[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F943830:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":8,"id":10,"imdb_id":11,"known_for_department":12,"name":13,"place_of_birth":14,"popularity":15,"profile_path":16,"combined_credits":17,"images":387},false,[],"Fernand Dansereau (born April 5, 1928) is a Québécois film director, writer and film producer.","1928-04-05",null,2,943830,"nm0200519","Directing","Fernand Dansereau","Montréal, Québec, Canada",0.5618,"\u002F9UCHr8geV3hKo0yRPdiqWUP30L4.jpg",{"cast":18,"crew":106},[19,36,47,57,69,79,92],{"adult":4,"backdrop_path":20,"genre_ids":21,"id":23,"title":24,"original_language":25,"original_title":26,"overview":27,"popularity":28,"poster_path":29,"release_date":30,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"character":32,"credit_id":33,"order":34,"media_type":35},"\u002F4xgBIM0RrFCrHwa4WVM8oE3lJNu.jpg",[22],99,610415,"Rebels with a Camera","fr","Le direct avant la lettre","Thanks to the development of techniques and the adventurous spirit of pioneering filmmakers, among whom Michel Brault occupies a central place, a new way of making cinema was born at the turn of the 1950s and 1960s. This film relevantly retraces the history of a collective movement which revolutionized production and filming methods in Quebec and the world.",0.9435,"\u002FfM55pYk0hGmg0vokP6lAyJslalf.jpg","2006-01-01",0,"Self","65136f5b0499f200fe97adea",5,"movie",{"adult":4,"backdrop_path":37,"genre_ids":38,"id":39,"title":40,"original_language":25,"original_title":41,"overview":42,"popularity":43,"poster_path":44,"release_date":45,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"character":32,"credit_id":46,"order":34,"media_type":35},"\u002F73iXeq6z1ESwBnVjoIaDi4SYqCX.jpg",[22],1240938,"At the End of Nothing at All","Au boute du rien pantoute","Every morning, Marcel confides in his tape recorder. It is from his reflections on life that this film takes us into the wake of his story.",1.052,"\u002Fhp4UeQUJkqrzTsv24UeOlTNHWpB.jpg","2024-03-02","670d11d10b800537d75c7057",{"adult":4,"backdrop_path":8,"genre_ids":48,"id":49,"title":50,"original_language":51,"original_title":50,"overview":52,"popularity":53,"poster_path":54,"release_date":55,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"character":32,"credit_id":56,"order":31,"media_type":35},[],1497800,"Fernand Dansereau: In a Lifetime","en","Fernand Dansereau is one of Québec’s most prolific filmmakers, having produced, directed and written more than sixty documentaries, fiction films and television serial dramas.",0.8112,"\u002FjhXFUGeG6mpYXbXl1B3l51cHm1g.jpg","2022-05-28","684ccdc5c83ebe7819bb49b4",{"adult":4,"backdrop_path":58,"genre_ids":59,"id":60,"title":61,"original_language":25,"original_title":61,"overview":62,"popularity":63,"poster_path":64,"release_date":65,"softcore":4,"video":4,"vote_average":66,"vote_count":9,"character":32,"credit_id":67,"order":68,"media_type":35},"\u002Fy40rIwQnrHcHTEkPZLEibemuynO.jpg",[22],1591680,"Les filles de Caleb: l'histoire d'une passion","In a brand-new documentary, the actress who portrayed the unforgettable Émilie Bordeleau revisits her memories of filming and analyzes the cultural legacy of this cult saga. By exploring the timeless power of its characters, she testifies to the major impact this work has had on the collective imagination and on the history of Québec television.",1.6829,"\u002Fh0QPr3kZR0NLmxcNg5cPUaItJZY.jpg","2025-12-02",7.5,"6955454822d62acac1e422a0",8,{"adult":4,"backdrop_path":8,"genre_ids":70,"id":71,"title":72,"original_language":25,"original_title":73,"overview":74,"popularity":75,"poster_path":76,"release_date":77,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"character":13,"credit_id":78,"order":34,"media_type":35},[22],610414,"From Office to Box-Office","De l'Office au Box-Office","",1.7037,"\u002F1ujyXIzQuoO2Ru3B5ZAT4Vfhhhg.jpg","2009-02-22","6a0c875f1dc87bef5aedaad4",{"adult":4,"backdrop_path":80,"genre_ids":81,"id":82,"title":83,"original_language":25,"original_title":84,"overview":85,"popularity":86,"poster_path":87,"release_date":88,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"character":89,"credit_id":90,"order":91,"media_type":35},"\u002F7GCAGZYF8QrXt1b50lNgk2tmufw.jpg",[22],610420,"The Private Life of Cinema","La vie privée du cinéma","A two-part in-depth exploration of the evolution of the private film industry, seen through the eyes of more than 50 industry professionals.  Part One (1939-1979) : Artists and professionals from the social and commercial film sectors recount the struggle to build a film industry that is privately operated yet publicly funded.  Part Two (1980-2010) : Executives, policymakers, and industry professionals trace the origins of the major funding institutions and discuss the unintended consequences of building a cultural industry around performance metrics, revenue generation, and private profit.",1.5707,"\u002FaovOQL1ALUTyPuuKTeyRTrcoDGo.jpg","2011-02-19","self","6a1c3f9e48d5587ce508bc62",4,{"adult":4,"backdrop_path":93,"genre_ids":94,"id":95,"origin_country":96,"original_language":25,"original_name":98,"overview":74,"popularity":99,"poster_path":100,"first_air_date":101,"softcore":4,"name":98,"vote_average":31,"vote_count":31,"character":32,"credit_id":102,"episode_count":103,"first_credit_air_date":104,"media_type":105},"\u002Fj5tbMJdVIADS7hYJuN2FHIno0hD.jpg",[22],243718,[97],"CA","Dans un cinéma près de chez vous",2.3515,"\u002FryJOWGHo8eJ7GLOYU2VQUCpV7b2.jpg","2024-01-14","6744c645cc1d69986bd9e523",1,"2024-11-23","tv",[107,120,133,138,150,161,164,176,187,196,204,214,227,236,247,259,266,275,285,294,297,305,308,314,319,327,331,340,349,358,366,369,380,383],{"adult":4,"backdrop_path":108,"genre_ids":109,"id":110,"title":111,"original_language":25,"original_title":111,"overview":112,"popularity":113,"poster_path":114,"release_date":115,"softcore":4,"video":4,"vote_average":116,"vote_count":103,"credit_id":117,"department":118,"job":119,"media_type":35},"\u002FiWCZbnoV0ZY7b5bbiFNRgEVO1LN.jpg",[22],488578,"Manger","This documentary explores the economic, sociological, and cultural aspects of food systems and consumption in a major city, focusing on the disconnect between food production and consumption.",1.1926,"\u002Fv40KDXmqt8NJa667CCVmV6StxMC.jpg","1961-01-01",7,"6089f858c5c1ef005745bb43","Production","Producer",{"adult":4,"backdrop_path":8,"genre_ids":121,"id":123,"title":124,"original_language":25,"original_title":125,"overview":126,"popularity":127,"poster_path":128,"release_date":129,"softcore":4,"video":4,"vote_average":130,"vote_count":103,"credit_id":131,"department":12,"job":132,"media_type":35},[122],18,982689,"This Is No Time for Romance","Ça n'est pas le temps des romans","Idle hours at a summer cottage, when her husband is at work and the children busy at play, give a wife time to dream a little and reflect on her life and her marriage. Is it enough? What else might she have made of herself? But then her husband returns and she opts for things as they are. A relaxed drama that has much of the mood of a summer outdoors.",1.0358,"\u002Fhu8wpdWsFbjPMR04W3bqe3L1tyU.jpg","1967-01-01",9,"6297ad0c09ed8f0cee22ae86","Director",{"adult":4,"backdrop_path":8,"genre_ids":134,"id":123,"title":124,"original_language":25,"original_title":125,"overview":126,"popularity":127,"poster_path":128,"release_date":129,"softcore":4,"video":4,"vote_average":130,"vote_count":103,"credit_id":135,"department":136,"job":137,"media_type":35},[122],"6297ad4cdf86a834e0b9a897","Writing","Writer",{"adult":4,"backdrop_path":8,"genre_ids":139,"id":141,"title":142,"original_language":25,"original_title":143,"overview":144,"popularity":145,"poster_path":146,"release_date":147,"softcore":4,"video":4,"vote_average":148,"vote_count":91,"credit_id":149,"department":12,"job":132,"media_type":35},[140,122],35,256153,"Twilight","La brunante","When Madeleine is diagnosed with Alzheimers, she makes two important decisions. One is to keep it from her family. The other is to revisit her beloved Gaspésie and relive, for one last time, the memories this evokes. Encountering Zoë, an emotionally disturbed young musician, Madeleine asks her to be her driver for the trip.",1.5935,"\u002FdQRDYwkhp5Cw3WnkaJiNU9NBfqc.jpg","2007-11-09",5.4,"5302f858c3a3680a1154c149",{"adult":4,"backdrop_path":8,"genre_ids":151,"id":152,"title":153,"original_language":25,"original_title":154,"overview":155,"popularity":156,"poster_path":157,"release_date":158,"softcore":4,"video":4,"vote_average":159,"vote_count":103,"credit_id":160,"department":12,"job":132,"media_type":35},[122],343917,"Sweet Lies and Tender Oaths","Doux aveux","An eccentric old grandmother decides to leave her nagging daughter's house to live on her own. Her teenaged granddaughter seizes the opportunity to go too.",0.6075,"\u002FrQqujjTFKFZCMpWbHVdKXr9Pcj6.jpg","1982-09-12",10,"55762367c3a368234e00551d",{"adult":4,"backdrop_path":8,"genre_ids":162,"id":152,"title":153,"original_language":25,"original_title":154,"overview":155,"popularity":156,"poster_path":157,"release_date":158,"softcore":4,"video":4,"vote_average":159,"vote_count":103,"credit_id":163,"department":136,"job":137,"media_type":35},[122],"5576243c9251415b00000b67",{"adult":4,"backdrop_path":8,"genre_ids":165,"id":166,"title":167,"original_language":51,"original_title":168,"overview":169,"popularity":170,"poster_path":171,"release_date":172,"softcore":4,"video":4,"vote_average":173,"vote_count":174,"credit_id":175,"department":118,"job":119,"media_type":35},[22],348803,"Visit to a Foreign Country","Québec-U.S.A. ou L'invasion pacifique","They come in high-powered convertibles, with cameras and curiosity, to look at French Canada and French-Canadians. Their usual objective is Québec City, where they can soak up a bit of French culture without a trip to France. With an eye for humour, VISIT TO A FOREIGN COUNTRY shows the people of Québec taking a look at American tourists who have come to Québec to take a look at them.",0.9702,"\u002F6QPotVuGyqxITcI8WoEhItDIfA8.jpg","1962-03-31",7.3,3,"55a5c99bc3a3682baa000659",{"adult":4,"backdrop_path":8,"genre_ids":177,"id":179,"title":180,"original_language":25,"original_title":181,"overview":182,"popularity":183,"poster_path":184,"release_date":185,"softcore":4,"video":4,"vote_average":130,"vote_count":103,"credit_id":186,"department":118,"job":119,"media_type":35},[122,178],16,545788,"The Death of Gandji","La mort de Gandji","An animated film made with humor and tenderness whose action takes place in a small village in the African bush.",0.8979,"\u002FpwGX1dCmVzr6zDPNS36jL9pORK8.jpg","1965-01-01","6567d518e72fe800ad546da5",{"adult":4,"backdrop_path":8,"genre_ids":188,"id":189,"title":190,"original_language":51,"original_title":191,"overview":192,"popularity":193,"poster_path":8,"release_date":194,"softcore":4,"video":4,"vote_average":159,"vote_count":103,"credit_id":195,"department":12,"job":132,"media_type":35},[22],389036,"It Is Necessary to Be Among the Peoples of the World to Know Them","Faut aller parmi l'monde pour le savoir","The use of any language other than French in Quebec, particularly when separatist fervor is high, often serves to incite protests and even legal action. This French language documentary examines separatist feeling in parts of Quebec, and reviews language grievances. Among the conflicts examined is one with General Motors. It must be stated that the documentarian are clearly in favor of the separatist cause, and are also in favor of Quebec's \"encouraging\" companies doing business in Quebec to do it (at least officially) in French. From the evidence of this documentary, the attempts of Canadians outside of Quebec to pacify the Quebecois with \"bilingualism\" seems unlikely to succeed.",0.5901,"1971-03-20","56f0dbe8c3a368718e001f08",{"adult":4,"backdrop_path":8,"genre_ids":197,"id":198,"title":199,"original_language":25,"original_title":199,"overview":74,"popularity":200,"poster_path":8,"release_date":201,"softcore":4,"video":4,"vote_average":202,"vote_count":174,"credit_id":203,"department":12,"job":132,"media_type":35},[],409913,"Confrontation",0.6368,"1968-01-01",6.7,"57b61e4c925141246c000815",{"adult":4,"backdrop_path":8,"genre_ids":205,"id":206,"title":207,"original_language":25,"original_title":208,"overview":209,"popularity":210,"poster_path":211,"release_date":212,"softcore":4,"video":4,"vote_average":159,"vote_count":103,"credit_id":213,"department":118,"job":119,"media_type":35},[22],290554,"September Five at Saint-Henri","À Saint-Henri le cinq septembre","This short film is a series of vignettes of life in Saint-Henri, a Montreal working-class district, on the first day of school. From dawn to midnight, we take in the neighbourhood’s pulse: a mother fussing over children, a father's enforced idleness, teenage boys clowning, young lovers dallying - the unposed quality of daily life.",0.8727,"\u002Ftwn6aJWl7RO2d3kEd5rgz8E2aAC.jpg","1962-09-05","63d5b2bd955c650084791239",{"adult":4,"backdrop_path":215,"genre_ids":216,"id":217,"title":218,"original_language":25,"original_title":219,"overview":220,"popularity":221,"poster_path":222,"release_date":223,"softcore":4,"video":4,"vote_average":66,"vote_count":224,"credit_id":225,"department":118,"job":226,"media_type":35},"\u002FsrXQYto4RjBneRuxyZXyq4Nls35.jpg",[22],67403,"Of Whales, the Moon, and Men","Pour la suite du monde","At the instigation of the filmmakers, the young men of the Ile-aux-Coudres in the middle of the St-Lawrence River try as a memorial to their ancestors to revive the fishing of the belugas interrupted in 1924.",1.0462,"\u002FzDFfPk7XoJoK5ldYXyX3RvxuVgp.jpg","1963-08-04",19,"65f8fdf24b9bae01607de38e","Production Manager",{"adult":4,"backdrop_path":8,"genre_ids":228,"id":229,"title":230,"original_language":51,"original_title":230,"overview":231,"popularity":232,"poster_path":233,"release_date":234,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":235,"department":118,"job":119,"media_type":35},[22],1100182,"Strangers for the Day","This short documentary shows the reactions of European immigrants as they land in Halifax at the beginning of the 1960s. From the port, we follow them on a snowy journey by train to Montreal.",0.9618,"\u002FsvG9SSS2Or3yx986ou50hlXERV9.jpg","1962-01-01","6410d0dfe18e3f08403baf61",{"adult":4,"backdrop_path":8,"genre_ids":237,"id":238,"title":239,"original_language":25,"original_title":240,"overview":241,"popularity":242,"poster_path":243,"release_date":244,"softcore":4,"video":4,"vote_average":245,"vote_count":34,"credit_id":246,"department":136,"job":137,"media_type":35},[122],465534,"Washed Hands","Les mains nettes","An efficiency expert is called in to downsize a trucking company and the employees fight to establish a union to save their jobs.",0.8593,"\u002FroiWIzxDxujaBNxBay7Psq335YM.jpg","1958-01-01",6.4,"596328a2c3a368265d0e61da",{"adult":4,"backdrop_path":8,"genre_ids":248,"id":250,"title":251,"original_language":25,"original_title":252,"overview":253,"popularity":254,"poster_path":255,"release_date":256,"softcore":4,"video":4,"vote_average":257,"vote_count":9,"credit_id":258,"department":12,"job":132,"media_type":35},[122,249],36,471425,"Mission of Fear","Astataïon ou Le festin des morts","A young Jesuit missionary reflects on his life and his faith while awaiting his execution at the hands of the Native Americans he came to convert. Winner of the 1966 Canadian Film Awards best feature film award.",1.1294,"\u002FxNyAN4HZeG1VezRmiCBt3y6E8i9.jpg","1965-05-20",6.5,"59965f4fc3a3680735005db8",{"adult":4,"backdrop_path":8,"genre_ids":260,"id":261,"title":262,"original_language":25,"original_title":262,"overview":74,"popularity":263,"poster_path":8,"release_date":264,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":265,"department":12,"job":132,"media_type":35},[],1126843,"La canne à pêche",0.578,"1959-01-01","64612076ef8b32013886e0b4",{"adult":4,"backdrop_path":8,"genre_ids":267,"id":268,"title":269,"original_language":25,"original_title":269,"overview":270,"popularity":271,"poster_path":272,"release_date":273,"softcore":4,"video":4,"vote_average":130,"vote_count":103,"credit_id":274,"department":12,"job":132,"media_type":35},[],549146,"Saint-Jérôme","This socially-driven film explores the impact of technological changes on the city of Saint-Jérôme, which faced a severe socio-economic crisis in the 1960s, mirroring issues in other Quebec cities. Citizens from all social classes come together in a monumental effort to address the crisis. The film serves as both a reflection of this situation and a catalyst for action, acting as a mediation tool between technology and those affected, and facilitating participation in the reorganization of society.",0.4947,"\u002FeS44t6kKdIHisNSokq3nhhpdREz.jpg","1968-01-05","5ba1fed0c3a368719001296b",{"adult":4,"backdrop_path":276,"genre_ids":277,"id":278,"title":279,"original_language":25,"original_title":279,"overview":280,"popularity":281,"poster_path":282,"release_date":283,"softcore":4,"video":4,"vote_average":68,"vote_count":9,"credit_id":284,"department":12,"job":132,"media_type":35},"\u002F52gtxDARpNiakUTFilL2uPAuTSd.jpg",[22],590083,"Le vieil âge et l'espérance","When old age imposes physical and sometimes mental decay, is there a way to maintain a hopeful attitude towards life and its mysteries? This is the question that the documentary 'Le vieil âge et l'espérance' project aims to confront not only specialists such as geriatricians, gerontologists, psychologists and philosophers, but first and foremost the lived experience of the elderly.",1.23,"\u002F4zwIfIeJNE86WgPSXJGjL8R2jCN.jpg","2019-04-26","5c95c3f90e0a2645fb51b18e",{"adult":4,"backdrop_path":8,"genre_ids":286,"id":287,"title":288,"original_language":25,"original_title":288,"overview":289,"popularity":290,"poster_path":291,"release_date":292,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":293,"department":136,"job":137,"media_type":35},[22],590085,"L'érotisme et le vieil âge","The director deals with the subject of the sexuality of older people, an often taboo subject. The actress Louise Portal and her partner Jacques Hébert participated in this documentary. They share their experience with us.",0.7421,"\u002Faphp1RAOAOjNVbDmy4KnT07pB6a.jpg","2017-02-10","5c95c6430e0a2645fb51bd78",{"adult":4,"backdrop_path":8,"genre_ids":295,"id":287,"title":288,"original_language":25,"original_title":288,"overview":289,"popularity":290,"poster_path":291,"release_date":292,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":296,"department":12,"job":132,"media_type":35},[22],"5c95c64a925141730f775d18",{"adult":4,"backdrop_path":8,"genre_ids":298,"id":299,"title":300,"original_language":25,"original_title":300,"overview":74,"popularity":301,"poster_path":302,"release_date":303,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":304,"department":12,"job":132,"media_type":35},[22],590086,"Le vieil âge et le rire",0.5498,"\u002FsZTo4KQzTWo5arUsQ4jA74KCut1.jpg","2012-11-09","5c95c7ea0e0a2645ee51cfbe",{"adult":4,"backdrop_path":8,"genre_ids":306,"id":299,"title":300,"original_language":25,"original_title":300,"overview":74,"popularity":301,"poster_path":302,"release_date":303,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":307,"department":136,"job":137,"media_type":35},[22],"5c95c7eec3a3682e5bf4d517",{"adult":4,"backdrop_path":8,"genre_ids":309,"id":310,"title":311,"original_language":25,"original_title":311,"overview":74,"popularity":312,"poster_path":8,"release_date":234,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":313,"department":118,"job":119,"media_type":35},[22],663744,"Paul-Émile Borduas (1905-1960)",0.7008,"5e1dd9af95c0af0013127281",{"adult":4,"backdrop_path":8,"genre_ids":315,"id":250,"title":251,"original_language":25,"original_title":252,"overview":253,"popularity":254,"poster_path":255,"release_date":256,"softcore":4,"video":4,"vote_average":257,"vote_count":9,"credit_id":316,"department":317,"job":318,"media_type":35},[122,249],"5f90d094383df20036ae8701","Editing","Editor",{"adult":4,"backdrop_path":8,"genre_ids":320,"id":321,"title":322,"original_language":25,"original_title":322,"overview":74,"popularity":323,"poster_path":324,"release_date":325,"softcore":4,"video":4,"vote_average":68,"vote_count":9,"credit_id":326,"department":12,"job":132,"media_type":35},[22],1381030,"Tout le temps, tout le temps, tout le temps...?",0.8656,"\u002Fd0BAbXpkMWETjUyzjwzCZ7ncaIK.jpg","1969-03-06","6724d055a499cc2ef7050305",{"adult":4,"backdrop_path":8,"genre_ids":328,"id":321,"title":322,"original_language":25,"original_title":322,"overview":74,"popularity":323,"poster_path":324,"release_date":325,"softcore":4,"video":4,"vote_average":68,"vote_count":9,"credit_id":329,"department":136,"job":330,"media_type":35},[22],"6724d8403985f3f41ad1c617","Author",{"adult":4,"backdrop_path":8,"genre_ids":332,"id":333,"title":334,"original_language":25,"original_title":334,"overview":335,"popularity":336,"poster_path":337,"release_date":338,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":339,"department":12,"job":132,"media_type":35},[22],1393607,"À la lumière du soir","At 97, filmmaker Fernand Dansereau delivers a vibrant and inspiring final documentary! He draws us into rich and sensitive exchanges: on the joy of creating with two painter friends, on aging as an artist with Marcel Sabourin and Denys Arcand, on old age with Janette Bertrand and Guy Rocher, on everyday wisdom with philosophers, and on spirituality and mourning with a few friends. He also talks about the future of the planet with his grandchildren.",0.9307,"\u002FhluFmwRTKIZKCFCMcgXigTzFIIQ.jpg","2025-03-17","67452abddc98166f5cc01d43",{"adult":4,"backdrop_path":341,"genre_ids":342,"id":343,"title":344,"original_language":25,"original_title":344,"overview":345,"popularity":346,"poster_path":8,"release_date":264,"softcore":4,"video":4,"vote_average":130,"vote_count":103,"credit_id":347,"department":118,"job":348,"media_type":35},"\u002Fmh9ZBOdUyhPNEURY9zV7CCj3WFi.jpg",[22],1411970,"Marius Barbeau et l'art totémique","Ethnologist Marius Barbeau introduces us to indigenous mythology. Masks, dances, songs, and totems are used to give the audience a highly suggestive representation of the \"biblical\" history (Mr. Barbeau's word) of Indigenous tribes.",0.9838,"6778663882cce15a7674bbbf","Executive Producer",{"adult":4,"backdrop_path":8,"genre_ids":350,"id":351,"title":352,"original_language":25,"original_title":352,"overview":353,"popularity":354,"poster_path":355,"release_date":356,"softcore":4,"video":4,"vote_average":116,"vote_count":103,"credit_id":357,"department":118,"job":119,"media_type":35},[22],1438063,"Gui Daò - Sur la voie - Une gare sur le Yangzi","This documentary reveals something of the Chinese temperament through a visit to a seemingly ordinary railway station. Then we start to wonder. What does the “moving red flag” mean? Who are these Orientals, so patient in waiting, so concerned with order and the public good? 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