[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F95568:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":7,"birthday":8,"deathday":9,"gender":10,"homepage":11,"id":12,"imdb_id":13,"known_for_department":14,"name":15,"place_of_birth":16,"popularity":17,"profile_path":18,"combined_credits":19,"images":550},false,[6],"彼得·沃特金","Peter Watkins (29 October 1935 – 30 October 2025) was an English filmmaker, documentarian, writer and film theorist. He is known as a pioneer of the docudrama and the mockumentary genres, typically with heavy political content. His films present pacifist and radical ideas in a nontraditional style. He mainly concentrated his works and ideas around the mass media and viewers' relation\u002Fparticipation to a movie or television documentary.\n\nNearly all of Watkins' films have used a combination of dramatic and documentary elements to dissect historical occurrences or possible near future events. The first of these, Culloden, portrayed the Jacobite uprising of 1745 in a documentary style, as if television reporters were interviewing the participants and accompanying them into battle; a similar device was used in his biographical film Edvard Munch. La Commune (Paris, 1871) reenacts the Paris Commune days using a large cast of French non-actors.\n\nIn 2004 he also wrote a book, Media Crisis, an engaged essay about the media crisis, the monoform and, foremost, the lack of debate around the construction of new forms of audiovisual media.\n\nDescription above from the Wikipedia article Peter Watkins, licensed under CC-BY-SA,full list of contributors on Wikipedia.","1935-10-29","2025-10-30",2,"http:\u002F\u002Fpwatkins.mnsi.net",95568,"nm0914386","Directing","Peter Watkins","Norbiton, Surrey, England, UK",0.7835,"\u002Ft4MXahz5AJqEHXnZ4cOIORA1sRV.jpg",{"cast":20,"crew":202},[21,39,53,69,84,98,114,126,140,149,159,168,178,187],{"adult":4,"backdrop_path":22,"genre_ids":23,"id":26,"title":27,"original_language":28,"original_title":27,"overview":29,"popularity":30,"poster_path":31,"release_date":32,"softcore":4,"video":4,"vote_average":33,"vote_count":34,"character":35,"credit_id":36,"order":37,"media_type":38},null,[24,25],99,36,246916,"The Universal Clock: The Resistance of Peter Watkins","en","This feature documentary is a portrait of Peter Watkins, an Oscar®-winning British filmmaker who, for the past 4 decades, has proved that films can be made without compromise. With the proliferation of TV channels, documentaries are enjoying an unprecedented boom fuelled by audiences seeking an alternative to infotainment. But now documentary filmmaking, too, finds itself constrained by the imperatives of television. However, there is a rebel resisting this uniformity of the spirit. Pre-eminent among today's documentary filmmakers concerned about this mind-numbing standardization, Peter Watkins has never strayed from either his principles or the cause.",0.9461,"\u002Fxq8AQEA8HTidin81q4WJFJvmoAx.jpg","2001-09-07",6.4,7,"Himself","6159d900b1f68d0044463f64",1,"movie",{"adult":4,"backdrop_path":40,"genre_ids":41,"id":42,"title":43,"original_language":28,"original_title":44,"overview":45,"popularity":46,"poster_path":47,"release_date":48,"softcore":4,"video":4,"vote_average":49,"vote_count":34,"character":50,"credit_id":51,"order":52,"media_type":38},"\u002Fgq3w5lyhK5tyGR0Jck1yvAGQca2.jpg",[24],264368,"The Journey","Resan","Peter Watkins' global look at the impact of military use of nuclear technology and people's perception of it, as well as a meditation on the inherent bias of the media, and documentaries themselves.",1.1249,"\u002FaaA8U8wJhkeijMjbfkzmEAOdiTa.jpg","1987-02-24",4.6,"Narrator \u002F Self","61a2a6c4dcb6a3004482c686",0,{"adult":4,"backdrop_path":54,"genre_ids":55,"id":58,"title":59,"original_language":60,"original_title":59,"overview":61,"popularity":62,"poster_path":63,"release_date":64,"softcore":4,"video":4,"vote_average":65,"vote_count":66,"character":67,"credit_id":68,"order":10,"media_type":38},"\u002FmyKJ6PaZTzK4IWE5yifXvnfMkUT.jpg",[56,25,57],10770,18,50254,"Edvard Munch","no","Edvard Munch's childhood is overshadowed by death: he suffers the loss of his sister and mother, while enduring serious illness himself, almost dying. At university, Munch discovers his talent as a painter. As he immerses himself in the art world, he becomes part of a cultural revolution led by the likes of nihilist Hans Jæger.",2.0043,"\u002FaXAkJld5UTIa0nijWvDm7DcyBe0.jpg","1974-11-12",7.3,81,"Narrator (voice)","64a2e98e8e20c500ae131bee",{"adult":4,"backdrop_path":70,"genre_ids":71,"id":73,"title":74,"original_language":28,"original_title":74,"overview":75,"popularity":76,"poster_path":77,"release_date":78,"softcore":4,"video":4,"vote_average":79,"vote_count":80,"character":81,"credit_id":82,"order":83,"media_type":38},"\u002FoqKfIArX3RcHdHot8tDE0NHFxH5.jpg",[57,72],53,26513,"Punishment Park","In this fictional documentary, U.S. prisons are at capacity, and President Nixon declares a state of emergency. All new prisoners, most of whom are connected to the antiwar movement, are now given the choice of jail time or spending three days in Punishment Park, where they will be hunted for sport by federal authorities. The prisoners invariably choose the latter option, but learn that, between the desert heat and the brutal police officers, their chances of survival are slim.",4.1463,"\u002FfPGnMnp80ycqUHdgP1T3nzCyYKe.jpg","1971-10-01",7.296,221,"Documentarist (uncredited)","64a2f4a2e9da69010146ef13",57,{"adult":4,"backdrop_path":85,"genre_ids":86,"id":88,"title":89,"original_language":28,"original_title":89,"overview":90,"popularity":91,"poster_path":92,"release_date":93,"softcore":4,"video":4,"vote_average":94,"vote_count":95,"character":96,"credit_id":97,"order":10,"media_type":38},"\u002FsoIpQdRz2HzTyRl8zZemGgeaH8h.jpg",[87,56],10752,26508,"The War Game","A hypothetical Chinese invasion of South Vietnam triggers a new world war between East and West. In Rochester, Kent, the anticipation of a nuclear attack leads to mass evacuations. When a stray missile explodes, the ensuing firestorm blinds all those who see it. It's not long before the fabric of society is ripped apart from radiation poisoning, a lack of infrastructure and rioting for food and other necessities.",1.9791,"\u002FpuJGNnrAPOv3BUMI9mKlCJp3UrQ.jpg","1966-04-13",7.7,196,"Documentist (uncredited)","567142cd9251416ab4002394",{"adult":4,"backdrop_path":99,"genre_ids":100,"id":101,"title":102,"original_language":103,"original_title":104,"overview":105,"popularity":106,"poster_path":107,"release_date":108,"softcore":4,"video":4,"vote_average":109,"vote_count":110,"character":111,"credit_id":112,"order":113,"media_type":38},"\u002FwAipxiqgUqultGyLebX2j0UOvJp.jpg",[25,57],255988,"The Freethinker","sv","Fritänkaren","The film portrays the Swedish playwright, novelist, poet, essayist and painter August Strindberg's life 1849-1912. Through his extensive correspondence and literary production, from the supposed first work, the drama \"The Free Thinker\" (1869), to the posthumously published \"The Occult Diary\" (published 1977 ). But also his three wives, Siri von Essen, Frida Uhl and Harriet Bosse, and the children Karin, Greta and Hans are given space in the film. The unpublished first drama \"The Free Thinker\", depicts a young man forced to break with family and tradition to follow his conscience and ideals, becomes a prophecy about the author's own life.",1.814,"\u002FtOChCwI9kxvycl2fAj9iTf8uwF6.jpg","1994-09-03",7.1,9,"Policeman","57eb034a9251415013000758",38,{"adult":4,"backdrop_path":115,"genre_ids":116,"id":117,"title":118,"original_language":28,"original_title":118,"overview":119,"popularity":120,"poster_path":121,"release_date":122,"softcore":4,"video":4,"vote_average":123,"vote_count":124,"character":67,"credit_id":125,"order":37,"media_type":38},"\u002FkhGz2uHwVRfsAjeKekUmj0ycKls.jpg",[24,57,87],63194,"The Diary of an Unknown Soldier","A short story narrated by an unknown British soldier who reveals his hopes, fears, and disillusionment while heading into battle against the German army.",0.812,"\u002FjxmHI2QV2xw12o519sULHd4jht8.jpg","1959-01-02",6.5,20,"591865d492514159c1043ef3",{"adult":4,"backdrop_path":127,"genre_ids":128,"id":129,"title":130,"original_language":28,"original_title":130,"overview":131,"popularity":132,"poster_path":133,"release_date":134,"softcore":4,"video":4,"vote_average":135,"vote_count":136,"character":137,"credit_id":138,"order":139,"media_type":38},"\u002F4RZijMThT2PwZogE4pN4Lj96fDX.jpg",[56,87,25,57],61302,"Culloden","Culloden, Scottish Highlands, April 16th, 1746. It was one of the most mishandled and brutal battles ever fought in Great Britain. Its aftermath was tragic. The men responsible for such a disaster must be exposed. The men, women and children who suffered because of it must be remembered.",1.3134,"\u002FhptZ0wiHRbQqODlfrOcnWAQpA6v.jpg","1964-12-15",7.4,58,"Field Interviewer (voice) (uncredited)","59917e67925141435300d4dd",6,{"adult":4,"backdrop_path":22,"genre_ids":141,"id":142,"title":143,"original_language":28,"original_title":143,"overview":144,"popularity":145,"poster_path":146,"release_date":147,"softcore":4,"video":4,"vote_average":52,"vote_count":52,"character":35,"credit_id":148,"order":52,"media_type":38},[],1507269,"Introduction to Punishment Park","An introductory video to Punishment Park featuring Peter Watkins.",0.8349,"\u002F914TG3C0FBvI6ZHto1cQLEFtvM2.jpg","2004-01-01","6865458661fb1fda4c414caa",{"adult":4,"backdrop_path":22,"genre_ids":150,"id":151,"title":152,"original_language":28,"original_title":152,"overview":153,"popularity":154,"poster_path":155,"release_date":156,"softcore":4,"video":4,"vote_average":52,"vote_count":52,"character":157,"credit_id":158,"order":52,"media_type":38},[24],422021,"The Role of a Lifetime","The Role of a Lifetime raises questions about the ethical and social responsibilities of the artist and about the relationship between cinematic representation and historical record. Narkevicius's film emphasises the value of doubt and the impossibility of objectivity, while providing an intimate portrait of one of Britain's most distinguished and original filmmakers, Peter Watkins.",0.773,"\u002FjoWZF2L3tPAejcDb4g3zY7DRv7k.jpg","2003-01-01","Self","69050321ea482b28582fdf91",{"adult":4,"backdrop_path":22,"genre_ids":160,"id":161,"title":162,"original_language":28,"original_title":162,"overview":163,"popularity":164,"poster_path":22,"release_date":165,"softcore":4,"video":4,"vote_average":166,"vote_count":37,"character":157,"credit_id":167,"order":52,"media_type":38},[24],1611735,"Making Reel History","Peter Watkins recounts the short-lived, happy period making his classic documentary Culloden and discusses, as he sees it, the tragic decline television has taken since it was made.",1.2382,"2006-07-03",8,"695eaf68568690802c4f01de",{"adult":4,"backdrop_path":22,"genre_ids":169,"id":170,"title":171,"original_language":28,"original_title":171,"overview":172,"popularity":173,"poster_path":174,"release_date":175,"softcore":4,"video":4,"vote_average":52,"vote_count":52,"character":176,"credit_id":177,"order":52,"media_type":38},[24],1705667,"The War Game at Cinecity","When Peter Watkins’ banned nuclear war masterpiece \"The War Game\" reached Toronto in 1967, it found an unlikely home at Cinecity, a new cinema determined to challenge audiences. Drawing on archival research and eyewitness accounts, this documentary explores the film’s enduring impact and the role Cinecity played in shaping Canadian film culture.",0.8931,"\u002FobQVQ1y3gcgLeUsD3vSEAuNQHCx.jpg","2026-07-07","Self (Archival footage)","6a1c65c0aa32415cbf1e1e02",{"adult":4,"backdrop_path":22,"genre_ids":179,"id":180,"title":181,"original_language":28,"original_title":181,"overview":182,"popularity":183,"poster_path":22,"release_date":184,"softcore":4,"video":4,"vote_average":52,"vote_count":52,"character":185,"credit_id":186,"order":52,"media_type":38},[],1751548,"Peter Watkins and the Playcraft Film Unit","The documentary, 'Peter Watkins and the Playcraft Film Unit' (2017) by Tim Jones focuses upon the five amateur films produced between 1957 and 1962 by Peter Watkins and Playcraft, a Canterbury-based amateur drama group. These amateur films proved to be vital in the development of Peter’s directorial approach, use of historical reconstruction and newsreel style, which would later feature in his Academy Award winning film, The War Game.",0.7541,"2017-11-15","","6a837e611610cbc6203da189",{"adult":4,"backdrop_path":188,"genre_ids":189,"id":190,"origin_country":191,"original_language":193,"original_name":194,"overview":185,"popularity":195,"poster_path":196,"first_air_date":197,"softcore":4,"name":194,"vote_average":198,"vote_count":10,"character":157,"credit_id":199,"episode_count":37,"first_credit_air_date":200,"media_type":201},"\u002FcB7Pu89RjN2DfAdNUgXrQqYEEhF.jpg",[24],272018,[192],"FR","fr","Reflets de Cannes",7.7305,"\u002Fo5CYSyQHeuhMHMN7YKzxjPbbMnJ.jpg","1954-03-25",5,"66edfb344a7f0b18b025d0af","1967-05-10","tv",[203,207,212,215,218,230,233,236,240,254,265,268,280,283,295,298,310,321,324,327,330,335,340,345,357,360,363,366,369,374,377,381,384,387,391,394,397,400,403,413,416,419,422,431,434,438,441,444,447,450,453,462,465,468,478,489,495,508,512,516,520,533,537,541,546],{"adult":4,"backdrop_path":85,"genre_ids":204,"id":88,"title":89,"original_language":28,"original_title":89,"overview":90,"popularity":91,"poster_path":92,"release_date":93,"softcore":4,"video":4,"vote_average":94,"vote_count":95,"credit_id":205,"department":14,"job":206,"media_type":38},[87,56],"52fe4507c3a368484e0445dd","Director",{"adult":4,"backdrop_path":70,"genre_ids":208,"id":73,"title":74,"original_language":28,"original_title":74,"overview":75,"popularity":76,"poster_path":77,"release_date":78,"softcore":4,"video":4,"vote_average":79,"vote_count":80,"credit_id":209,"department":210,"job":211,"media_type":38},[57,72],"52fe4507c3a368484e04469f","Writing","Screenplay",{"adult":4,"backdrop_path":70,"genre_ids":213,"id":73,"title":74,"original_language":28,"original_title":74,"overview":75,"popularity":76,"poster_path":77,"release_date":78,"softcore":4,"video":4,"vote_average":79,"vote_count":80,"credit_id":214,"department":14,"job":206,"media_type":38},[57,72],"52fe4507c3a368484e044691",{"adult":4,"backdrop_path":127,"genre_ids":216,"id":129,"title":130,"original_language":28,"original_title":130,"overview":131,"popularity":132,"poster_path":133,"release_date":134,"softcore":4,"video":4,"vote_average":135,"vote_count":136,"credit_id":217,"department":14,"job":206,"media_type":38},[56,87,25,57],"52fe464dc3a368484e089567",{"adult":4,"backdrop_path":219,"genre_ids":220,"id":221,"title":222,"original_language":193,"original_title":222,"overview":223,"popularity":224,"poster_path":225,"release_date":226,"softcore":4,"video":4,"vote_average":227,"vote_count":228,"credit_id":229,"department":14,"job":206,"media_type":38},"\u002FfvitJlMQHTpBY5HuFSLPvwNbdoi.jpg",[87,57,25],63195,"La Commune (Paris, 1871)","In 1871, a journalist for Versailles Television broadcasts a soothing and official view of events while a Commune television is set up to provide the perspectives of the Paris rebels. On a stage-like set, more than 200 actors interpret denizens of the Commune, especially the Popincourt neighborhood in the XIth arrondissement. They voice thoughts and feelings concerning the social and political reforms.",1.9123,"\u002Frz39nFOxbeHAHx56ac4ao27OJbw.jpg","2003-07-03",7.6,46,"52fe469fc3a368484e09ac73",{"adult":4,"backdrop_path":115,"genre_ids":231,"id":117,"title":118,"original_language":28,"original_title":118,"overview":119,"popularity":120,"poster_path":121,"release_date":122,"softcore":4,"video":4,"vote_average":123,"vote_count":124,"credit_id":232,"department":14,"job":206,"media_type":38},[24,57,87],"52fe469fc3a368484e09ac69",{"adult":4,"backdrop_path":54,"genre_ids":234,"id":58,"title":59,"original_language":60,"original_title":59,"overview":61,"popularity":62,"poster_path":63,"release_date":64,"softcore":4,"video":4,"vote_average":65,"vote_count":66,"credit_id":235,"department":14,"job":206,"media_type":38},[56,25,57],"52fe47c0c3a36847f8146693",{"adult":4,"backdrop_path":54,"genre_ids":237,"id":58,"title":59,"original_language":60,"original_title":59,"overview":61,"popularity":62,"poster_path":63,"release_date":64,"softcore":4,"video":4,"vote_average":65,"vote_count":66,"credit_id":238,"department":210,"job":239,"media_type":38},[56,25,57],"52fe47c0c3a36847f8146699","Writer",{"adult":4,"backdrop_path":241,"genre_ids":242,"id":244,"title":245,"original_language":103,"original_title":246,"overview":247,"popularity":248,"poster_path":249,"release_date":250,"softcore":4,"video":4,"vote_average":251,"vote_count":252,"credit_id":253,"department":14,"job":206,"media_type":38},"\u002FvUalAhabaQJl7hzIzbVFKHFwwap.jpg",[87,243,57],878,54919,"The Gladiators","Gladiatorerna","Some time in the future, East and West have stopped maintaining standing armies and nuclear weapons. Instead, to settle their differences they pit different teams of crack combat specialists against each other.",2.0404,"\u002Fix4Bne9IaBF6v1uPVeUxn6SHglG.jpg","1969-06-25",6.1,22,"52fe48b3c3a36847f8174ef3",{"adult":4,"backdrop_path":255,"genre_ids":256,"id":257,"title":258,"original_language":28,"original_title":258,"overview":259,"popularity":260,"poster_path":261,"release_date":262,"softcore":4,"video":4,"vote_average":263,"vote_count":25,"credit_id":264,"department":14,"job":206,"media_type":38},"\u002F5SrmdQGA0CyrG80g9QSJlaA6KPw.jpg",[57],51856,"Privilege","Britain's biggest pop singer, Steven Shorter, receives unwavering adulation and possesses total control over his rabid fans, which includes nearly the entire population. Yet Shorter is not an autonomous performer -- he is little more than a puppet for the government, promoting whatever agenda they see fit. When a beautiful artist, Vanessa Ritchie, is commissioned to paint his portrait, she pushes Shorter to question his obedience to his manipulative handlers.",1.2848,"\u002FoX3lnV77rYHibP9UEdrZzq3TJfW.jpg","1967-02-28",6.7,"52fe4808c3a36847f8154ee5",{"adult":4,"backdrop_path":255,"genre_ids":266,"id":257,"title":258,"original_language":28,"original_title":258,"overview":259,"popularity":260,"poster_path":261,"release_date":262,"softcore":4,"video":4,"vote_average":263,"vote_count":25,"credit_id":267,"department":210,"job":239,"media_type":38},[57],"52fe4808c3a36847f8154f13",{"adult":4,"backdrop_path":269,"genre_ids":270,"id":271,"title":272,"original_language":28,"original_title":272,"overview":273,"popularity":274,"poster_path":275,"release_date":276,"softcore":4,"video":4,"vote_average":277,"vote_count":278,"credit_id":279,"department":210,"job":239,"media_type":38},"\u002FcxyPVyWzaBIHPyua5afHIVZLMnY.jpg",[25,87,57],155130,"The Forgotten Faces","“The Forgotten Faces (1961), a film reconstruction of the Hungarian revolution of 1956, won Watkins another amateur Oscar, and to this day, the film is praised in England as \"one of the most memorable amateur films ever made\".",0.7694,"\u002F6uFNKPIs8BRO0RG9HAHcvZodAEi.jpg","1961-09-01",6.2,17,"52fe4b759251416c910daf8f",{"adult":4,"backdrop_path":269,"genre_ids":281,"id":271,"title":272,"original_language":28,"original_title":272,"overview":273,"popularity":274,"poster_path":275,"release_date":276,"softcore":4,"video":4,"vote_average":277,"vote_count":278,"credit_id":282,"department":14,"job":206,"media_type":38},[25,87,57],"52fe4b759251416c910daf89",{"adult":4,"backdrop_path":284,"genre_ids":285,"id":286,"title":287,"original_language":28,"original_title":287,"overview":288,"popularity":289,"poster_path":290,"release_date":291,"softcore":4,"video":4,"vote_average":292,"vote_count":113,"credit_id":293,"department":14,"job":294,"media_type":38},"\u002FnIwmBQji0Kdza4H6mrNkdcFfc1w.jpg",[57,243,87],54195,"It Happened Here","World War II, 1940. 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