[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F935137:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":9,"birthday":10,"deathday":11,"gender":12,"homepage":13,"id":14,"imdb_id":15,"known_for_department":16,"name":17,"place_of_birth":18,"popularity":19,"profile_path":20,"combined_credits":21,"images":946},false,[6,7,8],"다니엘 위예","다니엘 스트로브","다니엘 위에","Danièle Huillet was born on May 1, 1936 in Paris, France. She was a director and editor, known for Sicily! (1999), Class Relations (1984) and The Chronicle of Anna Magdalena Bach (1968). She was married to Jean-Marie Straub. She died on October 9, 2006 in Cholet, Maine-et-Loire, France.","1936-05-01","2006-10-09",1,"https:\u002F\u002Fwww.straub-huillet.com\u002F",935137,"nm0401247","Directing","Danièle Huillet","Paris, France",0.6565,"\u002FaqvFCwhGNbe9UAGqgMbIwC7kgck.jpg",{"cast":22,"crew":358},[23,41,55,67,78,89,101,115,124,136,146,160,173,182,194,209,221,229,240,248,262,272,282,295,303,311,319,327,338,346],{"adult":4,"backdrop_path":24,"genre_ids":25,"id":27,"title":28,"original_language":29,"original_title":30,"overview":31,"popularity":32,"poster_path":33,"release_date":34,"softcore":4,"video":4,"vote_average":35,"vote_count":36,"character":37,"credit_id":38,"order":39,"media_type":40},"\u002FemREjOlGNpPitgBIasasBUp4FMh.jpg",[26],18,128846,"Not Reconciled","de","Nicht versöhnt oder Es hilft nur Gewalt, wo Gewalt herrscht","A story about the continuity and collapse of history, the power of suppression, and the terror of reconciliation; loyalty, treason and revenge. In a brave cinematic game, Heinrich Böll’s story Billiards at Half-Past Nine is split up into cracks, blocks, breaks and sudden turns, as the life story of a German family, covering numerous generations, is propelled forward.",1.1178,"\u002Fcg85XzG0dziEV7hiktTGyhNKbBL.jpg","1965-07-04",5.9,31,"Young Johanna Fähmel","61533125d1ca2a00673b7a57",15,"movie",{"adult":4,"backdrop_path":42,"genre_ids":43,"id":44,"title":45,"original_language":46,"original_title":45,"overview":47,"popularity":48,"poster_path":49,"release_date":50,"softcore":4,"video":4,"vote_average":51,"vote_count":52,"character":53,"credit_id":54,"order":12,"media_type":40},"\u002F7fpfeTtzx45768BlQ2DhNpzLSqP.jpg",[],212127,"6 Bagatelas","fr","Six unused scenes from Where Does Your Hidden Smile Lie? One of the more priceless of the “bagatelles” in this collection features a lounging Jean-Marie Straub who gives a non-stop disquisition on liberty and filmmaking while Danièle Huillet busies herself with laundry, and their dog Melchior frisks in and out of frame. —Cinematheque Ontario",0.698,"\u002FaVScoHne8vF5zNQa23oDK9waeUT.jpg","2001-09-05",6.8,6,"","52fe4da4c3a368484e1f4773",{"adult":4,"backdrop_path":56,"genre_ids":57,"id":58,"title":59,"original_language":29,"original_title":60,"overview":61,"popularity":62,"poster_path":63,"release_date":64,"softcore":4,"video":4,"vote_average":65,"vote_count":65,"character":53,"credit_id":66,"order":12,"media_type":40},null,[],1181203,"Straub\u002FHuillet: Work on \"Class Relations\"","Straub\u002FHuillet: Arbeiten zu \"Klassenverhältnisse\"","A behind the scenes film of Class Relations.",1.1271,"\u002FvoZUjJDqcHQ58nkKb5A8iKP0NpE.jpg","1983-01-01",0,"650b2d8ad6c3000150e6d11c",{"adult":4,"backdrop_path":56,"genre_ids":68,"id":69,"title":70,"original_language":71,"original_title":70,"overview":72,"popularity":73,"poster_path":74,"release_date":75,"softcore":4,"video":4,"vote_average":76,"vote_count":12,"character":53,"credit_id":77,"order":12,"media_type":40},[],247146,"Sicilia! Si gira","en","Former Straub\u002FHuillet assistant Jean-Charles Fitoussi films them at work during the shooting of 1999's Sicilia!.",0.8256,"\u002F2WOeYAnb3r0c6IHEGv84vCeW8cJ.jpg","2001-06-01",7,"52fe4f20c3a36847f82bf581",{"adult":4,"backdrop_path":56,"genre_ids":79,"id":81,"title":82,"original_language":29,"original_title":82,"overview":83,"popularity":84,"poster_path":85,"release_date":86,"softcore":4,"video":4,"vote_average":65,"vote_count":65,"character":87,"credit_id":88,"order":12,"media_type":40},[80],99,1189303,"Kino 78 Live – Gesprächsrunde über »Toute révolution est un coup de dés«","This is a recording of a movie discussion. This discussion, shown live in German television on November 16th 1978, is framed by two screenings of Huillet\u002FStraub's movie »Toute révolution est un coup de dés«. It's first shown shortly after the discussion's participants have been introduced, a second time after the end of the discussion. After the movie ends the program cuts back to the studio for a short time, showing the guests as well as some technicians talking whilst the credits of the TV-program enroll.",1.3085,"\u002FtDPfidhdkx1BhZh12BYCQcoxVwy.jpg","1978-11-16","Self","65244503b0040a00c6c77ad1",{"adult":4,"backdrop_path":56,"genre_ids":90,"id":91,"title":92,"original_language":29,"original_title":93,"overview":94,"popularity":95,"poster_path":96,"release_date":97,"softcore":4,"video":4,"vote_average":98,"vote_count":99,"character":53,"credit_id":100,"order":12,"media_type":40},[80],254964,"Jean-Marie Straub and Danièle Huillet at Work on a Film Based on Franz Kafka’s Amerika","Jean-Marie Straub und Danièle Huillet bei der Arbeit an einem Film nach Franz Kafkas Romanfragment Amerika","This film is at once a self-portrait and an homage to Jean-Marie Straub, Farocki's role model and former teacher at the Film Academy.",1.866,"\u002FmN0gpSdSIh0kAUR0wcOhzt1HmvL.jpg","1983-11-13",6.4,9,"54251883c3a368698c000199",{"adult":4,"backdrop_path":102,"genre_ids":103,"id":104,"title":105,"original_language":29,"original_title":106,"overview":107,"popularity":108,"poster_path":109,"release_date":110,"softcore":4,"video":4,"vote_average":111,"vote_count":76,"character":112,"credit_id":113,"order":114,"media_type":40},"\u002FmwOUUacTCPWFo3GShjJDsMIG8hK.jpg",[26],257584,"Black Sin","Schwarze Sünde","A companion piece to the earlier film ‘The Death of Empedocles’, 'Black Sin' is an adaptation of the third version of Friedrich Hölderlin’s play ‘Der Tod des Empedokles’.",1.3603,"\u002F5Ky6cDQiEEOejTxvPlCgjEfQP8g.jpg","1989-05-01",4.7,"La femme (uncredited)","5425170ac3a368698c000175",3,{"adult":4,"backdrop_path":56,"genre_ids":116,"id":117,"title":118,"original_language":29,"original_title":119,"overview":120,"popularity":121,"poster_path":56,"release_date":122,"softcore":4,"video":4,"vote_average":65,"vote_count":65,"character":53,"credit_id":123,"order":52,"media_type":40},[],1231212,"The Persistence of Vision","Die Beharrlichkeit des Blicks","Blank's TV documentary on Straub-Huillet.",0.976,"1993-01-01","65a45db66f43ec012545b4a9",{"adult":4,"backdrop_path":56,"genre_ids":125,"id":126,"title":127,"original_language":29,"original_title":128,"overview":129,"popularity":130,"poster_path":131,"release_date":132,"softcore":4,"video":4,"vote_average":133,"vote_count":12,"character":134,"credit_id":135,"order":12,"media_type":40},[80],333877,"How Merrily I Shall Laugh: Danièle Huillet and Jean-Marie Straub on Their Film Class Relations","Wie will ich lustig lachen: Danièle Huillet und Jean-Marie Straub und ihr Film Klassenverhältnisse","Filmmaker Manfred Blank (director of the excellent Pharos of Chaos) interviews Danièle Huillet and Jean-Marie Straub at some length about their then-current production, Klassenverhältnisse (Class Relations), in which he, himself, performed as an actor.",1.0618,"\u002F7dSdvLRx8FctS4Zgmdq3u1cWA9a.jpg","1984-01-01",6.5,"Herself","551cd61bc3a3684a20001a88",{"adult":4,"backdrop_path":56,"genre_ids":137,"id":138,"title":139,"original_language":71,"original_title":139,"overview":140,"popularity":141,"poster_path":142,"release_date":143,"softcore":4,"video":4,"vote_average":65,"vote_count":65,"character":144,"credit_id":145,"order":12,"media_type":40},[80],821075,"S et H","Discuss, discuss, but we must not forget the laundry!\r Snatches of dialogue, of thoughts that mingle happily with the faces that also mingle with each other.  From films number 342 and 343 by Gérard Courant: “Jean Marie Straub”, 1984 and “Danièle Huillet”, 1984.",0.9098,"\u002F8myu8q8UjjyXRBNVNCeRtd0zDyc.jpg","2020-01-01","Himself","66151a3b048638017c1c2874",{"adult":4,"backdrop_path":147,"genre_ids":148,"id":150,"title":151,"original_language":46,"original_title":152,"overview":153,"popularity":154,"poster_path":155,"release_date":156,"softcore":4,"video":4,"vote_average":98,"vote_count":157,"character":158,"credit_id":159,"order":114,"media_type":40},"\u002FrtTIL7ktWswuuNLi0qffPrMwlmW.jpg",[26,149],35,208949,"Every Revolution Is a Throw of the Dice","Toute révolution est un coup de dés","A tribute to Mallarmé that not only asserts the continuing relevance of his work but also confronts its literary ambiguities with political and cinematic ambiguities of its own. In outline, the film could not be more straightforward: it offers a recitation of one of Mallarmé’s most celebrated and complex poems (it was his last published work in his own lifetime, appearing in 1897, a year before his death) and proposes a cinematic equivalent for the author’s original experiment with typography and layout by assigning the words to nine different speakers, separating each speaker from the other as she or he speaks, and using slight pauses to correspond with white spaces on the original page.",1.0213,"\u002FrPKZjDvjsFzHHIGKawGCNgJW4fg.jpg","1977-12-07",10,"(Re)citer","5694ed959251414b62001f55",{"adult":4,"backdrop_path":161,"genre_ids":162,"id":163,"title":164,"original_language":29,"original_title":165,"overview":166,"popularity":167,"poster_path":168,"release_date":169,"softcore":4,"video":4,"vote_average":170,"vote_count":99,"character":53,"credit_id":171,"order":172,"media_type":40},"\u002Fbvrwav5KfjOa5x63gXi3pbTjDnT.jpg",[80],165728,"Introduction to Arnold Schoenberg’s Accompaniment to a Cinematic Scene","Einleitung zu Arnold Schoenbergs Begleitmusik zu einer Lichtspielscene","This is a small, intense film based on Schoenberg’s opus of the same name with the subtitle “danger, fear, catastrophe”. It deals with emerging fascism and the persecution of Jews, as well as with their historical continuities.",1.2759,"\u002F9oskFbIY21tiaWpMfWVBWCdWPhS.jpg","1973-04-09",5.7,"5896a8dec3a36808ae01085e",2,{"adult":4,"backdrop_path":56,"genre_ids":174,"id":175,"title":176,"original_language":177,"original_title":176,"overview":178,"popularity":179,"poster_path":56,"release_date":180,"softcore":4,"video":4,"vote_average":65,"vote_count":65,"character":53,"credit_id":181,"order":12,"media_type":40},[],445596,"Straub-Huillet e Pavese: Quei Loro Incontri","it","A film by Laura Vitali about the last work of the couple Jean-Marie Straub and Danièle Huillet in Buti (Italy) in May 2005, namely the staging of the last five \"Dialogues with Leucò\" by Cesare Pavese. In this sense, it is a moving testimony. Vitali alternates rehearsal sessions and interviews - by Jean-Marie Straub, Danièle Huillet and actors such as Giovanna Daddi, Angela Nugara and Andrea Bacci - who illuminate from the inside the methods of the two filmmakers and their relation to the work of Cesare Pavese, while situating the very special place that makes this work possible - the small town of Buti which warmly welcomed Straub and Huillet for a decade - and by bringing out the political dimension of their thought.",0.8075,"2005-01-01","58becd089251413435016382",{"adult":4,"backdrop_path":183,"genre_ids":184,"id":185,"title":186,"original_language":46,"original_title":187,"overview":188,"popularity":189,"poster_path":190,"release_date":191,"softcore":4,"video":4,"vote_average":192,"vote_count":39,"character":134,"credit_id":193,"order":12,"media_type":40},"\u002FiZ7x8dpJt28vU7GQBXUv8ByogkK.jpg",[80],95533,"Where Does Your Hidden Smile Lie?","Où gît votre sourire enfoui?","Undaunted by a commission to make a film about his mentors and aesthetic exemplars, the filmmaking team of Jean-Marie Straub and Danièle Huillet, Costa records with great sensitivity and insight the exacting process by which the two re-edit their film Sicilia!, discussing and arguing over each cut and its effect. Incorporating comments about the influence of figures as diverse as Chaplin and Eisenstein, about the ethical and aesthetic implications of film technique and such matters as rhythm, sound mixing, and acting. The film becomes a tour de force, immersing us in the mysteries of cinema as practiced by some of its greatest creators. Costa calls the film both his first comedy and his first love story.",1.581,"\u002F45XJTG1cAZ3OdDQ8mS1zMt69mey.jpg","2003-01-15",7.4,"58d3fa53c3a368127c01613c",{"adult":4,"backdrop_path":195,"genre_ids":196,"id":197,"title":198,"original_language":29,"original_title":199,"overview":200,"popularity":201,"poster_path":202,"release_date":203,"softcore":4,"video":4,"vote_average":204,"vote_count":205,"character":206,"credit_id":207,"order":208,"media_type":40},"\u002F1krsnQP1xlqa28nIK1PgIowmzot.jpg",[26],300832,"Communists","Kommunisten","Jean-Marie Straub pushes this musicality of blocks to a paroxysmal extreme, mixing blocks of time (40 years separate the various extracts that are going to be used, and what is to be filmed), blocks of text (Malraux, Fortini, Vittorini, Hölderlin) and blocks of language (French, Italian, German), and from this ruckus emerges the history of the world, yes, History with a capital H, and from the same movement, the political hope of its being overtaken. So this is an adventure film, about the Human adventure, still one that is always, in the end, overtaken by Nature.",1.1627,"\u002FpdfwcViYbZGHcGltgN85ll0IicI.jpg","2014-08-15",4.6,11,"La femme","58f149679251415536004efa",5,{"adult":4,"backdrop_path":210,"genre_ids":211,"id":212,"title":213,"original_language":29,"original_title":214,"overview":215,"popularity":216,"poster_path":217,"release_date":218,"softcore":4,"video":4,"vote_average":219,"vote_count":12,"character":53,"credit_id":220,"order":114,"media_type":40},"\u002FchloT9wVmUpS0S6DvyMfAh4knSH.jpg",[],455066,"The Film of the Authority","Obrigkeitsfilm","A group of men, women and Kristl with his camera debate how to resist authority in all its forms. All cinematic professionalism is avoided as Kristl explores how to live and make films politically.",0.8606,"\u002FrtHjUbROSHq75qXSikN8dSZtAAZ.jpg","1971-06-04",8,"590479fc92514169e100b6be",{"adult":4,"backdrop_path":56,"genre_ids":222,"id":223,"title":224,"original_language":46,"original_title":224,"overview":225,"popularity":226,"poster_path":56,"release_date":227,"softcore":4,"video":4,"vote_average":65,"vote_count":65,"character":53,"credit_id":228,"order":52,"media_type":40},[80],445592,"Les avatars de la mort d’Empédocle","In the summer of 1986, Danièle Huillet and Jean-Marie Straub were working in the park of an old Sicilian mansion and in a clearing at the foot of Mount Etna shooting Der Tod des Empedokles. Assistant cameraman Jean-Paul Toraille toyed around, so to speak, with his first video camera, filming the daily work on the set. Now, 24 years later, he was joined by Jean-Marie Straub in editing the material into a film. Anyone who expected the shooting of Les Avatars de la mort d’Empédocle to be an austere affair, an exercise entirely devoid of humour or a Straubian tour de force is proven wrong: so much lightness, joy, concentration, spells of waiting for the sun to come out – and even proper slapstick in between – is hard to find.",1.1349,"2010-08-11","592b4b8e9251413b5b068c94",{"adult":4,"backdrop_path":56,"genre_ids":230,"id":231,"title":232,"original_language":233,"original_title":232,"overview":234,"popularity":235,"poster_path":236,"release_date":237,"softcore":4,"video":4,"vote_average":65,"vote_count":65,"character":53,"credit_id":238,"order":239,"media_type":40},[80],458061,"Signalement van Jean Marie Straub","nl","A short TV documentary about the making of Straub-Huillet's Chronicle of Anna Magdalena Bach.",1.0214,"\u002FzARrTBgFeUGcjlU3gAnH0zJiNEm.jpg","1967-01-01","592b4bcbc3a368780a05f27c",4,{"adult":4,"backdrop_path":56,"genre_ids":241,"id":242,"title":243,"original_language":71,"original_title":243,"overview":244,"popularity":245,"poster_path":56,"release_date":246,"softcore":4,"video":4,"vote_average":99,"vote_count":12,"character":134,"credit_id":247,"order":114,"media_type":40},[],427165,"Play Antigone","Documentary about the shooting of Straub's Antigone.",1.4322,"1992-02-02","592b4b9cc3a368787005fda3",{"adult":4,"backdrop_path":249,"genre_ids":250,"id":251,"title":252,"original_language":46,"original_title":253,"overview":254,"popularity":255,"poster_path":256,"release_date":257,"softcore":4,"video":4,"vote_average":258,"vote_count":259,"character":260,"credit_id":261,"order":65,"media_type":40},"\u002FmyaJXaFqaQQ9KVcSbiuTaf1KhJN.jpg",[80],97032,"Too Early \u002F Too Late","Trop tôt, trop tard","Inspired by a letter by Friedrich Engels and a 1974 account of two militant Marxist writers who had been imprisoned by the Nasser regime, Straub-Huillet filmed this film in France and Egypt during 1980. They reflect on Egypt’s history of peasant struggle and liberation from Western colonization, and link it to class tensions in France shortly before the Revolution of 1789, quoting texts by Engels as well as the pioneering nonfiction film Workers Leaving the Lumière Factory (1895).",1.4719,"\u002FsvhscgSLqNQtFFZoRlS2KiAoVtG.jpg","1982-02-17",6.6,32,"Narrator (segment A) (voice)","599880c892514125c20130a9",{"adult":4,"backdrop_path":56,"genre_ids":263,"id":264,"title":265,"original_language":46,"original_title":266,"overview":267,"popularity":268,"poster_path":269,"release_date":270,"softcore":4,"video":4,"vote_average":133,"vote_count":12,"character":53,"credit_id":271,"order":65,"media_type":40},[80],469661,"Jean-Marie Straub and Danièle Huillet","Jean-Marie Straub et Danièle Huillet","\"Jean-Marie Straub and Danièle Huillet\" is the overlay of two Cinematons by Gérard Courant with Jean-Marie Straub and Danièle Huillet: \"Jean-Marie Straub, Cinématon number 342\" and \"Danièle Huillet, Cinematon number 343,\" filmed on May 27, 1984.",1.1504,"\u002F6MHxXx9T4GoH2PgGulniWkwDa3r.jpg","2015-10-01","598647779251413d42007194",{"adult":4,"backdrop_path":56,"genre_ids":273,"id":274,"title":275,"original_language":29,"original_title":276,"overview":277,"popularity":278,"poster_path":279,"release_date":280,"softcore":4,"video":4,"vote_average":65,"vote_count":65,"character":134,"credit_id":281,"order":65,"media_type":40},[80],484710,"Defense of the Time","Verteidigung der Zeit","A hommage to Jean-Marie Straub's and Danièle Huillet's film Quei loro incontri (2005), and to their access to cinema itself. In various encounters and conversations Nestler offers an insight into their life and work, including passages from Italian poet Cesare Pavese.",0.7944,"\u002FhDYP2EgyywIfntFhBiR9hYb1yYw.jpg","2007-05-22","59fadb8c92514113bf00a977",{"adult":4,"backdrop_path":283,"genre_ids":284,"id":285,"title":286,"original_language":46,"original_title":286,"overview":287,"popularity":288,"poster_path":289,"release_date":290,"softcore":4,"video":4,"vote_average":291,"vote_count":76,"character":292,"credit_id":293,"order":294,"media_type":40},"\u002F6fJgLOFJO5AAlieLZxfmTyZKOEy.jpg",[80],272074,"Cinématon","Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.",2.0543,"\u002F5l2dmFdiaFbt8XUyzmZxBeqGMJA.jpg","1978-12-20",4.9,"N°343","5a6cc3900e0a265f0100ee37",66,{"adult":4,"backdrop_path":56,"genre_ids":296,"id":297,"title":298,"original_language":71,"original_title":298,"overview":299,"popularity":300,"poster_path":56,"release_date":301,"softcore":4,"video":4,"vote_average":65,"vote_count":65,"character":134,"credit_id":302,"order":172,"media_type":40},[],497718,"Hommage à Jean-Marie Straub","Short film commissioned by the Cinemathèque Suisse to celebrate Jean-Marie Straub's 85th birthday.",1.4455,"2018-01-08","5a573df20e0a2607ce0366d3",{"adult":4,"backdrop_path":56,"genre_ids":304,"id":305,"title":306,"original_language":46,"original_title":306,"overview":307,"popularity":308,"poster_path":309,"release_date":301,"softcore":4,"video":4,"vote_average":65,"vote_count":65,"character":134,"credit_id":310,"order":12,"media_type":40},[80],513221,"Une Vie Risquée","Short film commissioned by the Cinemathèque Suisse to celebrate Jean-Marie Straub’s 85th birthday.",0.8571,"\u002FyDFojmMRXEVK5RGtYx5RiFj6My5.jpg","5ab27a3b0e0a261da600a706",{"adult":4,"backdrop_path":56,"genre_ids":312,"id":313,"title":314,"original_language":46,"original_title":314,"overview":315,"popularity":316,"poster_path":56,"release_date":317,"softcore":4,"video":4,"vote_average":52,"vote_count":12,"character":134,"credit_id":318,"order":65,"media_type":40},[80],403061,"Cinéma, de notre temps: Danièle Huillet, Jean-Marie Straub - cinéastes","The original television version of 'Where Does Your Hidden Smile Lie?'",0.8236,"2001-07-11","5b575eeec3a3685c85038426",{"adult":4,"backdrop_path":56,"genre_ids":320,"id":321,"title":322,"original_language":29,"original_title":322,"overview":323,"popularity":324,"poster_path":56,"release_date":325,"softcore":4,"video":4,"vote_average":65,"vote_count":65,"character":134,"credit_id":326,"order":12,"media_type":40},[],566410,"Schaut euch diesen Berg an – einstmals war er Feuer","Documentary about Huillet\u002FStraub's Empedocles.",0.805,"1991-03-01","5c053e850e0a2636ce0d3ed8",{"adult":4,"backdrop_path":56,"genre_ids":328,"id":329,"title":330,"original_language":46,"original_title":331,"overview":332,"popularity":333,"poster_path":334,"release_date":335,"softcore":4,"video":4,"vote_average":133,"vote_count":52,"character":336,"credit_id":337,"order":65,"media_type":40},[80],208402,"Cézanne: Conversation with Joachim Gasquet","Cézanne – Dialogue avec Joachim Gasquet","A landmark work of symbolistic imagery. The words that the filmmakers speak offscreen are imaginary conversation with Cézanne quoted from a critique by Joachim Gasquet. An exchange of memories spanning over 250 years interweaves everything from the philosophy of Empedocles to excerpts from the film Madame Bovary, to extant paintings by Cézanne, to the buildings of the artists’ village at Mont Sainte-Victoire. —ntticc.or.jp",1.2731,"\u002Fo3Ak7yJFHqV4XoqZNGC5Fk0HnY4.jpg","1990-04-04","Paul Cézanne (voice) [uncredited]","5ddde97d4f58010012f9a2f2",{"adult":4,"backdrop_path":56,"genre_ids":339,"id":340,"title":341,"original_language":46,"original_title":341,"overview":342,"popularity":343,"poster_path":56,"release_date":344,"softcore":4,"video":4,"vote_average":65,"vote_count":65,"character":292,"credit_id":345,"order":114,"media_type":40},[],758540,"Cinématon XXXV","Reel 35 of Gérard Courant’s on-going Cinematon series.",0.7705,"1984-07-17","5f9a45fb87ae7b0036e1670c",{"adult":4,"backdrop_path":347,"genre_ids":348,"id":349,"title":350,"original_language":46,"original_title":351,"overview":352,"popularity":353,"poster_path":354,"release_date":355,"softcore":4,"video":4,"vote_average":356,"vote_count":172,"character":87,"credit_id":357,"order":12,"media_type":40},"\u002FtNlWsNtlxMRHb4m3AbRneGf7GEK.jpg",[80],272747,"Fragments of Conversations with Jean-Luc Godard","Morceaux de conversations avec Jean-Luc Godard","In his meetings with various different people, Jean-Luc Godard develops his thinking about history, politics, the cinema, images and time, and this will lead to his exhibition as an artist at the Pompidou Centre. Jean-Luc Godard’s conversations with Dominique Païni, Jean Narboni, André S. Labarthe, Jean-Marie Straub, Danielle Huillet and Christophe Kantcheff were filmed at his home in Rolle, in his study, at the Fresnoy National Studio for the Contemporary Arts (in front of students) and in the exhibition rooms of the Pompidou Centre.",1.6351,"\u002FdKWffCEx4fA6o3hKU1pTZFPXnM4.jpg","2009-01-21",7.5,"691505146b8a39a9afac20e1",[359,372,375,389,401,412,423,434,445,450,459,468,480,489,503,515,518,521,524,535,538,541,549,552,563,575,586,591,603,612,615,618,621,624,627,640,643,654,657,660,670,673,685,688,693,696,699,702,705,708,711,714,717,720,723,726,729,732,735,738,741,744,754,757,760,763,772,776,779,782,793,796,799,802,805,818,821,824,827,830,840,843,846,849,852,855,858,861,864,867,870,873,876,879,882,885,888,891,894,897,900,903,906,909,912,915,918,921,924,927,930,933,936,940,943],{"adult":4,"backdrop_path":360,"genre_ids":361,"id":362,"title":363,"original_language":177,"original_title":364,"overview":365,"popularity":366,"poster_path":367,"release_date":368,"softcore":4,"video":4,"vote_average":369,"vote_count":26,"credit_id":370,"department":16,"job":371,"media_type":40},"\u002FqxAElMTLj4Mtgx8kK5guUZUHJDJ.jpg",[26],87415,"From the Clouds to the Resistance","Dalla nube alla resistenza","Two segments. The first one arranges six stories from Cesare Pavese’s «Dialoghi con Leucò», taken from classical mythology. The second segment is taken from Pavese’s novel «La luna e i falò»: after World War II the emigrant «The Bastard» comes back to his village in the Langhe (northern Italy) to find out that everyone he knew has died, and that the war has deeply changed relationships between people.",1.4859,"\u002Fh1A5chyYVo4bej5g9qVsU3vjOYU.jpg","1979-11-07",5.3,"52fe49c39251416c910b8057","Director",{"adult":4,"backdrop_path":249,"genre_ids":373,"id":251,"title":252,"original_language":46,"original_title":253,"overview":254,"popularity":255,"poster_path":256,"release_date":257,"softcore":4,"video":4,"vote_average":258,"vote_count":259,"credit_id":374,"department":16,"job":371,"media_type":40},[80],"52fe49ce9251416c750d3e4f",{"adult":4,"backdrop_path":376,"genre_ids":377,"id":379,"title":380,"original_language":29,"original_title":381,"overview":382,"popularity":383,"poster_path":384,"release_date":385,"softcore":4,"video":4,"vote_average":386,"vote_count":387,"credit_id":388,"department":16,"job":371,"media_type":40},"\u002Fn09tR1wlRbJ8Bh6Eqz77rI5PegO.jpg",[378,26],10402,95600,"Chronicle of Anna Magdalena Bach","Chronik der Anna Magdalena Bach","The life and music of Johann Sebastian Bach as presented by his wife, Anna.",2.1939,"\u002FbABKBHPge6UHlRbTkN1hgEiuOG5.jpg","1968-02-03",6.3,45,"52fe498c9251416c750cb817",{"adult":4,"backdrop_path":390,"genre_ids":391,"id":392,"title":393,"original_language":177,"original_title":394,"overview":395,"popularity":396,"poster_path":397,"release_date":398,"softcore":4,"video":4,"vote_average":51,"vote_count":399,"credit_id":400,"department":16,"job":371,"media_type":40},"\u002Frac2rurGSht4QRkykCpOpeZ6xBC.jpg",[26],104871,"Sicily!","Sicilia!","A man returns to visit his native Sicily after living in New York for a long time. He learns about the Sicilian way of life from stylized conversations with an orange picker, his fellow train passengers, his mother, and a knife-sharpener.",1.3264,"\u002FhyB17QfiGKt12LmJYMpHoY9XooD.jpg","1999-05-19",36,"52fe4a3fc3a36847f81c33e7",{"adult":4,"backdrop_path":402,"genre_ids":403,"id":404,"title":405,"original_language":177,"original_title":406,"overview":407,"popularity":408,"poster_path":409,"release_date":410,"softcore":4,"video":4,"vote_average":98,"vote_count":157,"credit_id":411,"department":16,"job":371,"media_type":40},"\u002F2uuKBEoObQXdQxHnRd1E3lOyLnV.jpg",[26,80],108772,"These Encounters of Theirs","Quei loro incontri","These Encounters Of Theirs divides 10 non-professional actors into couples, then has them take turns in declaiming the Dialogues With Leuco, Cesare Pavese's abstract, philosophical work.",1.2968,"\u002FdBlaUyTfwzp0z62I5rK3mf4r32L.jpg","2006-09-07","52fe4aa3c3a36847f81d99fd",{"adult":4,"backdrop_path":413,"genre_ids":414,"id":415,"title":416,"original_language":29,"original_title":417,"overview":418,"popularity":419,"poster_path":420,"release_date":421,"softcore":4,"video":4,"vote_average":52,"vote_count":239,"credit_id":422,"department":16,"job":371,"media_type":40},"\u002FgGynNyUY1lDnkiM41Cp12m7gMhs.jpg",[378,149],125035,"From Today Until Tomorrow","Von heute auf morgen","Based on a rarely performed Schoenberg opera from 1929, From Today Until Tomorrow explores one night in a marriage. A husband and wife return from a party where she has flirted with another man while he has cast an appraising eye toward one of her acquaintances. Each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover.",1.594,"\u002Fgi7shJEbD52VwTnh8G7NMzAO1Xq.jpg","1997-09-29","52fe4abac3a368484e163c49",{"adult":4,"backdrop_path":424,"genre_ids":425,"id":426,"title":427,"original_language":46,"original_title":428,"overview":429,"popularity":430,"poster_path":431,"release_date":432,"softcore":4,"video":4,"vote_average":386,"vote_count":157,"credit_id":433,"department":16,"job":371,"media_type":40},"\u002FnRRCiPWNM1KdiZytawEQohn7A41.jpg",[80],128100,"A Visit to the Louvre","Une visite au Louvre","A visit to the Louvre in Paris commentated by an actor reading Cézanne.",1.5696,"\u002FaOv99qdBIVrzvxcg60iCwV6bWWP.jpg","2004-04-17","52fe4b11c3a368484e176083",{"adult":4,"backdrop_path":435,"genre_ids":436,"id":437,"title":438,"original_language":29,"original_title":439,"overview":440,"popularity":441,"poster_path":442,"release_date":443,"softcore":4,"video":4,"vote_average":51,"vote_count":39,"credit_id":444,"department":16,"job":371,"media_type":40},"\u002F9gmr9kbkeaGamOOgIw4OILqgfbH.jpg",[26],117479,"Class Relations","Klassenverhältnisse","A young man, recently arrived in New York from Europe, becomes swept up in a series of events that are beyond his knowledge or control.",2.0314,"\u002FlX7xEMFrBMJjgUrbveKrg1rtmup.jpg","1984-02-21","52fe4bb6c3a36847f8210c69",{"adult":4,"backdrop_path":24,"genre_ids":446,"id":27,"title":28,"original_language":29,"original_title":30,"overview":31,"popularity":32,"poster_path":33,"release_date":34,"softcore":4,"video":4,"vote_average":35,"vote_count":36,"credit_id":447,"department":448,"job":449,"media_type":40},[26],"52fe4b2bc3a368484e17b3db","Writing","Screenplay",{"adult":4,"backdrop_path":56,"genre_ids":451,"id":452,"title":453,"original_language":29,"original_title":453,"overview":454,"popularity":455,"poster_path":456,"release_date":457,"softcore":4,"video":4,"vote_average":133,"vote_count":219,"credit_id":458,"department":16,"job":371,"media_type":40},[26],129367,"Lothringen!","About the history of the French region of Lorraine, called Lothringen in German.",1.4869,"\u002FjetNlJAQbvSW9ixtkLMxop25zDi.jpg","1994-08-10","52fe4b3ac3a368484e17e18f",{"adult":4,"backdrop_path":56,"genre_ids":460,"id":461,"title":462,"original_language":46,"original_title":462,"overview":463,"popularity":464,"poster_path":465,"release_date":466,"softcore":4,"video":4,"vote_average":239,"vote_count":239,"credit_id":467,"department":16,"job":371,"media_type":40},[80],129364,"Europa 2005 – 27 octobre","Inspired by Rossellini's Europa '51 Straub-Huillet made a film consisting of two pans of a street corner in Paris.",1.1192,"\u002FmjjoynfOxMTbvjLbhsvwFmIpWDO.jpg","2006-10-13","52fe4b3ac3a368484e17e145",{"adult":4,"backdrop_path":469,"genre_ids":470,"id":471,"title":472,"original_language":46,"original_title":472,"overview":473,"popularity":474,"poster_path":475,"release_date":476,"softcore":4,"video":4,"vote_average":477,"vote_count":478,"credit_id":479,"department":16,"job":371,"media_type":40},"\u002F61e55ghYj8MdrHW0CUmAkagGmZc.jpg",[149],129363,"En rachâchant","The child Ernesto doesn't want to go to school any more because, as he says, all he is taught there is things he doesn't know.",1.3925,"\u002FpB69BCEbhy1KSvhoNhDa9fPSW62.jpg","1982-11-13",5.4,23,"52fe4b3ac3a368484e17e133",{"adult":4,"backdrop_path":56,"genre_ids":481,"id":482,"title":483,"original_language":177,"original_title":483,"overview":484,"popularity":485,"poster_path":486,"release_date":487,"softcore":4,"video":4,"vote_average":170,"vote_count":114,"credit_id":488,"department":448,"job":449,"media_type":40},[],212131,"Il viandante","An alternate look at a part of Sicilia, perhaps left out for its more straightforward didactic quality. Interesting to again see the long gaps. Also note the extra use of close-up (for them) on the old woman.",1.197,"\u002FphsT2vzCnuznX5AGKy5NKsm2WO8.jpg","2001-11-01","64ee38bf3a993700c5c3049e",{"adult":4,"backdrop_path":490,"genre_ids":491,"id":493,"title":494,"original_language":29,"original_title":495,"overview":496,"popularity":497,"poster_path":498,"release_date":499,"softcore":4,"video":4,"vote_average":500,"vote_count":501,"credit_id":502,"department":448,"job":449,"media_type":40},"\u002F8H7JkSNmLvMquucMhgJ9VmzurmN.jpg",[26,492],10749,154902,"The Bridegroom, the Actress, and the Pimp","Der Bräutigam, die Komödiantin und der Zuhälter","Three sequences are linked together in this short film by Straub; the first sequence is a long tracking shot from a car of prostitutes plying their trade on the night-time streets of Germany; the second is a staged play, cut down to 10 minutes by Straub and photographed in a single take; the final sequence covers the marriage of James and Lilith, and Lilith’s subsequent execution of her pimp, played by Rainer Werner Fassbinder.  \"The film is a look entirely at Western decadence\" - Jean-Marie Straub.",1.6421,"\u002FaVOJlq8gO6rQKG15PmdENyWlZ2H.jpg","1968-10-10",4.5,14,"64ee39fbcaa50800ab70dbb2",{"adult":4,"backdrop_path":504,"genre_ids":505,"id":506,"title":507,"original_language":177,"original_title":507,"overview":508,"popularity":509,"poster_path":510,"release_date":511,"softcore":4,"video":4,"vote_average":65,"vote_count":65,"credit_id":512,"department":513,"job":514,"media_type":40},"\u002Fm61lBWMNY58OyARnpOlr5Q2mH0G.jpg",[26],415224,"Incantati","Recently discovered and shown only twice before, Incantati is an alternate ending to Danièle Huillet and Jean-Marie Straub’s 2003 film Umiliati — fragment as mini-manifesto.",1.3134,"\u002FcoHaKgaq5QwbRGmHVocBRl0qadc.jpg","2003-01-01","64ee3aa0180dea00ff99e94d","Editing","Editor",{"adult":4,"backdrop_path":56,"genre_ids":516,"id":482,"title":483,"original_language":177,"original_title":483,"overview":484,"popularity":485,"poster_path":486,"release_date":487,"softcore":4,"video":4,"vote_average":170,"vote_count":114,"credit_id":517,"department":513,"job":514,"media_type":40},[],"64ee38a54b0c6301380032e8",{"adult":4,"backdrop_path":504,"genre_ids":519,"id":506,"title":507,"original_language":177,"original_title":507,"overview":508,"popularity":509,"poster_path":510,"release_date":511,"softcore":4,"video":4,"vote_average":65,"vote_count":65,"credit_id":520,"department":448,"job":449,"media_type":40},[26],"64ee3a67180dea011c3c05d1",{"adult":4,"backdrop_path":490,"genre_ids":522,"id":493,"title":494,"original_language":29,"original_title":495,"overview":496,"popularity":497,"poster_path":498,"release_date":499,"softcore":4,"video":4,"vote_average":500,"vote_count":501,"credit_id":523,"department":16,"job":371,"media_type":40},[26,492],"64ee3a023a993700e2f67feb",{"adult":4,"backdrop_path":525,"genre_ids":526,"id":527,"title":528,"original_language":29,"original_title":528,"overview":529,"popularity":530,"poster_path":531,"release_date":532,"softcore":4,"video":4,"vote_average":52,"vote_count":533,"credit_id":534,"department":448,"job":449,"media_type":40},"\u002F66dAxJ7zzcaoYEH8kmy1j3Iz5a5.jpg",[26],208200,"Antigone","A fearless Antigone, refusing to allow the dishonored body of her murdered brother Polynices to be devoured by vultures and dogs, defies the Thebian tyrant Creon by burying him.",1.3411,"\u002FidvNggHcI7MLkaycH6GV6ENePEL.jpg","1992-09-02",19,"64ee3c8377d23b00cb84d6aa",{"adult":4,"backdrop_path":56,"genre_ids":536,"id":329,"title":330,"original_language":46,"original_title":331,"overview":332,"popularity":333,"poster_path":334,"release_date":335,"softcore":4,"video":4,"vote_average":133,"vote_count":52,"credit_id":537,"department":16,"job":371,"media_type":40},[80],"52fe4d49c3a368484e1e1199",{"adult":4,"backdrop_path":147,"genre_ids":539,"id":150,"title":151,"original_language":46,"original_title":152,"overview":153,"popularity":154,"poster_path":155,"release_date":156,"softcore":4,"video":4,"vote_average":98,"vote_count":157,"credit_id":540,"department":16,"job":371,"media_type":40},[26,149],"52fe4d58c3a368484e1e4175",{"adult":4,"backdrop_path":56,"genre_ids":542,"id":543,"title":544,"original_language":71,"original_title":544,"overview":545,"popularity":546,"poster_path":56,"release_date":547,"softcore":4,"video":4,"vote_average":65,"vote_count":65,"credit_id":548,"department":513,"job":514,"media_type":40},[80],553706,"Hommage à Vernon","Forgotten Straub-Huillet film that shows outtakes from \"Der Tod des Empedokles\".",1.0175,"1988-06-08","64ef526de0ca7f00ae388836",{"adult":4,"backdrop_path":56,"genre_ids":550,"id":543,"title":544,"original_language":71,"original_title":544,"overview":545,"popularity":546,"poster_path":56,"release_date":547,"softcore":4,"video":4,"vote_average":65,"vote_count":65,"credit_id":551,"department":448,"job":449,"media_type":40},[80],"64ef52144b0c6300e1d38730",{"adult":4,"backdrop_path":553,"genre_ids":554,"id":555,"title":556,"original_language":177,"original_title":556,"overview":557,"popularity":558,"poster_path":559,"release_date":560,"softcore":4,"video":4,"vote_average":170,"vote_count":561,"credit_id":562,"department":16,"job":371,"media_type":40},"\u002Fazhwnn3j7CQaoCk1ipZnGZhBCEk.jpg",[80],205667,"Fortini\u002FCani","The film is a sort of presentation of Franco Fortini's book 'I Cani del Sinai'. Fortini, an Italian Jew, reads excerpts from the book about his alienation from Judaism and from the social relations around him, the rise of Fascism in Italy, the anti-Arab attitude of European culture. The images, mostly a series of Italian landscape shots, provide a backdrop that highlights the meaning of the text. - Fabrizio Sabidussi",1.859,"\u002FlT73LwT9fCN1NIG3tPiIngPzds6.jpg","1977-11-30",12,"52fe4d0dc3a368484e1d4617",{"adult":4,"backdrop_path":564,"genre_ids":565,"id":566,"title":567,"original_language":29,"original_title":568,"overview":569,"popularity":570,"poster_path":571,"release_date":572,"softcore":4,"video":4,"vote_average":573,"vote_count":157,"credit_id":574,"department":16,"job":371,"media_type":40},"\u002FbDJ77aGMooIwUouKyQi573RdbWO.jpg",[26],205668,"History Lessons","Geschichtsunterricht","Set in contemporary Rome, the film shows through a series of encounters with “ancient” Romans, how the economic and political manipulation by ancient Roman society led to Caesar’s dictatorship. - British Film Institute",1.4211,"\u002F7g5GJUGaV4vS0TqdjMDO3loNNH4.jpg","1972-09-10",6.2,"52fe4d0dc3a368484e1d4647",{"adult":4,"backdrop_path":56,"genre_ids":576,"id":577,"title":578,"original_language":177,"original_title":579,"overview":580,"popularity":581,"poster_path":582,"release_date":583,"softcore":4,"video":4,"vote_average":584,"vote_count":99,"credit_id":585,"department":16,"job":371,"media_type":40},[26],202479,"Workers, Peasants","Operai, contadini","A group of men and women have been brought together after World War II, when Italy regained its national and territorial unity. They make up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life, and look to protect themselves from violence, misery and fear. 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