[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F930709:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":7,"birthday":8,"deathday":9,"gender":10,"homepage":11,"id":12,"imdb_id":13,"known_for_department":14,"name":15,"place_of_birth":16,"popularity":17,"profile_path":18,"combined_credits":19,"images":2836},false,[6],"켄 제이콥스","A pioneer of the American film avant-garde of the 1960s and '70s, Ken Jacobs is a central figure in post-war experimental cinema. From his first films of the late 1950s to his recent experiments with digital video, his investigations and innovations have influenced countless artists.\n\nA New Yorker by birth, Jacobs graduated from City University to find himself in the midst of the downtown art scene of the 1960s, which included artists Robert Rauschenberg and Andy Warhol, beat writers Allen Ginsberg and Jack Kerouac; and the experimental theater troupes of Trisha Brown and Yvonne Rainer. Although Jacobs had studied painting with Hans Hoffman, he quickly gravitated to film, finding kindred spirits in radical filmmakers such as Jonas Mekas and Hollis Frampton. An early friendship with Jack Smith yielded several collaborations, including the seminal underground films Blonde Cobra (which Jonas Mekas dubbed \"the masterpiece of Baudelairean cinema\") and Little Stabs at Happiness, as well as a Provincetown beach-based live show, The Human Wreckage Review.","1933-05-25","2025-10-05",2,"https:\u002F\u002Fwww.kenjacobsgallery.com\u002F",930709,"nm0414499","Directing","Ken Jacobs","Williamsburg, Brooklyn, New York, USA",0.5467,"\u002FyQel5EEAQkiEwVF84I5HeJIFbTJ.jpg",{"cast":20,"crew":440},[21,37,51,65,76,87,100,112,120,129,141,150,161,173,186,197,208,218,229,242,252,262,274,286,296,307,317,326,337,346,355,367,376,385,395,404,413,422,431],{"adult":4,"backdrop_path":22,"genre_ids":23,"id":24,"title":25,"original_language":26,"original_title":25,"overview":27,"popularity":28,"poster_path":29,"release_date":30,"softcore":4,"video":4,"vote_average":31,"vote_count":32,"character":33,"credit_id":34,"order":35,"media_type":36},"\u002FnfUcfKnUlPhNOo2r1ItG7zyCBl7.jpg",[],47229,"Scotch Tape","en","Shot in 1959, Scotch Tape is Jack Smith's first film -- a joyous, three-minute romp, in color, using Peter Duchin's rhumba \"Carinhoso\" for its soundtrack. Three young men merrily bop through the wreckage of razed buildings at the site of what would become Lincoln Center. Apparently, Scotch Tape was never edited and, instead, was cut in the camera by Smith, combining long shots and close-ups while filming mostly from overhead. The title comes from a small strip of scotch tape that was accidentally stuck on the camera and so is visible in the lower-right corner of the frame throughout the film.",0.8901,"\u002F7VlSbuz1ada1H5brMynHMz7QluQ.jpg","1963-01-01",4.4,21,"","52fe4726c3a36847f8125e91",1,"movie",{"adult":4,"backdrop_path":38,"genre_ids":39,"id":41,"title":42,"original_language":26,"original_title":42,"overview":43,"popularity":44,"poster_path":45,"release_date":46,"softcore":4,"video":4,"vote_average":47,"vote_count":48,"character":49,"credit_id":50,"order":10,"media_type":36},null,[40],18,18468,"Momma's Man","An adult decides to escape the pressures of life and return to his old bedroom at his parents' house.",0.7547,"\u002F3pitOfvt1bA1TXnZYowVtWAHb5d.jpg","2008-01-18",6.2,12,"Dad","52fe477f9251416c7509b87b",{"adult":4,"backdrop_path":52,"genre_ids":53,"id":55,"title":56,"original_language":26,"original_title":56,"overview":57,"popularity":58,"poster_path":59,"release_date":60,"softcore":4,"video":4,"vote_average":61,"vote_count":48,"character":62,"credit_id":63,"order":64,"media_type":36},"\u002FaajwuhVG5N99xIYWnuFad6NsMD5.jpg",[54],99,85822,"Free Radicals: A History of Experimental Film","Experimental filmmaker Pip Chodorov traces the course of experimental film in America, taking the very personal point of view of someone who grew up as part of the experimental film community.",1.3229,"\u002FhGxn1l1XMR9x81STsd4oX16yjOD.jpg","2011-07-24",6.8,"Himself","52fe495e9251416c910ab0bd",4,{"adult":4,"backdrop_path":38,"genre_ids":66,"id":67,"title":68,"original_language":26,"original_title":68,"overview":69,"popularity":70,"poster_path":71,"release_date":72,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"character":74,"credit_id":75,"order":10,"media_type":36},[54],1138449,"Lavender","A wholesome moment: Jonas Mekas, MM Serra, Ken Jacobs, and Flo Jacobs take lavender from a stranger's bush.",0.5693,"\u002FkcS8I8lxUqhr0y4KgRZdfj3ID4x.jpg","2010-06-01",0,"Self","6483fe37e375c000e24f0692",{"adult":4,"backdrop_path":38,"genre_ids":77,"id":78,"title":79,"original_language":80,"original_title":79,"overview":81,"popularity":82,"poster_path":83,"release_date":84,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"character":33,"credit_id":85,"order":86,"media_type":36},[54],1146127,"Home Movies 1971-81","xx","Home movies shot on Super 8mm by W+B Hein over 10 years.",1.8152,"\u002F95USeVGGGiVd8b8I3525itz3Ta.jpg","1985-01-01","649e33f7c072a2014faf52e9",25,{"adult":4,"backdrop_path":88,"genre_ids":89,"id":90,"title":91,"original_language":26,"original_title":91,"overview":92,"popularity":93,"poster_path":94,"release_date":95,"softcore":4,"video":4,"vote_average":96,"vote_count":97,"character":74,"credit_id":98,"order":99,"media_type":36},"\u002FbxZyRs1cQ1e8Qstcc7fBNE5ajuI.jpg",[54],227048,"Sleepless Nights Stories","Unable to sleep, Jonas Mekas drifts through New York nights, moving between apartments, studios, galleries, bars, and clubs. Along the way he encounters friends and fellow artists—including Ken and Flo Jacobs and Yoko Ono—capturing an intimate mosaic of nocturnal encounters, reflections, and moments of community.",1.0899,"\u002F6REpTsWuStpUvqrN6uEqC3y21nh.jpg","2011-12-15",5.3,7,"6560926b7dfda600c4f7c6f9",9,{"adult":4,"backdrop_path":101,"genre_ids":102,"id":103,"title":104,"original_language":26,"original_title":104,"overview":105,"popularity":106,"poster_path":107,"release_date":108,"softcore":4,"video":4,"vote_average":109,"vote_count":64,"character":74,"credit_id":110,"order":111,"media_type":36},"\u002FlqRzs6DhfAGD3zeUiGRIV8YiVkJ.jpg",[54],1005402,"Fragments of Paradise","For over 70 years, Jonas Mekas, internationally known as the \"godfather\" of avant-garde cinema, documented his life in what came to be known as his diary films. From his arrival in New York City as a displaced person in 1949 to his death in 2019, he chronicled the trauma and loss of exile while pioneering institutions to support the growth of independent film in the United States. Fragments of Paradise is an intimate look at his life and work constructed from thousands of hours of his own video and film diaries-including never-before-seen tapes and unpublished audio recordings. It is a story about finding beauty amidst profound loss, and a man who tried to make sense of it all... with a camera.",2.089,"\u002FqD6fuAN3gba8DEI4mZc7yRkMLNO.jpg","2022-08-31",6.5,"631dff72bd3209008272dbde",6,{"adult":4,"backdrop_path":38,"genre_ids":113,"id":114,"title":115,"original_language":26,"original_title":115,"overview":116,"popularity":117,"poster_path":38,"release_date":118,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"character":33,"credit_id":119,"order":64,"media_type":36},[],1027321,"Please Leave a Message: Anthology Film Archives Voicemails Through the Ages","This very special film features a carefully curated selection of some of the priceless messages that have graced Anthology’s voicemail system over the years. From the historically important to the utterly (and sublimely) absurd, they feature a cast of characters ranging from legendary avant-garde filmmakers, scholars, and other cultural figures to civilians whose legend has (until now) been confined to the offices of Anthology, thanks precisely to their witty, eloquent, eccentric – or in some cases unforgettably psychotic – voicemails. We’ve toyed with the idea of sharing these messages in some form for years, and the “Imageless Films” series provides a perfect pretext.",1.0222,"2022-09-21","632c916355937b008e53c536",{"adult":4,"backdrop_path":38,"genre_ids":121,"id":122,"title":123,"original_language":80,"original_title":123,"overview":124,"popularity":125,"poster_path":126,"release_date":127,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"character":62,"credit_id":128,"order":10,"media_type":36},[54],293509,"Huge Pupils","In 1968, Noren finished Huge Pupils, a gorgeous, sensuous, sexually outrageous visual study of his daily life, and part I of an ongoing series he would come to call The Adventures of the Exquisite Corpse.",0.5684,"\u002FizHt9EqhwXb9Wi85yPGU9E3hZr1.jpg","1968-05-28","65ca2c3754a098018404c49a",{"adult":4,"backdrop_path":130,"genre_ids":131,"id":132,"title":133,"original_language":26,"original_title":133,"overview":134,"popularity":135,"poster_path":136,"release_date":137,"softcore":4,"video":4,"vote_average":138,"vote_count":139,"character":33,"credit_id":140,"order":73,"media_type":36},"\u002FsXl8RlRIlGDrvWB8wVnF9gezyhi.jpg",[],85479,"Blonde Cobra","Jack Smith poses in elaborate costumes, plays with everyday objects, and performs for the camera while his disjointed voiceover unfolds through songs, personal reflections, and provocative stories. Assembled by Ken Jacobs from unfinished footage shot by Bob Fleischner, this experimental film blends performance, fantasy, and dark humor into an unconventional portrait of its subject.",1.227,"\u002FdJh3umPoz6awku3qFcoZ7RViGCH.jpg","1963-04-08",3,41,"55783259c3a3684275001e4a",{"adult":4,"backdrop_path":38,"genre_ids":142,"id":143,"title":144,"original_language":26,"original_title":144,"overview":145,"popularity":146,"poster_path":38,"release_date":147,"softcore":4,"video":148,"vote_average":73,"vote_count":73,"character":74,"credit_id":149,"order":73,"media_type":36},[54],358715,"Shorts From the Underground","Features interviews with famed underground filmmaker Ken Jacobs and associates, and screens in full two rare Jacobs works: Nissan Ariana Window, and Spaghetti Aza.",0.5778,"2002-09-08",true,"55ee6bbf9251413e4101755b",{"adult":4,"backdrop_path":151,"genre_ids":152,"id":153,"title":154,"original_language":26,"original_title":154,"overview":155,"popularity":156,"poster_path":157,"release_date":158,"softcore":4,"video":4,"vote_average":159,"vote_count":35,"character":74,"credit_id":160,"order":48,"media_type":36},"\u002FfwskwN3Wzwv7QVyxlttJjU3cdae.jpg",[54],533541,"365 Day Project","This exhibition focuses on Jonas Mekas’ 365 Day Project, a succession of films and videos in calendar form. Every day as of January 1st, 2007 and for an entire year, as indicated in the title, a large public (the artist's friends, as well as unknowns) were invited to view a diary of short films of various lengths (from one to twenty minutes) on the Internet. A movie was posted each day, adding to the previously posted pieces, resulting altogether in nearly thirty-eight hours of moving images.",1.4786,"\u002FA6zlbQdL5bNVRx13wRJrpmCNbRI.jpg","2007-12-31",10,"66c46082f8ec1e2ff096a246",{"adult":4,"backdrop_path":162,"genre_ids":163,"id":164,"title":165,"original_language":26,"original_title":165,"overview":166,"popularity":167,"poster_path":168,"release_date":169,"softcore":4,"video":4,"vote_average":170,"vote_count":171,"character":74,"credit_id":172,"order":111,"media_type":36},"\u002F68Qic4gQ6YGoQdDyYxEhufJCunI.jpg",[54],130824,"As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty","A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas \"purely by chance\", without concern for chronological order.",2.7025,"\u002FtDaxB5juEGwXD7oZwh8IXsnisar.jpg","2000-11-05",7.8,87,"59dd62a592514124c5080c77",{"adult":4,"backdrop_path":174,"genre_ids":175,"id":176,"title":177,"original_language":26,"original_title":177,"overview":178,"popularity":179,"poster_path":180,"release_date":181,"softcore":4,"video":4,"vote_average":182,"vote_count":159,"character":183,"credit_id":184,"order":185,"media_type":36},"\u002Fsz5KXTW3ebnQLHRgZ4z7N8DgGm2.jpg",[54],190060,"He Stands in a Desert Counting the Seconds of His Life","A film collage tracing the story of the lives, loves, and deaths within the artistic community surrounding Jonas Mekas.",1.1769,"\u002FffTB0xCRFyxYme3LQUlwOKJpsEZ.jpg","1986-02-22",8.4,"Self (archive footage)","59d62ef09251417f6e011768",14,{"adult":4,"backdrop_path":187,"genre_ids":188,"id":189,"title":190,"original_language":26,"original_title":190,"overview":191,"popularity":192,"poster_path":193,"release_date":194,"softcore":4,"video":4,"vote_average":195,"vote_count":159,"character":74,"credit_id":196,"order":159,"media_type":36},"\u002Fa2n9B9cdiMszy3jLqasMttKT7Do.jpg",[54],238690,"Jack Smith and the Destruction of Atlantis","In this entrancing documentary on performance artist, photographer and underground filmmaker Jack Smith, photographs and rare clips of Smith's performances and films punctuate interviews with artists, critics, friends and foes to create an engaging portrait of the artist. Widely known for his banned queer erotica film Flaming Creatures, Smith was an innovator and firebrand who influenced artists such as Andy Warhol and John Waters.",0.9393,"\u002Fv1m45OP28V7qsqkbQt4cnVAq6sT.jpg","2007-04-11",6.7,"59d6e633c3a368620d0039f9",{"adult":4,"backdrop_path":198,"genre_ids":199,"id":200,"title":201,"original_language":26,"original_title":201,"overview":202,"popularity":203,"poster_path":204,"release_date":205,"softcore":4,"video":4,"vote_average":97,"vote_count":64,"character":74,"credit_id":206,"order":207,"media_type":36},"\u002Fw5kolt7395WeLvt4UlMdgKl6VKx.jpg",[54],295120,"Birth of a Nation","Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996. Fast-paced and archival in spirit, the film celebrates the avant-garde as its own “nation of cinema,” a vital community existing outside the dominance of commercial film.",1.5933,"\u002Fy5dmMIbRZ36wTxKlwZQ5dU3ko0N.jpg","1997-08-06","59d9b7aec3a368620003903c",27,{"adult":4,"backdrop_path":38,"genre_ids":209,"id":210,"title":211,"original_language":26,"original_title":211,"overview":212,"popularity":213,"poster_path":214,"release_date":215,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"character":33,"credit_id":216,"order":217,"media_type":36},[54],476873,"Bill's Hat","\"The whole film are non-art portraits of people in which they do what they want with this hat – and therefore, act or stand in front of my camera. It’s only love: therefore it can’t harm you\". Joyce Wieland.",0.7805,"\u002Fd1fU6H0wEMkLUBHnO0o5qh0fqLj.jpg","1967-01-01","5b84c32692514159e7048bb4",11,{"adult":4,"backdrop_path":219,"genre_ids":220,"id":221,"title":222,"original_language":26,"original_title":222,"overview":223,"popularity":224,"poster_path":225,"release_date":226,"softcore":4,"video":4,"vote_average":227,"vote_count":86,"character":74,"credit_id":228,"order":48,"media_type":36},"\u002FpmmPUfLIGa80TFJd8bDSz9SDGzY.jpg",[54],219292,"What Is Cinema?","Using the words and ideas of great filmmakers, from archival interviews with Alfred Hitchcock and Robert Bresson to new interviews with Mike Leigh, David Lynch, and Jonas Mekas, Oscar-winning filmmaker Chuck Workman shows what these filmmakers and others do that can't be expressed in words - but only in cinema.",1.264,"\u002Fa7lscT93aGgvD6W5Po7dTVLdv19.jpg","2013-09-06",6.4,"5c5129ec9251410e2461aea2",{"adult":4,"backdrop_path":230,"genre_ids":231,"id":232,"title":233,"original_language":26,"original_title":233,"overview":234,"popularity":235,"poster_path":236,"release_date":237,"softcore":4,"video":4,"vote_average":238,"vote_count":217,"character":239,"credit_id":240,"order":241,"media_type":36},"\u002F508jGTuTUt4H5Z42pbEa1K7kqsP.jpg",[54],86280,"Star Spangled to Death","An examination of the history of the U.S. through archival footage and contrasting views of society, incorporating audiovisual material ranging from political campaign films to animated cartoons to children’s phonograph records, featuring Al Jolson, Mickey Mouse, the young Jack Smith, and a half-dozen American presidents.",1.0098,"\u002F1SshlLXCfFgqX9iJLtwPuAYh4Bx.jpg","2004-05-21",7.7,"Oscar Friendly \u002F Ringmaster \u002F Janitor","5d26bb25b97442000fb052cb",5,{"adult":4,"backdrop_path":38,"genre_ids":243,"id":244,"title":245,"original_language":246,"original_title":245,"overview":247,"popularity":248,"poster_path":249,"release_date":250,"softcore":4,"video":4,"vote_average":227,"vote_count":241,"character":74,"credit_id":251,"order":241,"media_type":36},[54],458074,"Jonas in the Desert","de","Not a documentary in the strictest sense of the word. Rather, it is a journey through the world of the artist Jonas Mekas - one of the exponents of independent U.S. movies; founder and director of the New York Anthology Film Archive.",1.0633,"\u002F3UDpexhhsOOx4K4lrTOkVYplLZ3.jpg","1994-01-01","5d328861caab6d1dfc9b0b54",{"adult":4,"backdrop_path":38,"genre_ids":253,"id":255,"title":256,"original_language":26,"original_title":256,"overview":257,"popularity":258,"poster_path":259,"release_date":260,"softcore":4,"video":4,"vote_average":35,"vote_count":35,"character":62,"credit_id":261,"order":138,"media_type":36},[54,254],36,673666,"Emma's Dilemma","Henry Hills’s Emma’s Dilemma reinvents the portrait for the age of digital reproduction. In a set of tour-de-force probes into the images and essences of such downtown luminaries as Richard Foreman, Ken Jacobs, and Carolee Schneemann, Hills’s cinematic inventions literally turn the screen upside down and inside out. In this epic journey into the picaresque, we follow Emma Bee Bernstein, our intrepid protagonist, from her pre-teen innocence to her late teen-attitude, as she learns about the downtown art scene firsthand. In the process, Hills reimagines the art of video in a style that achieves the density, complexity, and visual richness of his greatest films.",0.5793,"\u002Fzc2C8kU3Z7f6emoz0ztchiWCKxe.jpg","2012-06-18","5e4a398d35811d00134963ca",{"adult":4,"backdrop_path":263,"genre_ids":264,"id":265,"title":266,"original_language":26,"original_title":266,"overview":267,"popularity":268,"poster_path":269,"release_date":270,"softcore":4,"video":4,"vote_average":271,"vote_count":272,"character":74,"credit_id":273,"order":272,"media_type":36},"\u002Fl6pEbeeAD2spisee51dP2SN7VZP.jpg",[54],105583,"Diaries, Notes, and Sketches","Also known as Walden, Jonas Mekas’s first diary film is a six-reel chronicle of his life in 1960s New York, interweaving moments with family, friends, lovers, and artistic idols. Blending everyday encounters with portraits of the avant-garde art scene, it forms an epic, personal meditation on community, creativity, and the passage of time.",2.2557,"\u002F3iyvGft8nwGJFX62H5RawllN6Gp.jpg","1968-03-01",7.3,32,"5e898dbc6c74b9001596fd43",{"adult":4,"backdrop_path":275,"genre_ids":276,"id":277,"title":278,"original_language":26,"original_title":278,"overview":279,"popularity":280,"poster_path":281,"release_date":282,"softcore":4,"video":4,"vote_average":283,"vote_count":284,"character":74,"credit_id":285,"order":10,"media_type":36},"\u002FkULs04j6zuzx1JYw08qdKnjlfH4.jpg",[54],148807,"Lost, Lost, Lost","Drawn from footage shot between 1949 and 1963, Jonas Mekas’s autobiographical diary film chronicles his early years in exile, capturing the struggle to build a new life in New York and his gradual discovery of a vibrant artistic community.",0.9746,"\u002FxsPlsjF4xxh36IGKNEdJdbV3yQ8.jpg","1976-09-14",7.1,24,"5e89979dd207f30016985c86",{"adult":4,"backdrop_path":38,"genre_ids":287,"id":288,"title":289,"original_language":26,"original_title":289,"overview":290,"popularity":291,"poster_path":292,"release_date":293,"softcore":4,"video":4,"vote_average":294,"vote_count":10,"character":33,"credit_id":295,"order":73,"media_type":36},[54],280102,"Quartet Number One","Quartet Number One (1991) 8 min.",0.8964,"\u002F58PkJ9yBCGXa1o4oToDhJIus6nm.jpg","1991-07-03",7.5,"5ea2010c66f2d200243c2f51",{"adult":4,"backdrop_path":297,"genre_ids":298,"id":299,"title":300,"original_language":26,"original_title":301,"overview":302,"popularity":303,"poster_path":304,"release_date":305,"softcore":4,"video":4,"vote_average":97,"vote_count":48,"character":62,"credit_id":306,"order":64,"media_type":36},"\u002FwQzLsPbPscGzAk4n8TUOXTfTC68.jpg",[],162476,"Cinematic Correspondences: Jonas Mekas - J.L. Guerin","Correspondencia Jonas Mekas - J.L. Guerin","A series of video letters between José Luis Guerín and Jonas Mekas.",0.917,"\u002FkKEFGM6c1MuzOTTVHm6ClsY4YpO.jpg","2011-04-09","5f60b5bd93388b00375cd31d",{"adult":4,"backdrop_path":38,"genre_ids":308,"id":309,"title":310,"original_language":311,"original_title":310,"overview":312,"popularity":313,"poster_path":314,"release_date":315,"softcore":4,"video":4,"vote_average":241,"vote_count":35,"character":62,"credit_id":316,"order":64,"media_type":36},[54],331240,"Santos Dumont: Pré-Cineasta?","pt","The documentary’s starting point is the discovery and restoration of a rare and unknown photography reel reproduced from a mutoscope film, made in 1901 in London, about Santos Dumont (1873 – 1932). The work approaches historic and artistic aspects from the beginning of Cinema (pre cinema, variety film) and a cinema that appropriates archive material (found footage, recycled films), through interviews, documents, visual metaphors and the articulation of a poetic essay.",1.3757,"\u002F8gxACc1RVb8QW2VHASsWO3GO8po.jpg","2010-10-03","5f6cff30a6e2d2003a6ff53d",{"adult":4,"backdrop_path":38,"genre_ids":318,"id":319,"title":320,"original_language":26,"original_title":320,"overview":321,"popularity":322,"poster_path":323,"release_date":324,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"character":33,"credit_id":325,"order":138,"media_type":36},[],632812,"Reminiscences of Jonas Mekas","A “Cinéma, de notre temps” series episode directed by french filmmaker Jackie Raynal, originally aired 29 May 2016.",1.4379,"\u002Fs6B0wTSs7AA89yGnEYdsJUI0G0R.jpg","2016-05-29","5ffdd1ec47c9fb003e7af241",{"adult":4,"backdrop_path":327,"genre_ids":328,"id":329,"title":330,"original_language":26,"original_title":330,"overview":331,"popularity":332,"poster_path":333,"release_date":334,"softcore":4,"video":4,"vote_average":335,"vote_count":111,"character":33,"credit_id":336,"order":73,"media_type":36},"\u002F4hihmbElQsU0CxPulPW0saRfIVG.jpg",[],283233,"Horizons","Working with Virgil’s four-part poem “Georgics” and Antonio Vivaldi’s concertos “The Four Seasons” as models, Gottheim arranged his painterly compositions into four distinct sections, each edited according to its own exacting pattern. The seasonal flux thus informs both the form and content of the image, with the basic elements of trees, sky, hills and the occasional crisscrossing clothesline filmed in every imaginable light.",0.659,"\u002F8FYUlpDbIblJEGvGVXcWswOuxtM.jpg","1973-07-01",8.5,"682933f6adf57ca709f555f3",{"adult":4,"backdrop_path":38,"genre_ids":338,"id":339,"title":340,"original_language":26,"original_title":340,"overview":341,"popularity":342,"poster_path":343,"release_date":344,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"character":33,"credit_id":345,"order":73,"media_type":36},[],1483714,"Nervous Ken","In NERVOUS KEN, experimental film legend Ken Jacobs is \"interviewed\" by my urbane 12-year old M.C., Emma Bernstein. Envisioning an exploration of the nature of listening (of apprehending or not, remembering or not, and creating meaning) and of the repetitions & variations of verbal expression and its accompanying often-emphatic physical gesturing as a basis for making visual music, I, as filmmaker turned \"media artist\", employ the full range of temporal manipulation available within my concurrent digital set-up, exploiting unique corners which differentiate DV from 16mm, though including frequent references to themes & techniques from Jacobs' own work within the arcanum of film. The \"musical score\" is derived through permutations of the sync track. This was the first released section from the ongoing series, premiering March 2004 at the Museum of Modern Art.",0.5976,"\u002FsTJ8VlG7y1J2gm6vSyaQZmRQzPH.jpg","2003-05-15","682af89e9d0789dfb08c05fa",{"adult":4,"backdrop_path":38,"genre_ids":347,"id":348,"title":349,"original_language":26,"original_title":349,"overview":350,"popularity":351,"poster_path":352,"release_date":353,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"character":74,"credit_id":354,"order":40,"media_type":36},[54],1122199,"Art-House America: Austin Film Society","Founded by Richard Linklater in 1985 as a screening series dedicated to bringing experimental and art cinema to the city of Austin, Texas, the Austin Film Society has grown into a cornerstone of the city's creative community - while remaining true to its edgy, eclectic roots.",1.2086,"\u002FcAV2qt6Nh9Nrx4VaZ1nVVNU6di5.jpg","2023-05-01","6843456b970160dfa27c3ab2",{"adult":4,"backdrop_path":356,"genre_ids":357,"id":358,"title":359,"original_language":26,"original_title":359,"overview":360,"popularity":361,"poster_path":362,"release_date":363,"softcore":4,"video":4,"vote_average":364,"vote_count":64,"character":74,"credit_id":365,"order":366,"media_type":36},"\u002F36oQb6G3uB87g7oJXim3jRv2oVo.jpg",[54],1369332,"Art Spiegelman: Disaster is My Muse","Explores the life and career of cartoonist Art Spiegelman including the creation and ground-breaking impact of his Pulitzer Prize-winning graphic novel MAUS.",2.2171,"\u002FgtF2ieJdCEM0ITVXyflz0weyKMt.jpg","2025-02-21",8.2,"685488c8fc46ce8a200cf495",20,{"adult":4,"backdrop_path":38,"genre_ids":368,"id":369,"title":370,"original_language":26,"original_title":370,"overview":371,"popularity":372,"poster_path":373,"release_date":374,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"character":33,"credit_id":375,"order":73,"media_type":36},[],1524758,"The Eternal Courtship","In celebration of his 80th birthday, here is:\r THE ETERNAL COURTSHIP (an ipad short)\r For Ken and Flo Jacobs,\r with love and affection from all of us out here who bask in the glow...",0.5703,"\u002F7xTaeJZPcg064R7e11i4BQGFSx1.jpg","2013-05-05","688fb952eb78ff5941b22f17",{"adult":4,"backdrop_path":38,"genre_ids":377,"id":378,"title":379,"original_language":26,"original_title":379,"overview":380,"popularity":381,"poster_path":382,"release_date":383,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"character":74,"credit_id":384,"order":73,"media_type":36},[54],1156334,"Ken Jacobs - from Orchard Street to the Museum of Modern Art","One of the most extraordinary personalities in the history of moving images, native New Yorker Ken Jacobs, and his wife and long-time creative partner Flo Jacobs, sit down for a series of discussions, reflecting on numerous clips from the many films and performances conjured onto screens since 1955 and through to today. From the antic collaborations with Jack Smith and company as a central artist in the 1960s underground film movement, through later, seminal, ground-breaking formalist works which expanded his recognition by The Museum of Modern Art and other major cultural institutions, to his invention of the Nervous System and the Cyclopean 3D patented Eternalism and remarkable musical collaborations (with JG Thirlwell, Aki Onda, Nisi Jacobs, Michael Schumacher and others) of his recent work, Jacobs demonstrates and articulates his endless fascination and pursuit of exceptional, moving image art.",0.5817,"\u002FfBzOBr4VTIcMKrx7Z7RONzaeqim.jpg","2023-08-30","68e532400c55a0bc6ef82364",{"adult":4,"backdrop_path":38,"genre_ids":386,"id":387,"title":388,"original_language":26,"original_title":388,"overview":389,"popularity":390,"poster_path":391,"release_date":392,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"character":33,"credit_id":393,"order":394,"media_type":36},[54],972283,"Notes on the Buffalo Conference: “Autobiography in American Independent Cinema”","During the 1970s I shot, helped to make, or commissioned about ten document films, mainly about film-makers. This film is one of them. It was made with Dan Ochiva, who acted as cameraman on about half of the footage. I shot the rest, and then edited the film. It is a record of a conference held at the State University of New York at Buffalo on March 22-25, 1973. Among the participants filmed were Gerald O'Grady (who organized the conference), Will Hindle, Stan Brakhage, Jonas Mekas, Robert Creeley, Bruce Baillie, Scott Bartlett, Hollis Frampton, Ken Jacobs, Ed Pincus, Stan Vanderbeek, Ed Emshwiller, Sally Dixon, James Cox. This footage will eventually become part of my film PEOPLE, PLACES, THE 1970S. –R. H.",1.4676,"\u002Fh6Qi74NfcrWRLQ42Pi8hQgzH4NE.jpg","1973-03-26","695d5ec17f41b75ad49f2e90",8,{"adult":4,"backdrop_path":38,"genre_ids":396,"id":397,"title":398,"original_language":26,"original_title":398,"overview":399,"popularity":400,"poster_path":401,"release_date":402,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"character":33,"credit_id":403,"order":73,"media_type":36},[],1197355,"Up the Illusion","A celebration of Ken Jacobs' work at 80WSE.",0.9325,"\u002FiGRoBrZ5ozXT6wZlZnqLlmxsmdZ.jpg","2023-04-15","69d881915a3a563d7187ba65",{"adult":4,"backdrop_path":38,"genre_ids":405,"id":406,"title":407,"original_language":26,"original_title":407,"overview":408,"popularity":409,"poster_path":410,"release_date":411,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"character":33,"credit_id":412,"order":35,"media_type":36},[],428837,"Cyclopean 3D: Life with a Beautiful Woman","A young woman stands by a car while scenes from metropolitan life flash by.",1.3401,"\u002Fdvdayyy9DVs3vUV7UfRvQitoR0g.jpg","2011-01-01","69e30fe9581fb86de80d1307",{"adult":4,"backdrop_path":38,"genre_ids":414,"id":415,"title":416,"original_language":246,"original_title":417,"overview":418,"popularity":419,"poster_path":38,"release_date":420,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"character":33,"credit_id":421,"order":73,"media_type":36},[],1718622,"Flo and Ken Jacobs","Flo und Ken Jacobs","\"I filmed Flo and Ken Jacobs in 2001 when they visited me in my studio (the School of Artistic Photography, Vienna). Our acquaintance, friendship began in 1974. Flo and Ken had witnessed the wild, avant-garde years of independent film in New York. They are practiced New Yorkers. Maybe that's why I thought I could be actionistic and surprising to them while filming: I took the contents of Ken's breast pocket. Ken got angry, as you can see. I hereby apologize in retrospect\". (Friedl vom Gröller 2021)",1.2808,"2001-01-01","6a37eeab99acfb9ad6b265f5",{"adult":4,"backdrop_path":38,"genre_ids":423,"id":424,"title":425,"original_language":26,"original_title":425,"overview":426,"popularity":427,"poster_path":428,"release_date":429,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"character":33,"credit_id":430,"order":99,"media_type":36},[54],514594,"Laboratorium Anthology","Scenes from the life and work at Anthology Film Archives. Much of the footage in this video was shot by Auguste Varkalis.",2.2523,"\u002F5RINqLwfG1kBH7zn7mVTuQCUJVg.jpg","1999-01-01","6aba6c1879cc5884cf040a14",{"adult":4,"backdrop_path":38,"genre_ids":432,"id":433,"title":434,"original_language":26,"original_title":434,"overview":435,"popularity":436,"poster_path":437,"release_date":438,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"character":33,"credit_id":439,"order":73,"media_type":36},[],1796047,"About Space and Depth","An intimate and ongoing dialogue between filmmaker Paula Gaitán and Ken Jacobs.  Filmed over the last decade in New York, the documentary reveals Jacobs' thinking and presents previously unseen footage of Ken and his partner in life and art, Flo Jacobs.",1.5125,"\u002Fd6JfMmM1G8Kv7G5cyGxxxYxiyJL.jpg","2026-10-20","6ad6c3ae09dbc82a6f0901bb",[441,452,464,467,470,479,490,500,509,521,530,539,547,558,561,570,579,588,599,607,618,627,636,644,653,662,671,681,690,699,708,716,725,734,742,750,758,766,774,781,789,792,801,809,817,824,831,838,845,852,861,870,880,883,891,900,909,917,925,934,945,948,953,956,959,967,976,985,994,1002,1011,1019,1022,1031,1040,1043,1051,1059,1068,1071,1074,1077,1080,1088,1091,1101,1110,1118,1127,1135,1144,1153,1156,1165,1168,1177,1187,1195,1203,1212,1221,1229,1238,1247,1256,1265,1273,1282,1291,1300,1307,1315,1322,1329,1338,1346,1355,1362,1369,1377,1384,1390,1397,1404,1412,1420,1429,1440,1448,1456,1463,1471,1480,1488,1497,1506,1515,1523,1532,1535,1538,1546,1555,1564,1573,1580,1589,1598,1607,1615,1622,1629,1637,1645,1654,1663,1672,1675,1678,1681,1690,1700,1710,1721,1729,1738,1747,1756,1765,1773,1782,1790,1798,1806,1815,1824,1833,1842,1850,1858,1866,1875,1883,1890,1898,1906,1914,1923,1932,1939,1947,1955,1963,1969,1977,1985,1993,2001,2009,2015,2024,2032,2040,2049,2058,2067,2075,2084,2092,2102,2111,2120,2129,2137,2145,2154,2162,2170,2178,2186,2194,2201,2209,2217,2225,2233,2242,2256,2264,2272,2280,2289,2297,2305,2313,2321,2329,2337,2345,2353,2360,2368,2377,2386,2394,2402,2411,2419,2426,2435,2444,2452,2461,2469,2477,2486,2494,2502,2511,2521,2530,2539,2546,2554,2563,2569,2576,2584,2591,2600,2608,2617,2625,2632,2641,2650,2657,2666,2673,2682,2690,2698,2705,2712,2719,2727,2736,2743,2751,2757,2765,2773,2781,2788,2795,2803,2811,2818,2827],{"adult":4,"backdrop_path":38,"genre_ids":442,"id":443,"title":444,"original_language":26,"original_title":444,"overview":445,"popularity":446,"poster_path":447,"release_date":448,"softcore":4,"video":4,"vote_average":159,"vote_count":35,"credit_id":449,"department":450,"job":451,"media_type":36},[],340355,"A Loft","Jacobs applies his exacting digital techniques to footage of his New York City working and living space.",0.562,"\u002F7E7CCPM0ApntAXA81EMAGsFNbXR.jpg","2010-11-16","605d37f4eea34d0052593044","Editing","Editor",{"adult":4,"backdrop_path":453,"genre_ids":454,"id":455,"title":456,"original_language":26,"original_title":456,"overview":457,"popularity":458,"poster_path":459,"release_date":460,"softcore":4,"video":4,"vote_average":461,"vote_count":111,"credit_id":462,"department":14,"job":463,"media_type":36},"\u002FwhVsbMDluU2Kd4ZAP2eWFq6vJPs.jpg",[],84335,"Seeking the Monkey King","Suggestion: Please see 'Another Occupation' before 'Seeking the Monkey King'. Contains flicker like many of my works; avoid if you have epilepsy or other unusual brain conditions.",0.9511,"\u002F3tKL8CAj9zFCdhd6RA7u2T1HUTl.jpg","2011-10-07",4.8,"52fe48ed9251416c9109cdc1","Director",{"adult":4,"backdrop_path":130,"genre_ids":465,"id":132,"title":133,"original_language":26,"original_title":133,"overview":134,"popularity":135,"poster_path":136,"release_date":137,"softcore":4,"video":4,"vote_average":138,"vote_count":139,"credit_id":466,"department":14,"job":463,"media_type":36},[],"52fe49459251416c910a7f05",{"adult":4,"backdrop_path":230,"genre_ids":468,"id":232,"title":233,"original_language":26,"original_title":233,"overview":234,"popularity":235,"poster_path":236,"release_date":237,"softcore":4,"video":4,"vote_average":238,"vote_count":217,"credit_id":469,"department":14,"job":463,"media_type":36},[54],"52fe497e9251416c910af015",{"adult":4,"backdrop_path":38,"genre_ids":471,"id":472,"title":473,"original_language":26,"original_title":473,"overview":474,"popularity":475,"poster_path":476,"release_date":477,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":478,"department":14,"job":463,"media_type":36},[],842093,"Double Wow","40 minute 3D work.",0.5675,"\u002FasC3ufPXTOGtyY0YMIKfsuBuHG6.jpg","2021-08-01","60cbb20d2476f20040ecde12",{"adult":4,"backdrop_path":480,"genre_ids":481,"id":482,"title":483,"original_language":26,"original_title":483,"overview":484,"popularity":485,"poster_path":486,"release_date":487,"softcore":4,"video":4,"vote_average":488,"vote_count":40,"credit_id":489,"department":14,"job":463,"media_type":36},"\u002F95vingl0bmDViIYOAFKn9gXVIil.jpg",[54],145502,"Little Stabs at Happiness","Little Stabs at Happiness is a collection of silent shorts Jacobs shot from the period of 1959-1963. Jaunty tunes (and a somber reflection) accompany the footage.",0.7887,"\u002F891nzgyomJYtaOMzAEHioEBlnC.jpg","1963-09-16",5.8,"52fe4b5c9251416c75100807",{"adult":4,"backdrop_path":491,"genre_ids":492,"id":493,"title":494,"original_language":26,"original_title":494,"overview":495,"popularity":496,"poster_path":497,"release_date":498,"softcore":4,"video":4,"vote_average":96,"vote_count":138,"credit_id":499,"department":14,"job":463,"media_type":36},"\u002FwWb3VmeKZ0yFt0ESwWiRDlUyxmd.jpg",[],126674,"Razzle Dazzle: The Lost World","Avant-garde master Ken Jacobs' dizzying digital reinvention of a 1903 Edison \"actuality\" stretches and bends the one-minute film to an incredible, almost hallucinogenic ninety-three, combining period stereoscopic slides to create a fascinating play of depth and 2- and 3-dimensionality, narrative and scintillating spectacle.",0.5893,"\u002FxuLZDelel5BA9ur5tRCVlGciPTO.jpg","2007-04-26","52fe4ae3c3a368484e16c2c1",{"adult":4,"backdrop_path":38,"genre_ids":501,"id":502,"title":503,"original_language":26,"original_title":503,"overview":504,"popularity":505,"poster_path":506,"release_date":507,"softcore":4,"video":4,"vote_average":111,"vote_count":10,"credit_id":508,"department":14,"job":463,"media_type":36},[54],154837,"New York Ghetto Fishmarket 1903","First created and presented as a Tzadik New Jewish Culture offering in 1993. First performed live as a Nervous System performance with Catherine Jauniaux performing onstage, this version has been reconstructed from scratch (film-frame by film-frame) on the computer. This current embodiment does not hesitate to electronically embrace the fish-peddlers and buyers of 1903.",0.9429,"\u002FoQt07L2FsxEAdfiDWYd91z43sED.jpg","2007-03-13","52fe4b6e9251416c910da197",{"adult":4,"backdrop_path":510,"genre_ids":511,"id":513,"title":514,"original_language":26,"original_title":514,"overview":515,"popularity":516,"poster_path":517,"release_date":518,"softcore":4,"video":4,"vote_average":47,"vote_count":519,"credit_id":520,"department":14,"job":463,"media_type":36},"\u002F5HAmWpXbhWdxUWykk26J7KLcL2g.jpg",[512],35,126863,"Tom, Tom, the Piper's Son","An experimental feature made by rephotographing the 1905 Biograph short Tom, Tom, the Piper's Son.",0.7403,"\u002F3qB5PfgjyBGeWkFPGJB5nb4NRnF.jpg","1969-04-11",15,"52fe4ae8c3a368484e16d499",{"adult":4,"backdrop_path":38,"genre_ids":522,"id":523,"title":524,"original_language":26,"original_title":524,"overview":525,"popularity":526,"poster_path":527,"release_date":528,"softcore":4,"video":4,"vote_average":111,"vote_count":35,"credit_id":529,"department":14,"job":463,"media_type":36},[54],118478,"Perfect Film","Directed by Ken Jacobs, 1985.  In Jacobs' own words: \"I wish more stuff was available in its raw state, as primary source material for anyone to consider, and to leave for others in just that way, the evidence uncontaminated by compulsive proprietary misapplied artistry, \"editing\", the purposeful \"pointing things out\" that cuts a road straight and narrow through the cine-jungle; we barrel through thinking we’re going somewhere and miss it all. Better to just be pointed to the territory, to put in time exploring, roughing it, on our own. For the straight scoop we need the whole scoop, or no less than the clues entire and without rearrangement. O, for a Museum of Found Footage, or cable channel, library, a shit-museum of telling discards accessible to all talented viewers\u002Fauditors. A wilderness haven salvaged from Entertainment.\"",0.6039,"\u002FoBslNyp4Z2UM9vWzcN5SDVPl5s5.jpg","1985-03-13","52fe4bdac3a36847f8216917",{"adult":4,"backdrop_path":38,"genre_ids":531,"id":532,"title":533,"original_language":26,"original_title":533,"overview":534,"popularity":535,"poster_path":536,"release_date":537,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":538,"department":14,"job":463,"media_type":36},[],133133,"Urban Peasants","Filmed by Stella Weiss and family, chance-assembled from uncut 100-foot film-rolls. Sound precedes and follows silent image (40 minutes of image plus 12 minutes of sound). My wife Flo's family as recorded by her Aunt Stella. The title is no intended put-down but a simple statement of fact, as I see it. Brooklyn was a place made up of many little villages; a near-shtetl is pictured in the space of a storefront. (Ken Jacobs)",0.6178,"\u002FohXgk2ZyUiamWIw1XK3OfYeIKBK.jpg","1975-01-01","52fe4ba8c3a368484e193613",{"adult":4,"backdrop_path":38,"genre_ids":540,"id":541,"title":542,"original_language":26,"original_title":542,"overview":543,"popularity":544,"poster_path":38,"release_date":545,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":546,"department":14,"job":463,"media_type":36},[],191218,"A Primer in Sky Socialism","Each new year Flo and I join the young and many-languaged crowd walking to the top of Brooklyn Bridge ostensibly for the fireworks. Fact is the crowd, the bridge, comprise the spectacle. The Bridge is particularly dear to us since the 'Sixties, when we learned the story of the Roeblings, father and son and daughter-in-law. The Bridge embodies their wishes for America, their blessing, nothing less. I filmed (on 8mm.) The Sky Socialist back then and this is a follow-up.",0.6101,"2013-10-05","52fe4c7c9251416c910f67a3",{"adult":4,"backdrop_path":38,"genre_ids":548,"id":549,"title":550,"original_language":26,"original_title":550,"overview":551,"popularity":552,"poster_path":553,"release_date":554,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":555,"department":556,"job":557,"media_type":36},[],216459,"Joys of Waiting for the Broadway Bus #2","\"2013. USA. Directed by Ken Jacobs. With technical assistance by Nisi Jacobs. Part two of four. “Joys…began on the corner of Broadway and Spring but it was the next night waiting on Bleecker that it was understood a movie of sorts was underway, depicting a general waiting for the bus rather than one specific evening. Since acquiring a small 3-D camera I dawdle everywhere but prolonged bus-waits allow for a continuity of images, thus a movie. Computer-editing with Nisi Jacobs allowed further investigation, this time into digital 3-D itself.” In 3-D. 40 min.\" – The Museum of Modern Art",0.5212,"\u002Fo5nGaKLXQ3xYknMqUXfg9AIa3M1.jpg","2013-01-01","52fe4e1ac3a368484e20e691","Crew","Technical Supervisor",{"adult":4,"backdrop_path":38,"genre_ids":559,"id":549,"title":550,"original_language":26,"original_title":550,"overview":551,"popularity":552,"poster_path":553,"release_date":554,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":560,"department":14,"job":463,"media_type":36},[],"52fe4e1ac3a368484e20e68b",{"adult":4,"backdrop_path":38,"genre_ids":562,"id":563,"title":564,"original_language":26,"original_title":564,"overview":565,"popularity":566,"poster_path":567,"release_date":568,"softcore":4,"video":4,"vote_average":111,"vote_count":10,"credit_id":569,"department":14,"job":463,"media_type":36},[],253732,"Capitalism: Child Labor","A digital animation of a Victorian stereoscopic photograph of a 19th-century factory floor, crowded with machinery and child workers. Filmmaker Ken Jacobs isolates the faces of individuals and details of the image, as if searching out the human and the particular within this mechanized field of mass production. Space appears to fold in on itself as Jacobs activates the stereograph; the agitated image flickers and stutters, but the motion never, in fact, progresses.",0.4476,"\u002FeA5ggmaXYiP35S3NoRy6g3t8bnO.jpg","2007-01-24","52fe4e8e9251416c91135a29",{"adult":4,"backdrop_path":38,"genre_ids":571,"id":572,"title":573,"original_language":26,"original_title":573,"overview":574,"popularity":575,"poster_path":576,"release_date":577,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":578,"department":14,"job":463,"media_type":36},[],858090,"Abstract Eternalism","Premiere at the Museum of Modern Art in New York City on August 5, 2021.",0.4741,"\u002F6SJWMNH7BwDFnYWbhGTKAl46Ahp.jpg","2021-08-05","610b1ab8e78687004659ed2a",{"adult":4,"backdrop_path":38,"genre_ids":580,"id":581,"title":582,"original_language":26,"original_title":582,"overview":583,"popularity":584,"poster_path":585,"release_date":586,"softcore":4,"video":4,"vote_average":61,"vote_count":10,"credit_id":587,"department":14,"job":463,"media_type":36},[54,254],234952,"Orchard Street","This short film documents the daily life of the goings-on on Orchard Street, a commercial street in the Lower East Side New York City.",0.746,"\u002FjTfr4a9uQ0d9O80GtcsOFSBZL7z.jpg","1955-12-31","52fe4e3cc3a36847f828558b",{"adult":4,"backdrop_path":38,"genre_ids":589,"id":590,"title":591,"original_language":26,"original_title":591,"overview":592,"popularity":593,"poster_path":594,"release_date":595,"softcore":4,"video":4,"vote_average":596,"vote_count":597,"credit_id":598,"department":14,"job":463,"media_type":36},[],254889,"Capitalism: Slavery","In Capitalism: Slavery, Jacobs uses a Victorian stereograph (a double-photograph) of slaves picking cotton under the watchful eye of a white overseer as the source for this wrenching silent work. Through digital manipulation, Jacobs creates a haunting illusion of depth and movement. It is as if he has \"entered\" the image and reactivated this historical moment; he moves among the figures and isolates individuals, creating a stuttering, pulsing effect that suggests motion even as it animates stasis.",0.5345,"\u002FtVQyNxaSXmAZI2cdgIIeQisXXBo.jpg","2007-04-28",4.9,17,"52fe4ed69251416c9113f6a3",{"adult":4,"backdrop_path":38,"genre_ids":600,"id":601,"title":602,"original_language":26,"original_title":602,"overview":603,"popularity":604,"poster_path":38,"release_date":605,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":606,"department":14,"job":463,"media_type":36},[],254965,"The Surging Sea of Humanity","Stereograph of the crowd at the opening of the US Centennial Exposition of 1893. It turns into a movie. Into an enormous rugged and craggy 3-D landscape.... before the people return and the scene is righted again. Many laws were broken in the making of this movie, beginning with laws of gravity.",0.5914,"2006-01-01","52fe4ed99251416c9113fdd7",{"adult":4,"backdrop_path":608,"genre_ids":609,"id":610,"title":611,"original_language":26,"original_title":611,"overview":612,"popularity":613,"poster_path":614,"release_date":615,"softcore":4,"video":4,"vote_average":616,"vote_count":97,"credit_id":617,"department":14,"job":463,"media_type":36},"\u002FvehEX2aiqTfQQJykZrlRbAnAwfM.jpg",[54],181267,"Celestial Subway Lines\u002FSalvaging Noise","A story told by director Ken Jacobs but without conventional storyline. Using a modified magic lantern, an early type of image projector developed in the 17th century, he morphs, flickering images that look like photo-negatives.",0.9522,"\u002FrUpTqcBoRSGdpwAj6mWsMDjw7QU.jpg","2005-11-01",5.9,"536081e3c3a36860b50006f3",{"adult":4,"backdrop_path":619,"genre_ids":620,"id":621,"title":622,"original_language":26,"original_title":622,"overview":623,"popularity":624,"poster_path":625,"release_date":605,"softcore":4,"video":4,"vote_average":241,"vote_count":10,"credit_id":626,"department":14,"job":463,"media_type":36},"\u002F1qqede222e0ULLJ0aN1RGBG7swK.jpg",[],272681,"Two Wrenching Departures","Made in response to the death of his friends Bob Fleischner and Jack Smith, who died within one week of each other in 1989, this feature includes footage from Jacobs’s Star Spangled to Death showing Smith perambulating through downtown Manhattan, as well as views of Fleischner from Jacobs’s 1961 short The Whirled.",0.5994,"\u002Fus4pGp34aPC2SdKr3tlkmvg5TrK.jpg","538743240e0a26144d003cab",{"adult":4,"backdrop_path":38,"genre_ids":628,"id":629,"title":630,"original_language":26,"original_title":630,"overview":631,"popularity":632,"poster_path":633,"release_date":634,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":635,"department":14,"job":463,"media_type":36},[],1190042,"Cartoon","One of Ken Jacobs' Eternalisms.",0.5292,"\u002FlTuehH1hXSnEo6PZtjgHfUGNq3m.jpg","2019-01-01","6527093c1f3e6000e28e093e",{"adult":4,"backdrop_path":38,"genre_ids":637,"id":638,"title":639,"original_language":26,"original_title":639,"overview":631,"popularity":640,"poster_path":641,"release_date":642,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":643,"department":14,"job":463,"media_type":36},[],1190046,"Cartoonish 1-10",0.4817,"\u002FvTSiTeqdpZS0E0q85qAJBqmv2D.jpg","2021-01-01","65270b7b1f3e6000ac4c36cd",{"adult":4,"backdrop_path":38,"genre_ids":645,"id":646,"title":647,"original_language":26,"original_title":647,"overview":648,"popularity":649,"poster_path":650,"release_date":651,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":652,"department":450,"job":451,"media_type":36},[],928160,"XCXHXEXRXRXIXEXSX","Part of his “Nervous System” performances, the artist’s skills as a projectionist were highlighted when he invented this specially designed system of two analytic stop-motion projectors, equipped with a spinning exterior shutter, enabling him to compare stills of found footage side by side. While he wanted to be as frank about sexuality as possible, Jacobs was mostly uninterested in the pornographic content of the film, favoring the discussion it prompted about the depth of the formal elements of movement.",0.4086,"\u002F7cZLMiIpQGTkaDz3vhlPbw86NEc.jpg","2021-01-14","62e5a805eb64f100649873b8",{"adult":4,"backdrop_path":38,"genre_ids":654,"id":655,"title":656,"original_language":26,"original_title":656,"overview":657,"popularity":658,"poster_path":659,"release_date":660,"softcore":4,"video":4,"vote_average":241,"vote_count":138,"credit_id":661,"department":14,"job":463,"media_type":36},[54],293329,"Canopy","Ken Jacobs’ most recent stroboscopic work transforms a typical New York street scaffolding scene into a mesmeric, Christo-esque merry-go-round.",0.4809,"\u002Fd1WRcKB7KpKBVJCeLgNPZ38qwxk.jpg","2014-09-07","5419c36d0e0a266eee0003f0",{"adult":4,"backdrop_path":38,"genre_ids":663,"id":664,"title":665,"original_language":26,"original_title":665,"overview":666,"popularity":667,"poster_path":668,"release_date":669,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":670,"department":14,"job":463,"media_type":36},[],1189377,"Spasm","Spasm (2023, 13:41, digital)",0.6133,"\u002FcN875w2HhzySjh009M3D96ijUDc.jpg","2023-01-01","652482e8447f9c013a55db3b",{"adult":4,"backdrop_path":672,"genre_ids":673,"id":674,"title":675,"original_language":26,"original_title":675,"overview":676,"popularity":677,"poster_path":678,"release_date":679,"softcore":4,"video":4,"vote_average":271,"vote_count":97,"credit_id":680,"department":14,"job":463,"media_type":36},"\u002FtUBdfgCsMrdjJQEUB9iCeJIar9T.jpg",[],291252,"The Georgetown Loop","First screened as part of Jacobs' \"Nervous System\" film performance, The Georgetown Loop is based on an archival film from 1903, which Jacobs pairs with its mirror double to produce a kaleidoscopic two-screen projection. The original film depicts a journey shot from the cab of a train passing through the Colorado Rockies, and, in this hypnotic new form, comes to suggest the movement of consciousness itself.",0.5872,"\u002F1x9nuPGLuuaRFRj5hnKAJYkvDLn.jpg","1996-03-05","540dcdfac3a368799f005b2c",{"adult":4,"backdrop_path":38,"genre_ids":682,"id":683,"title":684,"original_language":80,"original_title":684,"overview":685,"popularity":686,"poster_path":687,"release_date":688,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":689,"department":14,"job":463,"media_type":36},[],1008147,"Buster Keaton Embossed","Keaton's One Week (1920) digitally embossed",0.4876,"\u002FrmT4a8JoIwsUtvDfuwA1FZAkmZC.jpg","2022-06-02","62eadc15223a8b0058a512ed",{"adult":4,"backdrop_path":38,"genre_ids":691,"id":692,"title":693,"original_language":80,"original_title":693,"overview":694,"popularity":695,"poster_path":696,"release_date":697,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":698,"department":14,"job":463,"media_type":36},[],1008153,"Sergei Eisenstein Embossed","Eisenstein's Battleship Potemkin (1925) digitally embossed",0.426,"\u002Fa0aKqFYvyc08S4RXbBaWZZQ0DqJ.jpg","2022-06-14","62eadfb3091e62005d2c2a2a",{"adult":4,"backdrop_path":38,"genre_ids":700,"id":701,"title":702,"original_language":26,"original_title":702,"overview":703,"popularity":704,"poster_path":705,"release_date":706,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":707,"department":14,"job":463,"media_type":36},[],1008156,"Chaos Is Order Misunderstood","The Nervous Magic Lantern is a projection device I came up with in the year 2000. With assistance from wife Flo (Florence) we have been performing with it ever since.  It pushed aside The Nervous System first presented publicly in 1975. The Nervous System required two prints of a film shown slightly out of sync, advancing very slowly but in rapid alternation. Projections were at first more like activated slide-shows than movies, with things appearing both in motion and - to an extent - in depth.",0.5803,"\u002FoRyPN8O2nzAyHvOgRk9WIYX6peV.jpg","2019-08-12","62eae14c2736480060e21851",{"adult":4,"backdrop_path":38,"genre_ids":709,"id":710,"title":711,"original_language":26,"original_title":711,"overview":712,"popularity":713,"poster_path":714,"release_date":642,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":715,"department":14,"job":463,"media_type":36},[],1193088,"A Small Misunderstanding","2021, 6:23, digital. 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Time and space are toyed with, things enter an impossible state of ongoing movement while going nowhere. The actual tunnel experience sets off a metaphysical one. Composed to the first part of DRUMMING by Steve Reich.",0.6289,"\u002Fs765EgzAoP8ZyGz55vM2gWN3QHw.jpg","2005-01-01","5460731bc3a36841d3004653",{"adult":4,"backdrop_path":38,"genre_ids":735,"id":736,"title":737,"original_language":26,"original_title":737,"overview":738,"popularity":739,"poster_path":740,"release_date":732,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":741,"department":14,"job":463,"media_type":36},[],302775,"Krypton Is Doomed","This work is derived from one of Jacobs' Nervous Magic Lantern performances, which are created with a hand-manipulated projector and use neither film nor video. Highly stroboscopic and hallucinatory, these kinetic performances result in otherworldly spaces and plays of near-abstraction and suggestive imagery. In Krypton is Doomed, the audio accompaniment to the shifting visuals is an installment of a Superman radio play — the first ever broadcast, in 1940. This work highlights Jacobs' relentless experimentation with the very fabric of projected light.",0.5804,"\u002F6ZgQVU2gCnN5TTlSnXw90efZ33B.jpg","5464129cc3a36804a70007ad",{"adult":4,"backdrop_path":38,"genre_ids":743,"id":744,"title":745,"original_language":26,"original_title":745,"overview":746,"popularity":747,"poster_path":748,"release_date":634,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":749,"department":14,"job":463,"media_type":36},[],1195856,"Nervous Magic Lantern: 3D for One or Two Naked Eyes","Assisted by Nisi Ariana, 24 minutes",0.5204,"\u002FeUWyOs2So66of7ROAmeBuaWiwj5.jpg","65387cdec50ad200ca89430e",{"adult":4,"backdrop_path":38,"genre_ids":751,"id":752,"title":753,"original_language":26,"original_title":753,"overview":754,"popularity":755,"poster_path":756,"release_date":642,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":757,"department":14,"job":463,"media_type":36},[],1197326,"Adventures of Cookie Truck","Co-made with Nisi Ariana",0.5484,"\u002FpFEj0kxSETbL2yQojw3WJRpqWnI.jpg","653c67610fb17f011e41be2d",{"adult":4,"backdrop_path":38,"genre_ids":759,"id":760,"title":761,"original_language":26,"original_title":761,"overview":762,"popularity":763,"poster_path":764,"release_date":642,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":765,"department":14,"job":463,"media_type":36},[],1197333,"Hoffman Student","A 2021 Jacobs Eternalism",0.5171,"\u002Flacdt2NdRWEIxAUB6z24xLriXvG.jpg","653c70c50fb17f00af4ac437",{"adult":4,"backdrop_path":38,"genre_ids":767,"id":768,"title":769,"original_language":26,"original_title":769,"overview":770,"popularity":771,"poster_path":772,"release_date":402,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":773,"department":14,"job":463,"media_type":36},[],1197353,"Dr. Jekyll and Mr. Hyde","A 2023 Ken Jacobs Eternalism",0.6339,"\u002Frm3D63f9jfO4Ffo95sBhgWqdHVI.jpg","653c8230c8a5ac00ad36ccc8",{"adult":4,"backdrop_path":38,"genre_ids":775,"id":776,"title":777,"original_language":26,"original_title":777,"overview":770,"popularity":778,"poster_path":779,"release_date":669,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":780,"department":14,"job":463,"media_type":36},[],1197346,"Whims of Twenty Twenty-Three",0.5315,"\u002F8dL2UMsnzuyQEB62LRgWyiUxAQX.jpg","653c7baec8a5ac0100f9a718",{"adult":4,"backdrop_path":38,"genre_ids":782,"id":783,"title":784,"original_language":26,"original_title":784,"overview":785,"popularity":786,"poster_path":787,"release_date":634,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":788,"department":14,"job":463,"media_type":36},[],1197363,"Dimsum and Dragons","Ken Jacobs at a Chinese restaurant.",0.4811,"\u002FxJievlABP2CbqHQnF2MXLMOOt9G.jpg","653c872f519bbb00e18c1b0e",{"adult":4,"backdrop_path":38,"genre_ids":790,"id":397,"title":398,"original_language":26,"original_title":398,"overview":399,"popularity":400,"poster_path":401,"release_date":402,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":791,"department":14,"job":463,"media_type":36},[],"653c8394bc2cb3014d4a48b5",{"adult":4,"backdrop_path":38,"genre_ids":793,"id":794,"title":795,"original_language":26,"original_title":795,"overview":796,"popularity":797,"poster_path":798,"release_date":799,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":800,"department":14,"job":463,"media_type":36},[],1197351,"One Dozen Roses","2022, assisted by Antoine Catala",0.4461,"\u002F3quVekAgWKHALvaH3pllzKimW2p.jpg","2022-01-01","653c8144e894a600ad565e8c",{"adult":4,"backdrop_path":38,"genre_ids":802,"id":803,"title":804,"original_language":26,"original_title":804,"overview":805,"popularity":806,"poster_path":38,"release_date":807,"softcore":4,"video":4,"vote_average":111,"vote_count":35,"credit_id":808,"department":14,"job":463,"media_type":36},[54],299675,"The Guests","A reworking of 10 seconds from Entrée d`une noce à l`église (Entrance of a wedding at the church), the 1896 Lumiere brothers film. As the line of wedding guests advance slowly, the adjacent frames, one to each eye, join to create an irrational and impossible 3-D. Silent film, avant-garde, and digital 3D: 120 years of film history merging into one single cinematic event.",0.6153,"2014-02-13","5450d098c3a368532b004140",{"adult":4,"backdrop_path":38,"genre_ids":810,"id":811,"title":812,"original_language":26,"original_title":812,"overview":813,"popularity":814,"poster_path":815,"release_date":669,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":816,"department":14,"job":463,"media_type":36},[],1197530,"Tourists of the Familiar 15","Part of a series of Eternalisms",0.6264,"\u002Fs8PmtTg7TPXm7sGwWFjtG9neukk.jpg","653d13d7bc2cb300aca35f3a",{"adult":4,"backdrop_path":38,"genre_ids":818,"id":819,"title":820,"original_language":26,"original_title":820,"overview":813,"popularity":821,"poster_path":822,"release_date":669,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":823,"department":14,"job":463,"media_type":36},[],1197525,"Tourists of the Familiar 1",0.6302,"\u002FxeVkZ2cRxs5nTBPSTYsQC7ecU6V.jpg","653d12135907de011bc4a0c3",{"adult":4,"backdrop_path":38,"genre_ids":825,"id":826,"title":827,"original_language":26,"original_title":827,"overview":813,"popularity":828,"poster_path":829,"release_date":669,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":830,"department":14,"job":463,"media_type":36},[],1197527,"Tourists of the Familiar 5",0.6445,"\u002FmTzpfYtAjAapItKsNPo4EzlG56o.jpg","653d12a1c8a5ac00c6d694ca",{"adult":4,"backdrop_path":38,"genre_ids":832,"id":833,"title":834,"original_language":26,"original_title":834,"overview":813,"popularity":835,"poster_path":836,"release_date":669,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":837,"department":14,"job":463,"media_type":36},[],1197532,"Tourists of the Familiar 20",0.6363,"\u002Fq9PxhdScmmVL3FY1qUEr3tFnYAY.jpg","653d1448519bbb00fe5c43c2",{"adult":4,"backdrop_path":38,"genre_ids":839,"id":840,"title":841,"original_language":26,"original_title":841,"overview":813,"popularity":842,"poster_path":843,"release_date":669,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":844,"department":14,"job":463,"media_type":36},[],1197529,"Tourists of the Familiar 10",0.6481,"\u002FtfQTPF6BnnRYAuzCxoUGftnfImh.jpg","653d134b109cd000ad6246ee",{"adult":4,"backdrop_path":38,"genre_ids":846,"id":847,"title":848,"original_language":26,"original_title":848,"overview":754,"popularity":849,"poster_path":850,"release_date":799,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":851,"department":14,"job":463,"media_type":36},[],1197542,"America Lets Her Hair Down 1905",0.702,"\u002Fe5iEMVPZmK1CKUqUGQ9xZhdjaVI.jpg","653d1c50c8a5ac011d6ce6ed",{"adult":4,"backdrop_path":38,"genre_ids":853,"id":854,"title":855,"original_language":26,"original_title":855,"overview":856,"popularity":857,"poster_path":858,"release_date":859,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":860,"department":14,"job":463,"media_type":36},[],1196287,"Book of Eternalisms 1-6","A multi-part series of Ken Jacobs' Eternalisms.",0.607,"\u002FjHgIAYVAWHrAIyEGXbBoTdEOk9t.jpg","2023-03-17","6539e370678259010109b3f8",{"adult":4,"backdrop_path":38,"genre_ids":862,"id":863,"title":864,"original_language":26,"original_title":864,"overview":865,"popularity":866,"poster_path":867,"release_date":868,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":869,"department":14,"job":463,"media_type":36},[],886000,"Chrysalis","Experimental short film directed by Ken Jacobs with music by diNMachine.",0.4861,"\u002F4mcRFoepvgyESrYNIXDOkkLlpnN.jpg","2015-02-24","616c15e5d43f010091e441d2",{"adult":4,"backdrop_path":38,"genre_ids":871,"id":872,"title":873,"original_language":26,"original_title":873,"overview":874,"popularity":875,"poster_path":38,"release_date":876,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":877,"department":878,"job":879,"media_type":36},[],325451,"Cyclops Observes the Celestial Bodies","Abstract short in Jacob's current 3D style.",0.637,"2015-02-05","54df5fbc9251411953003605","Writing","Writer",{"adult":4,"backdrop_path":38,"genre_ids":881,"id":872,"title":873,"original_language":26,"original_title":873,"overview":874,"popularity":875,"poster_path":38,"release_date":876,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":882,"department":14,"job":463,"media_type":36},[],"54df5fad92514119500036d1",{"adult":4,"backdrop_path":38,"genre_ids":884,"id":885,"title":886,"original_language":26,"original_title":886,"overview":887,"popularity":888,"poster_path":889,"release_date":411,"softcore":4,"video":148,"vote_average":73,"vote_count":73,"credit_id":890,"department":14,"job":463,"media_type":36},[],325723,"DAY AND NIGHT","DAY AND NIGHT was photographed with a still-camera with close-up attachment. Two close images were taken, with the subject -a heather plant- on a turning platform. The heather blossoms are tiny, on average less than 1\u002F8 inch in size. Color was augmented and transformed via computer. Movement was computer-created by way of an editing-formula of my invention (patented) by which 3D films can be made from 2D imagery exploiting similarities and differences between two adjacent film-frames. Active 3D events appear that impossibly continue in one direction without change, my name for them is both silly and fitting: eternalisms.",0.5733,"\u002F7ltx7NnSw1xdxVzRIkWrtZKABVX.jpg","54e22317925141195a00821b",{"adult":4,"backdrop_path":38,"genre_ids":892,"id":893,"title":894,"original_language":26,"original_title":894,"overview":895,"popularity":896,"poster_path":897,"release_date":898,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":899,"department":14,"job":463,"media_type":36},[],891787,"Eternal Beach","“All hallucinations of Paradise Lost come from the longing to levitate. Vision is lightship and shipwreck - Herbert Postl from Ideal Forms of Vanishing",0.5577,"\u002Fxcty14QL6XSDvnQ7YifeCvQWLDI.jpg","2021-10-30","617cb9d50d5d85002afb4fa8",{"adult":4,"backdrop_path":38,"genre_ids":901,"id":902,"title":903,"original_language":26,"original_title":903,"overview":904,"popularity":905,"poster_path":906,"release_date":907,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":908,"department":14,"job":463,"media_type":36},[],340294,"Soft Rain","Three identical prints of a single 100 foot fixed-camera take are shown from beginning to end-roll light-flare, with a few feet of blackness preceding\u002Fbridging\u002Ffollowing the rolls. …The loop repetition (the series hopefully will intrigue you to further run-throughs) automatically imparts a steadily growing rhythmic sense of the street-activities. Anticipation for familiar movement-complexes builds, and as all smaller complexities join up in our knowledge of the whole the purely accidental counter-passings of people and vehicles becomes satisfyingly cogent, seems rhythmically structured and of a piece. Becomes choreography.",0.4699,"\u002FoaFC7yLlzrO41AXYIfdN1wbBqun.jpg","1968-01-01","5555a3559251411e57001c70",{"adult":4,"backdrop_path":38,"genre_ids":910,"id":911,"title":912,"original_language":26,"original_title":912,"overview":913,"popularity":914,"poster_path":38,"release_date":915,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":916,"department":14,"job":463,"media_type":36},[],340842,"Wire Fence","The diamond patterns in the wire fencing for construction on his street inspired Ken Jacobs’s latest astonishing 3-D extravaganza.",0.4941,"2014-11-12","555b0cd5c3a3682f61004c61",{"adult":4,"backdrop_path":38,"genre_ids":918,"id":919,"title":920,"original_language":26,"original_title":920,"overview":921,"popularity":922,"poster_path":38,"release_date":923,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":924,"department":14,"job":463,"media_type":36},[],340870,"America at War, The Home Front: Film Opening","A sly take on recent US foreign policy in the Middle East, 3D footage of the exit from NYFF’s premiere of The Social Network makes for characteristically angry and awestruck Jacobs’s fare.",0.4971,"2011-05-13","555b58a6c3a3681089002674",{"adult":4,"backdrop_path":926,"genre_ids":927,"id":928,"title":929,"original_language":26,"original_title":929,"overview":930,"popularity":931,"poster_path":932,"release_date":429,"softcore":4,"video":4,"vote_average":241,"vote_count":241,"credit_id":933,"department":14,"job":463,"media_type":36},"\u002F4ZVRhvhuJwhkqUgxJhWEuxxHR6a.jpg",[],346284,"Flo Rounds a Corner","A short by Ken Jacobs. Taormina, Sicily; Mt. Etna erupting nearby.",0.8948,"\u002FpKZOSLlHyJLvc2a9rS1OzhEgUxk.jpg","558da7bec3a3687bfc00101e",{"adult":4,"backdrop_path":935,"genre_ids":936,"id":937,"title":938,"original_language":26,"original_title":938,"overview":939,"popularity":940,"poster_path":941,"release_date":942,"softcore":4,"video":4,"vote_average":241,"vote_count":241,"credit_id":943,"department":556,"job":944,"media_type":36},"\u002Fqof1bbbVjD1r93Ara7Sn67owSmZ.jpg",[54],347283,"Window","The moving camera shapes the screen image with great purposefulness, using the frame of a window as fulcrum upon which to wheel about the exterior scene. The zoom lens rips, pulling depth planes apart and slapping them together, contracting and expanding in concurrence with camera movements to impart a terrific apparent-motion to the complex of the object-forms pictured on the horizontal-vertical screen, its axis steadied by the audience's sense of gravity. The camera's movements in being transferred to objects tend also to be greatly magnified (instead of the camera the adjacent building turns). About four years of studying the window-complex preceded the afternoon of actual shooting (a true instance of cinematic action-painting). The film exists as it came out of the camera barring one mechanically necessary mid-reel splice",0.583,"\u002FwFgHsLpXVrXTmPr4Brjz77zc8NA.jpg","1964-12-21","559626a6c3a36870ce0040f7","Cinematography",{"adult":4,"backdrop_path":935,"genre_ids":946,"id":937,"title":938,"original_language":26,"original_title":938,"overview":939,"popularity":940,"poster_path":941,"release_date":942,"softcore":4,"video":4,"vote_average":241,"vote_count":241,"credit_id":947,"department":14,"job":463,"media_type":36},[54],"5596268fc3a3685896001282",{"adult":4,"backdrop_path":935,"genre_ids":949,"id":937,"title":938,"original_language":26,"original_title":938,"overview":939,"popularity":940,"poster_path":941,"release_date":942,"softcore":4,"video":4,"vote_average":241,"vote_count":241,"credit_id":950,"department":951,"job":952,"media_type":36},[54],"559626b1c3a36870de0040f1","Production","Producer",{"adult":4,"backdrop_path":935,"genre_ids":954,"id":937,"title":938,"original_language":26,"original_title":938,"overview":939,"popularity":940,"poster_path":941,"release_date":942,"softcore":4,"video":4,"vote_average":241,"vote_count":241,"credit_id":955,"department":450,"job":451,"media_type":36},[54],"5596269ac3a36870cc003e98",{"adult":4,"backdrop_path":38,"genre_ids":957,"id":443,"title":444,"original_language":26,"original_title":444,"overview":445,"popularity":446,"poster_path":447,"release_date":448,"softcore":4,"video":4,"vote_average":159,"vote_count":35,"credit_id":958,"department":14,"job":463,"media_type":36},[],"55a97d759251411e14004095",{"adult":4,"backdrop_path":38,"genre_ids":960,"id":961,"title":962,"original_language":26,"original_title":962,"overview":963,"popularity":964,"poster_path":38,"release_date":965,"softcore":4,"video":4,"vote_average":111,"vote_count":35,"credit_id":966,"department":14,"job":463,"media_type":36},[54],354264,"Mountaineer Spinning","This work is a demonstration of one of Jacobs' Nervous Magic Lantern performances, which are created with a hand-manipulated projector and use neither film nor video. Highly stroboscopic and hallucinatory, these kinetic performances result in otherworldly spaces and plays of near-abstraction and suggestive imagery. Mountaineer Spinning features an evocative musical score. This work highlights Jacobs' relentless experimentation with the very fabric of projected light.",0.458,"2004-08-13","55cc3107925141764b001d52",{"adult":4,"backdrop_path":38,"genre_ids":968,"id":969,"title":970,"original_language":26,"original_title":970,"overview":971,"popularity":972,"poster_path":973,"release_date":974,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":975,"department":14,"job":463,"media_type":36},[40],354259,"Disorient Express","1906 - Original cinematographer unknown. 1996 - New arrangement by Ken Jacobs. Shots shown as found in \"A Trip Down Mount Tamalpais\", the Paper Print Collection, Library of Congress. Optically copied by Sam Bush, Western Cine Lab., Denver, from l6mm to 35mm letterbox format to allow double-image mirroring in 1:85 ratio projection.",0.5815,"\u002F75jGBJMjd7077yMr1Nid8DQJSDI.jpg","1996-08-13","55cc3067c3a3685701001e98",{"adult":4,"backdrop_path":38,"genre_ids":977,"id":978,"title":979,"original_language":26,"original_title":979,"overview":980,"popularity":981,"poster_path":982,"release_date":983,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":984,"department":14,"job":463,"media_type":36},[],354457,"The Doctor's Dream","\"The editing procedure was to count the number of shots and start the film off with the numerically middle shot and then, after that, the shot that had preceded it, and the shot that had followed it, and to keep fanning further and further out until one saw the first shot of the film followed by the last shot\" -Ken Jacobs",0.5824,"\u002FvcEqUBdMX43UVwD5Z6eUhDIrVM3.jpg","1977-08-14","55cd630bc3a3681bfc00117d",{"adult":4,"backdrop_path":38,"genre_ids":986,"id":987,"title":988,"original_language":26,"original_title":988,"overview":989,"popularity":990,"poster_path":991,"release_date":992,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":993,"department":14,"job":463,"media_type":36},[54],358716,"Spaghetti Aza","Silent film by Ken Jacobs featuring his son asleep at the table then being put to bed.",0.5082,"\u002Ft85s0RboVHTTP9h3cupiNM51xG3.jpg","1976-09-08","55ee6c3ac3a3686f17006c4e",{"adult":4,"backdrop_path":38,"genre_ids":995,"id":996,"title":997,"original_language":26,"original_title":997,"overview":998,"popularity":999,"poster_path":38,"release_date":1000,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1001,"department":14,"job":463,"media_type":36},[],358727,"Nissan Ariana Window","\"NISSAN ARIANA WINDOW is 3\u002F4's of our daughter's name. She was just kid when these pictures were taken. Some were taken before she was born: pregnant Flo together with pregnant cat China sunning themselves under the skylight. Andrew Noren likes the movie.\" - Ken Jacobs",0.4824,"1969-09-08","55ee9dafc3a3686f170078fe",{"adult":4,"backdrop_path":38,"genre_ids":1003,"id":1004,"title":1005,"original_language":26,"original_title":1005,"overview":1006,"popularity":1007,"poster_path":1008,"release_date":1009,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1010,"department":14,"job":463,"media_type":36},[],358959,"Return to the Scene of the Crime","This is how the film begins, duck-on-a-leash to Little Bo Peep to the revealing of the too-busy full stage-set. Each gets their close-up and the many choreographed incidents happening together, and impossible to sort out, are given time out of the welter of events to shine. While it seems a mistake to break apart the wonderful muchness of the original, it's fun to see one action centered while others we've become familiar with repeat around it in the grand clockwork mechanism that is cinema. Actions made familiar take off into abstract permutations, veering in and out of recognition. God appears, centering the commotion, but splits when the crowd deserts his act to go after Tom.\"",0.8031,"\u002Fn6YdhvoLWSiXZe4dckkEx53rqp9.jpg","2008-09-09","55efddc19251413e2f01c878",{"adult":4,"backdrop_path":38,"genre_ids":1012,"id":1013,"title":1014,"original_language":26,"original_title":1014,"overview":1015,"popularity":1016,"poster_path":1017,"release_date":215,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1018,"department":14,"job":463,"media_type":36},[],370316,"Airshaft","Single fixed-camera take looking from within darkened room, (camera within a camera) out through fire-escape door into vertical space between rears of downtown N. Y. loft buildings. A potted plant, fallen sheet of white paper, cat rests on the foreground door-ledge. The flow of the image is interrupted, partially and then wholly dissolving into blackness; the picture reemerges, the objects smear, somewhat double, edges break up... and again the serene image scintillatingly looms into view. Focus shifts abruptly between foreground and background planes, creating a strong volume-illusion. The fragile image then shines forth for one last time before dying out.",0.507,"\u002Fu884qNrgYtLzcmIWWKu0ZPnt6xy.jpg","56593e139251410db5001b95",{"adult":4,"backdrop_path":38,"genre_ids":1020,"id":646,"title":647,"original_language":26,"original_title":647,"overview":648,"popularity":649,"poster_path":650,"release_date":651,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1021,"department":14,"job":463,"media_type":36},[],"61e6079c6aa8e00069f599be",{"adult":4,"backdrop_path":38,"genre_ids":1023,"id":1024,"title":1025,"original_language":26,"original_title":1025,"overview":1026,"popularity":1027,"poster_path":1028,"release_date":1029,"softcore":4,"video":4,"vote_average":97,"vote_count":35,"credit_id":1030,"department":14,"job":463,"media_type":36},[],377926,"Opening the Nineteenth Century: 1896","Found Footage avantgarde film.",0.5965,"\u002FkCo5QG1SwUOBKEqpd625xsxw2Cb.jpg","1991-01-01","569b8eee9251410ccd002e35",{"adult":4,"backdrop_path":38,"genre_ids":1032,"id":1033,"title":1034,"original_language":26,"original_title":1034,"overview":1035,"popularity":1036,"poster_path":1037,"release_date":1038,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1039,"department":14,"job":463,"media_type":36},[],377931,"The Day Was a Scorcher","A 3-D vacation album, The Day Was a Scorcher pictures what Jacobs describes as \"movie-star Flo, Nisi the thoughtful young girl, and Aza old enough to trudge with the rest of us, but still expecting to be pushed around on wheels,\" frolicking in a sun-drenched Rome in the 1970s. Explains Jacobs, \"It's a perfect day when nothing happens.\"",0.6025,"\u002FcDUpOvOXISBS9K9h4HLA70m93JE.jpg","2009-01-01","569b90fcc3a36872c0002ee5",{"adult":4,"backdrop_path":38,"genre_ids":1041,"id":1033,"title":1034,"original_language":26,"original_title":1034,"overview":1035,"popularity":1036,"poster_path":1037,"release_date":1038,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1042,"department":878,"job":879,"media_type":36},[],"569b9106c3a36872c0002ee9",{"adult":4,"backdrop_path":38,"genre_ids":1044,"id":1045,"title":1046,"original_language":26,"original_title":1046,"overview":1047,"popularity":1048,"poster_path":1049,"release_date":1029,"softcore":4,"video":4,"vote_average":97,"vote_count":35,"credit_id":1050,"department":878,"job":879,"media_type":36},[],377929,"Keaton's Cops","Avant-garde filmmaker Ken Jacobs presents Buster Keaton's short silent comedy Cops (1922) as his own work by blacking-out approximately the top three-fourths or four-fifths of the frame.",0.53,"\u002F8FAsdC5dyGvcX24uCp1pJWfsiHN.jpg","569b8f8fc3a36872b70030ce",{"adult":4,"backdrop_path":38,"genre_ids":1052,"id":1053,"title":1054,"original_language":26,"original_title":1054,"overview":1055,"popularity":1056,"poster_path":1057,"release_date":732,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1058,"department":14,"job":463,"media_type":36},[],377930,"Spiral Nebula","Abstract avantgarde film.",0.4653,"\u002Fyobivky6Jo5L1XHgn2aHDdaUTdJ.jpg","569b90579251410cd6002d65",{"adult":4,"backdrop_path":38,"genre_ids":1060,"id":1061,"title":1062,"original_language":26,"original_title":1062,"overview":1063,"popularity":1064,"poster_path":1065,"release_date":1066,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1067,"department":878,"job":879,"media_type":36},[],323789,"The Pushcarts Leave Eternity Street","Early 20th-century street vendors push their carts loaded with vegetables. It is time for them to go. Little by little, the viewer discovers fragments of the film of that reduced space in which multiple actions are occurring. The films' technique, The Nervous System, succeeds once more in creating the illusion of visual depth.",0.6433,"\u002F9BBui7xTecJzFxobcdIzR3Q8nYI.jpg","2011-06-09","569b919cc3a36872c0002f0b",{"adult":4,"backdrop_path":38,"genre_ids":1069,"id":1061,"title":1062,"original_language":26,"original_title":1062,"overview":1063,"popularity":1064,"poster_path":1065,"release_date":1066,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1070,"department":14,"job":463,"media_type":36},[],"569b9193c3a36872bb002c4b",{"adult":4,"backdrop_path":38,"genre_ids":1072,"id":1045,"title":1046,"original_language":26,"original_title":1046,"overview":1047,"popularity":1048,"poster_path":1049,"release_date":1029,"softcore":4,"video":4,"vote_average":97,"vote_count":35,"credit_id":1073,"department":14,"job":463,"media_type":36},[],"569b8f85c3a36872b000301f",{"adult":4,"backdrop_path":38,"genre_ids":1075,"id":1024,"title":1025,"original_language":26,"original_title":1025,"overview":1026,"popularity":1027,"poster_path":1028,"release_date":1029,"softcore":4,"video":4,"vote_average":97,"vote_count":35,"credit_id":1076,"department":878,"job":879,"media_type":36},[],"569b8ef7c3a36872d0002b74",{"adult":4,"backdrop_path":38,"genre_ids":1078,"id":1053,"title":1054,"original_language":26,"original_title":1054,"overview":1055,"popularity":1056,"poster_path":1057,"release_date":732,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1079,"department":878,"job":879,"media_type":36},[],"569b90649251410cca002cb1",{"adult":4,"backdrop_path":38,"genre_ids":1081,"id":1082,"title":1083,"original_language":26,"original_title":1083,"overview":1084,"popularity":575,"poster_path":1085,"release_date":1086,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1087,"department":14,"job":463,"media_type":36},[],377934,"Another Occupation","A stroboscopic train ride along a jungle stream. Asian military men appear with their pith-helmets, keeping the ferns, trees, monkeys, natives in line. The master of the stroboscopic depth illusion changes.","\u002Fncvwfi42ueS4XhkAfCS54ksSaK.jpg","2011-01-26","569b92219251410cc6002d5f",{"adult":4,"backdrop_path":38,"genre_ids":1089,"id":1082,"title":1083,"original_language":26,"original_title":1083,"overview":1084,"popularity":575,"poster_path":1085,"release_date":1086,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1090,"department":878,"job":879,"media_type":36},[],"569b9229c3a36872c7002ec7",{"adult":4,"backdrop_path":38,"genre_ids":1092,"id":1093,"title":1094,"original_language":26,"original_title":1094,"overview":1095,"popularity":1096,"poster_path":1097,"release_date":1098,"softcore":4,"video":4,"vote_average":1099,"vote_count":35,"credit_id":1100,"department":14,"job":463,"media_type":36},[],383197,"Anaglyph Tom (Tom with Puffy Cheeks)","Here Jacobs revisits the original 1905 source material of his celebrated 1969 structuralist film, Tom Tom the Piper's Son. In his earlier film, a landmark of cinematic deconstruction, Jacobs re-photographed and manipulated a film fragment from the dawn of cinema, penetrating the image to reach the sublime. In Anaglyph Tom, the artist applies the anaglyph 3-D process to the original footage, engaging the experience of depth perception as the subject of his relentless experimentation and dizzying interventions.",0.6928,"\u002FhyNL6fAAUonwyBryrLdWCorGq43.jpg","2008-02-17",5.5,"56c3f166c3a36871fa0010fe",{"adult":4,"backdrop_path":38,"genre_ids":1102,"id":1103,"title":1104,"original_language":26,"original_title":1104,"overview":1105,"popularity":1106,"poster_path":1107,"release_date":1108,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1109,"department":14,"job":463,"media_type":36},[54],382521,"The Green Wave","A stereograph of an ocean wave breaking is suspended in time as it reshapes in time and in depth. 3-D for both two eyed and single-eyed viewers.",0.5836,"\u002FcBYE1QBO6SdCCvpZzEyhOdMqzKp.jpg","2011-02-09","56bf1f56c3a36817f400815d",{"adult":4,"backdrop_path":38,"genre_ids":1111,"id":1112,"title":1113,"original_language":26,"original_title":1113,"overview":1114,"popularity":1115,"poster_path":1116,"release_date":1038,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1117,"department":14,"job":463,"media_type":36},[],932537,"The Signing","MM Serra and Jonas Mekas sign a paper in 3D.",0.6072,"\u002F5h6srSwDErt12eq5S6BWKvV8g98.jpg","61f60370dcf87500c0a34439",{"adult":4,"backdrop_path":38,"genre_ids":1119,"id":1120,"title":1121,"original_language":26,"original_title":1121,"overview":1122,"popularity":1123,"poster_path":1124,"release_date":1125,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1126,"department":14,"job":463,"media_type":36},[],386177,"Saturday Afternoon Blood Sacrifice","Short film with Jack Smith as the mysterious leader of an even-more-mysterious cult, garbed in pseudo-papal regalia and adorned with jewelry and makeup. His followers do his bidding by abducting and cross-dressing an unsuspecting mailman. Smith launches a processional and is soon joined by real neighborhood children in the streets of Lower Manhattan. Eventually, the police came along and shooting ends, but Ken Jacobs gets an overhead shot of Smith trying to explain himself to the cops.",0.7372,"\u002FuiFRKpfhVSVoJrKq4dOXutft1hX.jpg","1956-01-01","56dd1e6ec3a368764d0024ac",{"adult":4,"backdrop_path":38,"genre_ids":1128,"id":1129,"title":1130,"original_language":26,"original_title":1130,"overview":1131,"popularity":1132,"poster_path":1133,"release_date":1125,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1134,"department":14,"job":463,"media_type":36},[512],386178,"Little Cobra Dance","Jack Smith descends a fire escape in a makeshift \"Arabian\" costume and improvises increasingly frenetic choreography.",0.5716,"\u002Fs2SYeN5qyfVQBOk6kvDiMeTtWP.jpg","56dd2064c3a36825a30015f5",{"adult":4,"backdrop_path":38,"genre_ids":1136,"id":1137,"title":1138,"original_language":26,"original_title":1138,"overview":1139,"popularity":1140,"poster_path":1141,"release_date":1142,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1143,"department":14,"job":463,"media_type":36},[],386187,"Baud'larian Capers","A mostly silent (except for one 78 instrumental record played in the background of one sequence) experimental film centering around a stylized depiction of Nazis and Jews.",0.5241,"\u002F8h3ZTmXMfWHdkp44iIh0NuprsB0.jpg","1962-01-01","56dd24f1c3a368765800252e",{"adult":4,"backdrop_path":38,"genre_ids":1145,"id":1146,"title":1147,"original_language":26,"original_title":1147,"overview":1148,"popularity":1149,"poster_path":1150,"release_date":1151,"softcore":4,"video":4,"vote_average":159,"vote_count":35,"credit_id":1152,"department":14,"job":463,"media_type":36},[],386181,"The Death of P'town","Shot in Provincetown in the summer of '61 with the goal of funding a larger project, the film was never completed due to a violent argument between actor Jack Smith and director Ken Jacobs shortly after the shooting began. A title card explains that Smith 'would've starred as the Fairy Vampire.'",0.801,"\u002FdpHZnvuDR1e0M9HObqoNjKpcdxa.jpg","1961-01-01","56dd219dc3a368764a002995",{"adult":4,"backdrop_path":38,"genre_ids":1154,"id":502,"title":503,"original_language":26,"original_title":503,"overview":504,"popularity":505,"poster_path":506,"release_date":507,"softcore":4,"video":4,"vote_average":111,"vote_count":10,"credit_id":1155,"department":951,"job":952,"media_type":36},[54],"638a08ac5690b5009fd0bdee",{"adult":4,"backdrop_path":38,"genre_ids":1157,"id":1158,"title":1159,"original_language":26,"original_title":1159,"overview":1160,"popularity":1161,"poster_path":1162,"release_date":1163,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1164,"department":14,"job":463,"media_type":36},[],411654,"Blankets for Indians","Blankets for Indians blends a stereoscopic study of water spurting from New York’s City Hall fountain with an intimately detailed portrait of an Occupy Wall Street march. While in the process of shooting the fountain in 2012, Jacobs serendipitously turned his camera toward a large protest marching to Zuccotti Park in support of Occupy Wall Street. The unexpected connection gives the film new life, seamlessly moving between sensual observation and political commentary, reflection, and abstraction. Using freeze-frames, text, and 3D manipulation, Jacobs questions the contemporary conditions of socio-political struggle, its relation to aesthetics, and the labor necessary to produce both.",0.6182,"\u002F49Zoz3vhdlxETIJltjsiDoqxHnQ.jpg","2012-04-17","57b38252c3a36875d5001127",{"adult":4,"backdrop_path":38,"genre_ids":1166,"id":406,"title":407,"original_language":26,"original_title":407,"overview":408,"popularity":409,"poster_path":410,"release_date":411,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1167,"department":14,"job":463,"media_type":36},[],"58436cd49251416ae80034f8",{"adult":4,"backdrop_path":38,"genre_ids":1169,"id":1170,"title":1171,"original_language":26,"original_title":1171,"overview":1172,"popularity":1173,"poster_path":1174,"release_date":1175,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1176,"department":14,"job":463,"media_type":36},[],425116,"Reichstag 9\u002F11","Obvious as the facts may be, (and available on the web; tap in the expression Reichstag 9\u002F11), we are all wonderfully free to “make up our own minds”. The title aligns the Neo-con anticipated “new Pearl Harbor” with the infamous Reichstag fire the Nazis exploited to solidify their power. The images of REICHSTAG 9\u002F11 are derived from eyewitness recordings on the web. Deception upon deception, this time optical. (Ken Jacobs)",0.5625,"\u002F5h1Rgu4g9VpHOD1NyRCr04LfSvp.jpg","2016-10-22","58220413925141723b0009d7",{"adult":4,"backdrop_path":1178,"genre_ids":1179,"id":1180,"title":1181,"original_language":26,"original_title":1181,"overview":1182,"popularity":1183,"poster_path":1184,"release_date":1185,"softcore":4,"video":148,"vote_average":111,"vote_count":35,"credit_id":1186,"department":14,"job":463,"media_type":36},"\u002Fadyi5Yv7UAFxaUHOydUnmABIVz7.jpg",[54],1252863,"20 Little Films","Since 1995, the Viennale has invited renowned directors to create short, one-minute films as personal contributions to the festival. Ranging from home movies to political essays, musical sketches to abstract studies, these “little films” form a unique anthology of cinematic moments. 20 Little Films collects a selection of these works, premiering together for the Viennale’s 50th anniversary at the Locarno Film Festival.",1.7784,"\u002F4iTM7ASRNdQvFr9MYc5kUZrytMF.jpg","2012-02-13","65e24b1851f99a0185599d3d",{"adult":4,"backdrop_path":38,"genre_ids":1188,"id":1189,"title":1190,"original_language":26,"original_title":1190,"overview":1191,"popularity":1192,"poster_path":38,"release_date":1193,"softcore":4,"video":4,"vote_average":394,"vote_count":10,"credit_id":1194,"department":14,"job":463,"media_type":36},[],435466,"Windbreaker","World Premiere -- Museum of Moving Image 1\u002F14\u002F2017",0.5445,"2017-01-14","587d5dd79251413f1b01f9e6",{"adult":4,"backdrop_path":38,"genre_ids":1196,"id":1197,"title":1198,"original_language":26,"original_title":1198,"overview":1199,"popularity":1200,"poster_path":38,"release_date":1201,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1202,"department":14,"job":463,"media_type":36},[],435468,"Popeye Sees 3-D","Studying painting with Hans Hofmann had sensitized me to depth phenomena, to strange readings of depth including the most unnatural: flat. In 1964, I learned of the Pulfrich Effect and gained access to wholly illusionistic depth way beyond indication. This led in 1975 to my partner Flo and I beginning to explore the Nervous System, performing with two stop-motion film projectors to superimpose sequential film frames showing different perspectives for extended periods of time. A spinning shutter between projectors activated the compound image onscreen, introducing depths available even to a single eye but strange, uncanny; nuts. In 2000 we switched to digital processes, we patented our discoveries for the new medium and exploration continued, continues. Eternalisms show stereo photographs, their two close perspectives joined via computer to display as a single ongoing dimensional image that can be seen without glasses. Not to be trusted for a moment but interesting.",0.5748,"2014-01-01","587d5f77c3a36847e801fd29",{"adult":4,"backdrop_path":38,"genre_ids":1204,"id":1205,"title":1206,"original_language":26,"original_title":1206,"overview":1207,"popularity":1208,"poster_path":1209,"release_date":1210,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1211,"department":14,"job":463,"media_type":36},[],442150,"Ulysses in the Subway","A picturing of sound in 3D.",0.6865,"\u002Fr4lsZSrpLdn6GFT0QwTZvfXYKnU.jpg","2017-02-12","58a6cb77925141743b006daf",{"adult":4,"backdrop_path":38,"genre_ids":1213,"id":1214,"title":1215,"original_language":26,"original_title":1215,"overview":1216,"popularity":1217,"poster_path":1218,"release_date":1219,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1220,"department":14,"job":463,"media_type":36},[],446589,"Ontic Antics Starring Laurel and Hardy: Bye Molly","Ken Jacobs, the erstwhile master of experimental celluloid filmmaking, fully embraces video technology in this reworking of the 1929 Laurel and Hardy film Berth Marks. Prior to this digital version, Jacobs presented this film as one of his live \"nervous system\" performances, projecting identical overlapping frames in a slightly asynchronous manner to create the illusion of three-dimensional effects. This creation carries the filmmaker's live performances into the digital realm through a patent-pending \"Eternalism\" technique, which doesn't require Jacobs' physical presence at each projection. In Ontic Antics, Jacobs extends his ongoing exploration of the teeming depths of life contained within individual frames of film.",1.0116,"\u002FeQXJ2vZgPh42l1l8SNABsE9gDnx.jpg","2005-03-13","58c5c121c3a3684128005112",{"adult":4,"backdrop_path":38,"genre_ids":1222,"id":1223,"title":1224,"original_language":26,"original_title":1224,"overview":1225,"popularity":1226,"poster_path":1227,"release_date":537,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1228,"department":14,"job":463,"media_type":36},[],467776,"Jerry Takes A Back Seat, Then Passes Out Of The Picture","In the backyard with the inimitable Jerry Sims. Shot in 8mm in 1975, edited and transferred to 16mm in 1987.",0.6991,"\u002Fhvqjyazo4sIQ1eVIJd1WoU2E24O.jpg","5975fc5a92514157f7030a65",{"adult":4,"backdrop_path":38,"genre_ids":1230,"id":1231,"title":1232,"original_language":26,"original_title":1232,"overview":1233,"popularity":1234,"poster_path":1235,"release_date":1236,"softcore":4,"video":4,"vote_average":111,"vote_count":35,"credit_id":1237,"department":14,"job":463,"media_type":36},[],468236,"Globe","\"Flat image (of snowbound suburban housing tract) blossoms into 3D only when viewer places Eye Opener before the right eye. (Keeping both eyes open, of course. As with all stereo experiences, center seats are best. Space will deepen as one views further from the screen.) The found-sound is X-ratable (not for children or Nancy Reagan) but is important to the film's perfect balance (GLOBE is symmetrical) of divine and profane.. - K.J.",0.5626,"\u002F7TntseHdEjanxZZVZ5NsAyeyAeF.jpg","1969-01-01","5979f6edc3a3686831013924",{"adult":4,"backdrop_path":38,"genre_ids":1239,"id":1240,"title":1241,"original_language":26,"original_title":1241,"overview":1242,"popularity":1243,"poster_path":1244,"release_date":1245,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1246,"department":14,"job":463,"media_type":36},[],468618,"Lisa and Joey in Connecticut","Jacob's home movie portrait of Alfred Leslie and his family intercut with fragments of a Mickey Mouse cartoon.",0.616,"\u002FhS6WhZgmneJjuS5hkd1pxSbG45U.jpg","1965-07-23","597d2336c3a3685417008f62",{"adult":4,"backdrop_path":38,"genre_ids":1248,"id":1249,"title":1250,"original_language":26,"original_title":1250,"overview":1251,"popularity":1252,"poster_path":1253,"release_date":1254,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1255,"department":14,"job":463,"media_type":36},[],473472,"Looting For Rodney","Ken Jacobs film on Rodney King and the LA Riots utilizing Pulfrich 3-D, in which a single dark filter is placed before one eye.",0.4815,"\u002FiPkRk4MLgDc8FACWlYJjT2KaeYF.jpg","1995-08-31","59a8d70192514157ab022994",{"adult":4,"backdrop_path":38,"genre_ids":1257,"id":1258,"title":1259,"original_language":26,"original_title":1259,"overview":1260,"popularity":1261,"poster_path":1262,"release_date":1263,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1264,"department":14,"job":463,"media_type":36},[],473474,"New York Street Trolleys 1900","In this unique document, Jacobs demonstrates one of his live, multi-projection \"Nervous System\" film performances in real time. (The Nervous System performances feature a unique double-analysis projector set-up, deriving 3-D from standard 2-D film, most often with archival and other found footage.) Jacobs' own narration guides the viewer through his manipulations and performance strategies, revealing his cinematic shorthand in this brief improvisation on an archival film from 1900.",0.6596,"\u002F59o4nBVm0LbE5PtfHfE1eddroPf.jpg","1999-08-31","59a8d81bc3a3683c87021974",{"adult":4,"backdrop_path":38,"genre_ids":1266,"id":1267,"title":1268,"original_language":26,"original_title":1268,"overview":1269,"popularity":1270,"poster_path":38,"release_date":1271,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1272,"department":14,"job":463,"media_type":36},[],473483,"Elbow Dance","3D film by Ken Jacobs",0.4965,"2008-09-01","59a8e04e92514157ab023341",{"adult":4,"backdrop_path":38,"genre_ids":1274,"id":1275,"title":1276,"original_language":26,"original_title":1276,"overview":1277,"popularity":1278,"poster_path":1279,"release_date":1280,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1281,"department":14,"job":463,"media_type":36},[],473476,"The Scenic Route","\"One of the nice things about movies was you could keep them at a distance. Movies knew their place. We were dimensional, they were flat, so it was easy to know which was which. But THE SCENIC ROUTE seemingly spills from the screen, threatening demarcation lines everywhere.\"\r --EAI",0.5728,"\u002FgbsurSuHiwVqVKC4pOZVda3Con4.jpg","2008-08-31","59a8dac3c3a3683d0701d047",{"adult":4,"backdrop_path":38,"genre_ids":1283,"id":1284,"title":1285,"original_language":26,"original_title":1285,"overview":1286,"popularity":1287,"poster_path":1288,"release_date":1289,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1290,"department":14,"job":463,"media_type":36},[],473475,"The Sky Socialist","Ken Jacobs’s most elusive and mysterious film is at once an allegory of movie-making, a demonstration of 8mm versatility, and a celebration of a now vanished neighborhood beneath the Brooklyn Bridge.",0.5547,"\u002FqKT0pmB3lZjfYiQqwmmAwUjE7h0.jpg","1966-01-01","59a8d9c0c3a36874d500a5a5",{"adult":4,"backdrop_path":38,"genre_ids":1292,"id":1293,"title":1294,"original_language":26,"original_title":1294,"overview":1295,"popularity":1296,"poster_path":1297,"release_date":1298,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1299,"department":14,"job":463,"media_type":36},[],473479,"\"Slow is Beauty\"-Rodin","Anaglyph 3D film by Ken Jacobs based on a 1974 shadow play performance.",0.668,"\u002FfdWHrngd7pau0lTT48RTEYo1VyP.jpg","2009-09-01","59a8dd4e9251415808023a6b",{"adult":4,"backdrop_path":38,"genre_ids":1301,"id":1302,"title":1303,"original_language":26,"original_title":1303,"overview":1304,"popularity":1305,"poster_path":38,"release_date":1298,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1306,"department":14,"job":463,"media_type":36},[],473480,"Berkeley To San Francisco","Freeview 3D film by Ken Jacobs",0.7224,"59a8de60c3a3683d0701d347",{"adult":4,"backdrop_path":38,"genre_ids":1308,"id":1309,"title":1310,"original_language":26,"original_title":1310,"overview":1311,"popularity":1312,"poster_path":38,"release_date":1313,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1314,"department":14,"job":463,"media_type":36},[],473481,"Sensoriums at Sea: Dr. Toothy's New Entranceway","An anaglyph 3-D film by Ken Jacobs",0.6658,"2010-09-01","59a8df10c3a3683c87022016",{"adult":4,"backdrop_path":38,"genre_ids":1316,"id":1317,"title":1318,"original_language":26,"original_title":1318,"overview":1269,"popularity":1319,"poster_path":1320,"release_date":1313,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1321,"department":14,"job":463,"media_type":36},[],473484,"The Near-Collision",0.4553,"\u002FfysER613boMukOaiNQ04pxmnO1h.jpg","59a8e0d0c3a3683ce6020dd7",{"adult":4,"backdrop_path":38,"genre_ids":1323,"id":1324,"title":1325,"original_language":26,"original_title":1325,"overview":1326,"popularity":1327,"poster_path":38,"release_date":1313,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1328,"department":14,"job":463,"media_type":36},[],473482,"Sensoriums at Sea: Toothy Two","Sequel to Sensoriums at Sea: Dr. Toothy's New Entranceway",0.666,"59a8dfb292514157f60236fd",{"adult":4,"backdrop_path":38,"genre_ids":1330,"id":1331,"title":1332,"original_language":26,"original_title":1332,"overview":1333,"popularity":1334,"poster_path":1335,"release_date":1336,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1337,"department":14,"job":463,"media_type":36},[],473477,"Gift of Fire: Nineteen (Obscure) Frames That Changed The World","Originally presented as an installation in the exhibition Evolution 2007 at Lumen in Leeds, GIFT OF FIRE devotes fetishistic attention to what is probably the first film in history: Louis-Aimé-Augustin Le Prince’s 1888 footage of traffic crossing Leeds Bridge.",0.6549,"\u002F2hmVUCM7FciWJ4i1E3D9HTI2gU8.jpg","2007-09-01","59a8dbe29251415799022490",{"adult":4,"backdrop_path":38,"genre_ids":1339,"id":1340,"title":1341,"original_language":26,"original_title":1341,"overview":1342,"popularity":1343,"poster_path":1344,"release_date":1336,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1345,"department":14,"job":463,"media_type":36},[],473489,"Nymph","An Eternalism 3-D film by Ken Jacobs",0.4865,"\u002FqhlxyV74iwdsIRBt6IpIcuwVfkD.jpg","59a8e3d2c3a36874d500b077",{"adult":4,"backdrop_path":38,"genre_ids":1347,"id":1348,"title":1349,"original_language":26,"original_title":1349,"overview":1350,"popularity":1351,"poster_path":1352,"release_date":1353,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1354,"department":14,"job":463,"media_type":36},[],473486,"Pushcarts of Eternity Street","Eternalism 3-D film by Ken Jacobs",0.6398,"\u002Fbef76it9cAJV23pwpDeVO2IpbAY.jpg","2006-09-01","59a8e1edc3a3683c870222d2",{"adult":4,"backdrop_path":38,"genre_ids":1356,"id":1357,"title":1358,"original_language":26,"original_title":1358,"overview":1342,"popularity":1359,"poster_path":1360,"release_date":1336,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1361,"department":14,"job":463,"media_type":36},[],473488,"Hanky Panky January 1902",0.6421,"\u002FwMSHtzDRcdI729go7mpjnwMjbnW.jpg","59a8e36c92514157ab023694",{"adult":4,"backdrop_path":38,"genre_ids":1363,"id":1364,"title":1365,"original_language":26,"original_title":1365,"overview":1366,"popularity":1367,"poster_path":38,"release_date":1271,"softcore":4,"video":4,"vote_average":109,"vote_count":35,"credit_id":1368,"department":14,"job":463,"media_type":36},[],473491,"The Discovery","An Eternailsm 3-D film by Ken Jacobs",0.4537,"59a8e4b0925141579d0238ec",{"adult":4,"backdrop_path":38,"genre_ids":1370,"id":1371,"title":1372,"original_language":26,"original_title":1372,"overview":1373,"popularity":1374,"poster_path":1375,"release_date":1271,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1376,"department":14,"job":463,"media_type":36},[],473487,"Amorous Interludes: His Favorite Wife Improved (or The Virtue Of Bad Reception)","An installment of Ken Jacobs series Amorous Interludes",0.6203,"\u002FmzvGqA9tryX3Jvq6Z9AWxoV8rbv.jpg","59a8e2dac3a368767100b2ee",{"adult":4,"backdrop_path":38,"genre_ids":1378,"id":1379,"title":1380,"original_language":26,"original_title":1380,"overview":1381,"popularity":1382,"poster_path":38,"release_date":1313,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1383,"department":14,"job":463,"media_type":36},[],473494,"Fair And White: Parts I, II, III and Extra","“‘FAIR AND WHITE’ is the name of a line of beauty parlors in Paris largely catering to an African-French clientele. No-one apparently goes berserk seeing the signs. We were visiting Pip Chodorov in the Latin Quarter and found ourselves walking through a concentration of such establishments. I had my 3-D outfit, two small Vado video-cameras mounted side-by-side for the capture of stereo images. There is a law in France against photographing people without their expressed agreement, a decent law, right? And I broke it and I’ll break any such law that forbids memory, corpuscular or mechanical.” -Jacobs",0.4926,"59a8e6dec3a368767100b70b",{"adult":4,"backdrop_path":38,"genre_ids":1385,"id":1386,"title":1387,"original_language":26,"original_title":1387,"overview":1342,"popularity":1388,"poster_path":38,"release_date":1271,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1389,"department":14,"job":463,"media_type":36},[],473490,"Alone at Last",0.4907,"59a8e44bc3a3683c7a026b76",{"adult":4,"backdrop_path":38,"genre_ids":1391,"id":1392,"title":1393,"original_language":26,"original_title":1393,"overview":1342,"popularity":1394,"poster_path":1395,"release_date":1336,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1396,"department":14,"job":463,"media_type":36},[],473492,"We Are Charming",0.5022,"\u002FiFjWgzXycg9FGNPT8dv9Iguceh3.jpg","59a8e516c3a3683ccc024ddd",{"adult":4,"backdrop_path":38,"genre_ids":1398,"id":1399,"title":1400,"original_language":26,"original_title":1400,"overview":1401,"popularity":604,"poster_path":1402,"release_date":1298,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1403,"department":14,"job":463,"media_type":36},[],473493,"What Happened on 23rd Street in 1901","Ken Jacobs applies three-dimensional digital animation to a century-old film by Edwin S. Porter.","\u002FriEZ6nb59M39p9kC4qXYKsqv6B0.jpg","59a8e5b392514157f6023cd1",{"adult":4,"backdrop_path":38,"genre_ids":1405,"id":1406,"title":1407,"original_language":26,"original_title":1407,"overview":1408,"popularity":1343,"poster_path":1409,"release_date":1410,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1411,"department":14,"job":463,"media_type":36},[],1111089,"Other Urban Lives","Ken Jacobs applying a strobing effect to NYC trees.","\u002Fu0Jpup7QiXstofvCrdBcbZyE2yH.jpg","2023-04-09","643335b64539d000777dba87",{"adult":4,"backdrop_path":38,"genre_ids":1413,"id":1414,"title":1415,"original_language":26,"original_title":1415,"overview":1416,"popularity":1417,"poster_path":1418,"release_date":1410,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1419,"department":14,"job":463,"media_type":36},[],1111084,"From Introduction to Orson Welles’s Falstaff: Chimes at Midnight","A strobing deconstruction of Orson Welles' Chimes at Midnight.",0.8987,"\u002Ftoy6n49CjR65XOV9RpqPImA78lH.jpg","643334be4539d000777dba56",{"adult":4,"backdrop_path":38,"genre_ids":1421,"id":1422,"title":1423,"original_language":26,"original_title":1423,"overview":1424,"popularity":1425,"poster_path":1426,"release_date":1427,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1428,"department":14,"job":463,"media_type":36},[],481235,"The Whirled","Ken Jacobs writes: \"The first two sections were shot around Jack's loft on Reade Street on two 100' 16 mm rolls. Sunday morning, following Saturday's sacrifice, I saw there was another 50 feet left. In an impromptu way, very different from my initial fastidious art-film approach, I quickly filmed Jack on the roof alongside his loft. The results had us falling onto the floor and I would never be an art-film true-believer again. After years of shooting my raging epic STAR SPANGLED TO DEATH starring Jack as The Spirit Not of Life But of Living, and after a few months of being on the outs with each other, we got together -- summer of '61 in Provincetown -- for one last stab at friendship and the making of a film. In 1963, a snatch of Saturday Afternoon Blood Sacrifice was shown on TV. I had somehow been invited to participate in a TV quiz program called Back Your Hunch. (Or was it Hunch Your Back?)\"",0.521,"\u002FlKMEjIBynuWU2NfMal1oJTiNCXO.jpg","2003-01-01","59e272e192514163a000419c",{"adult":4,"backdrop_path":1430,"genre_ids":1431,"id":1433,"title":1434,"original_language":26,"original_title":1434,"overview":1435,"popularity":1436,"poster_path":1437,"release_date":1438,"softcore":4,"video":4,"vote_average":111,"vote_count":35,"credit_id":1439,"department":14,"job":463,"media_type":36},"\u002FnyByxZ6VdqaYXlBuoisreYt4WXu.jpg",[1432],16,501985,"For Life, Against the War","First shown on January 30, 1967, FOR LIFE AGAINST THE WAR was an open-call, collective statement from American independent filmmakers disparate in style and sensibility but united by their opposition to the Vietnam War. Part of the protest festival Week of the Angry Arts, the epic compilation film incorporated minute-long segments which were sent from many corners of the country, spliced together and projected. The original presentation of the works was more of an open forum with no curation or selection, and in 2000 Anthology Film Archives preserved a print featuring around 40 films from over 60 submissions.",1.1935,"\u002FpSfIOzvZacXS0NhEyHkmLgfEC2B.jpg","1967-01-30","5a70ec18c3a36847f401a590",{"adult":4,"backdrop_path":38,"genre_ids":1441,"id":1442,"title":1443,"original_language":26,"original_title":1443,"overview":1444,"popularity":1445,"poster_path":38,"release_date":1446,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1447,"department":14,"job":463,"media_type":36},[54],500363,"Get Up and Go","Description by Ken Jacobs:  Get Up and Go is a glimpse given dimension. No day is complete without a visit to Chinatown and on this day my movie camera caught a woman rising from a bench. That’s all (the obvious influence is James Joyce's Ulysses). Malcolm Goldstein’s violin takes us to the edge.",0.55,"2017-06-23","5a66c937c3a3680cfb005a0c",{"adult":4,"backdrop_path":38,"genre_ids":1449,"id":1450,"title":1451,"original_language":26,"original_title":1451,"overview":1452,"popularity":1453,"poster_path":1454,"release_date":1446,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1455,"department":14,"job":463,"media_type":36},[54],500364,"A Spin Through Night City","Description by Ken Jacobs:  A Spin Through Night City gets many visual elements spinning. Only daughter Nisi working at our computer knows how difficult it is to get both foreground—rain on the cab window—and background -the city streets—in focus at the same time. The picture we see is deep but the pictorial source remains a single plane.",0.6376,"\u002FqOqXN2Vny6rriVAP2618KwLUXNV.jpg","5a66ca11c3a3680d130056ac",{"adult":4,"backdrop_path":38,"genre_ids":1457,"id":1458,"title":1459,"original_language":26,"original_title":1459,"overview":1460,"popularity":1461,"poster_path":38,"release_date":1446,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1462,"department":14,"job":463,"media_type":36},[54],500365,"Along the Elevated","Description by Ken Jacobs:  Along the Elevated is an expanse of city architecture in delicious depth (depth is not only what things exist in, its ins and outs speak to us). We follow a speedy lunch wagon (fast food) until it turns in another direction. With such near-nothing incidents do I keep my mind off this wicked presidency.",0.5029,"5a66cac70e0a261951005a74",{"adult":4,"backdrop_path":38,"genre_ids":1464,"id":1465,"title":1466,"original_language":26,"original_title":1466,"overview":1467,"popularity":1468,"poster_path":1469,"release_date":1446,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1470,"department":14,"job":463,"media_type":36},[54],500360,"Shelley Duvall is Olive Oyl","Description by Ken Jacobs:  Shelley Duvall is Olive Oyl is the fourth in a series of shorts (Popeye Sees 3D; Pappy Sees 3D, Too; Sweepea’s Favorite Eternalisms. We’re crazy about both the  original Popeye and the Robert Altman film but the point in evoking the one-eyed sailor was to bring attention to single-eye depth perception. The Eternalism is my name for moving screen-images that not only appear in depth on 2D monitors but can continue in place with no start and no repeat point forever, defying time as we know it but also with their impossible depths available to even a single eye. Time’n’space time’n’space, transformed by cinema! The unthinkable available as the new electronic greeting card.",0.6296,"\u002FaAqzIO6rciApBxhysQezKdDdxUE.jpg","5a66c68cc3a3680cea004cae",{"adult":4,"backdrop_path":38,"genre_ids":1472,"id":1473,"title":1474,"original_language":26,"original_title":1474,"overview":1475,"popularity":1476,"poster_path":1477,"release_date":1478,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1479,"department":14,"job":463,"media_type":36},[],1125717,"Real Action Figures","Illusions of Depth in Flux",0.5563,"\u002FdObg14B7sbWIGy3FvemlF6U6Uty.jpg","2022-12-30","645d6cc8156cc7015e794a94",{"adult":4,"backdrop_path":38,"genre_ids":1481,"id":1482,"title":1483,"original_language":26,"original_title":1483,"overview":1484,"popularity":1485,"poster_path":1486,"release_date":642,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1487,"department":14,"job":463,"media_type":36},[],1125996,"Aspiring To Music","abstract short by Ken Jacobs",0.571,"\u002FotRbO8T34b1KCcr79nsD4t2esmm.jpg","645e408eaafebd00e39e8228",{"adult":4,"backdrop_path":38,"genre_ids":1489,"id":1490,"title":1491,"original_language":26,"original_title":1491,"overview":1492,"popularity":1493,"poster_path":1494,"release_date":1495,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1496,"department":14,"job":463,"media_type":36},[],516485,"The Roses","The Roses is a meditation on art, aging, and the nature of listening, as well a conversation between generations and between artists. The anaglyph 3-D video is based on a section in Henry Hills' Emma's Dilemma (1997-2012). Jacobs' The Roses takes \"Nervous Ken,\" the chapter of Hills' film in which Emma interviews Jacobs about his work, finances, and artistic goals, as a point of departure or invitation to conversation, staging an \"imitation\" of the scene in his studio.",0.5809,"\u002FzF9oJH6sPVpiqz4XFXrBNzyUHZ9.jpg","2011-04-05","5ac6d8ed92514162a201ae4e",{"adult":4,"backdrop_path":38,"genre_ids":1498,"id":1499,"title":1500,"original_language":26,"original_title":1500,"overview":1501,"popularity":1502,"poster_path":1503,"release_date":1504,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1505,"department":14,"job":463,"media_type":36},[],516482,"Street Vendor","Jacobs documents a New York street vendor, taking a short interaction between the vendor and a customer and protracting it into a strobing, throbbing, pulsing meditation on movement and light.",0.5142,"\u002F31zFACUPn7VIPsD5qZRB0Y9eQRk.jpg","2012-04-05","5ac6d57292514162ae01b1de",{"adult":4,"backdrop_path":38,"genre_ids":1507,"id":1508,"title":1509,"original_language":26,"original_title":1509,"overview":1510,"popularity":1511,"poster_path":1512,"release_date":1513,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1514,"department":14,"job":463,"media_type":36},[],1131541,"When Timofeev Moves Everything Moves","2022, 12:43, digital. Drawing by Victor Tomofeev, \"A Skater's City\"",0.5397,"\u002F81tdJXCX768lLc6cIy6NJB0VSTQ.jpg","2022-12-01","646fc676336e0100aae060b5",{"adult":4,"backdrop_path":38,"genre_ids":1516,"id":1517,"title":1518,"original_language":26,"original_title":1518,"overview":1519,"popularity":1520,"poster_path":1521,"release_date":402,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1522,"department":14,"job":463,"media_type":36},[],1131537,"Writhing City","2023, 25:34, digital",0.4797,"\u002FlFjsSoFRaigQTqwfyxuUreNiKjS.jpg","646fc3d1336e01012acf1a30",{"adult":4,"backdrop_path":38,"genre_ids":1524,"id":1525,"title":1526,"original_language":26,"original_title":1526,"overview":1527,"popularity":1528,"poster_path":1529,"release_date":1530,"softcore":4,"video":4,"vote_average":99,"vote_count":35,"credit_id":1531,"department":14,"job":463,"media_type":36},[],517685,"Circling Zero: Part One, We See Absence","Our daughter Nisi and son Aza happened to both be staying at our loft on Chambers Street when fundamentalist Islam struck. A friend observing the burning buildings from Brooklyn phoned to say, “Get out. It can fall on you.” But we were upstate until 9.15 when the city partially reopened to incoming traffic, so that my taping begins with our approach over the almost empty George Washington Bridge. It would be another 15 days before we were allowed to move back into our place. Our friend Lucia lent us her high-rise apartment, facing south with a dead-on view of smoking lower Manhattan. I kept taping, hours of street observations. Although I’ve given a title to this loose selection of materials it is not so much a work as sampling of the ongoing actuality. --Ken Jacobs",0.7087,"\u002F2kX1mT5OIjcQ8VKClKlXD6qkmkR.jpg","2002-04-11","5acec7510e0a267f9a031bcd",{"adult":4,"backdrop_path":608,"genre_ids":1533,"id":610,"title":611,"original_language":26,"original_title":611,"overview":612,"popularity":613,"poster_path":614,"release_date":615,"softcore":4,"video":4,"vote_average":616,"vote_count":97,"credit_id":1534,"department":450,"job":451,"media_type":36},[54],"648e9b92c3c89100ae51359d",{"adult":4,"backdrop_path":608,"genre_ids":1536,"id":610,"title":611,"original_language":26,"original_title":611,"overview":612,"popularity":613,"poster_path":614,"release_date":615,"softcore":4,"video":4,"vote_average":616,"vote_count":97,"credit_id":1537,"department":951,"job":952,"media_type":36},[54],"648e9b9dc3c89100eb32ec56",{"adult":4,"backdrop_path":38,"genre_ids":1539,"id":1540,"title":1541,"original_language":26,"original_title":1541,"overview":1542,"popularity":1543,"poster_path":1544,"release_date":723,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1545,"department":14,"job":463,"media_type":36},[],1326131,"The Sky Socialist: Flight","Ken Jacobs short film eventually incorporated into The Sky Socialist.",0.5372,"\u002Fk556fqEzlvaTv5TGTMQ9XnNiXuD.jpg","66b25e929cf97b292292c24b",{"adult":4,"backdrop_path":38,"genre_ids":1547,"id":1548,"title":1549,"original_language":26,"original_title":1549,"overview":1550,"popularity":1551,"poster_path":1552,"release_date":1553,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1554,"department":14,"job":463,"media_type":36},[],1329602,"Afternoon Tide","3D Polaroid\r *Note: Must be viewed on 3D monitor with polaroid glasses\r Duration: 9'\r Year: 2015\r Sound",0.4539,"\u002FwLKIidOaQ5mwD8L99Ubnh35DSl4.jpg","2015-08-06","66bc2b7ff19eb99957825671",{"adult":4,"backdrop_path":38,"genre_ids":1556,"id":1557,"title":1558,"original_language":26,"original_title":1558,"overview":1559,"popularity":1560,"poster_path":1561,"release_date":1562,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1563,"department":14,"job":463,"media_type":36},[],1329609,"Batchellor’s Dog and Beach","Anaglyph 3D short film by Ken Jacobs.",0.6381,"\u002FhnG3c6JPfSHCWYsPODVhRjPddtj.jpg","2015-08-07","66bc2e2276d79d8400215709",{"adult":4,"backdrop_path":38,"genre_ids":1565,"id":1566,"title":1567,"original_language":26,"original_title":1567,"overview":1568,"popularity":1569,"poster_path":1570,"release_date":1571,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1572,"department":14,"job":463,"media_type":36},[],1329607,"Mosco Street 2","Polaroid 3D short film by Ken Jacobs.",0.4866,"\u002F9gQhHqK3CHZ9NULtGtLR9sFwwPY.jpg","2016-08-10","66bc2ca4ec8b88f95ab554e8",{"adult":4,"backdrop_path":38,"genre_ids":1574,"id":1575,"title":1576,"original_language":26,"original_title":1576,"overview":1568,"popularity":1577,"poster_path":1578,"release_date":1571,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1579,"department":14,"job":463,"media_type":36},[],1329606,"Mosco Street 3: Attack of The Perfect Camera (Fuji W3)",0.6824,"\u002F7H6Bfyy8L6wpX9gyujs0LhP84lf.jpg","66bc2c3eba12f1502b080878",{"adult":4,"backdrop_path":38,"genre_ids":1581,"id":1582,"title":1583,"original_language":26,"original_title":1583,"overview":1584,"popularity":1585,"poster_path":1586,"release_date":1587,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1588,"department":14,"job":463,"media_type":36},[],1329608,"Empty Seats","3D Polaroid\r *Note: Must be viewed on 3D monitor with polaroid glasses\r Duration: 6'24\r Year: 2015\r Sound",0.5031,"\u002Fv15Z8SaT47E3hq0FICmc1n1xtWl.jpg","2015-10-20","66bc2d7aba24d81a220808bd",{"adult":4,"backdrop_path":38,"genre_ids":1590,"id":1591,"title":1592,"original_language":26,"original_title":1592,"overview":1593,"popularity":1594,"poster_path":1595,"release_date":1596,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1597,"department":14,"job":463,"media_type":36},[],576448,"Details of Pollock's White Light","Ken Jacobs applies his patented Eternalism process to 3D images he took of Jackson Pollock's 1954 splatter painting.",0.6334,"\u002FqG7ziAuJOJKMsZYEl2IQDE022si.jpg","2019-01-18","5c43d1629251412bffdcf59b",{"adult":4,"backdrop_path":38,"genre_ids":1599,"id":1600,"title":1601,"original_language":26,"original_title":1601,"overview":1602,"popularity":1603,"poster_path":1604,"release_date":1605,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1606,"department":14,"job":463,"media_type":36},[54],588877,"Joan Mitchell: Departures","\"Details of paintings by Joan Mitchell undergo Eternalizing. The process introduces emphatic flicker that helps create illusions of depth, even for a single eye. But flicker is not for everyone and should be avoided by those with unusual brain conditions.  Abstract-Expressionism was a way out of thinking of WWII and Mitchell was among the best of its practitioners. Paint is what happens in her work, inspired by nature but transfigured and with no obvious reference to objects. Her great range of paint applications, however, do invite the imagining of them in depth. Imagined in depth, yes but not the all-too-convincing illusion show here.\" - Ken Jacobs",0.497,"\u002FieAfWoOsh8ulqtAcndRCWtjGjMw.jpg","2019-05-23","5c8eb66a0e0a266237544d0e",{"adult":4,"backdrop_path":38,"genre_ids":1608,"id":1609,"title":1610,"original_language":26,"original_title":1610,"overview":1611,"popularity":1612,"poster_path":1613,"release_date":554,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1614,"department":14,"job":463,"media_type":36},[],588878,"Joys of Waiting for the Broadway Bus #1","\"Waiting, waiting, for a bus to carry us a mile downtown. We often give up and walk. When we commit ourselves to waiting the bus usually appears with a second bus, empty, trailing by a block. We assume the drivers feel free to stop and gab between rounds; not nice, but then the job is impossible and it’s understandable they need a break, some social activity. There’s a couple of stops we wait at a lot, after visiting with friend Max or returning at night from Anthology Film Archives. Worse for Flo than for me; I photograph. I dawdle in the streets in any case, photographing a compulsion since getting a 3D camera. And night is a great time for time-exposures, for distortions in 3D.\" - Ken Jacobs",0.5587,"\u002FnkacgbBjxqXPi0ABNnSKKbVw4BY.jpg","5c8eb8f10e0a2662375451aa",{"adult":4,"backdrop_path":38,"genre_ids":1616,"id":1617,"title":1618,"original_language":26,"original_title":1618,"overview":1619,"popularity":1620,"poster_path":38,"release_date":554,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1621,"department":14,"job":463,"media_type":36},[],588880,"Joys of Waiting for the Broadway Bus #4","\"Joys…began on the corner of Broadway and Spring but it was the next night waiting on Bleecker that it was understood a movie of sorts was underway, depicting a general waiting for the bus rather than one specific evening. Since acquiring a small 3-D camera I dawdle everywhere but prolonged bus-waits allow for a continuity of images, thus a movie. Computer-editing with Nisi Jacobs allowed further investigation, this time into digital 3-D itself.” - Ken Jacobs",0.617,"5c8eba6d9251410fe7a25139",{"adult":4,"backdrop_path":38,"genre_ids":1623,"id":1624,"title":1625,"original_language":26,"original_title":1625,"overview":1626,"popularity":1627,"poster_path":38,"release_date":554,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1628,"department":14,"job":463,"media_type":36},[],588879,"Joys of Waiting for the Broadway Bus #3","\"3D is rather a slighting way to speak of deep space. I enjoyed AVATAR and HUGO, though not much else among the movies I’ve seen in illusionary depth. They place things in depth but don’t go at depth as a realm to be investigated, toyed with; no mindbenders other than story. Cezanne, Cubism, never happened. This movie begins to play with possibility, with things only sometimes appearing real.\" - Ken Jacobs",0.5518,"5c8eb97cc3a36861194cbe0a",{"adult":4,"backdrop_path":38,"genre_ids":1630,"id":1631,"title":1632,"original_language":26,"original_title":1632,"overview":1633,"popularity":1634,"poster_path":38,"release_date":1635,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1636,"department":14,"job":463,"media_type":36},[],589055,"I'm Telling You","Features two old men talking on the Lower East Side; one loud mouth, the other bizarrely amiable, in 3D.",0.6601,"2016-01-10","5c8fed2d925141409fa1d542",{"adult":4,"backdrop_path":38,"genre_ids":1638,"id":1639,"title":1640,"original_language":26,"original_title":1640,"overview":1641,"popularity":1642,"poster_path":1643,"release_date":1635,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1644,"department":14,"job":463,"media_type":36},[],589056,"Hydroelectric Dam","A study in lunging waves, in 3D.",0.5137,"\u002Fv2hyht2HksQslLfeLzgEGwYzBuD.jpg","5c8fedcf0e0a261302593806",{"adult":4,"backdrop_path":38,"genre_ids":1646,"id":1647,"title":1648,"original_language":26,"original_title":1648,"overview":1649,"popularity":1650,"poster_path":1651,"release_date":1652,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1653,"department":14,"job":463,"media_type":36},[],589058,"The Lackadaisical Speed of Light","\"Hidden in a movie shot is an infinity of monsters. Pause and they show themselves (at their worst in 3D).\" - Ken Jacobs",0.6091,"\u002F6URHM8itHE8ymt7WayHZ7eSW5MT.jpg","2015-01-01","5c8fee439251410ff4a480be",{"adult":4,"backdrop_path":38,"genre_ids":1655,"id":1656,"title":1657,"original_language":26,"original_title":1657,"overview":1658,"popularity":1659,"poster_path":1660,"release_date":1661,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1662,"department":14,"job":463,"media_type":36},[],604300,"Once Upon a Planet","Ken and Flo Jacobs walk from an MTA bus to their apartment in the icy rain. This is transformed by a 360° camera and digital effects into an unforgettable trek on the actual  planet.",0.5762,"\u002FgI7jpSAJ5paRzPxYNm7EzCRonTX.jpg","2019-05-01","5ce70267925141479bbde5aa",{"adult":4,"backdrop_path":38,"genre_ids":1664,"id":1665,"title":1666,"original_language":26,"original_title":1666,"overview":1667,"popularity":1668,"poster_path":1669,"release_date":1670,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1671,"department":14,"job":463,"media_type":36},[],610292,"Above the Rain","Mountain ranges lighter than air.",0.4962,"\u002FfzICgN4K3QcLFoaYXZaBbCOvFv4.jpg","2019-06-20","5d0c85e30e0a264871caf5c4",{"adult":4,"backdrop_path":230,"genre_ids":1673,"id":232,"title":233,"original_language":26,"original_title":233,"overview":234,"popularity":235,"poster_path":236,"release_date":237,"softcore":4,"video":4,"vote_average":238,"vote_count":217,"credit_id":1674,"department":556,"job":944,"media_type":36},[54],"5d26bac2e786870055620345",{"adult":4,"backdrop_path":230,"genre_ids":1676,"id":232,"title":233,"original_language":26,"original_title":233,"overview":234,"popularity":235,"poster_path":236,"release_date":237,"softcore":4,"video":4,"vote_average":238,"vote_count":217,"credit_id":1677,"department":878,"job":879,"media_type":36},[54],"5d26bab5e7868700106203b7",{"adult":4,"backdrop_path":230,"genre_ids":1679,"id":232,"title":233,"original_language":26,"original_title":233,"overview":234,"popularity":235,"poster_path":236,"release_date":237,"softcore":4,"video":4,"vote_average":238,"vote_count":217,"credit_id":1680,"department":450,"job":451,"media_type":36},[54],"5d26bad15f6c4900105cd46e",{"adult":4,"backdrop_path":38,"genre_ids":1682,"id":1683,"title":1684,"original_language":26,"original_title":1684,"overview":1685,"popularity":1686,"poster_path":1687,"release_date":1688,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1689,"department":14,"job":463,"media_type":36},[],608890,"The Sky Socialist: The Environs","Fall into winter 1964, Urban Renewal forced us to move a few blocks to West of Broadway. Our Sky Socialist ‘set’ is still standing and I’m drawn back to document more. It’s old New York, a lot of history. And then it no longer stands, no more than my first home in the slums of Williamsburg just across the river.",0.645,"\u002FeYjWeA5hN2LkBvKCSeVWZXmV1bj.jpg","2019-06-15","5d04e0aa0e0a260b0ace6f1a",{"adult":4,"backdrop_path":1691,"genre_ids":1692,"id":1693,"title":1694,"original_language":26,"original_title":1694,"overview":1695,"popularity":1696,"poster_path":1697,"release_date":1698,"softcore":4,"video":4,"vote_average":109,"vote_count":10,"credit_id":1699,"department":14,"job":463,"media_type":36},"\u002Fja7d75pkq8YfZhDX1IAGMHrnX1C.jpg",[54],617573,"Jonas Mekas in Kodachrome Days","Using his trademark flicker method, Ken Jacobs pays homage to the oldest type of color film, Kodachrome (whose production was discontinued in 2009) and to Jonas Mekas, who managed to breathe life into Kodachrome.",0.9641,"\u002Fidersl5xt9IZQLoFAFvlVyFL6M7.jpg","2009-12-31","5d36184e6611b4000ff778e6",{"adult":4,"backdrop_path":1701,"genre_ids":1702,"id":1703,"title":1704,"original_language":26,"original_title":1704,"overview":1705,"popularity":1706,"poster_path":1707,"release_date":1708,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1709,"department":14,"job":463,"media_type":36},"\u002F4lhOoGpw9V6KX4fWo8HHkexV5AS.jpg",[54,1432],623387,"THE WHOLE SHEBANG","Black and white evokes nostalgia for The Great Depression. Things were so cheap, including lives. We see daredevils (desperate people) compete for money prizes. Baby prepares for WW2.  [Originally a 70mm projection-performance, 1982, by Ken and Flo Jacobs. From THRILLS AND CHILLS (Castle Films, c. 1930)].",0.573,"\u002FkKjwvI7qduJwXJ9XlmI8hWQdrUl.jpg","2019-09-15","5d551153e8131d576b895127",{"adult":4,"backdrop_path":38,"genre_ids":1711,"id":1712,"title":1713,"original_language":26,"original_title":1713,"overview":1714,"popularity":1715,"poster_path":1716,"release_date":1717,"softcore":4,"video":148,"vote_average":73,"vote_count":73,"credit_id":1718,"department":1719,"job":1720,"media_type":36},[],633676,"Monks of Cinema","...they slept outside in the Vermont night...",0.5896,"\u002FniXhBUy3zadzkmzJ73UmAjdHs6i.jpg","2006-11-01","5d89827b6c1e040029aaaff5","Camera","Camera Operator",{"adult":4,"backdrop_path":38,"genre_ids":1722,"id":1723,"title":1724,"original_language":26,"original_title":1724,"overview":1725,"popularity":146,"poster_path":1726,"release_date":1727,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1728,"department":14,"job":463,"media_type":36},[54],633756,"Things to Come","Jacobs’s hypnotic “3-D” adaptation of New York 1911, a long-forgotten Swedish documentary restored by MoMA in 2017, is representative of his current work.","\u002FgB9inow0ZSdUeNmDhhwLgFwu80G.jpg","2019-09-23","5d89c621c58acd000f2e468b",{"adult":4,"backdrop_path":38,"genre_ids":1730,"id":1731,"title":1732,"original_language":26,"original_title":1732,"overview":1733,"popularity":1734,"poster_path":1735,"release_date":1736,"softcore":4,"video":4,"vote_average":111,"vote_count":35,"credit_id":1737,"department":14,"job":463,"media_type":36},[],637932,"Chronometer","Music composition by Harrison Birtwistle, 1971 tape realized by Peter Zinovieff.\r Nervous Magic Lantern performance by Ken jacobs, 1990.",0.4931,"\u002FjoBB91ExXBMESuIeCRiqD1KU1ap.jpg","1990-10-08","5d9cefa04772150041026f11",{"adult":4,"backdrop_path":38,"genre_ids":1739,"id":1740,"title":1741,"original_language":26,"original_title":1741,"overview":1742,"popularity":1743,"poster_path":1744,"release_date":1745,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1746,"department":14,"job":463,"media_type":36},[],640418,"TV Plug","Short film by Ken Jacobs later included in his compilation The Whirled.",0.4328,"\u002F1Ui8f7JVDkHVM7d9MUO756SVdua.jpg","1963-05-05","5da9f9fdce6c4c0012b863d5",{"adult":4,"backdrop_path":38,"genre_ids":1748,"id":1749,"title":1750,"original_language":26,"original_title":1750,"overview":1751,"popularity":1752,"poster_path":1753,"release_date":1754,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1755,"department":14,"job":463,"media_type":36},[54,1432],645241,"Sebastian and Jonas Leaving the Party","\"My last image of Jonas.\"—Ken Jacobs",1.0754,"\u002FdrDm34oTVCWdfcYLIJjbn2whPrr.jpg","2019-11-03","5dc04c129d8939001530674b",{"adult":4,"backdrop_path":38,"genre_ids":1757,"id":1758,"title":1759,"original_language":26,"original_title":1759,"overview":1760,"popularity":1761,"poster_path":1762,"release_date":1763,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1764,"department":14,"job":463,"media_type":36},[],655332,"Bitemporal Vision: The Sea","'Blinking' 2D rendition of one of Ken Jacobs' Nervous System performances first presented in 1994.",0.6456,"\u002F3GaVgdoxYTZJDkwAVU9UrtMqKTl.jpg","1994-09-09","5df2752f839d93001649b1a5",{"adult":4,"backdrop_path":38,"genre_ids":1766,"id":1767,"title":1768,"original_language":26,"original_title":1768,"overview":1769,"popularity":1770,"poster_path":38,"release_date":1771,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1772,"department":14,"job":463,"media_type":36},[],662528,"We Stole Away","An unfinished 8mm film from 1964",0.5104,"1964-07-07","5e17b319c2f44b0014bf754a",{"adult":4,"backdrop_path":38,"genre_ids":1774,"id":1775,"title":1776,"original_language":26,"original_title":1776,"overview":1777,"popularity":1778,"poster_path":1779,"release_date":1780,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1781,"department":14,"job":463,"media_type":36},[],662527,"The Winter Footage","A film by Ken Jacobs made in 8mm",0.441,"\u002Fs9MK4dh0GzvExy2GO5WCpiO4wuv.jpg","1964-06-06","5e17b276cf4b8b0011826003",{"adult":4,"backdrop_path":38,"genre_ids":1783,"id":1784,"title":1785,"original_language":26,"original_title":1785,"overview":1786,"popularity":1787,"poster_path":38,"release_date":1788,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1789,"department":14,"job":463,"media_type":36},[],662533,"Winter Sky","An 8mm film by Ken Jacobs made after his 16mm camera was stolen",0.4606,"1964-05-05","5e17b48d0cb3350013060caa",{"adult":4,"backdrop_path":38,"genre_ids":1791,"id":1792,"title":1793,"original_language":26,"original_title":1793,"overview":1794,"popularity":1445,"poster_path":1795,"release_date":1796,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1797,"department":14,"job":463,"media_type":36},[],662526,"Artie and Marty Rosenblatt’s Baby Pictures","Existing home movie titled and placed into distribution by Jacobs without intervention.","\u002F1fEzeB2svPkfJr13OoLSeGlPWO6.jpg","1964-01-06","5e17b18a0cb335001306089b",{"adult":4,"backdrop_path":38,"genre_ids":1799,"id":1800,"title":1801,"original_language":26,"original_title":1801,"overview":1802,"popularity":1803,"poster_path":38,"release_date":1804,"softcore":4,"video":4,"vote_average":335,"vote_count":35,"credit_id":1805,"department":14,"job":463,"media_type":36},[],663098,"Changing Azazel","Home movie by Ken Jacobs. Black and white and silent.",0.5592,"1973-03-03","5e1abccae7c097001752a665",{"adult":4,"backdrop_path":38,"genre_ids":1807,"id":1808,"title":1809,"original_language":26,"original_title":1809,"overview":1810,"popularity":1811,"poster_path":1812,"release_date":1813,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1814,"department":14,"job":463,"media_type":36},[],663097,"Binghamton, My India","“The film said something necessary at the time: the numinous is everywhere, even upstate Rust Belt Binghamton. The light was perfect, students brilliant, America’s killing spree then in Vietnam distant.” -KJ",0.4664,"\u002F5eWA7MtHcSFUdTYc5boEQ3bnj9Q.jpg","1970-03-03","5e1abb5b3520e8001334d9cb",{"adult":4,"backdrop_path":38,"genre_ids":1816,"id":1817,"title":1818,"original_language":26,"original_title":1818,"overview":1819,"popularity":1820,"poster_path":1821,"release_date":1822,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1823,"department":14,"job":463,"media_type":36},[54,1432],663101,"Rubble","An Eternalism film.",0.523,"\u002FeO1nbiGPyiF5yIA1ZnFjo4EkxXj.jpg","2020-01-11","5e1abe06e7c0970013529d60",{"adult":4,"backdrop_path":38,"genre_ids":1825,"id":1826,"title":1827,"original_language":26,"original_title":1827,"overview":1828,"popularity":1829,"poster_path":1830,"release_date":1831,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1832,"department":14,"job":463,"media_type":36},[],664243,"Keeping an Eye on Stan","The late, legendary experimental filmmaker Stan Brakhage is the subject of this video portrait by his friends Ken Jacobs and Nisi Jacobs.The video closely documents Brakhage's last visit to New York, and captures scenes of his family life in Boulder, Colorado, affording a view of the artist that is at once candid and casual.",0.9704,"\u002FlhpswAtJHypuoJXuFENqQyOhDME.jpg","2003-03-03","5e1fea8e0cd4460015c718fa",{"adult":4,"backdrop_path":38,"genre_ids":1834,"id":1835,"title":1836,"original_language":26,"original_title":1836,"overview":1837,"popularity":1838,"poster_path":1839,"release_date":1840,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1841,"department":14,"job":463,"media_type":36},[],664249,"Bob Fleischner Dying","Ken Jacobs describes Bob Fleischner Dying: \"Bob allows his sick and fading image to be caught in stereo photography. A man of mystery, so banal in some ways, so unexpectedly 'on' when the situation demanded. The cameraman for Blonde Cobra and much beloved by the next generation of NY film-makers.\"",0.5046,"\u002FkJlXFJTdUmEtrTysJYGCZCJpCzE.jpg","2009-09-09","5e1fef47e004a60015981538",{"adult":4,"backdrop_path":38,"genre_ids":1843,"id":1844,"title":1845,"original_language":26,"original_title":1845,"overview":1846,"popularity":1847,"poster_path":1848,"release_date":1840,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1849,"department":14,"job":463,"media_type":36},[],664250,"Brain Operations","An homage to Op-Art, Brain Operations was inspired by an optical illusion produced by checkered tiles on the artist's bathroom floor. \"When editing 16mm film, I had reached for a strand and closed my hand on nothing,\" Jacobs explains. \"I had visually coupled similar-appearing frames, popping them forward in space. It was a life-changing moment...I'm staring down and the tiles come up almost to my nose.\" In this work, he opts for squares and diamonds—\"tilted squares\"—which produce the same chimera of depth, at the convergence of sightlines.",0.5434,"\u002FbisqMLQZKwkxU0QfKmJ0cIlOWBt.jpg","5e1fefbff04d0100170f1965",{"adult":4,"backdrop_path":38,"genre_ids":1851,"id":1852,"title":1853,"original_language":26,"original_title":1853,"overview":1854,"popularity":1855,"poster_path":38,"release_date":1856,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1857,"department":14,"job":463,"media_type":36},[],664259,"Molten Landscape","3D Eternalism film by Ken Jacobs",0.6124,"2016-06-06","5e1ff52a0102c900113b0cd5",{"adult":4,"backdrop_path":38,"genre_ids":1859,"id":1860,"title":1861,"original_language":26,"original_title":1861,"overview":1862,"popularity":1863,"poster_path":38,"release_date":1864,"softcore":4,"video":4,"vote_average":35,"vote_count":35,"credit_id":1865,"department":14,"job":463,"media_type":36},[],664274,"Titles","A film by Ken Jacobs in his Amorous Interludes series",0.5189,"2007-07-07","5e200161b3316b00130250ce",{"adult":4,"backdrop_path":38,"genre_ids":1867,"id":1868,"title":1869,"original_language":26,"original_title":1869,"overview":1870,"popularity":1871,"poster_path":1872,"release_date":1873,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1874,"department":14,"job":463,"media_type":36},[],664262,"Swee’pea’s Favorite Eternalisms","3D Eternalism by Ken Jacobs",0.6727,"\u002Fu46N7Cv3ZpqS4RbxlS3UrpTbvF8.jpg","2017-07-07","5e1ff6810102c900113b104a",{"adult":4,"backdrop_path":38,"genre_ids":1876,"id":1877,"title":1878,"original_language":26,"original_title":1878,"overview":1854,"popularity":1879,"poster_path":1880,"release_date":1881,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1882,"department":14,"job":463,"media_type":36},[],664264,"The Moments: Evening Boat Ride",0.5616,"\u002Fqd1TjQTgvp8oNgHtgAkIErjzmk6.jpg","2018-08-08","5e1ff78ae004a6001398123c",{"adult":4,"backdrop_path":38,"genre_ids":1884,"id":1885,"title":1886,"original_language":26,"original_title":1886,"overview":1887,"popularity":1888,"poster_path":38,"release_date":1864,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1889,"department":14,"job":463,"media_type":36},[],664263,"Mosco Street Rapture","3D eternalism by Ken Jacobs",0.501,"5e1ff716f04d0100150ebe2a",{"adult":4,"backdrop_path":38,"genre_ids":1891,"id":1892,"title":1893,"original_language":26,"original_title":1893,"overview":1894,"popularity":1895,"poster_path":38,"release_date":1896,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1897,"department":14,"job":463,"media_type":36},[],664269,"Zazie Learns About Money","Film by Ken Jacobs. Exists as both 2D and 3D Version",0.639,"2015-05-05","5e1ffc630cd4460017c74f39",{"adult":4,"backdrop_path":38,"genre_ids":1899,"id":1900,"title":1901,"original_language":26,"original_title":1901,"overview":1902,"popularity":1903,"poster_path":38,"release_date":1904,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1905,"department":14,"job":463,"media_type":36},[],664246,"Aimless Sightseeing, Seoul","A 3D film by Ken Jacobs",0.5027,"2015-04-04","5e1fedb40102c900113afa17",{"adult":4,"backdrop_path":38,"genre_ids":1907,"id":1908,"title":1909,"original_language":26,"original_title":1909,"overview":1910,"popularity":1911,"poster_path":38,"release_date":1912,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1913,"department":14,"job":463,"media_type":36},[54,1432],664253,"Hot Dogs At The Met","Using the same stereoscopic animation technique of Jacobs' recent works Capitalism: Slavery (2006) and Nymph (2007), which he calls \"a vigorous 3-D that can be seen without special spectacles and even by the one-eyed,\" Hot Dogs at the Met is a computer-generated composition of strobing, stereo snapshots from the 1970s. Unlike his other \"cameraless\" works, however, Hot Dogs is diaristic, subtly recalling 1960's Little Stabs at Happiness.",0.6566,"2009-08-09","5e1ff1410cd4460015c72d58",{"adult":4,"backdrop_path":38,"genre_ids":1915,"id":1916,"title":1917,"original_language":26,"original_title":1917,"overview":1918,"popularity":1919,"poster_path":1920,"release_date":1921,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1922,"department":14,"job":463,"media_type":36},[],664244,"Insistent Clamor","This work is derived from one of Jacobs' Nervous Magic Lantern performances, which are created with a hand-manipulated projector and use neither film nor video. Highly stroboscopic and hallucinatory, these kinetic performances result in otherworldly spaces and plays of near-abstraction and suggestive imagery. Insistent Clamor features an evocative musical score. This recent work highlights Jacobs' relentless experimentation with the very fabric of projected light.",0.4519,"\u002F6GStnLynLXIyNHNtgdgInu9lk3v.jpg","2005-05-05","5e1feb5f0cd4460013c6ef31",{"adult":4,"backdrop_path":38,"genre_ids":1924,"id":1925,"title":1926,"original_language":26,"original_title":1926,"overview":1927,"popularity":1928,"poster_path":1929,"release_date":1930,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1931,"department":14,"job":463,"media_type":36},[],664256,"Walkway","A still image of a palm-lined wooden walkway is edited together with mirror-images, close-ups, upside-down renderings, and smaller, framed versions to create strobe-like visuals that are cut together to increasingly frenetic effect. Jacobs contrasts a lush natural space with the alienating, chaotic, and yet seductively beautiful aesthetics of his editing, which flattens and abstracts the image. At once violent and hypnotic, Walkway continues Jacobs' investigations into the relationship between space, light, and the optical illusions made possible by the interaction between images and the human brain.",0.5186,"\u002F2zHzCZIZKGzkMKG65J0RDHyk7np.jpg","2009-10-10","5e1ff312b3316b0015027864",{"adult":4,"backdrop_path":38,"genre_ids":1933,"id":1934,"title":1935,"original_language":26,"original_title":1935,"overview":1936,"popularity":1937,"poster_path":38,"release_date":1864,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1938,"department":14,"job":463,"media_type":36},[],664261,"Popeye Sees 3-D, TOO","A film in the Popeye Series by Ken Jacobs",0.6349,"5e1ff61de004a60013981029",{"adult":4,"backdrop_path":38,"genre_ids":1940,"id":1941,"title":1942,"original_language":26,"original_title":1942,"overview":1943,"popularity":1944,"poster_path":38,"release_date":1945,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1946,"department":14,"job":463,"media_type":36},[],664238,"Naomi Is A Dream of Loveliness","Film portrait of Naomi Levine by Ken Jacobs",0.6903,"1965-05-05","5e1fe40e0102c900163b5922",{"adult":4,"backdrop_path":38,"genre_ids":1948,"id":1949,"title":1950,"original_language":26,"original_title":1950,"overview":1951,"popularity":1952,"poster_path":38,"release_date":1953,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1954,"department":14,"job":463,"media_type":36},[],664254,"Ronald Gonzales, Sculptor","Jacobs documents the work of artist Ronald Gonzalez in his Binghamton, NY home and studio space. Producing more of an abstract portrait than a documentary, Jacobs follows Gonzalez as he guides his camera through an expansive collection of eerie and affecting sculptures, figures made of found objects and animal bodies, beautifully manipulated scrap metal, or tangles of fur and string. The film is devoid of spoken word or sound other than the occasional roar of a train seen early in the piece or the resounding last words spoken by Gonzalez: \"Dear God, please bless me, Cindy, and Molly. Bring us health and happiness and luck. We need a lot of luck. And please send me all the objects I?\", at which point the film ends. Ronald, Gonzalez, Sculptor pairs this sparse soundtrack with Jacob's signature flicker effects to bring life to each of Gonzalez's sculptures, epitomizing and embodying the fusion of and communion between the two mediums.",0.5179,"2009-07-07","5e1ff1cef04d0100130f4129",{"adult":4,"backdrop_path":38,"genre_ids":1956,"id":1957,"title":1958,"original_language":26,"original_title":1958,"overview":1959,"popularity":1960,"poster_path":38,"release_date":1961,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1962,"department":14,"job":463,"media_type":36},[],664242,"Make Light On Film","Berlin documented by the US after WW2, recorded again in 1986 by Flo and Ken feigning innocence when passing by elevated train between Capitalist showroom and Communist austerity. One roll of film is blank, evidence of East Berlin guards commanding the film be unloaded onto the station platform. KJ narrates. With the use of a single dark (Pulfrich) filter.",0.6637,"1995-05-05","5e1fe9cbb3316b0015026880",{"adult":4,"backdrop_path":38,"genre_ids":1964,"id":1965,"title":1966,"original_language":26,"original_title":1966,"overview":1854,"popularity":1967,"poster_path":38,"release_date":1856,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1968,"department":14,"job":463,"media_type":36},[],664258,"Lurking",0.6259,"5e1ff4c2e004a600159823e3",{"adult":4,"backdrop_path":38,"genre_ids":1970,"id":1971,"title":1972,"original_language":26,"original_title":1972,"overview":1973,"popularity":1974,"poster_path":38,"release_date":1975,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1976,"department":14,"job":463,"media_type":36},[],664241,"The Alps and The Jews","An unfinished 3D film using the Pulfrich filter. \"We travel by train through the mountains of central and northern Italy, 3-D country; the Alps, there are a lot of them. Some great numbers accompany: \"Smoke Gets In Your Eyes\".,, \"Beyond The Blue Horizon\",,. but, also, spastic animations derived from caricatures of Jews, the rabid inkings of centuries, Over the mountains and through the ages.\" --Ken Jacobs",0.5933,"1986-06-06","5e1fe8a60102c900133b5073",{"adult":4,"backdrop_path":38,"genre_ids":1978,"id":1979,"title":1980,"original_language":26,"original_title":1980,"overview":1981,"popularity":1982,"poster_path":1983,"release_date":1921,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"credit_id":1984,"department":14,"job":463,"media_type":36},[],664245,"Le Prince: Leeds Bridge 1888","Writes Ken Jacobs: \"Louis-Aimé-Augustin Le Prince was the first person to create, in 1885, a single recording apparatus that photographed images in quick succession on George Eastman's new paper roll film. Le Prince applied for patents but the fix was in, leaving Edison and the Lumière Brothers to profit from his invention. He vanished under mysterious circumstances in 1890. Well, that's business, but I'm sure personal malice was not involved. In 1888 he made a number of short recordings. Here we see Leeds Bridge on a day like any other, its foot and carriage traffic as portentous or as casual as the crisscrossings of the stars. 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