[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F9606:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":12,"birthday":13,"deathday":14,"gender":15,"homepage":16,"id":17,"imdb_id":18,"known_for_department":19,"name":20,"place_of_birth":21,"popularity":22,"profile_path":23,"combined_credits":24,"images":505},false,[6,7,8,9,10,11],"Eduard Tissé","E. Tisse","Edouard Tissé","Edward Tissé","Eduards Tisē","Э. Тиссэ","Eduard Tisse (13 April 1897 – 18 November 1961) was a Soviet cinematographer. In 1921, Tisse became a professor at Gerasimov Institute of Cinematography. His career took off when he worked with director Sergei Eisenstein on the film Strike. Tisse would become Eisenstein's standard cinematographer for the next twenty years.","1897-04-01","1961-11-18",2,null,9606,"nm0005903","Camera","Eduard Tisse","Liepāja, Latvia",0.6831,"\u002F94KdR4OcoEQV5r4rWLSXWwtbOQG.jpg",{"cast":25,"crew":96},[26,43,60,72,86],{"adult":4,"backdrop_path":16,"genre_ids":27,"id":29,"title":30,"original_language":31,"original_title":32,"overview":33,"popularity":34,"poster_path":35,"release_date":36,"softcore":4,"video":4,"vote_average":37,"vote_count":38,"character":39,"credit_id":40,"order":41,"media_type":42},[28],99,394189,"Sergei Eisenstein: Mexican Fantasy","ru","Сергей Эйзенштейн. Мексиканская фантазия","Eisenstein shot 50 hours of footage on location in Mexico in 1931 and 32 for what would have become ¡Que viva México!,  but was not able to finish the film. Following two wildly different reconstruction attempts in 1939 (Marie Seton's 'Time in the Sun') and 1979 (Grigori Alexandrov's '¡Que viva México!') Kovalov has here compiled another hypothetical version of what Eisenstein's film might have been.",0.9342,"\u002FtkqMZR6wSJHNq4ewpNUZOFwuWqp.jpg","1998-02-12",7,5,"Himself","571b95e292514121a000351c",6,"movie",{"adult":4,"backdrop_path":44,"genre_ids":45,"id":48,"title":49,"original_language":31,"original_title":50,"overview":51,"popularity":52,"poster_path":53,"release_date":54,"softcore":4,"video":4,"vote_average":55,"vote_count":56,"character":57,"credit_id":58,"order":59,"media_type":42},"\u002FlcFVMnRPEVpvRDpXlxGfpuz0ik3.jpg",[46,47],18,36,697,"October (Ten Days that Shook the World)","Октябрь","As the Russian monarchy crumbles, conflicts at Petrograd intensify, with Soviet hero V.I. Lenin leading the rebellion that overthrows the tsar's Winter Palace.",1.9237,"\u002Ftsfz9Ak1slSnxr6mSmRD3Wj7YZS.jpg","1928-05-11",6.9,231,"German Soldier","59d3fd0c9251414b7f00620e",8,{"adult":4,"backdrop_path":16,"genre_ids":61,"id":62,"title":63,"original_language":31,"original_title":64,"overview":65,"popularity":66,"poster_path":67,"release_date":68,"softcore":4,"video":4,"vote_average":69,"vote_count":69,"character":70,"credit_id":71,"order":41,"media_type":42},[28],618848,"Sergei Eisenstein","Сергей Эйзенштейн","Documentary made for the 60th anniversary of  Soviet director Sergei Eisenstein.",0.7756,"\u002FcasgWpvNaatCTuzrhPg1pw86mcQ.jpg","1958-01-01",0,"Self (archive footage)","5dc361db5aadc40013212efe",{"adult":4,"backdrop_path":73,"genre_ids":74,"id":75,"title":76,"original_language":77,"original_title":78,"overview":79,"popularity":80,"poster_path":81,"release_date":82,"softcore":4,"video":4,"vote_average":69,"vote_count":69,"character":83,"credit_id":84,"order":85,"media_type":42},"\u002Fzj0G5S9vf6TVlbaD2l7ET8U3xfD.jpg",[28],782504,"Seeking Tisse","lv","Meklējot Tisē","The story of the world-renowned Liepāja-born cinematographer Eduard Tisse, whose wife was convinced it was he who created all the famous films of Sergei Eisenstein. The creators of the film develop the story and cross the lines drawn by biography, trying to understand the magic interaction between a cinematographer and a director, between the cinematographer and the object in front of his camera.",1.1564,"\u002FmE7TvjbsPoziggJETkhGQm1qsW2.jpg","2017-11-11","Self (archival footage)","5ff1a39566e4690041bfc3e9",1,{"adult":4,"backdrop_path":16,"genre_ids":87,"id":88,"title":89,"original_language":31,"original_title":90,"overview":91,"popularity":92,"poster_path":93,"release_date":94,"softcore":4,"video":4,"vote_average":69,"vote_count":69,"character":70,"credit_id":95,"order":15,"media_type":42},[28],904577,"The Magic Beam","Волшебный луч","“The Magic Beam” is a film essay woven together from newsreels and documentary material from different decades, fragments of hundreds of non-fiction and fiction Soviet films of the 1910s-1960s.",0.9841,"\u002FtrpZO9rb3eJ0PJKoKIq6j6QNz7e.jpg","1963-11-01","68bd7e225e0d47b0758cefd6",[97,112,115,128,140,151,162,175,190,201,214,226,239,242,245,258,271,283,296,311,323,334,346,356,359,362,375,385,398,407,415,427,438,442,454,462,471,485,497],{"adult":4,"backdrop_path":98,"genre_ids":99,"id":101,"title":102,"original_language":31,"original_title":103,"overview":104,"popularity":105,"poster_path":106,"release_date":107,"softcore":4,"video":4,"vote_average":108,"vote_count":109,"credit_id":110,"department":19,"job":111,"media_type":42},"\u002F3RH61Z7BP3f215936PJBEG2qQrT.jpg",[46,47,100],10752,643,"Battleship Potemkin","Броненосец Потёмкин","In the midst of the Russian Revolution of 1905, the crew of the battleship Potemkin revolt against the brutal, tyrannical regime of the vessel's officers. The resulting street demonstration in Odessa brings on a police massacre.",6.0105,"\u002FhZmsRLsCnE9Zshf1YJONUpCOhds.jpg","1925-12-24",7.569,1350,"52fe4263c3a36847f801a915","Director of Photography",{"adult":4,"backdrop_path":44,"genre_ids":113,"id":48,"title":49,"original_language":31,"original_title":50,"overview":51,"popularity":52,"poster_path":53,"release_date":54,"softcore":4,"video":4,"vote_average":55,"vote_count":56,"credit_id":114,"department":19,"job":111,"media_type":42},[46,47],"52fe426cc3a36847f801d661",{"adult":4,"backdrop_path":116,"genre_ids":117,"id":118,"title":119,"original_language":31,"original_title":120,"overview":121,"popularity":122,"poster_path":123,"release_date":124,"softcore":4,"video":4,"vote_average":125,"vote_count":126,"credit_id":127,"department":19,"job":111,"media_type":42},"\u002FgciZ1BbYpg7h230eK7Pj1MO14rt.jpg",[46,47,100],10235,"Alexander Nevsky","Александр Невский","When German knights invade Russia, Prince Alexander Nevsky must rally his people to resist the formidable force. After the Teutonic soldiers take over an eastern Russian city, Alexander stages his stand at Novgorod, where a major battle is fought on the ice of frozen Lake Chudskoe. While Alexander leads his outnumbered troops, two of their number, Vasili and Gavrilo, begin a contest of bravery to win the hand of a local maiden.",2.8882,"\u002FlsTJYStIsnddwioD1L4FEmwj4Cx.jpg","1938-11-24",7.055,244,"52fe43479251416c7500a3ed",{"adult":4,"backdrop_path":129,"genre_ids":130,"id":131,"title":132,"original_language":31,"original_title":133,"overview":134,"popularity":135,"poster_path":136,"release_date":137,"softcore":4,"video":4,"vote_average":138,"vote_count":38,"credit_id":139,"department":19,"job":111,"media_type":42},"\u002FtLUa3hcEiL4FwhEQU8IuxYc9RP8.jpg",[100],364851,"In the Mountains of Yugoslavia","В горах Югославии","Yugoslav farmer-turned-partisan Slavko Babić starts an uprising against the fascist Germans and their allies.",1.198,"\u002FoOEoAQsbAkyEvwrWgEdP6QyoPiV.jpg","1946-10-31",5.6,"62a7b82f05b54973b2e6bb2f",{"adult":4,"backdrop_path":16,"genre_ids":141,"id":142,"title":143,"original_language":31,"original_title":144,"overview":145,"popularity":146,"poster_path":147,"release_date":68,"softcore":4,"video":4,"vote_average":148,"vote_count":41,"credit_id":149,"department":19,"job":150,"media_type":42},[28],406325,"Lenin Is Alive","Живой Ленин","The unique film footage collected in this film has preserved some of the moments of Vladimir Lenin's life.",0.6475,"\u002FxQRKhRrlL4BNdXMZ9cZ19J3aOPi.jpg",5.8,"653c49da0fb17f00e5bfbe97","Camera Operator",{"adult":4,"backdrop_path":152,"genre_ids":153,"id":154,"title":155,"original_language":31,"original_title":156,"overview":157,"popularity":158,"poster_path":159,"release_date":160,"softcore":4,"video":4,"vote_average":69,"vote_count":69,"credit_id":161,"department":19,"job":111,"media_type":42},"\u002Fa0B7NJBcTpw9dSmOhjBJ92N1F3u.jpg",[46],673573,"Sickle and Hammer","Серп и молот","A down on his luck peasant goes to fight in World War I and returns home a hero. Partially lost.",0.7498,"\u002FxVv9liWmLCvPK5j7Uo9YwKuQqwJ.jpg","1921-01-01","618d69efa313b8008f509b03",{"adult":4,"backdrop_path":163,"genre_ids":164,"id":165,"title":166,"original_language":31,"original_title":167,"overview":168,"popularity":169,"poster_path":170,"release_date":171,"softcore":4,"video":4,"vote_average":172,"vote_count":173,"credit_id":174,"department":19,"job":111,"media_type":42},"\u002FxvpZnK7HCPPYTYIXaxPbHYDx1Da.jpg",[28],184363,"Kino-Pravda No. 21: Lenin Kino-Pravda. A Film Poem About Lenin","Кино-Правда № 21: Ленинская Кино-Правда. Кинопоэма о Ленине","Dziga Vertov-directed Soviet newsreel made to commemorate the first anniversary of the death of Vladimir Ilich Lenin (21st January 1924 - 1925) drawn from 'The Final Journey', a Pravda feuilleton written on the occasion of Lenin's funeral by the man who had introduced Vertov to cinema, Mikhail Koltsov.  Contains: First anniversary of Lenin's death: 1. Assassination attempt on Lenin and Soviet Russia's progress under his leadership \u002F 2. Lenin's illness, death and funeral \u002F 3. The year after Lenin's death",0.9152,"\u002Fg7uAcosfN254g6daGQVL7VLc7d0.jpg","1925-01-21",5.5,22,"61d385618c22c0006cf7c541",{"adult":4,"backdrop_path":176,"genre_ids":177,"id":179,"title":180,"original_language":31,"original_title":181,"overview":182,"popularity":183,"poster_path":184,"release_date":185,"softcore":4,"video":4,"vote_average":38,"vote_count":186,"credit_id":187,"department":188,"job":189,"media_type":42},"\u002Ftz3SadH3xMsoU26kuHCrkwpPH6f.jpg",[46,178],28,49044,"Aerograd","Аэроград","A Russian outpost in Eastern Siberia comes under threat of attack by the Japanese. Aerograd is a new town with a strategically located airfield of vital interest to the government. Work on the new outpost is complicated when tensions develop between workers and a religious sect. Relations between the two countries are further strained in the days before World War II, dating back to the Russo-Japanese War of 1905.",1.9443,"\u002FxhDKfTtjfV6t8NDJ3st0OoR9EhU.jpg","1935-11-06",19,"5654bec192514145b70000ce","Editing","Editor",{"adult":4,"backdrop_path":16,"genre_ids":191,"id":192,"title":193,"original_language":31,"original_title":194,"overview":195,"popularity":196,"poster_path":16,"release_date":197,"softcore":4,"video":4,"vote_average":69,"vote_count":69,"credit_id":198,"department":199,"job":200,"media_type":42},[28],481402,"Moskva–Karakum–Moskva","Москва — Кара-кум — Москва","",0.6695,"1933-01-01","63575acb9b8616007d5d382d","Directing","Director",{"adult":4,"backdrop_path":202,"genre_ids":203,"id":204,"title":205,"original_language":31,"original_title":206,"overview":207,"popularity":208,"poster_path":209,"release_date":210,"softcore":4,"video":4,"vote_average":211,"vote_count":212,"credit_id":213,"department":19,"job":111,"media_type":42},"\u002FbMvuciIEQKzgz0Xt7cwm2oR3nVR.jpg",[46],44967,"Strike","Стачка","Just before the 1905 Bolshevik Revolution, factory workers strike against their oppressive factory bosses. When a worker is accused of stealing a piece of machinery, he commits suicide, and his colleagues revolt against the overarching Czarist regime. As the strike drags on and government officials grow increasingly desperate to end it, their methods of dealing with the rebellious workers become more and more aggressive.",2.5314,"\u002FmrDTaMxQKxWZ3uEs2G58vJWJDDL.jpg","1925-04-28",7.4,254,"570205d692514154930000cc",{"adult":4,"backdrop_path":16,"genre_ids":215,"id":217,"title":218,"original_language":31,"original_title":219,"overview":220,"popularity":221,"poster_path":222,"release_date":223,"softcore":4,"video":4,"vote_average":224,"vote_count":37,"credit_id":225,"department":19,"job":111,"media_type":42},[47,216],10402,89903,"Man of Music","Композитор Глинка","The young composer Mikhail Glinka performs his new work at a soiree at earl Vielgorsky's house. However, the public is accustomed to Western music, and reacts coldly to the creation of the composer. This makes him very sad, but soon he decides to go learn the art of music in Italy.  After returning from Italy, he is full of desire to write national Russian opera. Vasily Zhukovsky proposes a subject: a feat of Ivan Susanin. Tsar Nicholas I change the name of the opera to A Life for the Tsar and assigns a librettist - Baron Rosen. Acquaintance with the future co-author shocked Glinka: Rosen speaks Russian with a noticeable German accent. The premiere was successful, but Glinka was still not entirely happy with the libretto: \"False words were written by Rosen\".  When Nicholas I learned that Ruslan and Lyudmila was written on Pushkin's subject, he sees it as sedition. The bitter experience of the composer brighten his supporters.",1.6013,"\u002FeCFziLyLgtKtDJvWQwNztnSWDga.jpg","1952-06-06",4.7,"5929e769c3a368787004c3d6",{"adult":4,"backdrop_path":16,"genre_ids":227,"id":228,"title":229,"original_language":230,"original_title":231,"overview":232,"popularity":233,"poster_path":234,"release_date":235,"softcore":4,"video":4,"vote_average":236,"vote_count":237,"credit_id":238,"department":19,"job":111,"media_type":42},[46,28],165978,"Misery and Fortune of Woman","de","Frauennot - Frauenglück","This film shows contrasting views of women with problematic pregnancies and the outcomes resulting when they seek out a back-alley abortionist, a trained and licensed abortion provider in a clinic, or an obstetrician capable of performing a Caesarian Section. The full film appears to be lost, but shortened versions, including one with dialogue scenes added in Germany in 1935, can be found on the internet. Additionally, Eisenstein's role in making the picture remains unclear: did he direct some or all of it, just edit it, or merely leave it to Alexandrov and Tisse to make? Released in the USA 1930 in a 65 minute (5800 ft.) version with English intertitles and a music track under the title BIRTH.",1.2947,"\u002FvobgHh1M2QSazC5hUjaSDB9C9Mx.jpg","1930-02-05",6.5,10,"5944ecd79251413fb100d111",{"adult":4,"backdrop_path":16,"genre_ids":240,"id":228,"title":229,"original_language":230,"original_title":231,"overview":232,"popularity":233,"poster_path":234,"release_date":235,"softcore":4,"video":4,"vote_average":236,"vote_count":237,"credit_id":241,"department":199,"job":200,"media_type":42},[46,28],"5944ebca9251413ff400c7cf",{"adult":4,"backdrop_path":16,"genre_ids":243,"id":228,"title":229,"original_language":230,"original_title":231,"overview":232,"popularity":233,"poster_path":234,"release_date":235,"softcore":4,"video":4,"vote_average":236,"vote_count":237,"credit_id":244,"department":188,"job":189,"media_type":42},[46,28],"5944ec8e9251413fad00d11b",{"adult":4,"backdrop_path":246,"genre_ids":247,"id":248,"title":249,"original_language":31,"original_title":250,"overview":251,"popularity":252,"poster_path":253,"release_date":254,"softcore":4,"video":4,"vote_average":255,"vote_count":256,"credit_id":257,"department":19,"job":111,"media_type":42},"\u002Fohn9zA2dUbVuo4ajx32Em97qvMr.jpg",[46,47],9797,"Ivan the Terrible, Part I","Иван Грозный","Set during the early part of his reign, Ivan faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people.  Sergei Eisenstein's final film, this is the first part of a three-part biopic of Tsar Ivan IV of  Russia, which was never completed due to the producer's dissatisfaction with Eisenstein's attempts to use forbidden experimental filming techniques and excessive cost overruns.  The second part was completed but not released for a decade after Eisenstein's death and a change of heart in the USSR government toward his work; the third part was only in its earliest stage of filming when shooting was stopped altogether.",3.1377,"\u002FrzFWfdq6CXLCnlfXTTZs9W9dMR2.jpg","1944-11-11",7.3,240,"59a97cca925141579902dbd7",{"adult":4,"backdrop_path":259,"genre_ids":260,"id":261,"title":262,"original_language":31,"original_title":263,"overview":264,"popularity":265,"poster_path":266,"release_date":267,"softcore":4,"video":4,"vote_average":268,"vote_count":269,"credit_id":270,"department":19,"job":111,"media_type":42},"\u002Fw634xBnBcTrtBGFB9AZtTE34q4O.jpg",[47,46],43118,"Ivan the Terrible, Part II: The Boyars' Plot","Иван Грозный. Сказ второй: Боярский заговор","This is the second part of a projected three-part epic biopic of Russian Czar Ivan Grozny, undertaken by Soviet film-maker Sergei Eisenstein at the behest of Josef Stalin.  Production of the epic was stopped before the third part could be filmed, due to producer dissatisfaction with Eisenstein's introducing forbidden experimental filming techniques into the material, more evident in this part than the first part.  As it was, this second part was banned from showings until after the deaths of both Eisenstein and Stalin, and a change of attitude by the subsequent heads of the Soviet government.  In this part, as Ivan the Terrible attempts to consolidate his power by establishing a personal army, his political rivals, the Russian boyars, plot to assassinate him.",2.3625,"\u002F9VufNqHN0EIkZAsJIv5vDYIitPo.jpg","1958-10-10",7.341,185,"59a97d9b925141580802fe3b",{"adult":4,"backdrop_path":16,"genre_ids":272,"id":274,"title":275,"original_language":31,"original_title":276,"overview":277,"popularity":278,"poster_path":279,"release_date":280,"softcore":4,"video":4,"vote_average":281,"vote_count":37,"credit_id":282,"department":19,"job":111,"media_type":42},[46,273],27,279405,"The Bear's Wedding","Медвежья свадьба","Konstantin Eggert both directed and starred as Count Shemet, cursed by his insane mother’s traumatic experience with a bear to have seizures during which he himself becomes a “bear” on the kill.",1.1747,"\u002F6DMGbABCyKoywf2JStEZdpyqfOH.jpg","1925-01-02",5.4,"663be36baa7039095b888098",{"adult":4,"backdrop_path":284,"genre_ids":285,"id":288,"title":289,"original_language":31,"original_title":290,"overview":291,"popularity":292,"poster_path":293,"release_date":294,"softcore":4,"video":4,"vote_average":138,"vote_count":237,"credit_id":295,"department":19,"job":111,"media_type":42},"\u002FtWYPCRWsIWwTMdDB4vH9eyg4gcD.jpg",[286,287],10749,35,184508,"Jewish Luck","Еврейское счастье","The story of a Jewish entrepreneur ins Tsarist Russia always look for a get rich quick scheme.",1.4589,"\u002FfkYWzrGrlj8cjMaaSrIyOeLOHNe.jpg","1925-11-12","663bdfd27e58009a57337efe",{"adult":4,"backdrop_path":16,"genre_ids":297,"id":298,"title":299,"original_language":300,"original_title":301,"overview":302,"popularity":303,"poster_path":304,"release_date":305,"softcore":4,"video":4,"vote_average":306,"vote_count":307,"credit_id":308,"department":309,"job":310,"media_type":42},[28],162614,"The Disaster in Oaxaca","es","El desastre en Oaxaca","Footage of the aftermath of the January 14 1931 earthquake in Oaxaca, Mexico.",1.0548,"\u002FA5Tak1RZB2IS6nlmJXUBxlRFAp6.jpg","1931-01-22",6.2,14,"5a04a8e79251416afa002360","Writing","Writer",{"adult":4,"backdrop_path":312,"genre_ids":313,"id":314,"title":315,"original_language":31,"original_title":316,"overview":317,"popularity":318,"poster_path":319,"release_date":320,"softcore":4,"video":4,"vote_average":321,"vote_count":37,"credit_id":322,"department":19,"job":111,"media_type":42},"\u002F761QgdaYbVN6AZspeqCzAFA4iy4.jpg",[46,100],71356,"Meeting on the Elbe","Встреча на Эльбе","Soviet and American soldiers are meeting on the shores of the Elbe river in Germany in 1945.",1.1416,"\u002Fm8vIl5VIp2r6onJScnMUevEi56d.jpg","1949-03-16",4.9,"6652245479b6135a62a6b127",{"adult":4,"backdrop_path":16,"genre_ids":324,"id":325,"title":326,"original_language":31,"original_title":327,"overview":328,"popularity":329,"poster_path":330,"release_date":331,"softcore":4,"video":4,"vote_average":332,"vote_count":173,"credit_id":333,"department":19,"job":111,"media_type":42},[216],125660,"Sentimental Romance","Romance sentimentale","Romance sentimentale is a 1930 French film directed by Grigori Aleksandrov and Sergei M. Eisenstein. A short, experimental, slightly poetic montage of city and abstract images.",0.8291,"\u002FwYjyt5rileczG5boRSqFsxLpPfM.jpg","1931-02-28",6.7,"5af175acc3a36837c8004053",{"adult":4,"backdrop_path":335,"genre_ids":336,"id":337,"title":338,"original_language":339,"original_title":338,"overview":340,"popularity":341,"poster_path":342,"release_date":343,"softcore":4,"video":4,"vote_average":41,"vote_count":344,"credit_id":345,"department":19,"job":111,"media_type":42},"\u002FliQ96utyKMXJp47RbQgdv1vzLNR.jpg",[28],261934,"Time in the Sun","en","Second attempt to create a feature film out of the 200,000-plus feet of film which Soviet film-maker Sergei Eisenstein shot during 1931-32 in Mexico for American socialist author Upton Sinclair, his wife and a small company of investors.  The projected film, to be called \"Que Viva Mexico\", was never completed due to exhaustion of funds and Stalin's demand that Eisenstein return to the USSR (he had been absent since 1929).  The first attempt at editing the footage, in the USA, resulted in \"Thunder Over Mexico\", released in 1934.  In 1940, Marie Seton, from the UK, acquired some of the footage from the Sinclairs in an attempt to make a better cutting according to Eisenstein's skeletal outline for the proposed film.  This film has apparently been lost.",1.0578,"\u002FoW7PRnPCWwaVmzeGIMbaijjF48f.jpg","1940-09-30",3,"5af16d0ec3a36837cc005c69",{"adult":4,"backdrop_path":347,"genre_ids":348,"id":349,"title":350,"original_language":339,"original_title":350,"overview":351,"popularity":352,"poster_path":353,"release_date":354,"softcore":4,"video":4,"vote_average":332,"vote_count":344,"credit_id":355,"department":19,"job":111,"media_type":42},"\u002FwtJwFn24YWkmByCYMLABA8CaF6Q.jpg",[46,28],423847,"Thunder Over Mexico","As was common in Diaz's Mexico, a young hacienda worker finds his betrothed imprisoned and his life threatened by his master for confronting a hacienda guest for raping the girl.  This film is the first of several attempts to make a feature-length motion picture out of the 200,000-plus feet of film shot by Sergei Eisenstein, on photographic expedition in Mexico during 1931-32 for Upton Sinclair and a cadre of private American producer-investors.  Silent with music and English intertitles.",1.0474,"\u002FoRearecGm8vzWHhZmbJtf1V3l6W.jpg","1933-09-22","5af174f30e0a26445e004814",{"adult":4,"backdrop_path":16,"genre_ids":357,"id":298,"title":299,"original_language":300,"original_title":301,"overview":302,"popularity":303,"poster_path":304,"release_date":305,"softcore":4,"video":4,"vote_average":306,"vote_count":307,"credit_id":358,"department":19,"job":111,"media_type":42},[28],"5af175c39251411e9e00415e",{"adult":4,"backdrop_path":16,"genre_ids":360,"id":29,"title":30,"original_language":31,"original_title":32,"overview":33,"popularity":34,"poster_path":35,"release_date":36,"softcore":4,"video":4,"vote_average":37,"vote_count":38,"credit_id":361,"department":19,"job":111,"media_type":42},[28],"5af17470c3a36837cc0060d3",{"adult":4,"backdrop_path":363,"genre_ids":364,"id":365,"title":366,"original_language":31,"original_title":367,"overview":368,"popularity":369,"poster_path":370,"release_date":371,"softcore":4,"video":4,"vote_average":372,"vote_count":373,"credit_id":374,"department":19,"job":111,"media_type":42},"\u002FnnxPFfZ5GAApA6Ww0zeMDOJIOvo.jpg",[28,46],63107,"¡Qué Viva México!","Да здравствует Мексика!","Having revolutionized film editing through such masterworks of montage as Potemkin and Strike, Soviet director Sergei Eisenstein emigrated West in hopes of testing the capabilities of the American film industry. Quickly ostracized from Hollywood, Eisenstein, Grigory Alexandrov, and photographer Eduard Tisse (at the urging of author Upton Sinclair) wandered south of the border, where they began filming a highly stylized documentary about the people and volatile social climate of Mexico. Unfortunately, a lack of funds prohibited the film's completion, and the famed director was unable to edit the film. In 1979, by referring to Eisenstein's extensive notes and sketches, Alexandrov assembled the most definitive version of the film; as close to Eisenstein's vision as one is ever likely to see.",1.4652,"\u002FyBlXOXozag5OGsNM9LEl8YPA4HY.jpg","1979-10-01",6.795,56,"5af17496c3a36837b100660f",{"adult":4,"backdrop_path":376,"genre_ids":377,"id":378,"title":379,"original_language":339,"original_title":379,"overview":380,"popularity":381,"poster_path":382,"release_date":383,"softcore":4,"video":4,"vote_average":41,"vote_count":59,"credit_id":384,"department":19,"job":111,"media_type":42},"\u002FcpJAsPVecd8lluXmqGFgA28XpSW.jpg",[28],394479,"Death Day","During his adventure in Mexico, Sergei Eisenstein made footage of a Mexican \"Death Day\" celebration for inclusion in his \"Que Viva Mexico!\" film project.  When the 200,000-plus feet of film he eventually exposed in Mexico was first attempted to be made into a feature film, \"Thunder Over Mexico\", the producers excluded the Death Day material for subsequent compilation as an independent short subject.  Silent with music track and explanatory English intertitles.",0.9473,"\u002FiCmtAuuWyiPxYrwBRX7a6kehJYv.jpg","1934-06-26","5af174d80e0a26443f003e50",{"adult":4,"backdrop_path":386,"genre_ids":387,"id":388,"title":389,"original_language":31,"original_title":390,"overview":391,"popularity":392,"poster_path":393,"release_date":394,"softcore":4,"video":4,"vote_average":395,"vote_count":396,"credit_id":397,"department":19,"job":111,"media_type":42},"\u002FtF2OHtIQkN4Y5D7xuy3S2ZuRM9k.jpg",[46],110741,"The General Line","Старое и новое","100.000.000 peasants – illiterate, poor, hungry. There comes a day when one woman decides that she can live the old life no longer. Using ways of new Soviet state and industrial progress, she changes the lives and labours of her village.",1.2267,"\u002F6sSikOdXU9Aiwkwfjrm9iT4fH1N.jpg","1929-09-25",6.4,48,"648ee6d4c3c891010ca555a5",{"adult":4,"backdrop_path":16,"genre_ids":399,"id":400,"title":401,"original_language":77,"original_title":401,"overview":195,"popularity":402,"poster_path":403,"release_date":404,"softcore":4,"video":4,"vote_average":405,"vote_count":15,"credit_id":406,"department":19,"job":111,"media_type":42},[100,46],207279,"Mājup ar uzvaru",1.4642,"\u002F5Cfsw5LVt6JBk08nb2N5cUzuYaI.jpg","1948-06-08",9,"5fe7f5b907a80800408b3d2c",{"adult":4,"backdrop_path":16,"genre_ids":408,"id":409,"title":410,"original_language":31,"original_title":410,"overview":195,"popularity":411,"poster_path":412,"release_date":413,"softcore":4,"video":4,"vote_average":37,"vote_count":85,"credit_id":414,"department":19,"job":111,"media_type":42},[46],1062777,"Старец Василий Грязнов",0.7651,"\u002FtiUTZVsjdY5Gle5uQGIKHsfeNVP.jpg","1924-12-01","68580e8899af476d48398e9f",{"adult":4,"backdrop_path":416,"genre_ids":417,"id":419,"title":420,"original_language":31,"original_title":421,"overview":422,"popularity":423,"poster_path":424,"release_date":425,"softcore":4,"video":4,"vote_average":281,"vote_count":237,"credit_id":426,"department":19,"job":111,"media_type":42},"\u002FhmkjzkbzpdxV9r4ceNH5rORQ0l0.jpg",[418,46],878,345071,"Silvery Dust","Серебристая пыль","An American scientist invents a new weapon of mass destruction - silver dust. Corporate war breaks out between two military industry giants to own the weapon. The scientist dies and his son makes the discovery public with more consequences.",1.1967,"\u002FsiD6Fq3LTDkfChGHablBk0rOB1w.jpg","1953-10-18","686519701df47c80c9eef8f6",{"adult":4,"backdrop_path":428,"genre_ids":429,"id":430,"title":431,"original_language":31,"original_title":432,"overview":433,"popularity":434,"poster_path":435,"release_date":436,"softcore":4,"video":4,"vote_average":224,"vote_count":41,"credit_id":437,"department":19,"job":111,"media_type":42},"\u002Fxmc6QogeUoNaj4kt04BbBcPQvdu.jpg",[100,46],320282,"The Immortal Garrison","Бессмертный гарнизон","In June of 1941, at the outset of the Nazi invasion of Russia, a group of Soviet servicemen languidly biding their time at the Brest fortress on the Polish border, are suddenly galvanized into action. All desires to return home to their wives and sweethearts are swept aside as the courageous garrison unites to thwart a common enemy.",1.1787,"\u002F5EGEiV25yt0xfVTGuTyRJLbegun.jpg","1956-01-21","688fd0a9029d6274b4261cf9",{"adult":4,"backdrop_path":428,"genre_ids":439,"id":430,"title":431,"original_language":31,"original_title":432,"overview":433,"popularity":434,"poster_path":435,"release_date":436,"softcore":4,"video":4,"vote_average":224,"vote_count":41,"credit_id":440,"department":199,"job":441,"media_type":42},[100,46],"688fd0b14e48d92f2261f032","Co-Director",{"adult":4,"backdrop_path":443,"genre_ids":444,"id":445,"title":446,"original_language":300,"original_title":447,"overview":448,"popularity":449,"poster_path":450,"release_date":451,"softcore":4,"video":4,"vote_average":452,"vote_count":307,"credit_id":453,"department":19,"job":111,"media_type":42},"\u002FuZOVjF5GTJe388BUPfz0VwJEaUa.jpg",[28],616038,"Hurray Mexico!","¡Que Viva Mexico!","Unedited film that Sergei Eisenstein, Grigoriy Aleksandrov and Eduard Tisse shot in Mexico 1931-32. This record only represents the 200,000-plus feet of unedited film that Sergei Eisenstein, Grigoriy Aleksandrov and Eduard Tisse shot in Mexico 1931\u002F32 for Mary and Upton Sinclair and three American co-financiers. It was Eisenstein's vision to end up with movie about Mexico in six parts called \"Calavera\", \"Sandunga\", \"Maguey\", \"Fiesta\", \"Soldadera\", and \"Epilogue\". The project was canceled before it was completed due to cost overruns and months-delayed completion, and the producers refused to let Eisenstein attempt to edit anything from the material he had finished after Iosif Stalin called him back to the USSR. From this footage the following pictures were subsequently edited by other hands: Thunder Over Mexico (1933), Eisenstein in Mexico (1933), Death Day (1934), Time in the Sun (1940), and Que Viva Mexico (1979).",0.7248,"\u002FdNfI9Jiv8TyYuGi3wFqVAgiIshu.jpg","1932-12-31",7.1,"68bc36f9b657aeb10a1f4ccc",{"adult":4,"backdrop_path":16,"genre_ids":455,"id":456,"title":457,"original_language":77,"original_title":457,"overview":195,"popularity":458,"poster_path":459,"release_date":460,"softcore":4,"video":4,"vote_average":69,"vote_count":69,"credit_id":461,"department":199,"job":200,"media_type":42},[28],1621317,"Latvijas Republikas 5 gadu pastāvēšanas svinības Rīgā",0.7966,"\u002Fo3gfNJsPtNARmRkUdTRZzGO9vU0.jpg","1923-01-01","6972a1d95824c55e9d942668",{"adult":4,"backdrop_path":16,"genre_ids":463,"id":464,"title":465,"original_language":31,"original_title":466,"overview":467,"popularity":468,"poster_path":16,"release_date":469,"softcore":4,"video":4,"vote_average":69,"vote_count":69,"credit_id":470,"department":19,"job":150,"media_type":42},[28],1695040,"Internationale","Интернационал","On the 15th anniversary of October. Covers the period from November 7, 1917, to November 7, 1932. The main character is a fifteen-year-old Komsomol member.",0.8962,"1933-04-30","6a063286c887ebd8e82dd662",{"adult":4,"backdrop_path":472,"genre_ids":473,"id":474,"title":475,"original_language":476,"original_title":477,"overview":478,"popularity":479,"poster_path":480,"release_date":481,"softcore":4,"video":4,"vote_average":59,"vote_count":85,"credit_id":482,"department":483,"job":484,"media_type":42},"\u002Fe7fboGr71yAZvNgrvxbATwUZM7v.jpg",[28,47],1745103,"Funeral of Pyotr Kropotkin","xx","Похороны Петра Кропоткина","historical footage capturing the funeral of Pyotr Kropotkin, the world-famous Russian revolutionary, philosopher, and theorist of anarcho-communism, held in Moscow on February 13, 1921. The documentary showcases the massive funeral procession from the Hall of Columns to the Novodevichy Cemetery, featuring thousands of mourners, black anarchist banners, and prominent political figures.",0.8718,"\u002FA8pJgoGZjb3x52mgFS4BRjMLHv5.jpg","1921-02-13","6a75c98c3ee731bbe9c04985","Crew","Cinematography",{"adult":4,"backdrop_path":486,"genre_ids":487,"id":488,"title":489,"original_language":31,"original_title":490,"overview":491,"popularity":492,"poster_path":493,"release_date":494,"softcore":4,"video":4,"vote_average":148,"vote_count":495,"credit_id":496,"department":19,"job":150,"media_type":42},"\u002FBoZjobyzal6bJkwLFLJg5shz8J.jpg",[46,286],72629,"Autumn","Осень","In their youth, they loved each other, but broke up. Ilya got married, became a doctor, Sasha learned to become an engineer, got married. And now they are together again, at a small, deaf station. They introduced themselves as husband and wife. In fact, while he is married to another, and she has the experience of a failed marriage. For eight days they will be in a remote stop where no one knows them and no one will interfere with love...",1.4245,"\u002F9CMXKJ0AGuvOXbCuncKKLthU2eu.jpg","1974-09-19",11,"6a969fdc297617909cc85ca5",{"adult":4,"backdrop_path":16,"genre_ids":498,"id":499,"title":500,"original_language":339,"original_title":500,"overview":501,"popularity":502,"poster_path":16,"release_date":503,"softcore":4,"video":4,"vote_average":69,"vote_count":69,"credit_id":504,"department":483,"job":484,"media_type":42},[],1784308,"Idols Behind Altars: A Poetic Reverie for Anita Brenner","Famed Russian revolutionary film director Sergei Eisenstein traveled to Mexico in December 1930 to experience firsthand its “geographical, ethnological, cultural and historical diversity” and to make the feature film known to the world as ¡QUE VIVA MÉXICO! After shooting 200,000 feet of 35mm film footage, drawing hundreds of outlandish sketches and writing volumes of theoretical texts, he departed in April 1932 without a completed film. We will never know what Eisenstein might have edited given the chance — perhaps he did not know himself — but we can show you what he actually directed and shot in Mexico. IDOLS BEHIND ALTARS is a two-screen rearrangement of images from Jay Leyda’s 1955 genre-breaking EISENSTEIN’S MEXICAN FILM: EPISODES FOR STUDY, now newly restored and featuring a new score by Paul D. Miller, a.k.a. DJ Spooky.",1.2436,"2026-05-23","6abd361710d41a82a60a315c",{"profiles":506},[507],{"aspect_ratio":508,"height":509,"iso_3166_1":16,"iso_639_1":16,"file_path":23,"vote_average":69,"vote_count":69,"width":510},0.667,450,300]