPZP3WGEf8R.jpg","2019-08-30","6a5560b1df8e1052249c66e3",33,[111,120,132,135,147,158,171,174,177,180,185,194,202,214,222,227,236,245,254,257,260,263,266,275,278,286,294,297,305,315,318,322,334,338,341,344,351,354,362,365,368,377,386,395,404,413,422,431,440,449,458,467,476,485,493,501,510,518,526,535,543,551,560,569,578,587,595,603,610,619,627,636,645,654,662,670,680,688,696,703],{"adult":4,"backdrop_path":11,"genre_ids":112,"id":113,"title":114,"original_language":26,"original_title":114,"overview":27,"popularity":115,"poster_path":116,"release_date":117,"softcore":4,"video":4,"vote_average":47,"vote_count":45,"credit_id":118,"department":14,"job":119,"media_type":35},[],257149,"Linguagem",0.8942,"\u002FzZDikNab4GoCOJTLU8mewHerTDs.jpg","2014-02-01","530e50749251411421002974","Director",{"adult":4,"backdrop_path":11,"genre_ids":121,"id":123,"title":124,"original_language":26,"original_title":124,"overview":125,"popularity":126,"poster_path":11,"release_date":127,"softcore":4,"video":4,"vote_average":128,"vote_count":45,"credit_id":129,"department":130,"job":131,"media_type":35},[122],35,327805,"O Santo e a Vedete","Paulo Chupadinho é um próspero empresário e um dos cidadãos mais respeitados da pequena Santa Rita da Paz, onde vive com a esposa milionária e um casal de filhos adolescentes. No carnaval, aproveitando-se do fato de que sua esposa foi participar de um retiro espiritual, Paulo vai fazer uma farra de arromba no Rio de Janeiro, onde conhece uma bela e insana vedete.",0.9091,"1982-01-01",10,"6523436dfd6300011c7710d4","Writing","Screenplay",{"adult":4,"backdrop_path":11,"genre_ids":133,"id":51,"title":52,"original_language":26,"original_title":52,"overview":53,"popularity":54,"poster_path":55,"release_date":56,"softcore":4,"video":4,"vote_average":57,"vote_count":44,"credit_id":134,"department":14,"job":119,"media_type":35},[23,50],"547e351ac3a3685aed00703a",{"adult":4,"backdrop_path":136,"genre_ids":137,"id":138,"title":139,"original_language":26,"original_title":140,"overview":141,"popularity":142,"poster_path":143,"release_date":144,"softcore":4,"video":4,"vote_average":145,"vote_count":78,"credit_id":146,"department":14,"job":119,"media_type":35},"\u002FzXexqgVkKWe42BofHVNCf69CbZe.jpg",[23],306725,"Imagens","Imagens do Silêncio","O média-metragem \"Imagens\", de Luiz Rosemberg Filho, talvez seja a obra mais radical da carreira do diretor. Reencontrado recentemente na França, depois de ter sido dado como perdido, o filme, rodado no auge da ditadura militar, é uma afronta aos mais diversos tipos de repressão daquele período.",0.7831,"\u002FrcGDcywifKOZQw1of7hA2hEan4u.jpg","1972-01-01",6.3,"547e34f9c3a3685b00006dfa",{"adult":4,"backdrop_path":11,"genre_ids":148,"id":149,"title":150,"original_language":26,"original_title":150,"overview":151,"popularity":152,"poster_path":11,"release_date":153,"softcore":4,"video":4,"vote_average":154,"vote_count":155,"credit_id":156,"department":130,"job":157,"media_type":35},[23],326556,"Crônica de um Industrial","Um industrial muito rico e conservador, totalmente desprovido de valores e pouco se importando com a miséria, entra em conflito existencial e começa a procurar uma forma de conseguir sua redenção.  +Selecionado para o Festival de Cannes em 1978, foi proibido de participar pela censura da ditadura militar (o filme não poderia ser exibido nem dentro do país, nem fora).\r +Recebeu menção honrosa no Festival de Bangalore, India, 1980.",0.9507,"1978-01-01",3.8,4,"54e8704c9251412eb1001a91","Writer",{"adult":4,"backdrop_path":159,"genre_ids":160,"id":161,"title":162,"original_language":26,"original_title":162,"overview":163,"popularity":164,"poster_path":165,"release_date":166,"softcore":4,"video":4,"vote_average":167,"vote_count":32,"credit_id":168,"department":169,"job":170,"media_type":35},"\u002FA8Vz44tqt2uzSPo9ibGaZ27EYfC.jpg",[122],326561,"A$$untina das Amérikas","Uma prostituta, no período de 24 horas, acorda, briga com a mãe, anarquisa o filho, namora Papai Noel, um Urso Azul e duas amiguinhas e por fim se encontra com o velho amante milionário. Então, os dois sozinhos dentro de uma enorme sala conversam sobre o cotidiano, amam-se, dançam e por fim, matam-se.",1.4156,"\u002FxYJeYds5ExjXVwF8nlE5M8XneA5.jpg","1976-01-01",4.9,"54e8766bc3a36836d6001825","Crew","Cinematography",{"adult":4,"backdrop_path":159,"genre_ids":172,"id":161,"title":162,"original_language":26,"original_title":162,"overview":163,"popularity":164,"poster_path":165,"release_date":166,"softcore":4,"video":4,"vote_average":167,"vote_count":32,"credit_id":173,"department":14,"job":119,"media_type":35},[122],"54e87631c3a36836ea001c2b",{"adult":4,"backdrop_path":11,"genre_ids":175,"id":149,"title":150,"original_language":26,"original_title":150,"overview":151,"popularity":152,"poster_path":11,"release_date":153,"softcore":4,"video":4,"vote_average":154,"vote_count":155,"credit_id":176,"department":14,"job":119,"media_type":35},[23],"54e870019251412eac00178e",{"adult":4,"backdrop_path":11,"genre_ids":178,"id":123,"title":124,"original_language":26,"original_title":124,"overview":125,"popularity":126,"poster_path":11,"release_date":127,"softcore":4,"video":4,"vote_average":128,"vote_count":45,"credit_id":179,"department":14,"job":119,"media_type":35},[122],"54f19a6e9251416b3800150c",{"adult":4,"backdrop_path":11,"genre_ids":181,"id":123,"title":124,"original_language":26,"original_title":124,"overview":125,"popularity":126,"poster_path":11,"release_date":127,"softcore":4,"video":4,"vote_average":128,"vote_count":45,"credit_id":182,"department":183,"job":184,"media_type":35},[122],"54f19dd0c3a368323e0014e5","Production","Co-Producer",{"adult":4,"backdrop_path":11,"genre_ids":186,"id":187,"title":188,"original_language":26,"original_title":188,"overview":27,"popularity":189,"poster_path":190,"release_date":191,"softcore":4,"video":4,"vote_average":192,"vote_count":78,"credit_id":193,"department":14,"job":119,"media_type":35},[23],344109,"Dois Casamentos",1.2304,"\u002FqrCR7qaKPX5SXKMV25zIBjXQgjW.jpg","2014-06-10",4.8,"557857aec3a3684370001de6",{"adult":4,"backdrop_path":11,"genre_ids":195,"id":196,"title":197,"original_language":26,"original_title":197,"overview":198,"popularity":199,"poster_path":11,"release_date":200,"softcore":4,"video":4,"vote_average":78,"vote_count":155,"credit_id":201,"department":14,"job":119,"media_type":35},[23],400792,"América do Sexo","Filme em quatro segmentos: \"Colagem,\" \"Balanço,\" \"Bandeira Zero\" e \"Sexta-Feira da Paixão, Sábado de Aleluia,\" tendo em comum uma forte alegoria e grosseiro protesto entre seus assuntos sobre a época da ditadura.",0.6831,"1969-01-01","5753581a9251411db0000a10",{"adult":4,"backdrop_path":203,"genre_ids":204,"id":207,"title":208,"original_language":26,"original_title":208,"overview":209,"popularity":210,"poster_path":211,"release_date":212,"softcore":4,"video":4,"vote_average":32,"vote_count":97,"credit_id":213,"department":14,"job":119,"media_type":35},"\u002FpPtakSoiRJTIAm212HDwoTFD58z.jpg",[23,205,206],36,10752,411490,"Guerra do Paraguay","Finda a Guerra do Paraguay, um soldado meio maltrapilho, mas que se sente vitorioso, topa com duas mulheres numa carroça. Ele é uma figura do passado, elas são contemporâneas. Encontram-se no que pode ser uma fenda do tempo ou licença poética do autor para alimentar sua ficção. A mulher, uma atriz, tem um discurso articulado. Do choque de ambos sai o que Rosemberg gosta de fazer - uma proposta de reflexão sobre a arte, a guerra e o capitalismo. E o embate verbal - a guerra é de palavras e sons - se passa num cenário de imensa beleza. A guerra no paraíso, como define o autor.",1.2467,"\u002FtrPdf9j973ce83fkUoC6wZoQlUG.jpg","2016-05-04","57b1c34e9251410e92002980",{"adult":4,"backdrop_path":11,"genre_ids":215,"id":216,"title":217,"original_language":26,"original_title":217,"overview":27,"popularity":218,"poster_path":219,"release_date":220,"softcore":4,"video":4,"vote_average":47,"vote_count":45,"credit_id":221,"department":14,"job":119,"media_type":35},[38],422937,"Azougue",0.6829,"\u002FfJ6t0Z9Mq3m6A1nYctsRovItK2V.jpg","2015-10-26","58113325c3a3687a9d00de13",{"adult":4,"backdrop_path":11,"genre_ids":223,"id":196,"title":197,"original_language":26,"original_title":197,"overview":198,"popularity":199,"poster_path":11,"release_date":200,"softcore":4,"video":4,"vote_average":78,"vote_count":155,"credit_id":224,"department":225,"job":226,"media_type":35},[23],"63c8732370b444007dd8083f","Editing","Editor",{"adult":4,"backdrop_path":11,"genre_ids":228,"id":229,"title":230,"original_language":26,"original_title":230,"overview":231,"popularity":232,"poster_path":233,"release_date":234,"softcore":4,"video":4,"vote_average":65,"vote_count":65,"credit_id":235,"department":130,"job":157,"media_type":35},[],487339,"Adyós, General","\"Adyos General\" parte de uma figura real, o general Medrano, organizador dos corpos pára-militares de El Salvador que são, segundo o diretor Matico, de \"uma crueldade absoluta\". 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