[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F9956:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":17,"birthday":18,"deathday":19,"gender":20,"homepage":21,"id":22,"imdb_id":23,"known_for_department":24,"name":25,"place_of_birth":26,"popularity":27,"profile_path":28,"combined_credits":29,"images":1670},false,[6,7,8,9,10,11,12,13,14,15,16],"크리스 마르케","Крис Маркер","クリス・マルケル","Christian Bouche-Villeneuve","Christian François Bouche-Villeneuve","Jacopo Berenzini","Michel Krasna","Sandor Krasna","Hayao Yamaneko","Kosinki","Guillaume-en-Égypte","Christian François Bouche-Villeneuve, better known as Chris Marker (France, 29 July 1921 – 29 July 2012), was a French writer, poet, activist, critic, photographer, traveler, journalist, film essayist, multimedia artist, and documentary filmmaker.\n\nHe began his career as part of the French Rive Gauche group—parallel to but distinct from the Nouvelle Vague—with which he would later share certain themes and collaborators. Marker is credited with developing the subjective documentary and is considered a pioneer of collective cinema in France. His films are known for their poetic, essayistic, and often experimental qualities, blending a reflective voice with a fascination for memory, art, war, politics, culture, and nature. Over six decades of work, he observed the world with meticulous curiosity, irony, and compassion, continually experimenting with new forms of image manipulation and montage.\n\nHe was also famously elusive. For many years, few people knew what Chris Marker looked like—he disliked being photographed, and no confirmed portraits were publicly available. He often amused himself by giving contradictory accounts of his life in the rare interviews he granted. As Philippe Dubois observed, “Chris Marker is, in a way, the most celebrated of the unknown filmmakers.” His official website adds: “Rather than a man without qualities, he is a man without biography.”\n\nMarker also worked under numerous pseudonyms, including Hayao Yamaneko, Jacopo Berenzini, Kosinki, Michel Krasna, Sandor Krasna, and Guillaume-en-Égypte (his feline avatar), though his best-known identity remains Chris Marker.\n\nAmong his most significant works are La Jetée (1962), Sans Soleil (1983), Far from Vietnam (1967), A Grin Without a Cat (1977), A.K. (1985), Level Five (1997), and One Day in the Life of Andrei Arsenevich (1999). He also explored interactive and digital media with the CD-ROM Immemory (1997), maintained a website titled Gorgomancy, a YouTube channel called Kosinki, and created a virtual gallery, Ouvroir, within the online world Second Life.","1921-07-29","2012-07-29",2,"http:\u002F\u002Fwww.chrismarker.org",9956,"nm0003408","Directing","Chris Marker","Neuilly-sur-Seine, Hauts-de-Seine, Île-de-France, France",1.0363,"\u002Ff3WALvrJGu829oq8N467DnGJuer.jpg",{"cast":30,"crew":332},[31,46,61,72,87,97,110,121,136,149,160,173,187,199,210,220,234,245,259,272,285,300,310,320],{"adult":4,"backdrop_path":32,"genre_ids":33,"id":34,"title":35,"original_language":36,"original_title":37,"overview":38,"popularity":39,"poster_path":40,"release_date":41,"softcore":4,"video":4,"vote_average":42,"vote_count":42,"character":43,"credit_id":44,"order":42,"media_type":45},null,[],1105712,"Lumière Award to Chris Marker","fr","Prix Lumière à Chris Marker","This silent film shows the jury voting for Chris Marker, who receives the Louis Lumière award for his film ¡Cuba sí!",0.7909,"\u002FimW2JXCk5SpySFUNAmpq18wb4gb.jpg","1962-03-03",0,"Self","642287b1c7a7e000a37b9bbf","movie",{"adult":4,"backdrop_path":47,"genre_ids":48,"id":50,"title":51,"original_language":36,"original_title":52,"overview":53,"popularity":54,"poster_path":55,"release_date":56,"softcore":4,"video":4,"vote_average":57,"vote_count":58,"character":43,"credit_id":59,"order":60,"media_type":45},"\u002Fvks63eV0HrB9SqgpfzceWyJPEkt.jpg",[49],99,118135,"May Days","Grands soirs et petits matins","Filmmaker William Klein documents the Paris student riots that occurred in May of 1968.",0.9565,"\u002FdnxXfSMlY93Xps5JkFHrk8qqJe5.jpg","1978-01-01",7.2,8,"642f8dc96dea3a00b54e5468",3,{"adult":4,"backdrop_path":62,"genre_ids":63,"id":64,"title":65,"original_language":66,"original_title":65,"overview":67,"popularity":68,"poster_path":69,"release_date":70,"softcore":4,"video":4,"vote_average":42,"vote_count":42,"character":43,"credit_id":71,"order":42,"media_type":45},"\u002FlUMA1QVeCF09m6vYcV8UaVm0vNg.jpg",[49],919258,"The Invention of Chris Marker","en","A desktop documentary about the online afterlife of the late French filmmaker, Chris Marker.",1.5999,"\u002Fo9GvlfetRn1IBMtNYA2tKPHFaSF.jpg","2020-05-28","61c46ce7ecaef50042a04be9",{"adult":4,"backdrop_path":73,"genre_ids":74,"id":75,"title":76,"original_language":36,"original_title":77,"overview":78,"popularity":79,"poster_path":80,"release_date":81,"softcore":4,"video":4,"vote_average":82,"vote_count":83,"character":84,"credit_id":85,"order":86,"media_type":45},"\u002Flns7roobSPQQTF54oSPzkT3qH1q.jpg",[49],1563,"Sans Soleil","Sans soleil","A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.",2.6501,"\u002F2ZmVbnecEeGoZCimxMhpY0Nz7eh.jpg","1983-03-02",7.471,279,"Self (uncredited)","64a9c1883e2ec800cbcd5bf2",5,{"adult":4,"backdrop_path":32,"genre_ids":88,"id":89,"title":90,"original_language":36,"original_title":90,"overview":91,"popularity":92,"poster_path":93,"release_date":94,"softcore":4,"video":4,"vote_average":42,"vote_count":42,"character":43,"credit_id":95,"order":96,"media_type":45},[49],957183,"Rush - Voyage à Moscou","A document of Perestroika, to be viewed as (nearly) unedited rushes of a voyage to Moscow, preserved by compatriot Costa-Gavras. Says Émilie Cauquy of the French Cinémathèque, \"Astonishing unpublished travel diary, shot by Chris Marker in analog video on the occasion of a screening of L'Aveu in Moscow in 1990 [...] Armed with his camcorder, Marker films and records the comments, takes on the role of contemporary capital according to this unique ethnographic method that he has perfected\".",1.4675,"\u002FbpS0CaxIijpF2n7LrBQC79VKXM2.jpg","1990-02-03","6246ce1201757f0062697f92",1,{"adult":4,"backdrop_path":32,"genre_ids":98,"id":99,"title":100,"original_language":36,"original_title":101,"overview":102,"popularity":103,"poster_path":104,"release_date":105,"softcore":4,"video":106,"vote_average":107,"vote_count":108,"character":43,"credit_id":109,"order":108,"media_type":45},[49],745698,"Agnès Varda: From Here to There","Agnès de ci de là Varda","Agnès Varda travels around the world to meet friends, artists and filmmakers for an expansive view of the global contemporary art scene.",1.1473,"\u002Fc9DjodpFeT04RX2g1rEYbNnuvIL.jpg","2011-10-01",true,7.6,7,"64c83477eec5b558f03c0eb6",{"adult":4,"backdrop_path":111,"genre_ids":112,"id":113,"title":114,"original_language":66,"original_title":114,"overview":115,"popularity":116,"poster_path":117,"release_date":118,"softcore":4,"video":4,"vote_average":42,"vote_count":42,"character":119,"credit_id":120,"order":42,"media_type":45},"\u002FqL3fumHO5O8VBDriwK2nSHwFVVn.jpg",[49],1063732,"Ten Lives of a Cat: A Film about Chris Marker","Ten years after the death of iconic French filmmaker, Chris Marker. A filmmaker, hoping to rediscover that unique sensibility against the uncertainty of the new century, returns to the places synonymous with those incomparable and unforgettable films-- From the cat cemetery of Sans Soleil, to the mausoleum of The Last Bolshevik; The caves of Level Five to the rooftops of The Case of the Grinning Cat. A biographical portrait of one of the 20th century's greatest and most misunderstood filmmakers.",0.9494,"\u002F2G1AxWLsKGAAuBSw7sOMHJdoTQV.jpg","2023-10-31","Kaibyō \t(archive footage)","63a227efbcf8c900a7038dad",{"adult":4,"backdrop_path":122,"genre_ids":123,"id":125,"title":126,"original_language":36,"original_title":127,"overview":128,"popularity":129,"poster_path":130,"release_date":131,"softcore":4,"video":4,"vote_average":132,"vote_count":133,"character":134,"credit_id":135,"order":108,"media_type":45},"\u002FvTdDqCynA09pCq6RWZ5SxDgpwsa.jpg",[124,49],10770,137196,"One Day in the Life of Andrei Arsenevich","Une journée d'Andrei Arsenevitch","Chris Marker’s portrait of Russian filmmaker Andrei Tarkovsky documents the director at work on his final film, The Sacrifice, during the last year of his life. Interweaving behind-the-scenes footage with excerpts from Tarkovsky’s earlier works, Marker crafts a moving reflection on the artist’s vision, methods, and enduring legacy.",1.3209,"\u002FxjmIEFMoKHUbkYS0inZgQ1S3RiP.jpg","1999-05-15",7.5,12,"Self (voice) (uncredited)","567a80e092514106eb001ebf",{"adult":4,"backdrop_path":137,"genre_ids":138,"id":139,"title":140,"original_language":36,"original_title":140,"overview":141,"popularity":142,"poster_path":143,"release_date":144,"softcore":4,"video":4,"vote_average":145,"vote_count":146,"character":147,"credit_id":148,"order":42,"media_type":45},"\u002FmVUGVvjjxO5cE1edgwWW99dS0zH.jpg",[49],396485,"A. K.","An intimate chronicle of the shooting of Ran (1985), a film directed by the legendary Japanese filmmaker Akira Kurosawa.",1.7898,"\u002FjEogjj5O7e9F2UYZSF6Ib3cb9Lh.jpg","1985-05-20",6.3,40,"Self - Narrator (voice)","572e6794c3a3684bd3000f7d",{"adult":4,"backdrop_path":150,"genre_ids":151,"id":152,"title":153,"original_language":36,"original_title":153,"overview":154,"popularity":155,"poster_path":156,"release_date":157,"softcore":4,"video":4,"vote_average":42,"vote_count":42,"character":158,"credit_id":159,"order":20,"media_type":45},"\u002F3DudrDDxUhc0v3xNDN962c7QJCF.jpg",[49],445801,"Chris Marker: Never Explain, Never Complain","Posthumous portrait of Chris Marker, the elusive French filmmaker- essayist, traveller, photographer and cat-lover. Two filmmakers, Jean-Marie Barbe and Arnaud Lambert, propose a chronological journey through his thoughts and cinematographic work: from the cartography of new political utopia in the 1950s, from Siberia to La Habana, to its relentless defeat, starting with Chile; from his review of cinéma-verité to the great television experience in \"L'Héritage de la chouette\", which traces a journey through classical Greece, organized into twelve words.",1.3933,"\u002FgPx1QJ9XTYUkvpRSdjHVRaSBj8G.jpg","2015-08-25","Self (archive footage)","666ee7b6987ba3a64a23669f",{"adult":4,"backdrop_path":161,"genre_ids":162,"id":163,"title":164,"original_language":165,"original_title":164,"overview":166,"popularity":167,"poster_path":168,"release_date":169,"softcore":4,"video":4,"vote_average":170,"vote_count":171,"character":84,"credit_id":172,"order":60,"media_type":45},"\u002Fg49r83xwdZ0T5ziq4apxRyL5J2n.jpg",[49],76406,"Tokyo-Ga","de","German director Wim Wenders tries to explore the Tokyo that was depicted in the films of Yasujiro Ozu and finds a very different city.",1.9136,"\u002FuNH1TqJPFuoxW0YZmwBuiZqSBU1.jpg","1985-04-24",7.1,106,"57792440c3a36832b0003f43",{"adult":4,"backdrop_path":174,"genre_ids":175,"id":176,"title":177,"original_language":36,"original_title":178,"overview":179,"popularity":180,"poster_path":181,"release_date":182,"softcore":4,"video":4,"vote_average":183,"vote_count":184,"character":158,"credit_id":185,"order":186,"media_type":45},"\u002Fz9S7Z0NDbXcqhDCoPMv6ixeXZ6V.jpg",[49],38879,"The Beaches of Agnès","Les Plages d'Agnès","Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.",3.9722,"\u002FmqTFhLpdyMNLBvmN5KFhCOFWWIp.jpg","2008-12-17",7.7,147,"66bd0cf7e07c3f9104d057d3",41,{"adult":4,"backdrop_path":188,"genre_ids":189,"id":190,"title":191,"original_language":36,"original_title":192,"overview":193,"popularity":194,"poster_path":195,"release_date":196,"softcore":4,"video":4,"vote_average":197,"vote_count":58,"character":43,"credit_id":198,"order":96,"media_type":45},"\u002FtrVquJcQfGJ4extE7NBm0m3AXti.jpg",[49],451384,"In Chris Marker's Studio","Dans l'atelier de Chris Marker","Two friends (and legendary French New Wave filmmakers) meet in real and virtual worlds.",1.167,"\u002FnfSUVqzXQSj5pcQcR6ZuNR51NRS.jpg","2011-12-19",6.2,"58ea6e53c3a36872ee07cd5d",{"adult":4,"backdrop_path":32,"genre_ids":200,"id":201,"title":202,"original_language":36,"original_title":202,"overview":203,"popularity":204,"poster_path":205,"release_date":206,"softcore":4,"video":4,"vote_average":207,"vote_count":60,"character":43,"credit_id":208,"order":209,"media_type":45},[49],488210,"La Traversée du désir","What was your first desire? What did you long for most? Arielle Dombasle put these questions to a wide circle of famous people.",1.5862,"\u002F5vefbKVyld9eRG7IZYi3CrmJcUx.jpg","2009-03-16",5.7,"5a130f09c3a3686289071b0a",23,{"adult":4,"backdrop_path":32,"genre_ids":211,"id":212,"title":213,"original_language":36,"original_title":213,"overview":214,"popularity":215,"poster_path":216,"release_date":217,"softcore":4,"video":4,"vote_average":218,"vote_count":58,"character":134,"credit_id":219,"order":96,"media_type":45},[49],280523,"Tokyo Days","Chris Marker’s Tokyo Days follows the filmmaker and actress Arielle Dombasle as they wander through Tokyo, beginning with an encounter with a live mannequin in a shop window. Mixing casual observation with playful edits, Marker captures everyday scenes—from subways to markets—in a personal video diary of the city.",1.3159,"\u002F1t9BiOtAbvS8yTupiPHAGBUZ6bb.jpg","1988-07-06",5.6,"5b1eaad5925141661800deda",{"adult":4,"backdrop_path":221,"genre_ids":222,"id":223,"title":224,"original_language":36,"original_title":225,"overview":226,"popularity":227,"poster_path":228,"release_date":229,"softcore":4,"video":4,"vote_average":230,"vote_count":231,"character":232,"credit_id":233,"order":42,"media_type":45},"\u002FAcJaHCXf1CMWGH45ESTnzyLB7Nz.jpg",[49],142375,"The Koumiko Mystery","Le Mystère Koumiko","Koumiko Muraoka, a young Japanese woman born in Manchuria and educated in France, wanders through Tokyo while she reflects on identity, memory, and what it means to be Japanese in a rapidly changing world.",1.5347,"\u002Fzcn6mRjoJglq6v9xgeuWKtLse8B.jpg","1965-10-09",6.9,10,"Narrator","5c4652120e0a26495dc84cfa",{"adult":4,"backdrop_path":235,"genre_ids":236,"id":237,"title":238,"original_language":36,"original_title":238,"overview":239,"popularity":240,"poster_path":241,"release_date":242,"softcore":4,"video":4,"vote_average":183,"vote_count":60,"character":243,"credit_id":244,"order":42,"media_type":45},"\u002F66I1KOkSDBSNG2Z7SRkrznRtmmd.jpg",[49],392458,"Kashima Paradise","This 1973 French documentary explores the conflict between modern values and material comforts in Japan and the more traditional obligations (giri) and culture which are still the real backbone of the society. Among the topics touched on are the Osaka Expo, battles against pollution, and Japanese leftist movements.",0.8102,"\u002F7v2HcoqlUHCmCdVNr2eFAePa8lo.jpg","1973-04-10","Narrator (voice)","5ccb27ae925141046f258fac",{"adult":4,"backdrop_path":246,"genre_ids":247,"id":250,"title":251,"original_language":36,"original_title":251,"overview":252,"popularity":253,"poster_path":254,"release_date":255,"softcore":4,"video":4,"vote_average":256,"vote_count":257,"character":134,"credit_id":258,"order":86,"media_type":45},"\u002F9lHSirzogf9T1tuouY5thjhoabK.jpg",[49,248,249],10752,878,57563,"Level Five","Laura, a French programmer, inherits the task of creating a game about the World War II Battle of Okinawa. Her research and interviews with Japanese experts and witnesses prompt her to reflect on life, humanity, and the lasting influence of history and memories.",1.3696,"\u002F6DY884Yyt4Bg6hG5DK83XfnWHTx.jpg","1997-02-19",6.1,32,"5e26bed81689350018348481",{"adult":4,"backdrop_path":260,"genre_ids":261,"id":262,"title":263,"original_language":36,"original_title":264,"overview":265,"popularity":266,"poster_path":267,"release_date":268,"softcore":4,"video":4,"vote_average":58,"vote_count":269,"character":270,"credit_id":271,"order":96,"media_type":45},"\u002FbzuEDByhWkNcA53SaaIgBp6O91Z.jpg",[49],128779,"The Lovely Month of May","Le Joli Mai","Candid interviews of ordinary people on the meaning of happiness, an often amorphous and inarticulable notion that evokes more basic and fundamentally egalitarian ideals of self-betterment, prosperity, tolerance, economic opportunity, and freedom.",1.5754,"\u002F6IzgPTaENPpg3b7wexti3RmMBK0.jpg","1963-05-03",42,"Self \u002F Interviewer (voice)","5ee166f597eab4001edfafb5",{"adult":4,"backdrop_path":273,"genre_ids":274,"id":275,"title":276,"original_language":36,"original_title":277,"overview":278,"popularity":279,"poster_path":280,"release_date":281,"softcore":4,"video":4,"vote_average":108,"vote_count":282,"character":283,"credit_id":284,"order":96,"media_type":45},"\u002F8MhriiL6Mrcnpo4jp9AvZuSCb5D.jpg",[49],128831,"Letter from Siberia","Lettre de Sibérie","A faceless traveller takes a journey through the barren reaches of a Siberia caught between tradition and modernity, imparting his philosophical musings on its people and places, wildlife and culture.",1.2169,"\u002FaSo8zaGNSDrjWgyhEA0lTO7IwdL.jpg","1957-05-16",38,"Stargazer (uncredited)","67b4b20520b8dc549ae0c3d8",{"adult":4,"backdrop_path":286,"genre_ids":287,"id":289,"title":290,"original_language":36,"original_title":291,"overview":292,"popularity":293,"poster_path":294,"release_date":295,"softcore":4,"video":4,"vote_average":296,"vote_count":297,"character":298,"credit_id":299,"order":96,"media_type":45},"\u002FeiDCf9zgXMPOfJSq7zvpL92vIOm.jpg",[49,288],36,258656,"The Sixth Side of the Pentagon","La Sixième Face du Pentagone","Chris Marker and François Reichenbach document the massive anti–Vietnam War protest held in Washington, D.C., on October 21, 1967, where more than 100,000 demonstrators gathered at the Lincoln Memorial before marching on the Pentagon. Filmed amid the crowd, the short captures the tension, idealism, and growing radicalism of the American peace movement.",1.5954,"\u002FyQbV5oLuZhQszZX7hf7gpJZPlJK.jpg","1968-08-26",6.8,16,"","68e454f6a61c881a81f8217a",{"adult":4,"backdrop_path":301,"genre_ids":302,"id":303,"title":304,"original_language":66,"original_title":304,"overview":305,"popularity":306,"poster_path":307,"release_date":308,"softcore":4,"video":4,"vote_average":42,"vote_count":42,"character":158,"credit_id":309,"order":96,"media_type":45},"\u002FkPq3J9vYlAl8hi2OTZC2w1h1OSx.jpg",[49],1688861,"Nostalgia for the Future","The evocative narration of Charlotte Rampling guides a descent into the labyrinthine world of Chris Marker, the best-known author of unknown films, who spent a lifetime concealing himself behind a veil of pseudonyms and images of cats. Moving through a constellation of personal documents and film fragments, an archivist attempts to decode the man through the material traces he left behind.",1.8972,"\u002FfAj2RjFFOE9AJQgFwsKrQl6BE5Q.jpg","2026-05-18","69fdf495bd76e3eb13076afc",{"adult":4,"backdrop_path":311,"genre_ids":312,"id":313,"title":314,"original_language":36,"original_title":314,"overview":298,"popularity":315,"poster_path":316,"release_date":317,"softcore":4,"video":4,"vote_average":42,"vote_count":42,"character":318,"credit_id":319,"order":20,"media_type":45},"\u002FvV5oslpq0Rgc0plnQPzyumr16Hs.jpg",[49],1721275,"L’indispensable",1.3585,"\u002F324cLOFeCjCQDiOuhjjil4QdLL5.jpg","2026-06-23","Photos\u002FExtrait","6a4002793939446647724af1",{"adult":4,"backdrop_path":321,"genre_ids":322,"id":323,"title":324,"original_language":36,"original_title":325,"overview":326,"popularity":327,"poster_path":328,"release_date":329,"softcore":4,"video":4,"vote_average":107,"vote_count":330,"character":84,"credit_id":331,"order":231,"media_type":45},"\u002FpvzXZGCTwuBlNbGG0VvFmSp8o8v.jpg",[49,288],98498,"The Last Bolshevik","Le Tombeau d'Alexandre","A documentary on Soviet filmmaker Aleksandr Medvedkin, examining his tumultuous career, the rediscovery of his masterpiece Happiness, and Russia's struggles over the course of the 20th Century.",1.9866,"\u002F2VHcgSUQh1P6f71KIauQtRCRdlz.jpg","1994-10-21",22,"6ac1823d7def6f71bae395fe",[333,337,342,358,361,371,375,378,390,393,402,412,421,433,446,451,454,466,469,472,475,487,490,494,497,509,519,524,535,538,541,554,557,560,563,566,569,581,593,602,614,627,639,642,653,664,675,678,681,692,695,698,708,717,720,723,731,741,750,760,768,777,788,795,805,816,825,835,838,848,858,863,866,869,880,883,894,905,918,921,924,927,936,946,956,971,984,993,1003,1015,1024,1032,1040,1048,1057,1060,1071,1078,1081,1084,1087,1090,1099,1102,1111,1114,1117,1129,1140,1149,1157,1168,1177,1186,1196,1199,1209,1216,1226,1229,1232,1241,1252,1262,1270,1278,1281,1284,1293,1300,1313,1323,1326,1329,1332,1335,1338,1342,1345,1348,1351,1354,1364,1373,1376,1379,1382,1385,1388,1391,1394,1397,1406,1409,1418,1421,1424,1427,1431,1441,1444,1455,1464,1474,1477,1488,1491,1494,1497,1501,1504,1513,1516,1519,1522,1525,1528,1531,1534,1537,1540,1543,1553,1556,1559,1562,1572,1575,1578,1581,1585,1588,1591,1594,1597,1600,1603,1612,1624,1639,1643,1647,1657,1661,1666],{"adult":4,"backdrop_path":73,"genre_ids":334,"id":75,"title":76,"original_language":36,"original_title":77,"overview":78,"popularity":79,"poster_path":80,"release_date":81,"softcore":4,"video":4,"vote_average":82,"vote_count":83,"credit_id":335,"department":24,"job":336,"media_type":45},[49],"52fe42fec3a36847f8032631","Director",{"adult":4,"backdrop_path":73,"genre_ids":338,"id":75,"title":76,"original_language":36,"original_title":77,"overview":78,"popularity":79,"poster_path":80,"release_date":81,"softcore":4,"video":4,"vote_average":82,"vote_count":83,"credit_id":339,"department":340,"job":341,"media_type":45},[49],"52fe42fec3a36847f8032637","Writing","Writer",{"adult":4,"backdrop_path":343,"genre_ids":344,"id":347,"title":348,"original_language":36,"original_title":348,"overview":349,"popularity":350,"poster_path":351,"release_date":352,"softcore":4,"video":4,"vote_average":353,"vote_count":354,"credit_id":355,"department":356,"job":357,"media_type":45},"\u002F3Z2OhNVU0FhxGZJIq6Gn32UNoKu.jpg",[345,346,249],18,10749,662,"La Jetée","A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.",3.4501,"\u002FelGidsRHXkk8UyrtLbcMhaptDyp.jpg","1962-02-16",7.854,1057,"52fe4266c3a36847f801b72b","Camera","Director of Photography",{"adult":4,"backdrop_path":343,"genre_ids":359,"id":347,"title":348,"original_language":36,"original_title":348,"overview":349,"popularity":350,"poster_path":351,"release_date":352,"softcore":4,"video":4,"vote_average":353,"vote_count":354,"credit_id":360,"department":24,"job":336,"media_type":45},[345,346,249],"52fe4266c3a36847f801b713",{"adult":4,"backdrop_path":362,"genre_ids":363,"id":364,"title":365,"original_language":36,"original_title":365,"overview":366,"popularity":367,"poster_path":368,"release_date":369,"softcore":4,"video":4,"vote_average":132,"vote_count":231,"credit_id":370,"department":340,"job":341,"media_type":45},"\u002F2K0y1py3uhkBxR36N587ptke9sa.jpg",[49,288],156225,"¡Cuba Sí!","Chris Marker’s documentary traces the course of the Cuban Revolution, from its early optimism to the aftermath of the Bay of Pigs invasion. Through on-the-ground footage and interviews—including two with Fidel Castro—the film captures the spirit and contradictions of a nation in transformation.",0.7873,"\u002FgcIiAZg7tCjDtqxdj7HZZjoEclk.jpg","1961-12-31","604c221d109cd0003e3a251d",{"adult":4,"backdrop_path":362,"genre_ids":372,"id":364,"title":365,"original_language":36,"original_title":365,"overview":366,"popularity":367,"poster_path":368,"release_date":369,"softcore":4,"video":4,"vote_average":132,"vote_count":231,"credit_id":373,"department":340,"job":374,"media_type":45},[49,288],"604c22342cefc2006bf2841d","Screenplay",{"adult":4,"backdrop_path":362,"genre_ids":376,"id":364,"title":365,"original_language":36,"original_title":365,"overview":366,"popularity":367,"poster_path":368,"release_date":369,"softcore":4,"video":4,"vote_average":132,"vote_count":231,"credit_id":377,"department":356,"job":357,"media_type":45},[49,288],"604c225e3639090073532ab6",{"adult":4,"backdrop_path":379,"genre_ids":380,"id":381,"title":382,"original_language":36,"original_title":383,"overview":384,"popularity":385,"poster_path":386,"release_date":387,"softcore":4,"video":4,"vote_average":296,"vote_count":388,"credit_id":389,"department":24,"job":336,"media_type":45},"\u002FivWyqAyOiIfT33vHkYoT6dmGJkA.jpg",[49],31338,"Remembrance of Things to Come","Le Souvenir d'un avenir","A personal history of France, told through photos by French photographer Denise Bellon.",1.3688,"\u002F6KYP7Pz3O9NTBqc0eiakELkASJ2.jpg","2001-09-22",13,"52fe44759251416c91011659",{"adult":4,"backdrop_path":379,"genre_ids":391,"id":381,"title":382,"original_language":36,"original_title":383,"overview":384,"popularity":385,"poster_path":386,"release_date":387,"softcore":4,"video":4,"vote_average":296,"vote_count":388,"credit_id":392,"department":340,"job":341,"media_type":45},[49],"52fe44759251416c9101165f",{"adult":4,"backdrop_path":32,"genre_ids":394,"id":395,"title":396,"original_language":66,"original_title":396,"overview":397,"popularity":398,"poster_path":399,"release_date":400,"softcore":4,"video":4,"vote_average":42,"vote_count":42,"credit_id":401,"department":24,"job":336,"media_type":45},[],820321,"Imagine","An historical \"if\"",1.0017,"\u002FiiY3FboSXx3sutByX7WwJtOZ6U1.jpg","2011-08-24","607cdcfc8c0a480058a25197",{"adult":4,"backdrop_path":32,"genre_ids":403,"id":404,"title":405,"original_language":36,"original_title":406,"overview":407,"popularity":408,"poster_path":409,"release_date":410,"softcore":4,"video":4,"vote_average":42,"vote_count":42,"credit_id":411,"department":24,"job":336,"media_type":45},[49],948465,"When the Century Took Shape (War and Revolution)","Quand le Siècle a Pris Forme (Guerre et révolution)","In 1978, just after Le fond de l'Air Est Rouge, which mercilessly analyzed the previous ten years of the revolutionary left's momentum until its collapse, Chris Marker made this complementary piece entitled Quand le Siècle a Pris Forme (Guerre et Révolution).",1.2068,"\u002FvRTLRtIxLxgw3Uzb3sUbXgT6UFg.jpg","1978-07-10","622bfc6c12c60400461a9483",{"adult":4,"backdrop_path":32,"genre_ids":413,"id":414,"title":415,"original_language":66,"original_title":415,"overview":416,"popularity":417,"poster_path":418,"release_date":419,"softcore":4,"video":4,"vote_average":42,"vote_count":42,"credit_id":420,"department":24,"job":336,"media_type":45},[],821057,"ROYAL POLKA.mov","What else ?",0.7414,"\u002Fb6KeOqbwoEl9fJX6NKsX9Rot8X8.jpg","2011-05-01","607f9e77713ed40029357167",{"adult":4,"backdrop_path":422,"genre_ids":423,"id":424,"title":425,"original_language":36,"original_title":426,"overview":427,"popularity":428,"poster_path":429,"release_date":430,"softcore":4,"video":4,"vote_average":230,"vote_count":431,"credit_id":432,"department":24,"job":336,"media_type":45},"\u002FrJ04bHCq5MzAh11nQEf1ZCxJElZ.jpg",[49],37927,"Statues Also Die","Les statues meurent aussi","Commissioned by the journal Présence Africaine, this short documentary examines how African art is devalued and alienated through colonial and museum contexts. Beginning with the question of why African works are confined to ethnographic displays while Greek or Egyptian art is celebrated, the film became a landmark of anti-colonial cinema and was banned in France for eight years.",1.7997,"\u002FsbKnnqUC09pmHwvbDlRYdhrYFJe.jpg","1953-05-01",52,"52fe467f9251416c910564e1",{"adult":4,"backdrop_path":434,"genre_ids":435,"id":437,"title":438,"original_language":36,"original_title":439,"overview":440,"popularity":441,"poster_path":442,"release_date":443,"softcore":4,"video":4,"vote_average":444,"vote_count":58,"credit_id":445,"department":24,"job":336,"media_type":45},"\u002FcN7Pj2iccigfwwHzLqs9LOLyCi1.jpg",[49,436],10402,958497,"Cat Listening to Music","Chat écoutant de la musique","Part of Chris Marker’s Bestiaire (Petit Bestiaire) collection, Cat Listening to Music simply observes a cat responding to the sound of a piano.",1.2316,"\u002FiiSOvvc0x8XUFXsvaAZLuv2vJKP.jpg","1988-01-01",8.3,"624b0255a3b5e6004fb5b3a2",{"adult":4,"backdrop_path":379,"genre_ids":447,"id":381,"title":382,"original_language":36,"original_title":383,"overview":384,"popularity":385,"poster_path":386,"release_date":387,"softcore":4,"video":4,"vote_average":296,"vote_count":388,"credit_id":448,"department":449,"job":450,"media_type":45},[49],"609bcd7342022800583eea60","Sound","Music",{"adult":4,"backdrop_path":32,"genre_ids":452,"id":89,"title":90,"original_language":36,"original_title":90,"overview":91,"popularity":92,"poster_path":93,"release_date":94,"softcore":4,"video":4,"vote_average":42,"vote_count":42,"credit_id":453,"department":24,"job":336,"media_type":45},[49],"6246ce443344c600643289f0",{"adult":4,"backdrop_path":455,"genre_ids":456,"id":457,"title":458,"original_language":36,"original_title":459,"overview":460,"popularity":461,"poster_path":462,"release_date":463,"softcore":4,"video":4,"vote_average":58,"vote_count":464,"credit_id":465,"department":340,"job":341,"media_type":45},"\u002FdEtNOQAeABGcqdCdaC2BqwGKBVY.jpg",[49],53197,"A Grin Without a Cat","Le fond de l'air est rouge","Chris Marker’s A Grin Without a Cat is an epic political essay tracing the rise and decline of the global left from the 1960s to the 1970s. Through archival footage and commentary, the film examines revolutionary movements in France, Latin America, and beyond, reflecting on the ideals, failures, and fading hopes of a generation.",1.8965,"\u002Fb7KC692Zb0rKYOpXDujJQSHdTok.jpg","1977-11-23",27,"52fe4858c3a36847f8162d69",{"adult":4,"backdrop_path":455,"genre_ids":467,"id":457,"title":458,"original_language":36,"original_title":459,"overview":460,"popularity":461,"poster_path":462,"release_date":463,"softcore":4,"video":4,"vote_average":58,"vote_count":464,"credit_id":468,"department":24,"job":336,"media_type":45},[49],"52fe4858c3a36847f8162d63",{"adult":4,"backdrop_path":246,"genre_ids":470,"id":250,"title":251,"original_language":36,"original_title":251,"overview":252,"popularity":253,"poster_path":254,"release_date":255,"softcore":4,"video":4,"vote_average":256,"vote_count":257,"credit_id":471,"department":24,"job":336,"media_type":45},[49,248,249],"52fe493ac3a36847f818fb6b",{"adult":4,"backdrop_path":246,"genre_ids":473,"id":250,"title":251,"original_language":36,"original_title":251,"overview":252,"popularity":253,"poster_path":254,"release_date":255,"softcore":4,"video":4,"vote_average":256,"vote_count":257,"credit_id":474,"department":340,"job":341,"media_type":45},[49,248,249],"52fe493ac3a36847f818fb75",{"adult":4,"backdrop_path":476,"genre_ids":477,"id":478,"title":479,"original_language":36,"original_title":479,"overview":480,"popularity":481,"poster_path":482,"release_date":483,"softcore":4,"video":4,"vote_average":484,"vote_count":485,"credit_id":486,"department":24,"job":336,"media_type":45},"\u002FvZv9KIrzYPXzK1cLqV6qqBHWml4.jpg",[49],123742,"Junkopia","Filmed along the Emeryville Mudflats near San Francisco, Junkopia captures a landscape of sculptural installations made from driftwood and discarded materials. Chris Marker, John Chapman, and Frank Simeone transform these ephemeral artworks—set against highways and the distant city—into a quiet meditation on art, decay, and the modern environment.",1.1343,"\u002FsHTMdRN1NgUNgTNAUrwg1Fdobnz.jpg","1981-01-01",6,45,"52fe4a9cc3a368484e15d56d",{"adult":4,"backdrop_path":476,"genre_ids":488,"id":478,"title":479,"original_language":36,"original_title":479,"overview":480,"popularity":481,"poster_path":482,"release_date":483,"softcore":4,"video":4,"vote_average":484,"vote_count":485,"credit_id":489,"department":340,"job":341,"media_type":45},[49],"52fe4a9cc3a368484e15d57f",{"adult":4,"backdrop_path":476,"genre_ids":491,"id":478,"title":479,"original_language":36,"original_title":479,"overview":480,"popularity":481,"poster_path":482,"release_date":483,"softcore":4,"video":4,"vote_average":484,"vote_count":485,"credit_id":492,"department":449,"job":493,"media_type":45},[49],"52fe4a9cc3a368484e15d585","Original Music Composer",{"adult":4,"backdrop_path":321,"genre_ids":495,"id":323,"title":324,"original_language":36,"original_title":325,"overview":326,"popularity":327,"poster_path":328,"release_date":329,"softcore":4,"video":4,"vote_average":107,"vote_count":330,"credit_id":496,"department":24,"job":336,"media_type":45},[49,288],"52fe4a149251416c750dcf5d",{"adult":4,"backdrop_path":498,"genre_ids":499,"id":500,"title":501,"original_language":36,"original_title":502,"overview":503,"popularity":504,"poster_path":505,"release_date":506,"softcore":4,"video":4,"vote_average":145,"vote_count":507,"credit_id":508,"department":24,"job":336,"media_type":45},"\u002FnYtT3ZEoiPhiLPkmQjKEVzu0fDU.jpg",[297,249],103158,"The Astronauts","Les Astronautes","An inventor builds a homemade spacecraft, and uses it to have various adventures, including peeping at women, visiting ‘human’ planets, and becoming involved in intergalactic warfare.",0.7132,"\u002FxKlEeqRNLEFxTKaT3GublWoM72P.jpg","1959-01-01",44,"52fe4a18c3a36847f81b9263",{"adult":4,"backdrop_path":32,"genre_ids":510,"id":511,"title":512,"original_language":36,"original_title":513,"overview":514,"popularity":515,"poster_path":516,"release_date":517,"softcore":4,"video":4,"vote_average":58,"vote_count":96,"credit_id":518,"department":24,"job":336,"media_type":45},[],1163333,"A Year of TV Seen by Guillaume","Un an de télé vu par Guillaume","Like more and more internet users, if you didn't watch TV in 2007, you'll think twice about it in 2008. Because Guillaume-en-Egypte, Chris Marker's freelance cat, has watched it a lot; from Al Jazeera to CNN via Russian television and animal channels. And he came out unscathed, even offering us a special zapping.",1.048,"\u002FpxfQ202wTkJV4Jd482YSea6XtHi.jpg","2007-11-08","64d54ac7d100b600ad9ff13a",{"adult":4,"backdrop_path":32,"genre_ids":520,"id":511,"title":512,"original_language":36,"original_title":513,"overview":514,"popularity":515,"poster_path":516,"release_date":517,"softcore":4,"video":4,"vote_average":58,"vote_count":96,"credit_id":521,"department":522,"job":523,"media_type":45},[],"64d54ad9f495ee0293536f24","Editing","Editor",{"adult":4,"backdrop_path":525,"genre_ids":526,"id":527,"title":528,"original_language":36,"original_title":529,"overview":530,"popularity":531,"poster_path":532,"release_date":533,"softcore":4,"video":4,"vote_average":230,"vote_count":297,"credit_id":534,"department":24,"job":336,"media_type":45},"\u002FgszLMOOmwKMwC9qXRsOTFQBus3o.jpg",[49,124],126141,"The Case of the Grinning Cat","Chats perchés","Chris Marker, intrigued by the sight of yellow cats perched on walls on the streets of Paris, films the major national and international sociopolitical events of the early 2000s.",2.3833,"\u002FzUuTJI5SJhsWsrOJGEVdoIdLJVs.jpg","2006-12-20","52fe4ad8c3a368484e16a129",{"adult":4,"backdrop_path":221,"genre_ids":536,"id":223,"title":224,"original_language":36,"original_title":225,"overview":226,"popularity":227,"poster_path":228,"release_date":229,"softcore":4,"video":4,"vote_average":230,"vote_count":231,"credit_id":537,"department":340,"job":341,"media_type":45},[49],"52fe4adc9251416c750f090f",{"adult":4,"backdrop_path":221,"genre_ids":539,"id":223,"title":224,"original_language":36,"original_title":225,"overview":226,"popularity":227,"poster_path":228,"release_date":229,"softcore":4,"video":4,"vote_average":230,"vote_count":231,"credit_id":540,"department":24,"job":336,"media_type":45},[49],"52fe4adc9251416c750f0909",{"adult":4,"backdrop_path":542,"genre_ids":543,"id":544,"title":545,"original_language":36,"original_title":546,"overview":547,"popularity":548,"poster_path":549,"release_date":550,"softcore":4,"video":4,"vote_average":551,"vote_count":552,"credit_id":553,"department":24,"job":336,"media_type":45},"\u002FsC52lCaZTqR5q3lC9nkMW3gtcrv.jpg",[345],130872,"The Embassy","L'Ambassade","After a military coup d'état, political dissidents seek refuge in a foreign embassy. Over the next few days, they are joined by more and more people who are fleeing the military assault: teachers, students, intellectuals, artists, and politicians.",1.8417,"\u002F4Ao1JZAiDRpuOZ57BJOPtwqzycx.jpg","1973-12-31",6.5,19,"52fe4b66c3a368484e18754d",{"adult":4,"backdrop_path":542,"genre_ids":555,"id":544,"title":545,"original_language":36,"original_title":546,"overview":547,"popularity":548,"poster_path":549,"release_date":550,"softcore":4,"video":4,"vote_average":551,"vote_count":552,"credit_id":556,"department":340,"job":341,"media_type":45},[345],"52fe4b66c3a368484e187553",{"adult":4,"backdrop_path":260,"genre_ids":558,"id":262,"title":263,"original_language":36,"original_title":264,"overview":265,"popularity":266,"poster_path":267,"release_date":268,"softcore":4,"video":4,"vote_average":58,"vote_count":269,"credit_id":559,"department":24,"job":336,"media_type":45},[49],"52fe4b29c3a368484e17af47",{"adult":4,"backdrop_path":273,"genre_ids":561,"id":275,"title":276,"original_language":36,"original_title":277,"overview":278,"popularity":279,"poster_path":280,"release_date":281,"softcore":4,"video":4,"vote_average":108,"vote_count":282,"credit_id":562,"department":24,"job":336,"media_type":45},[49],"52fe4b2ac3a368484e17b30b",{"adult":4,"backdrop_path":362,"genre_ids":564,"id":364,"title":365,"original_language":36,"original_title":365,"overview":366,"popularity":367,"poster_path":368,"release_date":369,"softcore":4,"video":4,"vote_average":132,"vote_count":231,"credit_id":565,"department":24,"job":336,"media_type":45},[49,288],"52fe4b989251416c910df9ab",{"adult":4,"backdrop_path":122,"genre_ids":567,"id":125,"title":126,"original_language":36,"original_title":127,"overview":128,"popularity":129,"poster_path":130,"release_date":131,"softcore":4,"video":4,"vote_average":132,"vote_count":133,"credit_id":568,"department":24,"job":336,"media_type":45},[124,49],"52fe4c2bc3a368484e1aae21",{"adult":4,"backdrop_path":32,"genre_ids":570,"id":571,"title":572,"original_language":36,"original_title":573,"overview":574,"popularity":575,"poster_path":576,"release_date":577,"softcore":4,"video":4,"vote_average":578,"vote_count":579,"credit_id":580,"department":24,"job":336,"media_type":45},[49],186720,"The Train Rolls On","Le Train en marche","This half-hour documentary by Chris Marker explores Aleksandr Medvedkin’s 1930s “Cine-Train,” a mobile film studio equipped with cameras, editing rooms, animation stations, and a laboratory. Traveling across the Soviet countryside, the train’s crew documented agricultural and industrial life—from Ukrainian harvests to southern steelworks—while living and working in cramped shared quarters.",3.1475,"\u002F1fKBzuPOcM8lAuV6dcwEjVMkWUY.jpg","1971-11-01",6.6,9,"52fe4d049251416c7512d347",{"adult":4,"backdrop_path":582,"genre_ids":583,"id":584,"title":585,"original_language":36,"original_title":586,"overview":587,"popularity":588,"poster_path":589,"release_date":590,"softcore":4,"video":4,"vote_average":591,"vote_count":60,"credit_id":592,"department":24,"job":336,"media_type":45},"\u002F4K2cILNHLSPw8k68ceWtzYVrmuD.jpg",[49],186730,"Cuba: Battle of the 10,000,000","La bataille des dix millions","Documentary about economic development in Cuba, particularly the effort to boost output of sugar cane. This film is made from a compilation of newsreel footage from the Cuban film institute and from Santiago Alvarez's film Despegue a las 18.00 (Departure 18:00).",1.305,"\u002FovSXaAfZnqj3KqYqFrzNx0SPs5I.jpg","1971-01-01",7.3,"52fe4d059251416c7512d3e9",{"adult":4,"backdrop_path":32,"genre_ids":594,"id":595,"title":596,"original_language":36,"original_title":596,"overview":597,"popularity":598,"poster_path":599,"release_date":600,"softcore":4,"video":4,"vote_average":108,"vote_count":96,"credit_id":601,"department":24,"job":336,"media_type":45},[49],186766,"Olympia 52","Olympia 52 is a 1952 French documentary film about the '52 Summer Olympics in Helsinki, Finland. Olympia 52 was produced by Peuple et Culture, a nonprofit organization, and it was the first feature-length work directed by the French filmmaker Chris Marker, who also co-wrote the narrative and served as one of the production’s four cinematographers.",0.7656,"\u002Fp0kBL95eARjyjpawMNlfmdsxeXR.jpg","1952-07-10","52fe4d079251416c7512d797",{"adult":4,"backdrop_path":603,"genre_ids":604,"id":605,"title":606,"original_language":36,"original_title":607,"overview":608,"popularity":609,"poster_path":610,"release_date":611,"softcore":4,"video":4,"vote_average":612,"vote_count":345,"credit_id":613,"department":24,"job":336,"media_type":45},"\u002FlcQkQnYsx4sWN3xjVhkv4scxITs.jpg",[49],203226,"2084: Video Clip for the Trade Unions' Reflection and Pleasure","2084: Video clip pour une réflexion syndicale et pour le plaisir","Made for the centenary of France’s trade union laws, Chris Marker’s 2084 imagines a future in which a computer looks back on the labor movement of the 20th century. Mixing documentary reflection with speculative fiction, the film envisions contrasting paths for the future of workers and unions.",1.175,"\u002FjhDXPScG47LHB0SMHuhO0eBNLyj.jpg","1984-10-01",6.222,"52fe4cdbc3a368484e1c9f8d",{"adult":4,"backdrop_path":615,"genre_ids":616,"id":617,"title":618,"original_language":36,"original_title":619,"overview":620,"popularity":621,"poster_path":622,"release_date":623,"softcore":4,"video":4,"vote_average":624,"vote_count":625,"credit_id":626,"department":24,"job":336,"media_type":45},"\u002Fx24REsxrVHyrbtEIMwzmLnA5s5I.jpg",[49],185366,"Sunday in Peking","Dimanche à Pekin","Chris Marker’s travel essay Sunday in Peking transforms a long-held childhood dream into a cinematic journey through Beijing. Blending documentary observation with reflective narration, Marker captures the city’s rhythms, traditions, and everyday life in mid-1950s China with his signature curiosity and lyricism.",1.0976,"\u002Fyhw1iJ4RgobM7DdxMbLw7NwmRTT.jpg","1956-11-01",6.4,24,"52fe4cde9251416c75128331",{"adult":4,"backdrop_path":628,"genre_ids":629,"id":630,"title":631,"original_language":36,"original_title":632,"overview":633,"popularity":634,"poster_path":635,"release_date":636,"softcore":4,"video":4,"vote_average":591,"vote_count":637,"credit_id":638,"department":24,"job":336,"media_type":45},"\u002FhTMCbnYRyLlXteWHKqKWVDY7E2W.jpg",[49],214834,"Description of a Struggle","Description d'un combat","Chris Marker’s documentary portrays Israel twelve years after its founding, blending location and archival footage to explore its diverse communities—from kibbutzim and Arab villages to Orthodox quarters and tourist sites. The “struggle” of the title reflects the nation’s search for identity in a rapidly changing region.",1.3052,"\u002FhJVXT3bAXIQUsNM2T3qxh82SXjy.jpg","1960-06-30",14,"52fe4deac3a368484e20485f",{"adult":4,"backdrop_path":628,"genre_ids":640,"id":630,"title":631,"original_language":36,"original_title":632,"overview":633,"popularity":634,"poster_path":635,"release_date":636,"softcore":4,"video":4,"vote_average":591,"vote_count":637,"credit_id":641,"department":340,"job":341,"media_type":45},[49],"52fe4deac3a368484e204865",{"adult":4,"backdrop_path":643,"genre_ids":644,"id":645,"title":646,"original_language":36,"original_title":647,"overview":648,"popularity":649,"poster_path":650,"release_date":651,"softcore":4,"video":4,"vote_average":296,"vote_count":86,"credit_id":652,"department":522,"job":523,"media_type":45},"\u002FnYhQ3QLpDKpSBIXrvIC4bIpg3RS.jpg",[49],226362,"The Spiral","La Spirale","Documentary on the events provoked by the systematic attack of imperialism on the Popular Unity government in Chile, presided by Salvador Allende.",1.5411,"\u002FuUxMNTtBpDLm6GgK1IxrQ4yRuGc.jpg","1976-04-27","52fe4e7b9251416c75157e23",{"adult":4,"backdrop_path":654,"genre_ids":655,"id":656,"title":657,"original_language":36,"original_title":658,"overview":659,"popularity":660,"poster_path":661,"release_date":662,"softcore":4,"video":4,"vote_average":624,"vote_count":108,"credit_id":663,"department":24,"job":336,"media_type":45},"\u002F1KJODY7Hin5aeuFp1ezfMyyLrBb.jpg",[49],251909,"The Loneliness of the Long Distance Singer","La Solitude du chanteur de fond","This documentary chronicles an Yves Montand concert for Chilean refugees in France.",1.0014,"\u002F1wwrytN4KAKX67XeJqf6SmrcyO.jpg","1974-12-19","52fe4e279251416c911284e1",{"adult":4,"backdrop_path":665,"genre_ids":666,"id":667,"title":668,"original_language":36,"original_title":669,"overview":670,"popularity":671,"poster_path":672,"release_date":673,"softcore":4,"video":4,"vote_average":108,"vote_count":388,"credit_id":674,"department":24,"job":336,"media_type":45},"\u002FiFACBSOIqHi2KkSOhUDkoUDCtrW.jpg",[49],256375,"If I Had Four Dromedaries","Si j'avais quatre dromadaires","Composed entirely of still photographs taken by Chris Marker across 26 countries, If I Had Four Dromedaries presents a dialogue between three voices reflecting on the meaning of images and travel. Through this photo-essay form, Marker explores the relationship between still and moving images and the act of seeing itself.",1.3582,"\u002F5RbsdsffZWulqCyDvSmVKTuTJDC.jpg","1966-11-01","53051c74925141349401b0ec",{"adult":4,"backdrop_path":665,"genre_ids":676,"id":667,"title":668,"original_language":36,"original_title":669,"overview":670,"popularity":671,"poster_path":672,"release_date":673,"softcore":4,"video":4,"vote_average":108,"vote_count":388,"credit_id":677,"department":340,"job":341,"media_type":45},[49],"53051c90925141349701f8bb",{"adult":4,"backdrop_path":286,"genre_ids":679,"id":289,"title":290,"original_language":36,"original_title":291,"overview":292,"popularity":293,"poster_path":294,"release_date":295,"softcore":4,"video":4,"vote_average":296,"vote_count":297,"credit_id":680,"department":24,"job":336,"media_type":45},[49,288],"531cc63dc3a3685c5d006cce",{"adult":4,"backdrop_path":682,"genre_ids":683,"id":684,"title":685,"original_language":36,"original_title":686,"overview":687,"popularity":688,"poster_path":689,"release_date":690,"softcore":4,"video":4,"vote_average":591,"vote_count":297,"credit_id":691,"department":24,"job":336,"media_type":45},"\u002Fbqdnxgao9JhbHAcEe9rzUY7s260.jpg",[49],270008,"Three Cheers for the Whale","Vive la baleine","Co-directed by Chris Marker and Mario Ruspoli, Three Cheers for the Whale traces humanity’s complex relationship with whales—from reverence to exploitation—culminating in a stark depiction of industrial whaling. Combining archival imagery, commentary, and documentary footage, the film offers both a historical reflection and a call for ecological awareness.",1.1192,"\u002FgtGvUrgGZmMPlSqcEHw6VKWDNKb.jpg","1972-01-01","5374e8c0c3a3681539002d4c",{"adult":4,"backdrop_path":321,"genre_ids":693,"id":323,"title":324,"original_language":36,"original_title":325,"overview":326,"popularity":327,"poster_path":328,"release_date":329,"softcore":4,"video":4,"vote_average":107,"vote_count":330,"credit_id":694,"department":340,"job":341,"media_type":45},[49,288],"62caa453e8131d0fbad97550",{"adult":4,"backdrop_path":321,"genre_ids":696,"id":323,"title":324,"original_language":36,"original_title":325,"overview":326,"popularity":327,"poster_path":328,"release_date":329,"softcore":4,"video":4,"vote_average":107,"vote_count":330,"credit_id":697,"department":522,"job":523,"media_type":45},[49,288],"62caa4844b9bae0a5271a9a2",{"adult":4,"backdrop_path":32,"genre_ids":699,"id":700,"title":701,"original_language":36,"original_title":702,"overview":703,"popularity":704,"poster_path":705,"release_date":706,"softcore":4,"video":4,"vote_average":578,"vote_count":86,"credit_id":707,"department":24,"job":336,"media_type":45},[49],276811,"You Speak of Prague: The Second Trial of Artur London","On vous parle de Prague : Le Deuxième Procès d'Artur London","Artur London was arrested in 1951 in a Stalinist purge, imprisoned and tortured for two years and forced to confess in the Slansky Trial, one of the last Stalinist \"show trials\" in Eastern Europe. The documentary explores some of the reasons for the controversy aroused by Costa-Gavras' The Confession,  which had been accused of being anti-communist, and it highlights the political importance of filmmaking which, by its nature, is a fiction intended for the general public.",1.1007,"\u002FdgzNADD9EN7wOL9mV6AVxiDojZ3.jpg","1971-06-15","539dcef30e0a2613350051f7",{"adult":4,"backdrop_path":32,"genre_ids":709,"id":710,"title":711,"original_language":36,"original_title":712,"overview":713,"popularity":714,"poster_path":32,"release_date":706,"softcore":4,"video":4,"vote_average":715,"vote_count":484,"credit_id":716,"department":24,"job":336,"media_type":45},[49],276809,"You Speak of Paris: Maspero. Words Have Meaning","On vous parle de Paris : Maspero, les mots ont un sens","An affectionate portrait of the left-wing publisher and bookshop owner François Maspero, who was a contributor to Far From Vietnam and would later publish the commentary to Le Fond de l’air est rouge. Maspero is one of the most satisfying and likeable of Marker’s films from this period, achieving an exemplary balance of quirky human warmth with a clear and inventive form of political argument.",0.88,5.3,"539dcd710e0a2613250052f5",{"adult":4,"backdrop_path":122,"genre_ids":718,"id":125,"title":126,"original_language":36,"original_title":127,"overview":128,"popularity":129,"poster_path":130,"release_date":131,"softcore":4,"video":4,"vote_average":132,"vote_count":133,"credit_id":719,"department":340,"job":341,"media_type":45},[124,49],"62cf99ce0c3ec802d1aad5dc",{"adult":4,"backdrop_path":122,"genre_ids":721,"id":125,"title":126,"original_language":36,"original_title":127,"overview":128,"popularity":129,"poster_path":130,"release_date":131,"softcore":4,"video":4,"vote_average":132,"vote_count":133,"credit_id":722,"department":522,"job":523,"media_type":45},[124,49],"62cf99e03af929004fb840af",{"adult":4,"backdrop_path":32,"genre_ids":724,"id":725,"title":726,"original_language":66,"original_title":726,"overview":727,"popularity":728,"poster_path":32,"release_date":729,"softcore":4,"video":4,"vote_average":197,"vote_count":86,"credit_id":730,"department":24,"job":336,"media_type":45},[49],279713,"Matta '85","A portrait of the Chilean artist Roberto Matta leading Marker on a wise and funny private guided tour of his solo exhibition at the Pompidou Center.",1.0598,"1985-07-01","53b317e0c3a3682ee2008304",{"adult":4,"backdrop_path":32,"genre_ids":732,"id":733,"title":734,"original_language":36,"original_title":735,"overview":736,"popularity":737,"poster_path":738,"release_date":739,"softcore":4,"video":4,"vote_average":108,"vote_count":96,"credit_id":740,"department":24,"job":336,"media_type":45},[49],279719,"A Mayor in Kosovo","Un maire au Kosovo","This is where sizzling fire still smoldering in a war which everybody talked a lot and which we rarely had the opportunity to hear the actors. Once removed their image of poor refugees on the roads, the Kosovars have strangely disappeared from the media world and Kosovo is again an abstraction. Bajram Rexhepi is entirely concrete. Surgeon by profession, he's a surgeon that fought the war in the ranks of the KLA, the Kosovo Liberation Army. With the upcoming of peace, his unquestioned authority made him the elected mayor of Mitrovica. The use made of this authority may undermine some misconceptions.",0.8631,"\u002FmkIKgmVKGEgkWecADgG08eokyCj.jpg","2000-07-01","53b31a42c3a3682ee200832f",{"adult":4,"backdrop_path":32,"genre_ids":742,"id":743,"title":744,"original_language":36,"original_title":745,"overview":746,"popularity":747,"poster_path":32,"release_date":748,"softcore":4,"video":4,"vote_average":551,"vote_count":133,"credit_id":749,"department":24,"job":336,"media_type":45},[49],279705,"We Maintain It Is Possible","Puisqu'on vous dit que c'est possible","In 1973, after the failure of wage negotiations with the management of the Lip watch factories, the workers went on strike. Marker was responsible for assembling clips from various photographers into one cohesive film.",0.7952,"1973-10-01","53b3123e0e0a26597500a9a3",{"adult":4,"backdrop_path":32,"genre_ids":751,"id":752,"title":753,"original_language":66,"original_title":753,"overview":754,"popularity":755,"poster_path":32,"release_date":756,"softcore":4,"video":4,"vote_average":757,"vote_count":758,"credit_id":759,"department":24,"job":336,"media_type":45},[49],280062,"An Owl Is an Owl Is an Owl","Part of Chris Marker’s Bestiaire (Petit Bestiaire) collection, An Owl Is an Owl Is an Owl is a short video meditation on the gaze and movement of owls—sometimes still, sometimes in flight—observed with the quiet, rhythmic attention typical of Marker’s later video work.",0.9429,"1990-07-03",4.5,15,"53b56765c3a3685ea8000ecb",{"adult":4,"backdrop_path":32,"genre_ids":761,"id":762,"title":763,"original_language":66,"original_title":763,"overview":764,"popularity":765,"poster_path":32,"release_date":766,"softcore":4,"video":4,"vote_average":42,"vote_count":42,"credit_id":767,"department":24,"job":336,"media_type":45},[],280070,"Silent Movie (Edit 2)","Originally displayed as part of an installation consisting of one metal stand, 5 monitors, 5 laser disc players, a computer face interbox, 5 video discs with 20 min. sequences: The Journey, The Face, Captions, The Gesture, The Waltz; 18 B&W video stills, 10 film posters, and a soundtrack: \"The Perfect Tapeur\", solo piano pieces lasting 59 min. 32 sec.",0.9445,"1995-07-03","53b56b98c3a3685eba000ec8",{"adult":4,"backdrop_path":32,"genre_ids":769,"id":770,"title":771,"original_language":36,"original_title":771,"overview":772,"popularity":773,"poster_path":774,"release_date":756,"softcore":4,"video":4,"vote_average":775,"vote_count":484,"credit_id":776,"department":24,"job":336,"media_type":45},[49],280063,"Zoo Piece","A quietly observed montage of animals in captivity—seals, leopards, gorillas, wolves, monkeys, ostriches, and others—Zoo Piece shifts perspective from spectacle to confinement, reflecting on the boundaries between observation and imprisonment.",1.1341,"\u002FAhWblbobzbnGaCJcP38xKYdo06S.jpg",5.8,"53b567d2c3a3685eab000edf",{"adult":4,"backdrop_path":778,"genre_ids":779,"id":780,"title":781,"original_language":782,"original_title":781,"overview":783,"popularity":784,"poster_path":785,"release_date":786,"softcore":4,"video":4,"vote_average":60,"vote_count":96,"credit_id":787,"department":24,"job":336,"media_type":45},"\u002F1g8PDGnkLhgvWBOjSvZxQhhltEg.jpg",[49],280068,"Bullfight in Okinawa","xx","Chris Marker’s Bullfight in Okinawa is a bizarre, 4 min documentary that introduces viewers to Japan’s subterranean past time of bullfighting. Part of Markers five-film “Bestiary” series, Bullfight employs observational documentary techniques and, in particular, Marker’s camerawork is impressive — tight framed shots, free-hand pans, and quick zooms all contribute to the film’s urgent sense of tension — and, if it weren’t for the suspense inducing music, this short-gem would be damn close to pure objective documentary cinema.",0.7672,"\u002F2itXsUFq3y8PLojc8nwjqtXatGX.jpg","1994-07-03","53b56aa40e0a2676bf002b46",{"adult":4,"backdrop_path":32,"genre_ids":789,"id":790,"title":791,"original_language":66,"original_title":791,"overview":792,"popularity":793,"poster_path":32,"release_date":756,"softcore":4,"video":4,"vote_average":42,"vote_count":42,"credit_id":794,"department":24,"job":336,"media_type":45},[49],280060,"Berlin 1990","Berlin 1990 travels the streets and the political landscape of the recently re-unified Berlin. In the tumultuous atmosphere of 1990, we watch Berliners walk through check points manned by soldiers, past street vendors selling sausages and \"actual\" pieces of the Berlin Wall, and watch as they watch the election results come in for another \"new\" Germany.",1.2358,"53b566480e0a2676b8002a5d",{"adult":4,"backdrop_path":796,"genre_ids":797,"id":798,"title":799,"original_language":36,"original_title":800,"overview":801,"popularity":802,"poster_path":32,"release_date":803,"softcore":4,"video":4,"vote_average":775,"vote_count":86,"credit_id":804,"department":24,"job":336,"media_type":45},"\u002Fsd0rHGknRpyEL2XhkKCzv4pakP8.jpg",[49,297],280065,"Theory of Sets","Théorie des ensembles","Made entirely on Roger Wagner's HyperStudio software, Chris Marker explores set theory, using Noah's Ark as an example.",1.016,"1991-07-03","53b5692ac3a3685eb7000f49",{"adult":4,"backdrop_path":32,"genre_ids":806,"id":807,"title":808,"original_language":36,"original_title":808,"overview":809,"popularity":810,"poster_path":811,"release_date":812,"softcore":4,"video":4,"vote_average":813,"vote_count":814,"credit_id":815,"department":24,"job":336,"media_type":45},[],280067,"Slon Tango","An oddly rhythmic and balletic tape emerges from the juxtaposition of an elephant lumbering around his enclosure at the zoo and elegant music by Stravinsky.",0.8233,"\u002FyRNZFxZFJlAAxGEbPQXIgkatgc4.jpg","1993-07-03",3.8,4,"53b56a360e0a2676cf002b11",{"adult":4,"backdrop_path":32,"genre_ids":817,"id":818,"title":819,"original_language":36,"original_title":820,"overview":821,"popularity":822,"poster_path":823,"release_date":812,"softcore":4,"video":4,"vote_average":218,"vote_count":86,"credit_id":824,"department":24,"job":336,"media_type":45},[],280066,"Prime Time in the Camps","Le 20 heures dans les camps","Prime Time in the Camps is one of a series of Chris Marker’s short films on the war in Yugoslavia. Featuring behind-the-scenes footage of the camp’s TV crews in action, with interviews and excerpts from the TV programs, the film captures the importance of grassroots media and the need for people to share their stories.",0.8351,"\u002F86rMm74pgthvcfAWRsJnjhd8DtC.jpg","53b569ea0e0a2676b8002af0",{"adult":4,"backdrop_path":32,"genre_ids":826,"id":827,"title":828,"original_language":36,"original_title":829,"overview":830,"popularity":831,"poster_path":832,"release_date":833,"softcore":4,"video":4,"vote_average":145,"vote_count":108,"credit_id":834,"department":24,"job":336,"media_type":45},[49],220916,"Be Seeing You","À bientôt, j'espère","A documentary look at striking workers in a textile plant in Besançon, France, centering on interviews with workers about their motivations for becoming involved with the union and the struggles of their day to day life.",1.1898,"\u002FupF7XpHYHCwhKhUM3aaZ2aF5Tox.jpg","1968-03-01","53b81b830e0a2676c400794a",{"adult":4,"backdrop_path":32,"genre_ids":836,"id":212,"title":213,"original_language":36,"original_title":213,"overview":214,"popularity":215,"poster_path":216,"release_date":217,"softcore":4,"video":4,"vote_average":218,"vote_count":58,"credit_id":837,"department":24,"job":336,"media_type":45},[49],"53b9368c0e0a2676c70098db",{"adult":4,"backdrop_path":32,"genre_ids":839,"id":840,"title":841,"original_language":36,"original_title":842,"overview":843,"popularity":844,"poster_path":845,"release_date":766,"softcore":4,"video":4,"vote_average":846,"vote_count":108,"credit_id":847,"department":24,"job":336,"media_type":45},[49],280069,"Blue Helmet","Casque bleu","A young man, who served as a peacekeeper in Bosnia and Herzegovina for a few months during the war, recounts his experiences. Throughout the film, we only see his face filmed in close-up, along with a few photos. The interview acts as a strong testimony to the failure of the international community in the Yugoslav crisis.",0.9876,"\u002F1tSiQrgtAIvxyv7MZeYWifMdKz7.jpg",5.4,"53dd23f90e0a265a8a000028",{"adult":4,"backdrop_path":32,"genre_ids":849,"id":850,"title":851,"original_language":66,"original_title":852,"overview":853,"popularity":854,"poster_path":855,"release_date":856,"softcore":4,"video":4,"vote_average":132,"vote_count":814,"credit_id":857,"department":24,"job":336,"media_type":45},[49],284835,"Three Haiku Videos","Trois video haikus","A collection of three short “video haikus” by Chris Marker. Yanka \u002F Tchaika observes the Seine beneath a bridge; Owl Gets in Your Eyes features Catherine Belkhodja with an owl superimposed in flight; and Petite Ceinture pays homage to the Lumière brothers by filming empty train tracks along Paris’s disused railway.",1.1533,"\u002FmZR59BvUqtQkyxQgM888r2Tfsqj.jpg","1994-01-01","53dd295ec3a3686c5100004f",{"adult":4,"backdrop_path":796,"genre_ids":859,"id":798,"title":799,"original_language":36,"original_title":800,"overview":801,"popularity":802,"poster_path":32,"release_date":803,"softcore":4,"video":4,"vote_average":775,"vote_count":86,"credit_id":860,"department":861,"job":862,"media_type":45},[49,297],"53dd23480e0a265a9300001d","Production","Producer",{"adult":4,"backdrop_path":32,"genre_ids":864,"id":850,"title":851,"original_language":66,"original_title":852,"overview":853,"popularity":854,"poster_path":855,"release_date":856,"softcore":4,"video":4,"vote_average":132,"vote_count":814,"credit_id":865,"department":340,"job":341,"media_type":45},[49],"53dd2a42c3a3686c5a00004c",{"adult":4,"backdrop_path":32,"genre_ids":867,"id":850,"title":851,"original_language":66,"original_title":852,"overview":853,"popularity":854,"poster_path":855,"release_date":856,"softcore":4,"video":4,"vote_average":132,"vote_count":814,"credit_id":868,"department":861,"job":862,"media_type":45},[49],"53dd2a3ac3a3686c49000073",{"adult":4,"backdrop_path":870,"genre_ids":871,"id":872,"title":873,"original_language":36,"original_title":873,"overview":874,"popularity":875,"poster_path":876,"release_date":877,"softcore":4,"video":4,"vote_average":878,"vote_count":133,"credit_id":879,"department":24,"job":336,"media_type":45},"\u002FlG2liXY735aRDG6TpjrAAPLvlVV.jpg",[49],284841,"Eclipse","Filmed during the solar eclipse of August 11, 1999, Eclipse observes adults and children across France watching the darkened sky through protective glasses. Marker captures their varied reactions—wonder, curiosity, and indifference—as day briefly turns to night.",0.9574,"\u002FhVQN4E5pHlSvFjDt4Y5gwpEK8Py.jpg","1999-09-01",5.5,"53dd33c4c3a3686c490000b7",{"adult":4,"backdrop_path":455,"genre_ids":881,"id":457,"title":458,"original_language":36,"original_title":459,"overview":460,"popularity":461,"poster_path":462,"release_date":463,"softcore":4,"video":4,"vote_average":58,"vote_count":464,"credit_id":882,"department":522,"job":523,"media_type":45},[49],"53fd7ceec3a3684c83000a2a",{"adult":4,"backdrop_path":884,"genre_ids":885,"id":886,"title":887,"original_language":36,"original_title":887,"overview":888,"popularity":889,"poster_path":890,"release_date":891,"softcore":4,"video":4,"vote_average":892,"vote_count":108,"credit_id":893,"department":24,"job":336,"media_type":45},"\u002F8WrGWteMq8JrRu5gcDJv7XwxlR4.jpg",[49],287929,"Cinétracts","A series of 43 documentary shorts, directed (without credit) by several famous French filmmakers and each running between two and four minutes. Each \"tract\" espouses a leftist political viewpoint through the filmed depiction of real-life events, including workers' strikes and the events of Paris in May '68.",0.8999,"\u002FbkjlTQF8ptOiUGRGjdkcZZZjl6E.jpg","1968-05-31",7.9,"53f5e29d0e0a267f7d0050d9",{"adult":4,"backdrop_path":32,"genre_ids":895,"id":898,"title":899,"original_language":36,"original_title":899,"overview":900,"popularity":901,"poster_path":32,"release_date":902,"softcore":4,"video":4,"vote_average":903,"vote_count":58,"credit_id":904,"department":24,"job":336,"media_type":45},[896,49,897,345],35,28,308692,"Leila Attacks","Chris Marker's cat and rat.",1.1606,"2007-02-09",4.1,"54832e0ac3a36829ae008054",{"adult":4,"backdrop_path":906,"genre_ids":907,"id":908,"title":909,"original_language":910,"original_title":909,"overview":911,"popularity":912,"poster_path":913,"release_date":914,"softcore":4,"video":4,"vote_average":256,"vote_count":108,"credit_id":915,"department":916,"job":917,"media_type":45},"\u002FsFTeclTT554GhWkQG0nDk6bpDPf.jpg",[49],578495,"Lluvia de jaulas","es","Popular neighborhoods that are open-air prisons. Where beauty flirts with violence. The kingdom of the insubordinate children, veterans of the lead. A garden of amputated flowers, which with crutches on their backs, still grow and dance.",1.1285,"\u002FdTrumemqBinkEBzly4SQCU9ezK2.jpg","2019-01-23","653c814e5907de00c495c543","Crew","Thanks",{"adult":4,"backdrop_path":32,"genre_ids":919,"id":595,"title":596,"original_language":36,"original_title":596,"overview":597,"popularity":598,"poster_path":599,"release_date":600,"softcore":4,"video":4,"vote_average":108,"vote_count":96,"credit_id":920,"department":340,"job":341,"media_type":45},[49],"616af1e5ec18790043463ab3",{"adult":4,"backdrop_path":525,"genre_ids":922,"id":527,"title":528,"original_language":36,"original_title":529,"overview":530,"popularity":531,"poster_path":532,"release_date":533,"softcore":4,"video":4,"vote_average":230,"vote_count":297,"credit_id":923,"department":340,"job":341,"media_type":45},[49,124],"61676ae78c22c00044173e69",{"adult":4,"backdrop_path":422,"genre_ids":925,"id":424,"title":425,"original_language":36,"original_title":426,"overview":427,"popularity":428,"poster_path":429,"release_date":430,"softcore":4,"video":4,"vote_average":230,"vote_count":431,"credit_id":926,"department":340,"job":341,"media_type":45},[49],"630443f5ac8e6b0082bf00e4",{"adult":4,"backdrop_path":32,"genre_ids":928,"id":929,"title":930,"original_language":36,"original_title":931,"overview":932,"popularity":933,"poster_path":32,"release_date":934,"softcore":4,"video":4,"vote_average":42,"vote_count":42,"credit_id":935,"department":24,"job":336,"media_type":45},[],895472,"Zapping Zone","Zapping Zone (Proposals for an imaginary television)","Chris Marker’s work, \"Zapping Zone (Proposals for an imaginary television)\" was produced by the Mnam-Centre Pompidou in the framework of the exhibition \"Passages de l’Image\" in 1990. Composed of 13 television sets, 7 computer stations (Apple II GS), 4 luminous displays containing 80 slides and 10 photomontages, this large interactive installation marked the entry of digital script into the art field at the dawn of the World Wide Web. Up until 2007, and Chris Marker’s last presentation before his death, the artist produced endlessly, building up an archive of 183 disks of work.",0.8511,"1990-01-01","618833ab3e2ec8006374d6d6",{"adult":4,"backdrop_path":937,"genre_ids":938,"id":939,"title":940,"original_language":36,"original_title":940,"overview":941,"popularity":942,"poster_path":943,"release_date":944,"softcore":4,"video":4,"vote_average":42,"vote_count":42,"credit_id":945,"department":24,"job":336,"media_type":45},"\u002FkEhnDQJqivh1rz1m3WWpeJp8Un7.jpg",[49,297],334460,"Ouvroir the Movie","A tour of Ouvroir, the virtual museum Chris Marker created in the online world Second Life with collaborator Max Moswitzer. Guided by Marker’s cat avatar, Guillaume-en-Égypte, visitors explore a 3D island of galleries, cinemas, and reading rooms inspired by Bioy Casares’s The Invention of Morel. The film documents this digital extension of Marker’s lifelong exploration of memory, art, and technology.",0.7515,"\u002Fz95STTEkCFfK2swKyvfITzGOfH4.jpg","2010-02-02","55213f15c3a3684dda003b0d",{"adult":4,"backdrop_path":947,"genre_ids":948,"id":949,"title":950,"original_language":36,"original_title":950,"overview":951,"popularity":952,"poster_path":953,"release_date":954,"softcore":4,"video":4,"vote_average":296,"vote_count":897,"credit_id":955,"department":340,"job":341,"media_type":45},"\u002F8HvnYm3tk9nTjxiS1umAduhNzbd.jpg",[49],128700,"Broadway by Light","An experimental meditation on Times Square's marquees and iconic advertising that captures the concurrently seedy and dazzling aspects of New York's Great White Way.",1.1459,"\u002F8pGR50cKGqnPCMHDt77HVwOQxvM.jpg","1958-01-01","6325a9b2db154f0098615d95",{"adult":4,"backdrop_path":957,"genre_ids":958,"id":960,"title":961,"original_language":36,"original_title":962,"overview":963,"popularity":964,"poster_path":965,"release_date":966,"softcore":4,"video":4,"vote_average":967,"vote_count":968,"credit_id":969,"department":356,"job":970,"media_type":45},"\u002FcA8YAm0UHpKuWEO2UzlguG2WHSz.jpg",[345,959],53,60859,"The Confession","L'Aveu","In 1950s communist Czechoslovakia, a government minister, a war veteran long a loyal party man, leads a relatively comfortable life with his wife. However, he soon finds himself under surveillance, then under arrest. Unclear what his offense is, agents for the totalitarian regime interrogate and torture him, aiming to use their unending power to gain a false confession for these supposed crimes against the state.",1.9585,"\u002Fm44QZwZKLq8HqAxhb6VibYj32bC.jpg","1970-04-29",7.329,152,"55be5a33c3a368652600486b","Still Photographer",{"adult":4,"backdrop_path":972,"genre_ids":973,"id":974,"title":975,"original_language":36,"original_title":976,"overview":977,"popularity":978,"poster_path":979,"release_date":980,"softcore":4,"video":4,"vote_average":444,"vote_count":981,"credit_id":982,"department":24,"job":983,"media_type":45},"\u002Fcnl95VtUon66J1PLRPpsgYgwHF7.jpg",[49,288],803,"Night and Fog","Nuit et Brouillard","Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.",5.3965,"\u002F2iWYQia8enOai7QEO3TvenleD7r.jpg","1956-05-22",591,"562d23cfc3a3681b6100876a","Assistant Director",{"adult":4,"backdrop_path":32,"genre_ids":985,"id":986,"title":987,"original_language":36,"original_title":988,"overview":989,"popularity":990,"poster_path":991,"release_date":954,"softcore":4,"video":4,"vote_average":591,"vote_count":60,"credit_id":992,"department":340,"job":341,"media_type":45},[49],358541,"The Sea and the Days","La mer et les jours","Everyday life of fishermen on Brittany's Ile de Sein.",1.5313,"\u002Fa1pq8964Yu5olXixdEHEI7DyLUf.jpg","55ed0a34c3a3682c64010fa1",{"adult":4,"backdrop_path":994,"genre_ids":995,"id":996,"title":997,"original_language":66,"original_title":997,"overview":998,"popularity":999,"poster_path":1000,"release_date":1001,"softcore":4,"video":4,"vote_average":207,"vote_count":60,"credit_id":1002,"department":340,"job":341,"media_type":45},"\u002Fylj9JRZubO6IzyRBXO8P2QIhYrY.jpg",[896,249],166169,"Life and Freaky Times of Uncle Luke","A modern Miami adaptation of the 1962 French short film \"La Jetee\", the film recounts Luke's (Uncle Luke, legendary rapper from the hip-hop group 2 Live Crew) rise to fame as he changes the face of hip-hop and fights for first amendment rights, and later as he ushers Miami into a golden era of peace and prosperity as Mayor. Everything changes when a nuclear meltdown at Turkey Point Power Plant turns Miami into a radioactive wasteland filled with mutants, and Luke is the only survivor left unscathed.",1.0382,"\u002Fr3FGMXqbRZifBIEBrAmHHlaE7Ka.jpg","2012-04-12","56423e13c3a3686a6600036f",{"adult":4,"backdrop_path":1004,"genre_ids":1005,"id":1006,"title":1007,"original_language":1008,"original_title":1009,"overview":1010,"popularity":1011,"poster_path":1012,"release_date":1013,"softcore":4,"video":4,"vote_average":624,"vote_count":269,"credit_id":1014,"department":916,"job":917,"media_type":45},"\u002FkoCp3iuZrRiOmV8bJFpV971zjI5.jpg",[345,464,637],172513,"Green Vinyl","pt","Vinil Verde","A mother gives her daughter a box full of old, coloured little vinyl records. The daughter may listen to them, but she should never, ever, play the green one.",2.3553,"\u002FqNbDRkPM61SaMb7QEd0qoU5cj5d.jpg","2004-11-25","65835b3edf857c51857aaf06",{"adult":4,"backdrop_path":32,"genre_ids":1016,"id":1017,"title":1018,"original_language":36,"original_title":1018,"overview":1019,"popularity":1020,"poster_path":1021,"release_date":1022,"softcore":4,"video":4,"vote_average":58,"vote_count":814,"credit_id":1023,"department":24,"job":336,"media_type":45},[49],344803,"Mémoires pour Simone","A wonderful tribute to the great Simone Signoret by Chris Marker. Rare documentary, made by movie clips and narration, with many lines Simone Signoret wrote for her autobiography 'La nostalgie n'est plus ce qu'elle était' (Nostalgia is not what it was anymore).",0.8213,"\u002Fb351tdHQddYyiD71MXBfRF3M1Cp.jpg","1986-01-01","56afe638c3a368647d00003c",{"adult":4,"backdrop_path":32,"genre_ids":1025,"id":1026,"title":1027,"original_language":36,"original_title":1027,"overview":1028,"popularity":1029,"poster_path":32,"release_date":856,"softcore":4,"video":4,"vote_average":1030,"vote_count":814,"credit_id":1031,"department":24,"job":336,"media_type":45},[49],380684,"Owl Gets in Your Eyes","Part of Chris Marker’s Three Video Haikus series, Owl Gets in Your Eyes observes owls and their young in quiet close-up, capturing their shifting expressions and watchful gaze.",0.8606,5.2,"56afdacfc3a368317e000c5d",{"adult":4,"backdrop_path":32,"genre_ids":1033,"id":1034,"title":1035,"original_language":36,"original_title":1035,"overview":1036,"popularity":1037,"poster_path":32,"release_date":856,"softcore":4,"video":4,"vote_average":1038,"vote_count":579,"credit_id":1039,"department":24,"job":336,"media_type":45},[49],380820,"Tchaïka","Part of Chris Marker’s Three Video Haikus series, Tchaïka is a brief visual meditation showing an overexposed view of a bridge and the river flowing beneath it.",0.9808,4.3,"56b0bd2dc3a36864750027fd",{"adult":4,"backdrop_path":32,"genre_ids":1041,"id":1042,"title":1043,"original_language":36,"original_title":1043,"overview":1044,"popularity":1045,"poster_path":1046,"release_date":856,"softcore":4,"video":4,"vote_average":757,"vote_count":20,"credit_id":1047,"department":24,"job":336,"media_type":45},[49],380823,"Petite Ceinture","Part of Chris Marker’s Three Video Haikus series, Petite Ceinture is a brief visual meditation on Paris’s abandoned circular railway, filmed as an homage to the Lumière brothers.",0.9133,"\u002F3i2WWN2Sg8kG1tp210gX9yw3jqm.jpg","56b0c07f9251415729001f5a",{"adult":4,"backdrop_path":32,"genre_ids":1049,"id":1050,"title":1051,"original_language":66,"original_title":1051,"overview":1052,"popularity":1053,"poster_path":1054,"release_date":1055,"softcore":4,"video":4,"vote_average":108,"vote_count":96,"credit_id":1056,"department":24,"job":336,"media_type":45},[49],932205,"From Chris to Christo","In the fall of 1985, Christo \"packed\" the Pont Neuf. In the space of a week, enthusiasts, critics and curious people drastically change the perception of this place whose presence has never been felt as much as since it was veiled. And that's what Christo wanted.",1.0754,"\u002Fka1OWlt7Y9m1Ore6GPdapgMmovG.jpg","1985-01-01","61f4eddd15794a006914eeeb",{"adult":4,"backdrop_path":884,"genre_ids":1058,"id":886,"title":887,"original_language":36,"original_title":887,"overview":888,"popularity":889,"poster_path":890,"release_date":891,"softcore":4,"video":4,"vote_average":892,"vote_count":108,"credit_id":1059,"department":340,"job":341,"media_type":45},[49],"5713d78ac3a368412200d0b2",{"adult":4,"backdrop_path":1061,"genre_ids":1062,"id":1063,"title":1064,"original_language":36,"original_title":1065,"overview":1066,"popularity":1067,"poster_path":1068,"release_date":1069,"softcore":4,"video":4,"vote_average":145,"vote_count":484,"credit_id":1070,"department":522,"job":523,"media_type":45},"\u002FqoS7oTO7zi9cq4KOxEWT0mYOoV.jpg",[297,249,346],392175,"The Heat of a Thousand Suns","La Brûlure de mille soleils","A young man from the far future, bored by his surroundings, blasts off into space with only his cat and some robots for company. On a distant planet he discovers a serene, tranquil culture and falls in love with a girl.",1.4738,"\u002Ff31qWV2hRAjRyUlJFzzo2JXqtRL.jpg","1965-07-21","5709b91dc3a3681d3a0054dd",{"adult":4,"backdrop_path":32,"genre_ids":1072,"id":1073,"title":1074,"original_language":36,"original_title":1074,"overview":1075,"popularity":1076,"poster_path":32,"release_date":934,"softcore":4,"video":4,"vote_average":42,"vote_count":42,"credit_id":1077,"department":24,"job":336,"media_type":45},[49],1051698,"Détour Ceausescu","After the Romanian Revolution reached its peak during the Christmas Holidays of 1989, Romania’s Communist patriarch and his wife Elena were sentenced to death by a military court and accordingly gunned down. 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Ranging from home movies to political essays, musical sketches to abstract studies, these “little films” form a unique anthology of cinematic moments. 20 Little Films collects a selection of these works, premiering together for the Viennale’s 50th anniversary at the Locarno Film Festival.",1.796,"\u002F4iTM7ASRNdQvFr9MYc5kUZrytMF.jpg","2012-02-13","65e24a10f85958018651bc19",{"adult":4,"backdrop_path":1130,"genre_ids":1197,"id":1132,"title":1133,"original_language":36,"original_title":1134,"overview":1135,"popularity":1136,"poster_path":1137,"release_date":1138,"softcore":4,"video":4,"vote_average":57,"vote_count":897,"credit_id":1198,"department":340,"job":341,"media_type":45},[49,248,345],"65eb70fd6cf3d50184450f67",{"adult":4,"backdrop_path":1200,"genre_ids":1201,"id":1202,"title":1203,"original_language":36,"original_title":1203,"overview":1204,"popularity":1205,"poster_path":1206,"release_date":1207,"softcore":4,"video":4,"vote_average":484,"vote_count":20,"credit_id":1208,"department":522,"job":523,"media_type":45},"\u002Fw8nWQshORj3EsfJvuwiLijul0oD.jpg",[49],433175,"Les Deux mémoires","The Two Memories, “an investigation into Republican and Francoist memories”, in the words of Jorge Semprún, is based on interviews conducted in 1972 in France and Spain, archival footage of the Civil War and newsreels from the Franco period.",1.3293,"\u002FaU4oWrcRrEMtVm1EtvY1kb19Gj9.jpg","1974-02-27","586d2dd5c3a368037b008a38",{"adult":4,"backdrop_path":32,"genre_ids":1210,"id":1211,"title":1212,"original_language":36,"original_title":1212,"overview":298,"popularity":1213,"poster_path":32,"release_date":1214,"softcore":4,"video":4,"vote_average":86,"vote_count":96,"credit_id":1215,"department":24,"job":336,"media_type":45},[],1262256,"Jour de tournage",0.7579,"1969-05-01","65fb310c5be00e01636e021d",{"adult":4,"backdrop_path":1217,"genre_ids":1218,"id":1219,"title":1220,"original_language":36,"original_title":1221,"overview":1222,"popularity":1223,"poster_path":32,"release_date":1224,"softcore":4,"video":4,"vote_average":58,"vote_count":96,"credit_id":1225,"department":340,"job":341,"media_type":45},"\u002FiKpHxiHU1seLUPgb2gZdyCX7iBw.jpg",[49],149299,"The Forbidden Volcano","Le Volcan interdit","Set in Zaire, the film follows an expedition exploring the crater of the Niragongo volcano of the Virunga chain, whose eruptions are known for their violence and their massive lava flows.",0.8539,"1966-01-01","660b78191fd36f01639a2e2d",{"adult":4,"backdrop_path":1130,"genre_ids":1227,"id":1132,"title":1133,"original_language":36,"original_title":1134,"overview":1135,"popularity":1136,"poster_path":1137,"release_date":1138,"softcore":4,"video":4,"vote_average":57,"vote_count":897,"credit_id":1228,"department":861,"job":862,"media_type":45},[49,248,345],"6620aed3e4b576014abbb0ac",{"adult":4,"backdrop_path":1130,"genre_ids":1230,"id":1132,"title":1133,"original_language":36,"original_title":1134,"overview":1135,"popularity":1136,"poster_path":1137,"release_date":1138,"softcore":4,"video":4,"vote_average":57,"vote_count":897,"credit_id":1231,"department":522,"job":523,"media_type":45},[49,248,345],"6620b064ccde040188056c40",{"adult":4,"backdrop_path":32,"genre_ids":1233,"id":1234,"title":1235,"original_language":66,"original_title":1235,"overview":1236,"popularity":1237,"poster_path":1238,"release_date":1239,"softcore":4,"video":4,"vote_average":42,"vote_count":42,"credit_id":1240,"department":522,"job":523,"media_type":45},[49],466633,"Congo Oyé (We Have Come Back)","An absolute unknown work among Marker’s collaborations, made by filmmakers Bill Stephens, Paul and Carole Roussopoulas with Eldridge and Kathleen Cleaver, Congo Oyé was never completed and long-believed lost by all involved.",1.1026,"\u002Fk2NXxPlBtMY8eYWFSUmTbbMDNNn.jpg","1971-06-01","596abefa92514136e701ad9f",{"adult":4,"backdrop_path":1242,"genre_ids":1243,"id":1244,"title":1245,"original_language":36,"original_title":1246,"overview":1247,"popularity":1248,"poster_path":1249,"release_date":1250,"softcore":4,"video":4,"vote_average":484,"vote_count":20,"credit_id":1251,"department":24,"job":336,"media_type":45},"\u002F8MbBPhupx6Q7rtASJ91ldNvxsS4.jpg",[49],482388,"Report on Brazil: Carlos Marighella","On vous parle du Brésil : Carlos Marighella","Made shortly after the death of Brazilian revolutionary Carlos Marighella, this documentary reconstructs his life and political struggle through interviews with friends and comrades. 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