[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F932613:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":10,"id":11,"imdb_id":12,"known_for_department":13,"name":14,"place_of_birth":15,"popularity":16,"profile_path":17,"combined_credits":18,"images":749},false,[],"A London-based artist and filmmaker. He has created around 40 short and feature films that blur the line between documentary and fiction, often focusing on people living on the margins of society. Rivers won the FIPRESCI Prize at the Venice Film Festival for his debut feature, Two Years at Sea. His solo exhibitions have been held in Milan, Chicago, Hamburg, and London, and a complete retrospective of his work was presented at the National Gallery of Jeu de Paume in Paris. At the 34th Message to Man Festival, he received the Silver Centaur prize for his film Bogancloch.","1972-01-01",null,2,"http:\u002F\u002Fwww.benrivers.com\u002F",932613,"nm4234237","Directing","Ben Rivers","Somerset, England",0.5669,"\u002F4WUVJwo0o5nE63xROHGRcSJ7O1T.jpg",{"cast":19,"crew":20},[],[21,37,50,59,69,82,95,104,114,126,134,144,155,164,174,183,190,199,207,218,223,234,237,240,245,248,258,267,275,283,295,308,318,328,339,342,351,354,357,366,375,383,391,400,409,422,427,431,439,448,451,461,470,480,483,486,489,492,495,498,501,504,507,510,513,523,532,545,554,566,575,584,587,590,600,603,612,620,623,626,635,643,652,661,669,672,675,678,681,691,694,697,700,703,706,709,712,715,724,727,730,740],{"adult":4,"backdrop_path":22,"genre_ids":23,"id":25,"title":26,"original_language":27,"original_title":26,"overview":28,"popularity":29,"poster_path":30,"release_date":31,"softcore":4,"video":4,"vote_average":32,"vote_count":33,"credit_id":34,"department":13,"job":35,"media_type":36},"\u002F1d31kvRGfxFJhV6qQiCBweShKPi.jpg",[24],878,85107,"Slow Action","en","Slow Action, Ben Rivers’ first exhibition at Matt’s Gallery, is a post-apocalyptic science fiction film that brings together a series of four 16mm works which exist somewhere between documentary, ethnographic study and fiction.  Continuing his exploration of curious and extraordinary environments, Slow Action applies the idea of island biogeography - the study of how species and eco-systems evolve differently when isolated and surrounded by unsuitable habitat - to a conception of the Earth in a few hundred years; the sea level rising to absurd heights, creating hyperbolic utopias that appear as possible future mini-societies.  This series of constructed realities explores the environments of self-contained lands and the search for information to enable the reconstruction of soon to be lost worlds.",1.4203,"\u002FmtmL6Jg517QyPBl7nOC0hEI7dSE.jpg","2018-09-22",6.3,3,"52fe49249251416c910a4037","Director","movie",{"adult":4,"backdrop_path":38,"genre_ids":39,"id":41,"title":42,"original_language":27,"original_title":42,"overview":43,"popularity":44,"poster_path":45,"release_date":46,"softcore":4,"video":4,"vote_average":47,"vote_count":48,"credit_id":49,"department":13,"job":35,"media_type":36},"\u002FbneIOoQ5rn2vK8Bth3qzLm1va0b.jpg",[40],99,97762,"Two Years at Sea","Inspired by the themes of Knut Hamsun’s ‘Pan’, Ben Rivers ventures deep into the remote forests of Aberdeenshire to document the routine of Jake Williams - a man seen in all seasons, living reclusively, surviving frugally, and passing the time with strange projects.",1.0641,"\u002FeBy5Y543lS3jhvcDNp4uBNDxLpI.jpg","2012-05-04",6.2,18,"52fe49ed9251416c750d7f21",{"adult":4,"backdrop_path":8,"genre_ids":51,"id":52,"title":53,"original_language":27,"original_title":53,"overview":54,"popularity":55,"poster_path":8,"release_date":56,"softcore":4,"video":4,"vote_average":57,"vote_count":57,"credit_id":58,"department":13,"job":35,"media_type":36},[],154453,"Experiments in Terror 3","The third in the series of experimental \"horror\" features, this collection features the shorts The Psychotic Odyssey of Richard Chase (1999) by Cary Burtt, J.X. Williams' Satan Claus (1975), Jason Bognacki's Loma Lynda: The Red Door (2008), Terror! (2007) by Ben Rivers, Mike Kuchar's Born of the Wind (1961), and a collaboration from Guy Maddin and Marie Losier called Manuelle Labor (2007).  While not featured in the program, an extra includes the short It Gets Worse (2008) by Clifton Childree.",0.7754,"2009-03-31",0,"52fe4b619251416c910d8995",{"adult":4,"backdrop_path":60,"genre_ids":61,"id":62,"title":63,"original_language":27,"original_title":63,"overview":64,"popularity":65,"poster_path":8,"release_date":66,"softcore":4,"video":4,"vote_average":67,"vote_count":33,"credit_id":68,"department":13,"job":35,"media_type":36},"\u002FjuZcDKxuJWquPyi7zZiYnEwvxeB.jpg",[],162464,"Origin of the Species","Charting the beginnings of the time, through the descent of man, on to an uncertain future - all shot throughout the seasons in the garden of S, who lives in the wilderness and builds contraptions.",0.6505,"2008-10-01",7,"52fe4c59c3a36847f8229b57",{"adult":4,"backdrop_path":70,"genre_ids":71,"id":73,"title":74,"original_language":27,"original_title":74,"overview":75,"popularity":76,"poster_path":77,"release_date":78,"softcore":4,"video":4,"vote_average":79,"vote_count":80,"credit_id":81,"department":13,"job":35,"media_type":36},"\u002FaSuCxO1OHiFoh8VXVkNv552Jkk0.jpg",[72],14,162445,"Ah, Liberty!","A family's place in the wilderness, outside of time; free-range animals and children, junk and nature, all within the most sublime landscape. The work aims at an idea of freedom, which is reflected in the hand-processed Scope format, but is undercut with a sense of foreboding. There's no particular story; beginning, middle or end, just fragments of lives lived, rituals performed.",0.6389,"\u002FyI5spv1sccMarSNzKXuC0woXkeI.jpg","2008-06-21",6.6,5,"52fe4c59c3a36847f8229b0f",{"adult":4,"backdrop_path":83,"genre_ids":84,"id":85,"title":86,"original_language":27,"original_title":87,"overview":88,"popularity":89,"poster_path":90,"release_date":91,"softcore":4,"video":4,"vote_average":57,"vote_count":57,"credit_id":92,"department":93,"job":94,"media_type":36},"\u002F6cTYXz3mOiHFKUYcLdcdokT75rX.jpg",[40],666420,"The Invisible Mountain","La montagne invisible","\"La Montagne Invisible\" is an installation conceived as a journey into the infinite : an immersive multi-channel AV installation that transforms the material of a Finnish wanderer's secular pilgrimage towards a utopian summit into an infinite video labyrinth of beginnings, endings and disjunctive in-betweens.",0.8571,"\u002F93ofOvWmIeJ27Rmzu9ierkzBBGG.jpg","2021-07-20","60f71f75310325005da1fdef","Camera","Director of Photography",{"adult":4,"backdrop_path":8,"genre_ids":96,"id":97,"title":98,"original_language":27,"original_title":98,"overview":99,"popularity":100,"poster_path":101,"release_date":102,"softcore":4,"video":4,"vote_average":57,"vote_count":57,"credit_id":103,"department":13,"job":35,"media_type":36},[],981996,"Dreaming In The Dark","For Dreaming the Dark: hands that see, eyes that touch, Ana Vaz invited artists and filmmakers whose work trust cinema’s capacity to transform relationships between the body and the camera to propose works that will engage with both perception and embodiment. Could cinema be an art of embodiment? By what rituals and actions could vision become tactile?",1.1912,"\u002F6bQwDv952lOoZUrklQ1Lfv05rmA.jpg","2018-01-04","6295112c5507e90066b87bb3",{"adult":4,"backdrop_path":8,"genre_ids":105,"id":106,"title":107,"original_language":27,"original_title":107,"overview":108,"popularity":109,"poster_path":110,"release_date":111,"softcore":4,"video":4,"vote_average":80,"vote_count":112,"credit_id":113,"department":13,"job":35,"media_type":36},[],202644,"The Hyrcynium Wood","A mystery that began as a document of abandoned farms in South East England.",0.8014,"\u002FlielRqaMHROFeKhqnWFToZ5ovMi.jpg","2005-01-01",1,"52fe4ccdc3a368484e1c76e7",{"adult":4,"backdrop_path":115,"genre_ids":116,"id":118,"title":119,"original_language":27,"original_title":119,"overview":120,"popularity":121,"poster_path":122,"release_date":123,"softcore":4,"video":4,"vote_average":47,"vote_count":124,"credit_id":125,"department":13,"job":35,"media_type":36},"\u002FkZsEybguIAS5KlrVvpJW2e44ebC.jpg",[40,117],10402,211722,"A Spell to Ward Off the Darkness","A man at three disparate moments in his life: as a member of a fifteen-person collective on a small Estonian island, alone in the wilderness of Northern Finland and as the singer of a neo-pagan black metal band in Norway. Three moments for a radical proposition for the creation of utopia in the present.",1.1802,"\u002FbkFcHfTNXhfJ5nP0JXkXTTT6dvO.jpg","2013-08-09",21,"52fe4d9cc3a368484e1f2ac3",{"adult":4,"backdrop_path":8,"genre_ids":127,"id":128,"title":129,"original_language":27,"original_title":129,"overview":130,"popularity":131,"poster_path":8,"release_date":132,"softcore":4,"video":4,"vote_average":80,"vote_count":33,"credit_id":133,"department":13,"job":35,"media_type":36},[40],215422,"Sack Barrow","The march of time claims another casualty. Sack Barrow documents (and laments) the out-dated, but functioning, technology of a family-owned electroplating factory in the weeks around its closure — its old ways now unsustainable in the modern world.",0.6114,"2011-09-11","52fe4dfcc3a368484e20835b",{"adult":4,"backdrop_path":8,"genre_ids":135,"id":136,"title":137,"original_language":27,"original_title":137,"overview":138,"popularity":139,"poster_path":140,"release_date":141,"softcore":4,"video":4,"vote_average":142,"vote_count":112,"credit_id":143,"department":13,"job":35,"media_type":36},[40],989406,"After Work","A collaboration between filmmaker Ben Rivers and sculptor Céline Condorelli, with contributions by writer and artist Jay Bernard, After Work blurs boundaries between labour and leisure using nimble essayistic encounters that are as suggestive as they are concrete.",0.5797,"\u002FqtQ5hboqQZVlD6ktiI200CrXDbO.jpg","2022-07-07",6,"62aec3048f26bc0093992448",{"adult":4,"backdrop_path":145,"genre_ids":146,"id":147,"title":148,"original_language":27,"original_title":148,"overview":149,"popularity":150,"poster_path":151,"release_date":152,"softcore":4,"video":4,"vote_average":47,"vote_count":153,"credit_id":154,"department":13,"job":35,"media_type":36},"\u002F3y10YoKnExgU0h6RM7P73XJzoEG.jpg",[],260387,"I Know Where I'm Going","A fragmented road trip through Britain on the peripheries. Down empty roads, off in the wilderness, a few lone stragglers.",0.5783,"\u002FkWZA49vEVb8FSv2v7YfzbJBJAZV.jpg","2009-03-21",8,"532c9082c3a3685fac00019a",{"adult":4,"backdrop_path":8,"genre_ids":156,"id":157,"title":158,"original_language":27,"original_title":158,"overview":159,"popularity":160,"poster_path":8,"release_date":161,"softcore":4,"video":4,"vote_average":162,"vote_count":112,"credit_id":163,"department":13,"job":35,"media_type":36},[],260388,"A World Rattled of Habit","A film by Ben Rivers",0.586,"2008-03-21",4,"532c90ffc3a3685fe20001cd",{"adult":4,"backdrop_path":165,"genre_ids":166,"id":167,"title":168,"original_language":27,"original_title":168,"overview":169,"popularity":170,"poster_path":171,"release_date":172,"softcore":4,"video":4,"vote_average":47,"vote_count":162,"credit_id":173,"department":13,"job":35,"media_type":36},"\u002F8rdF40HPdwzYMpzPxdImsy6MfL7.jpg",[],260389,"This Is My Land","A hand-processed portrait of Jake Williams – who lives alone within miles of forest in Aberdeenshire, Scotland. Jake always has many jobs on at any one time, rarely throws anything away, is an expert mandolin player, and has compost heaps going back many years. He has a different sense of time to most people in the 21st Century, which is explicitly expressed in his idea for creating hedges by putting up bird feeders.",0.7621,"\u002FcZZDiPzFc0V628Of5GMgvQVyBVM.jpg","2007-01-18","532c913ac3a3685fbb00019a",{"adult":4,"backdrop_path":8,"genre_ids":175,"id":176,"title":177,"original_language":27,"original_title":177,"overview":178,"popularity":179,"poster_path":8,"release_date":180,"softcore":4,"video":4,"vote_average":181,"vote_count":33,"credit_id":182,"department":13,"job":35,"media_type":36},[40],260392,"We the People","A person is heard fleeing an angry mob – yet the uncannily empty streets show no sign of the chase. A never-ending nightmare. Sound reveals the hidden history in an imagined place.",0.5167,"2004-03-21",5.3,"532c921dc3a3685fd30001d3",{"adult":4,"backdrop_path":8,"genre_ids":184,"id":185,"title":186,"original_language":27,"original_title":186,"overview":159,"popularity":187,"poster_path":8,"release_date":188,"softcore":4,"video":4,"vote_average":57,"vote_count":57,"credit_id":189,"department":13,"job":35,"media_type":36},[],260391,"The Coming Race",0.5253,"2006-03-21","532c91b3c3a3685fd30001cb",{"adult":4,"backdrop_path":8,"genre_ids":191,"id":192,"title":193,"original_language":27,"original_title":193,"overview":159,"popularity":194,"poster_path":195,"release_date":196,"softcore":4,"video":4,"vote_average":197,"vote_count":9,"credit_id":198,"department":13,"job":35,"media_type":36},[],260390,"House",0.7222,"\u002Foj8R1DrSqt7el42XHol3YW6hNK2.jpg","2007-03-21",4.5,"532c917bc3a3685fdb00019f",{"adult":4,"backdrop_path":8,"genre_ids":200,"id":201,"title":202,"original_language":27,"original_title":202,"overview":203,"popularity":204,"poster_path":8,"release_date":205,"softcore":4,"video":4,"vote_average":67,"vote_count":80,"credit_id":206,"department":13,"job":35,"media_type":36},[],261092,"The Creation as We Saw It","Three mythical stories from the Republic of Vanuatu, an island nation located in the South Pacific Ocean, concerning the origin of humans, why pigs walk on all fours, and why a volcano sits where it does.",0.5155,"2012-01-01","53310c1ec3a3686a78000ee0",{"adult":4,"backdrop_path":208,"genre_ids":209,"id":210,"title":211,"original_language":27,"original_title":211,"overview":212,"popularity":213,"poster_path":214,"release_date":215,"softcore":4,"video":4,"vote_average":216,"vote_count":112,"credit_id":217,"department":13,"job":35,"media_type":36},"\u002FbbWzCocnQP1Re7Jkjc6gdqRkh7W.jpg",[48],993474,"Ijen \u002F London","Inspired by Richard Jefferies’ late 19th-century ‘After London’  - one of the earliest post-apocalyptic novels  - the film serves as test footage for how a future London might look. How a city that no longer exists might appear, having disappeared. Instead, in its place a vast toxic swamp, spewing ocherous smoke and chemical waste, with electric blue sulphurous flames emerging from the dead land. Shot on location in and amongst the craters and sulphur mines of the Ijen volcano complex in Indonesia, the imagery is accompanied by a recording of Herbert Read reciting his poem ‘The Autumn of the World’.",0.8487,"\u002FoMrC67qowgtVvHCA5IzY9Pmyglx.jpg","2022-07-06",10,"62bb9e2923bcf4008c7bd3e4",{"adult":4,"backdrop_path":38,"genre_ids":219,"id":41,"title":42,"original_language":27,"original_title":42,"overview":43,"popularity":44,"poster_path":45,"release_date":46,"softcore":4,"video":4,"vote_average":47,"vote_count":48,"credit_id":220,"department":221,"job":222,"media_type":36},[40],"5414604a0e0a26198a001eb4","Writing","Writer",{"adult":4,"backdrop_path":8,"genre_ids":224,"id":225,"title":226,"original_language":227,"original_title":226,"overview":228,"popularity":229,"poster_path":230,"release_date":111,"softcore":4,"video":4,"vote_average":57,"vote_count":57,"credit_id":231,"department":232,"job":233,"media_type":36},[48],1002352,"The Bomb with a Man in His Shoe","xx","In an impressionistic rush that combines patina-marked images of shoes made by hand with the attributes of a genre film, Rivers returns to a favorite topic: objects as the bearers of their history. Shots of the cobbler at work highlight the handcrafting process, yet entirely without indicating the need for perfection. In general, purposefulness and the absence of fantasy are unlike Rivers. Ambiguity is thus waiting in the wings, in this case references to genre movies, exemplified in part by image distortion reminiscent of an old horror movie.",0.5886,"\u002FufxLR3XhbQC1mgPKlAyfobmH0gu.jpg","62d8e439d1ca2a004f9dc1a8","Production","Producer",{"adult":4,"backdrop_path":8,"genre_ids":235,"id":225,"title":226,"original_language":227,"original_title":226,"overview":228,"popularity":229,"poster_path":230,"release_date":111,"softcore":4,"video":4,"vote_average":57,"vote_count":57,"credit_id":236,"department":221,"job":222,"media_type":36},[48],"62d8e421c2b9df004e9bdb3a",{"adult":4,"backdrop_path":8,"genre_ids":238,"id":225,"title":226,"original_language":227,"original_title":226,"overview":228,"popularity":229,"poster_path":230,"release_date":111,"softcore":4,"video":4,"vote_average":57,"vote_count":57,"credit_id":239,"department":93,"job":94,"media_type":36},[48],"62d8e428d1ca2a0067355996",{"adult":4,"backdrop_path":8,"genre_ids":241,"id":225,"title":226,"original_language":227,"original_title":226,"overview":228,"popularity":229,"poster_path":230,"release_date":111,"softcore":4,"video":4,"vote_average":57,"vote_count":57,"credit_id":242,"department":243,"job":244,"media_type":36},[48],"62d8e42e0d9f5a0053c87d93","Editing","Editor",{"adult":4,"backdrop_path":8,"genre_ids":246,"id":225,"title":226,"original_language":227,"original_title":226,"overview":228,"popularity":229,"poster_path":230,"release_date":111,"softcore":4,"video":4,"vote_average":57,"vote_count":57,"credit_id":247,"department":13,"job":35,"media_type":36},[48],"62d8e40dd1ca2a004c473586",{"adult":4,"backdrop_path":8,"genre_ids":249,"id":250,"title":251,"original_language":27,"original_title":251,"overview":252,"popularity":253,"poster_path":254,"release_date":255,"softcore":4,"video":4,"vote_average":256,"vote_count":142,"credit_id":257,"department":13,"job":35,"media_type":36},[],296693,"Things","Things is a lyrical analysis of the objects we gather around us, split into sections loosely based on the seasons. Rivers’ films are, typically, intimate portrayals of solitary beings or isolated communities. In Things however, he turns his attention to the unexplored objects, thoughts and memories from inside his own home.  The film is a collision of individual fragments of video and sound, which together complete an abstract, humorous and intimate picture.  In the Summer section for example, we witness a squirrel attacking a coconut model of another squirrel. In its attention to small moments, the film is a rumination of the things we gather around us.",0.5371,"\u002FtQ4iC8xf3kjkgyJvmtrjUPrlmt0.jpg","2014-09-19",5.7,"5435c91ec3a3684221000722",{"adult":4,"backdrop_path":8,"genre_ids":259,"id":260,"title":261,"original_language":27,"original_title":261,"overview":262,"popularity":263,"poster_path":264,"release_date":265,"softcore":4,"video":4,"vote_average":57,"vote_count":57,"credit_id":266,"department":13,"job":35,"media_type":36},[40],297499,"The Film That Buys the Cinema","A collection of films from an eclectic array of contributors commissioned to raise funds for the Bristol independent cinema The Cube.",1.3747,"\u002FaSMPxT6dKKmWBwpqQ11ExBxr3h2.jpg","2014-10-14","543dd6fe0e0a266f81000ea9",{"adult":4,"backdrop_path":8,"genre_ids":268,"id":269,"title":270,"original_language":27,"original_title":270,"overview":271,"popularity":272,"poster_path":8,"release_date":273,"softcore":4,"video":4,"vote_average":142,"vote_count":112,"credit_id":274,"department":13,"job":35,"media_type":36},[],300524,"May Tomorrow Shine the Brightest of all Your Many Days as it Will be your Last","May Tomorrow Shine the Brightest of All Your Many Days As It Will Be Your Last (2009, co-directed with Paul Harnden) shakily shows cloaked figures moving through woods, followed by soldiers, and seeking quiet places to read, seemingly in escape from some kind of disaster. A metallic ring obscures words spoken offscreen; wind blows through shimmering trees. It’s only occasionally that we see faces beneath their cloaks—a solemn old man, a blankly gazing old woman.",0.8162,"2009-11-02","54566714c3a3681473007344",{"adult":4,"backdrop_path":8,"genre_ids":276,"id":277,"title":278,"original_language":27,"original_title":278,"overview":279,"popularity":280,"poster_path":8,"release_date":281,"softcore":4,"video":4,"vote_average":57,"vote_count":57,"credit_id":282,"department":93,"job":94,"media_type":36},[],291932,"This Illuminated World Is Full of Stupid Men","Eden Kötting draws bright images on transparent glass, while talking with her dad about the world and the people who run it.",0.8357,"2014-10-17","54a33bc89251414d2700ac5d",{"adult":4,"backdrop_path":284,"genre_ids":285,"id":286,"title":287,"original_language":288,"original_title":287,"overview":289,"popularity":290,"poster_path":291,"release_date":292,"softcore":4,"video":4,"vote_average":293,"vote_count":9,"credit_id":294,"department":13,"job":35,"media_type":36},"\u002Fw9GbaPE8y9dbQm0eoRj29tvsQQ5.jpg",[40],889747,"Bogancloch","gd","Bogancloch is where Jake Williams lives, nestled in a vast highland forest of Scotland. The film portrays his life throughout the seasons, with other people occasionally crossing into his otherwise solitary life. At the heart a song, an argument between life and death, each stating their case to rule over the world. The film is without exposition, it aims at something less recognisable, a different existence of reality observed in discrete moments. A sequel to Two Years at Sea (2011), charting a subtly changing life in a radically changing world.",1.2628,"\u002FcSs6ca9zDEz6BYroEVJrmPrMTlc.jpg","2025-05-30",7.5,"6176ff0e9ee0ef0061279dad",{"adult":4,"backdrop_path":8,"genre_ids":296,"id":297,"title":298,"original_language":27,"original_title":298,"overview":299,"popularity":300,"poster_path":301,"release_date":302,"softcore":4,"video":4,"vote_average":303,"vote_count":304,"credit_id":305,"department":306,"job":307,"media_type":36},[40],261093,"Let Us Persevere in What We Have Resolved Before We Forget","On the island of Tanna, a part of Vanuatu, an archipelago in Melanesia, strange rites are enacted and time passes slowly while the inhabitants await the return of the mysterious John.",0.8156,"\u002FbaLht1AlAHBvFLCiJARzmochCTz.jpg","2013-07-04",7.3,9,"54b7c1e8c3a3686c61001f56","Crew","Cinematography",{"adult":4,"backdrop_path":8,"genre_ids":309,"id":310,"title":311,"original_language":312,"original_title":311,"overview":313,"popularity":314,"poster_path":315,"release_date":316,"softcore":4,"video":4,"vote_average":216,"vote_count":112,"credit_id":317,"department":13,"job":35,"media_type":36},[40],1201553,"Mohammed Mrabet","ar","The great Moroccan storyteller Mohammed Mrabet telling two stories to Shakib.",0.835,"\u002FiosCzttgwd75eDp5w3arNmUwxiX.jpg","2015-06-26","654934b3532acb01380c231f",{"adult":4,"backdrop_path":319,"genre_ids":320,"id":322,"title":323,"original_language":27,"original_title":323,"overview":324,"popularity":325,"poster_path":8,"release_date":326,"softcore":4,"video":4,"vote_average":142,"vote_count":9,"credit_id":327,"department":13,"job":35,"media_type":36},"\u002FvgvGG63U46ONfadDHjwdkGs5ypA.jpg",[321],27,347008,"Terror","“This masterfully edited compilation documentary analyzes the morphology of the horror film. Stringing together the most common tropes and scenes of slashers, zombie flicks, slumber party massacres, etc. into a single meta-horror opus, Rivers not so much deconstructs the genre as provides a tribute that reveals its limitations but also its visceral power.  It’s films like this that explain why I do film programs like ‘Experiments in Terror’” – Noel Lawrence, Provocateur Pictures.",1.0591,"2007-07-01","5593747e92514167fd000857",{"adult":4,"backdrop_path":329,"genre_ids":330,"id":331,"title":332,"original_language":27,"original_title":332,"overview":333,"popularity":334,"poster_path":335,"release_date":336,"softcore":4,"video":4,"vote_average":337,"vote_count":153,"credit_id":338,"department":13,"job":35,"media_type":36},"\u002FbVr3lh6qYizgQWxq602uyNmsA9L.jpg",[48,72],348890,"The Sky Trembles and the Earth Is Afraid and the Two Eyes Are Not Brothers","Shooting against the staggering beauty of the Moroccan landscape, from the rugged terrain of the Atlas Mountains to the stark and surreal emptiness of the desert, with its encroaching sands and abandoned film sets, a director abandons his own film set and descends into a hallucinatory, perilous adventure of cruelty, madness and malevolence. A Paul Bowles story combined with observational footage forms a multi-layered excavation into the illusion of cinema itself.",0.7718,"\u002FmMI70Ber4DqsITUJr7oZCjrsZnH.jpg","2015-08-12",7.1,"55a65cff92514109960011ea",{"adult":4,"backdrop_path":329,"genre_ids":340,"id":331,"title":332,"original_language":27,"original_title":332,"overview":333,"popularity":334,"poster_path":335,"release_date":336,"softcore":4,"video":4,"vote_average":337,"vote_count":153,"credit_id":341,"department":93,"job":94,"media_type":36},[48,72],"61b782a96a34480041082024",{"adult":4,"backdrop_path":8,"genre_ids":343,"id":344,"title":345,"original_language":27,"original_title":345,"overview":346,"popularity":347,"poster_path":348,"release_date":349,"softcore":4,"video":4,"vote_average":47,"vote_count":153,"credit_id":350,"department":93,"job":94,"media_type":36},[24],360069,"A Distant Episode","“A meditation on the illusion of filmmaking, shot behind the scenes on a film being made on the otherworldly beaches of Sidi Ifni, Morocco. The film depicts strange activities, with no commentary or dialogue; it appears as a fragment of film, dug up in a distant future—a hazy, black-and-white hallucinogenic world.”—Ben Rivers",0.6348,"\u002FnDDGBpiwXBACZMjRIwgdyNcOuKa.jpg","2015-09-15","61b78495894ed6008ed96a46",{"adult":4,"backdrop_path":329,"genre_ids":352,"id":331,"title":332,"original_language":27,"original_title":332,"overview":333,"popularity":334,"poster_path":335,"release_date":336,"softcore":4,"video":4,"vote_average":337,"vote_count":153,"credit_id":353,"department":221,"job":222,"media_type":36},[48,72],"61b782a1894ed6005e95d7cc",{"adult":4,"backdrop_path":8,"genre_ids":355,"id":344,"title":345,"original_language":27,"original_title":345,"overview":346,"popularity":347,"poster_path":348,"release_date":349,"softcore":4,"video":4,"vote_average":47,"vote_count":153,"credit_id":356,"department":13,"job":35,"media_type":36},[24],"55f89211c3a36867820003d6",{"adult":4,"backdrop_path":8,"genre_ids":358,"id":359,"title":360,"original_language":27,"original_title":360,"overview":361,"popularity":362,"poster_path":363,"release_date":364,"softcore":4,"video":4,"vote_average":80,"vote_count":112,"credit_id":365,"department":13,"job":35,"media_type":36},[],369902,"There Is a Happy Land Further Awaay","This new work is developed from footage collected during a trip to the remote and beautiful sub-tropical island of Vanuatu in the South Pacific. In March 2015, after Rivers’ visit, Vanuatu was devastated by Cyclone Pam, laying waste large parts of the islands. Rivers’ 16mm  lm material has become a record of a place that has irrevocably changed. Filmed on 16mm and then digitised, island imagery of active volcanoes, underwater WW2 debris, children playing, and wrecked boats transform into intangible digital recollections of the island. Images of the eroded land merge with eroding  lm and deteriorate until they are no longer recognisable.",0.7865,"\u002F7gHe5Uxic0COkrBEBuk6pEdryKp.jpg","2015-11-24","5654f16f92514145bc00070e",{"adult":4,"backdrop_path":8,"genre_ids":367,"id":368,"title":369,"original_language":27,"original_title":369,"overview":370,"popularity":371,"poster_path":372,"release_date":373,"softcore":4,"video":4,"vote_average":216,"vote_count":112,"credit_id":374,"department":13,"job":35,"media_type":36},[],369903,"Phantoms of a Libertine","Set in a deserted, silent  at, laden with mementoes and artefacts belonging to a now departed inhabitant. The film pieces together an elusive biography of a traveller to far flung destinations. There is a heavy stillness in the deserted space, the inhabitants faded memories are retraced by Rivers, but remain inescapably unresolved; narratives flicker and then disperse in succession; the immateriality of life is reflected in the material left behind.",0.6165,"\u002FlpT7JoJx050rJR8wIcJuRUJ5XPK.jpg","2012-10-01","5654f20ac3a36841460006d5",{"adult":4,"backdrop_path":8,"genre_ids":376,"id":377,"title":378,"original_language":27,"original_title":378,"overview":379,"popularity":380,"poster_path":381,"release_date":364,"softcore":4,"video":4,"vote_average":57,"vote_count":57,"credit_id":382,"department":13,"job":35,"media_type":36},[40],369900,"What Means Something","A portrait of the painter Rose Wylie at work in her studio at home in Kent. 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There, he comes across an eerie group of abandoned buildings built in the late 1970’s for a film adaptation of a novel by Norwegian author and Nobel laureate Knut Hamsun.",0.5719,"2008-06-01","65a6fa4d988afd01329506ff",{"adult":4,"backdrop_path":8,"genre_ids":392,"id":393,"title":394,"original_language":27,"original_title":394,"overview":395,"popularity":396,"poster_path":397,"release_date":398,"softcore":4,"video":4,"vote_average":57,"vote_count":57,"credit_id":399,"department":13,"job":35,"media_type":36},[72,321],1232099,"The Big Sink","\"My first film, shot at art school on a crappy Super 8 camera I bought from the market. At the time I was obsessed with Universal Studios horror films, and Dreyer’s Vampyr, and I had just discovered three films by George Kuchar, and Alain Resnais. So it’s a mix of those, sort of. It was shot over many months, as I had to coerce my friends to give me their time, especially the lead, who required many hours of make-up before he killed my friends. 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The films describe each young person in a way that is personal, poetic and expansive integrating art into the processes of consultation and person centre planning during transition services. The films played a role in the future lives of the young people involved by revealing their individuality and means of accessing the world. They also informed social care providers, support workers and others involved in planning and providing services about their lives and aspirations.",0.5648,"\u002FbEsoNQSYqOZWum5RT6JIhD9jfo7.jpg","63f6598753f83300c5e4841e",{"adult":4,"backdrop_path":8,"genre_ids":440,"id":441,"title":442,"original_language":27,"original_title":442,"overview":443,"popularity":444,"poster_path":445,"release_date":446,"softcore":4,"video":4,"vote_average":57,"vote_count":57,"credit_id":447,"department":13,"job":35,"media_type":36},[],1090277,"Call No Man Happy Until He Is Dead","It’s been a prevalent notion. Fallen sparks. Fragments of vessels broken at the Creation. And someday, somehow, before the end, a gathering back to home. A messenger from the Kingdom, arriving at the last moment. But I tell you there is no such message, no such home – only the millions of last moments... nothing more. Our history is an aggregate of last moments.”\r Thomas Pynchon, Gravity’s Rainbow  A(nother) collaboration between film artists Ben Rivers and Ben Russell, the figures in this installation represent a conceptual prequel to the inquiry present in their feature project *A Spell to Ward Off the Darkness*. Taking its title from the Greek tragedian Aeschulys, *CALL NO MAN HAPPY UNTIL HE IS DEAD* presents a group of viking re-enactors whose vertiginous actions are variably synched to an explosive real-time collage of early black metal recordings. 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The film considers what an endeavor such as Biosphere 2 might mean today and in the near future, in terms of humankind’s relationship with the natural world.",1.9137,"\u002F6sc9VzQao7olSTlRLE6rpmXJLST.jpg","2016-10-04","59cf1cb29251412f31010189",{"adult":4,"backdrop_path":8,"genre_ids":462,"id":463,"title":464,"original_language":27,"original_title":464,"overview":465,"popularity":466,"poster_path":467,"release_date":468,"softcore":4,"video":4,"vote_average":80,"vote_count":33,"credit_id":469,"department":13,"job":35,"media_type":36},[40],501015,"The Rare Event","Shot in a creaky, wooden-floored Parisian recording studio at an inaugural three-day “forum of ideas” focusing on the manifold possibilities of “Resistance”, the film initially appears to be a structuralist document of a philosophical discussion in-the-round.",0.8166,"\u002FeXSs2fZTZVcHLwTRYbVkoZ6LMD2.jpg","2018-02-26","5a6b0bff9251413b85003efe",{"adult":4,"backdrop_path":471,"genre_ids":472,"id":473,"title":474,"original_language":27,"original_title":474,"overview":475,"popularity":476,"poster_path":477,"release_date":478,"softcore":4,"video":4,"vote_average":256,"vote_count":67,"credit_id":479,"department":425,"job":425,"media_type":36},"\u002Fjb6caSkGY3sVL9oXy8IfQDpjI5i.jpg",[],526229,"Trees Down Here","In this short film of Cowan Court, which was completed by 6a architects in late 2016, Rivers has turned his camera onto the interactions between architecture and landscape within which the students of Churchill College, University of Cambridge live and 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at Last!","A film of a sloth, using three-colour separation to show sloth time.",0.7558,"\u002FprooT6Ge9shMkoECW686LgYwrzc.jpg","2018-11-16",4.1,"5bf3995bc3a368189f0974dc",{"adult":4,"backdrop_path":8,"genre_ids":524,"id":525,"title":526,"original_language":27,"original_title":526,"overview":527,"popularity":528,"poster_path":529,"release_date":530,"softcore":4,"video":4,"vote_average":57,"vote_count":57,"credit_id":531,"department":93,"job":94,"media_type":36},[],542372,"I Hope I'm Loud When I'm Dead","Reframing our current political moment in intimate terms, Gibson’s urgent snapshot of worldwide social calamities doubles as a document of practical resistance. In Gibson’s hands, the music of Pauline Oliveros and the words of poets CA Conrad and Eileen Myles imbue images of street riots, the Grenfell Fire, and the mass refugee migration with complexity and grace.",1.222,"\u002F4bVOBth1enRqGsMK2nVlXoiQi6G.jpg","2018-09-09","5c03c63dc3a36861f90bafa5",{"adult":4,"backdrop_path":533,"genre_ids":534,"id":535,"title":536,"original_language":537,"original_title":538,"overview":539,"popularity":540,"poster_path":541,"release_date":542,"softcore":4,"video":4,"vote_average":543,"vote_count":304,"credit_id":544,"department":13,"job":35,"media_type":36},"\u002F6kIV76YZW23eaCX3oNeMOJ2s7yn.jpg",[40,48],575429,"Krabi, 2562","th","กระบี่, 2562","Explores the landscape and stories within the community of Krabi, Southern Thailand. A major tourist destination in Thailand, the filmmakers want to capture the town in this specific moment where the pre-historic, the more recent past and the contemporary world collide, sometimes uneasily.",0.9548,"\u002FaNif9x3ce90slZLaWqOMDcE3aqN.jpg","2019-09-06",6.4,"5c3e4546c3a36853ce3f3986",{"adult":4,"backdrop_path":8,"genre_ids":546,"id":547,"title":548,"original_language":27,"original_title":548,"overview":549,"popularity":550,"poster_path":551,"release_date":552,"softcore":4,"video":4,"vote_average":304,"vote_count":9,"credit_id":553,"department":13,"job":35,"media_type":36},[],585612,"Alice","A tribute to Alice, the survivor of Friday 13th, edited from a VHS tape.",0.6715,"\u002FpXE93r3HFV4AMGlSKO0C2QjYzK6.jpg","2009-01-01","5c7a777dc3a3682f03189c64",{"adult":4,"backdrop_path":8,"genre_ids":555,"id":557,"title":558,"original_language":559,"original_title":560,"overview":561,"popularity":562,"poster_path":563,"release_date":564,"softcore":4,"video":4,"vote_average":57,"vote_count":57,"credit_id":565,"department":93,"job":94,"media_type":36},[556],80,582850,"Two Sisters Who Are Not Sisters","fr","Deux Soeurs Qui Ne Sont Pas Soeurs","Based on Gertrude Stein’s eponymously named screenplay, written in 1929 as European fascism was building momentum. Beatrice Gibson’s adaptation, set almost a century later in contemporary Paris, deploys Stein’s script as a talismanic guide through a contemporary moment of comparable social and political unrest. An original soundtrack, written especially for the film by British composer Laurence Crane, responds to the repetition, duplication and duality at play in Stein’s script. Both a fictional thriller and an act of collective representation, Deux Soeurs proposes empathy and friendship as means to reckon with an increasingly turbulent present.",1.2232,"\u002FkkrilqBJvYYq0d5sV9qMEgjo5hw.jpg","2019-01-18","5ccb35c0925141046f25abdd",{"adult":4,"backdrop_path":8,"genre_ids":567,"id":568,"title":569,"original_language":27,"original_title":569,"overview":570,"popularity":571,"poster_path":572,"release_date":573,"softcore":4,"video":4,"vote_average":420,"vote_count":162,"credit_id":574,"department":13,"job":35,"media_type":36},[40],600173,"Ghost Strata","Filmed in various places over the globe, Ghost Strata explores the differing scales of impact that humanity’s presence has on the earth in the past, present and into the future. 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