[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F1106257:{\"language\":\"pt-BR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":7,"birthday":8,"deathday":9,"gender":10,"homepage":11,"id":12,"imdb_id":13,"known_for_department":14,"name":15,"place_of_birth":16,"popularity":17,"profile_path":18,"combined_credits":19,"images":487},false,[6],"جوسلين صعب","Jocelyne Saab was a filmmaker and a photographer. She was born in 1948 and grew up in Beirut. In 1973, she became a war reporter in the Middle-East, covering the war of October for Magazine 52, the third television channel in France. In 1975 she directed her first feature film, a documentary released in Parisian cinemas: Lebanon in Turmoil, distributed by Pascale Dauman. She will then cover the Lebanese war for fifteen years, during which she directs almost thirty films, including Beirut, never again, broadcasted on France 2 in 1976, Letter from Beirut and Beirut, my city, broadcasted on France 3 between 1978 and 1982. In 1977 both Egypt, City of the Dead and The Sahara is not up for sale and were shot and released in Parisian cinemas. In 1981, she shots Iran, Utopia in the making on the days following the Iranian revolution, which received several international prizes. In 1998, she went to Vietnam and directed a documentary called The Lady of Saigon, which is awarded best French documentary by the French senate. It’s broadcasted on France 2, and in many international festivals.","1948-04-30","2019-01-07",1,"https:\u002F\u002Fjocelynesaabasso.com\u002Fjocelyne-saab-%d8%ac%d9%88%d8%b3%d9%84%d9%8a%d9%86-%d8%b5%d8%b9%d8%a8\u002F",1106257,"nm0754212","Directing","Jocelyne Saab","Beirut, Lebanon",0.7347,"\u002F3q5sBq6SVcemvaG4jMD6yTnK8X8.jpg",{"cast":20,"crew":122},[21,37,49,62,75,86,98,109],{"adult":4,"backdrop_path":22,"genre_ids":23,"id":26,"title":27,"original_language":28,"original_title":27,"overview":29,"popularity":30,"poster_path":31,"release_date":32,"softcore":4,"video":4,"vote_average":33,"vote_count":10,"character":29,"credit_id":34,"order":35,"media_type":36},null,[24,25],99,36,1172250,"As Kineastas","pt","",0.9366,"\u002FsChE1o1Mnr7jKs9OD90IMQpqAsK.jpg","1986-01-01",0,"64f0c6be3a993700ff636982",6,"movie",{"adult":4,"backdrop_path":22,"genre_ids":38,"id":39,"title":40,"original_language":41,"original_title":40,"overview":29,"popularity":42,"poster_path":43,"release_date":44,"softcore":4,"video":4,"vote_average":35,"vote_count":45,"character":46,"credit_id":47,"order":48,"media_type":36},[24],331682,"Caméra arabe","fr",1.1613,"\u002FzJvHzMX4D6jhwjWSpYpzWZPtlrZ.jpg","1987-01-02",4,"Self","6532daa9b2681f00c44ee048",11,{"adult":4,"backdrop_path":50,"genre_ids":51,"id":52,"title":53,"original_language":41,"original_title":54,"overview":55,"popularity":56,"poster_path":57,"release_date":58,"softcore":4,"video":4,"vote_average":59,"vote_count":35,"character":60,"credit_id":61,"order":33,"media_type":36},"\u002FyF6hKqrUAZx97zHiDhq1xcVpcY.jpg",[24],518101,"Beirute, Nunca Mais","Beyrouth, jamais plus","1976 marca o início do calvário de Beirute. Pelo olhar de uma criança, a cineasta Jocelyne Saab acompanha durante seis meses a destruição diária dos muros da cidade. Todas as manhãs, entre 6h e 10h, ela percorre Beirute enquanto as milícias de ambos os lados descansam após a noite de combates.",1.2073,"\u002FeIeZhHAza3B9oJZIBYAXoPyPGKx.jpg","1976-01-01",6.8,"Narrator (English Voice-Over) (uncredited)","5f7c7c8535c30a00357198e8",{"adult":4,"backdrop_path":63,"genre_ids":64,"id":65,"title":66,"original_language":41,"original_title":67,"overview":68,"popularity":69,"poster_path":70,"release_date":71,"softcore":4,"video":4,"vote_average":35,"vote_count":72,"character":73,"credit_id":74,"order":33,"media_type":36},"\u002FpFGEr4Dtgo8FrTNGzftlu67jA21.jpg",[24],742730,"Líbano no Meio da Tormenta","Le Liban dans la tourmente","Poucos meses após o ataque de 13 de abril de 1975, conhecido como Massacre do Ônibus, no qual civis palestinos foram mortos por milicianos das Falanges Libanesas, o saldo é trágico: seis mil mortos, vinte mil feridos, sequestros incessantes, uma capital semidestruída.  Em Líbano no Meio da Tormenta, a diretora Jocelyne Saab traça as origens do conflito libanês, a percepção de uma sociedade que vai à guerra cantando. Um documento único sobre a Guerra Civil Libanesa que, para além da guerra religiosa, é um retrato de uma realidade social e política que pouco mudou, mais de cinco décadas depois.",1.4442,"\u002FzSDyi2KJM9FtG4U01fkJvuhgFy4.jpg","1975-07-01",3,"Self (uncredited)","69871f0d935f32a1abc1c1f0",{"adult":4,"backdrop_path":76,"genre_ids":77,"id":78,"title":79,"original_language":80,"original_title":79,"overview":29,"popularity":81,"poster_path":82,"release_date":83,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":46,"credit_id":84,"order":85,"media_type":36},"\u002FuMaxkIL0fActyDvVkoEx2zCh5QI.jpg",[24],727971,"Sur le tournage de Nahla","ar",1.407,"\u002FplcCWeVq3MSTZ3gUhqGhaWn4p4S.jpg","1979-01-01","69aaa249639c328e68878552",2,{"adult":4,"backdrop_path":22,"genre_ids":87,"id":88,"title":89,"original_language":41,"original_title":90,"overview":91,"popularity":92,"poster_path":93,"release_date":94,"softcore":4,"video":4,"vote_average":95,"vote_count":10,"character":96,"credit_id":97,"order":33,"media_type":36},[24],1196457,"Os Libaneses, Reféns de Sua Cidade","Les Libanais, otages de leur ville","Jocelyne Saab filma a cidade de Beirute destruída pelos bombardeios israelenses, mostrando a extensão da destruição e o sofrimento das vítimas.",1.1442,"\u002F1tjlPKpaeSyWxg2DPDfJGA15TGW.jpg","1982-04-01",10,"Self - Narrator (voice)","69cb2d37e92ca6fde1b82e6c",{"adult":4,"backdrop_path":99,"genre_ids":100,"id":101,"title":102,"original_language":41,"original_title":103,"overview":104,"popularity":105,"poster_path":106,"release_date":107,"softcore":4,"video":4,"vote_average":59,"vote_count":72,"character":46,"credit_id":108,"order":33,"media_type":36},"\u002F5lwOSpegehKG9V4mQMdmnWYNmv8.jpg",[24],457104,"Carta de Beirute","Lettre de Beyrouth","A cineasta Jocelyne Saab retorna a Beirute durante um dos períodos de calmaria, três anos após o início da guerra civil, impulsionada pelo desejo de voltar. Ela se depara com os estragos físicos, emocionais e psicológicos da guerra, aterrorizada e triste, sem conseguir encontrar seu lugar na cidade. Nessa busca, ela se comunica com pessoas comuns, amigos, vizinhos, pessoas que viajam de ônibus pelas zonas leste e oeste da cidade. Para cadenciar sua jornada e o desenrolar dramático do filme, Saab utiliza a estrutura de uma carta lida em voz off, escrita pela poeta mundialmente renomada Etel Adnan.",1.1169,"\u002FloMivSStKAE35NJx2COZp0PTC2Y.jpg","1978-01-01","69f02e8ad0c31dfebe14301e",{"adult":4,"backdrop_path":110,"genre_ids":111,"id":112,"title":113,"original_language":41,"original_title":114,"overview":115,"popularity":116,"poster_path":117,"release_date":118,"softcore":4,"video":4,"vote_average":119,"vote_count":120,"character":46,"credit_id":121,"order":33,"media_type":36},"\u002FjmipxQjQGlSJVv2GjZRQKFy7WiX.jpg",[24],489107,"Beirute, Minha Cidade","Beyrouth, Ma Ville","Em julho de 1982, o exército israelense sitiou Beirute. Quatro dias antes, Jocelyne Saab viu sua casa queimar e 150 anos de existência familiar virarem fumaça. Ela então se refugia em questionamentos: quando tudo isso começou? Como o povo de Beirute viveu o cerco? Cada lugar se torna uma história e cada nome, uma lembrança.",1.0694,"\u002FgE5rIy18p3VPIr7Ul1najolsMzQ.jpg","1983-01-01",6.9,7,"6a0bd71f3e734b0d60409bcb",[123,134,143,151,164,169,177,190,202,205,208,211,214,224,227,235,243,246,256,266,276,279,286,297,304,311,319,326,333,336,339,342,352,363,366,369,377,381,388,391,394,405,408,411,421,424,427,430,435,438,446,449,452,455,458,461,464,472],{"adult":4,"backdrop_path":22,"genre_ids":124,"id":125,"title":126,"original_language":41,"original_title":127,"overview":128,"popularity":129,"poster_path":130,"release_date":58,"softcore":4,"video":4,"vote_average":131,"vote_count":72,"credit_id":132,"department":14,"job":133,"media_type":36},[24],944592,"História de uma Aldeia Sitiada","Histoire d’un village assiégé","O cessar-fogo declarado em 21 de Outubro de 1976 deu aos Fedayin, militantes palestinos contra a ocupação israelense, a oportunidade de reclamar uma área, que era território do Fatah até ser abandonado em 1970, da milícia de direita. Mas os sírios e os israelenses se juntaram para neutralizar essa \"força autônoma\" palestina e impuseram um cerco a duas aldeias fronteiriças libanesas, Hanine e Kfarchouba, antes de atacá-las.",0.9734,"\u002F9HKrpDl7sQcQ2qrFPglzCnDLAS7.jpg",7.3,"621d28c66b5fc2006b95cbb4","Director",{"adult":4,"backdrop_path":22,"genre_ids":135,"id":136,"title":137,"original_language":138,"original_title":137,"overview":29,"popularity":139,"poster_path":140,"release_date":141,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":142,"department":14,"job":133,"media_type":36},[],945367,"Imaginary Postcards","en",1.1278,"\u002F2kdckPyLPLvnyOkJo3U1yPd9Xqh.jpg","2016-01-01","62201b687719d7001d74a51c",{"adult":4,"backdrop_path":22,"genre_ids":144,"id":145,"title":146,"original_language":41,"original_title":146,"overview":29,"popularity":147,"poster_path":148,"release_date":149,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":150,"department":14,"job":133,"media_type":36},[24],837804,"La Dame de Saïgon",0.8271,"\u002FuNz18eIKYM6iGtMNZz22DrrP0Xz.jpg","1996-01-01","60be3144ea84c70057511b67",{"adult":4,"backdrop_path":152,"genre_ids":153,"id":156,"title":157,"original_language":80,"original_title":157,"overview":29,"popularity":158,"poster_path":159,"release_date":160,"softcore":4,"video":4,"vote_average":161,"vote_count":162,"credit_id":163,"department":14,"job":133,"media_type":36},"\u002FhBfLeuxW2Z0PrF6qo6oi3apSTjg.jpg",[154,155],18,10749,136510,"دنيا",1.3278,"\u002FbIc5zChp58xWimaHzylQJOPxb88.jpg","2006-09-06",5.1,9,"52fe4c17c3a368484e1a6a79",{"adult":4,"backdrop_path":152,"genre_ids":165,"id":156,"title":157,"original_language":80,"original_title":157,"overview":29,"popularity":158,"poster_path":159,"release_date":160,"softcore":4,"video":4,"vote_average":161,"vote_count":162,"credit_id":166,"department":167,"job":168,"media_type":36},[154,155],"52fe4c17c3a368484e1a6a7f","Writing","Writer",{"adult":4,"backdrop_path":22,"genre_ids":170,"id":171,"title":172,"original_language":41,"original_title":172,"overview":29,"popularity":173,"poster_path":174,"release_date":175,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":176,"department":14,"job":133,"media_type":36},[24],1189924,"Fécondation in video",0.664,"\u002FchJ75O3CibVqmBKcZiEvFS51E5y.jpg","1991-01-01","65269c011f3e6000e28ddfbc",{"adult":4,"backdrop_path":178,"genre_ids":179,"id":180,"title":181,"original_language":41,"original_title":182,"overview":183,"popularity":184,"poster_path":185,"release_date":58,"softcore":4,"video":4,"vote_average":186,"vote_count":95,"credit_id":187,"department":188,"job":189,"media_type":36},"\u002FyuNvCSfW9AOzVEP5f0i694CSdm4.jpg",[24],489109,"As Crianças da Guerra","Les Enfants de la Guerre","Poucos dias após um massacre em uma comunidade perto de Beirute, a diretora Jocelyne Saab encontra as crianças sobreviventes. Ela se aproxima delas oferecendo-lhes giz de cera para desenhar e um vínculo se cria entre Saab e as crianças, que permitem que a diretora filme suas brincadeiras de violência: elas repetem as cenas de horror que viram se desenrolar diante de seus olhos…",1.0699,"\u002F8WUXcu41yagKU4WwTrUARc2Acfn.jpg",6.4,"65326a82efe37c00aef25c6f","Production","Producer",{"adult":4,"backdrop_path":191,"genre_ids":192,"id":193,"title":194,"original_language":41,"original_title":195,"overview":196,"popularity":197,"poster_path":198,"release_date":199,"softcore":4,"video":4,"vote_average":120,"vote_count":72,"credit_id":200,"department":167,"job":201,"media_type":36},"\u002FsI2gTqIihy6TwLAgvqdGCRl2lfr.jpg",[24],641995,"As Mulheres Palestinas","Les Femmes palestiniennes","A diretora libanesa Jocelyne Saab dá voz às mulheres palestinas, vítimas frequentemente esquecidas da guerra Israel-Palestina, neste curta-metragem poderoso.",1.6007,"\u002FeH19ZPH4DSKxyxQlWfwAmOW0FNM.jpg","1974-01-01","65326b139ac535087b4529fd","Screenplay",{"adult":4,"backdrop_path":191,"genre_ids":203,"id":193,"title":194,"original_language":41,"original_title":195,"overview":196,"popularity":197,"poster_path":198,"release_date":199,"softcore":4,"video":4,"vote_average":120,"vote_count":72,"credit_id":204,"department":188,"job":189,"media_type":36},[24],"65326b3b9ac535087b452a0f",{"adult":4,"backdrop_path":178,"genre_ids":206,"id":180,"title":181,"original_language":41,"original_title":182,"overview":183,"popularity":184,"poster_path":185,"release_date":58,"softcore":4,"video":4,"vote_average":186,"vote_count":95,"credit_id":207,"department":167,"job":201,"media_type":36},[24],"65326a776d9fe800e1ac835a",{"adult":4,"backdrop_path":22,"genre_ids":209,"id":136,"title":137,"original_language":138,"original_title":137,"overview":29,"popularity":139,"poster_path":140,"release_date":141,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":210,"department":188,"job":189,"media_type":36},[],"6533adc6abdafc00cac321f7",{"adult":4,"backdrop_path":22,"genre_ids":212,"id":136,"title":137,"original_language":138,"original_title":137,"overview":29,"popularity":139,"poster_path":140,"release_date":141,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":213,"department":167,"job":201,"media_type":36},[],"6533ad8a91f0ea00fe198bae",{"adult":4,"backdrop_path":22,"genre_ids":215,"id":216,"title":217,"original_language":41,"original_title":218,"overview":219,"popularity":220,"poster_path":221,"release_date":222,"softcore":4,"video":4,"vote_average":95,"vote_count":10,"credit_id":223,"department":14,"job":133,"media_type":36},[24],1196453,"A Frente da Recusa","Le front du refus (ou les commando-suicides)","Quando a paz se revela impossível, todos os meios se justificam na defesa de uma causa política. É isso que argumentam os comandos suicidas que atuam na fronteira que separa os territórios da Palestina do país que recusam a reconhecer como Israel.  A diretora Jocelyne Saab foi a primeira jornalista a poder filmar esses jovens, com idades entre os 16 e os 20 anos, que treinam todos os dias numa base secreta subterrânea para se tornarem comandos suicidas.",0.9455,"\u002Fkm00hoCqqzOM05ZhQlwoL4rzCL0.jpg","1975-05-04","653a6baa24f2ce00ff7177ba",{"adult":4,"backdrop_path":22,"genre_ids":225,"id":88,"title":89,"original_language":41,"original_title":90,"overview":91,"popularity":92,"poster_path":93,"release_date":94,"softcore":4,"video":4,"vote_average":95,"vote_count":10,"credit_id":226,"department":14,"job":133,"media_type":36},[24],"653a6d24d35dea00c7d1195a",{"adult":4,"backdrop_path":22,"genre_ids":228,"id":229,"title":230,"original_language":138,"original_title":230,"overview":29,"popularity":231,"poster_path":232,"release_date":233,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":234,"department":14,"job":133,"media_type":36},[24],889889,"My Name is Mei Shigenobu",1.105,"\u002FlX16F6kOQ2gukFdV2tIhOnNMcao.jpg","2018-09-13","617751f7b458b800932ea353",{"adult":4,"backdrop_path":22,"genre_ids":236,"id":237,"title":238,"original_language":138,"original_title":238,"overview":29,"popularity":239,"poster_path":240,"release_date":241,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":242,"department":188,"job":189,"media_type":36},[],521096,"What's Going On?",1.1938,"\u002FhLLIj4PPnNSACgyZukc7pS65LU3.jpg","2009-01-01","65498deb391b9c013ba292c4",{"adult":4,"backdrop_path":22,"genre_ids":244,"id":237,"title":238,"original_language":138,"original_title":238,"overview":29,"popularity":239,"poster_path":240,"release_date":241,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"credit_id":245,"department":167,"job":201,"media_type":36},[],"65498dbe391b9c00c613e0ee",{"adult":4,"backdrop_path":247,"genre_ids":248,"id":249,"title":250,"original_language":80,"original_title":250,"overview":29,"popularity":251,"poster_path":252,"release_date":253,"softcore":4,"video":4,"vote_average":254,"vote_count":85,"credit_id":255,"department":14,"job":133,"media_type":36},"\u002FnvSnMvaueDEt699UMyEGFXBl4xr.jpg",[154],331683,"كان ياما كان في بيروت",1.0581,"\u002Fq23s2I1FNFlIVIGaQRv1JHDhmBi.jpg","1995-01-02",8,"550c4928c3a3684874004182",{"adult":4,"backdrop_path":257,"genre_ids":258,"id":259,"title":260,"original_language":80,"original_title":260,"overview":29,"popularity":261,"poster_path":262,"release_date":263,"softcore":4,"video":4,"vote_average":186,"vote_count":264,"credit_id":265,"department":14,"job":133,"media_type":36},"\u002F97zYFPHDBcr7zTtO5Sk9LHmzqfD.jpg",[154],330377,"Ghazl Al-Banat",1.6281,"\u002Fo52ss4RsQ63O245mzkTyZnXnxSI.jpg","1985-01-02",5,"5502be0f9251413d9f00449e",{"adult":4,"backdrop_path":22,"genre_ids":267,"id":268,"title":269,"original_language":41,"original_title":270,"overview":271,"popularity":272,"poster_path":273,"release_date":58,"softcore":4,"video":4,"vote_average":274,"vote_count":85,"credit_id":275,"department":14,"job":133,"media_type":36},[24],1204072,"Por Algumas Vidas","Pour quelques vies","Um retrato de Raymond Eddé, candidato às eleições presidenciais no Líbano e fervoroso opositor da guerra religiosa. 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