[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F930706:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":7,"gender":8,"homepage":9,"id":10,"imdb_id":11,"known_for_department":12,"name":13,"place_of_birth":14,"popularity":15,"profile_path":16,"combined_credits":17,"images":392},false,[],"Rodney Ascher is a filmmaker whose feature debut, the ‘subjective documentary' ROOM 237 (IFC) looked at Stanley Kubrick’s The Shining through the eyes of five very different people, each obsessed with solving its countless mysteries. The film premiered at Sundance in 2012 before screening at festivals around the world including Cannes, London, the Vienalle, Sitges, Toronto, and New York. 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Presented as the commentary track of a rushed reissue of a forgotten (but 100% genuine) Frankenstein film's DVD (because of unspecified 'recent events'), this project transforms the film into an entirely new, very human horror story. Featuring Clu Gulager as the director of the 1977 original who is happily exploiting the unmentioned tragedy linked to the film, the recording session unravels a mystery as he clashes with the screenwriter (Zack Brown) and, ultimately, its star (Leon Vitali from Stanley Kubrick's Eyes Wide Shut and Barry Lyndon, playing himself.) 'Terror of Frankenstein' is Mystery Science Theater 3000 by way of Sartre, an icy satire of the monsters onscreen, behind the camera, and in the audience.",1.2555,"2015-05-01","559a13edc3a3685f1f002ca8","Producer",{"adult":4,"backdrop_path":7,"genre_ids":213,"id":205,"title":206,"original_language":24,"original_title":206,"overview":207,"popularity":208,"poster_path":7,"release_date":209,"softcore":4,"video":4,"vote_average":56,"vote_count":45,"credit_id":214,"department":83,"job":84,"media_type":31},[203,204,49],"559a13bcc3a3685e9b0030dd",{"adult":4,"backdrop_path":216,"genre_ids":217,"id":218,"title":219,"original_language":24,"original_title":219,"overview":220,"popularity":221,"poster_path":222,"release_date":223,"softcore":4,"video":4,"vote_average":56,"vote_count":45,"credit_id":224,"department":225,"job":226,"media_type":31},"\u002FzE5UHMP2PXmaEHyOCmcdzTI30fT.jpg",[21],175623,"The Universal Language","The Universal Language is a new documentary from Academy Award-nominated director Sam Green (The Weather Underground). This 30-minute film traces the history of Esperanto, an artificial language that was created in the late 1800s by a Polish eye doctor who believed that if everyone in the world spoke a common tongue, humanity could overcome racism and war. Fittingly, the word “Esperanto” means “one who hopes.”  During the early 20th century, hundreds of thousands of people around the world spoke Esperanto and believed in its ideals. Today, surprisingly, a vibrant Esperanto movement still exists. In this first-ever documentary about Esperanto, Green creates a portrait of the language and those who speak it today that is at once humorous, poignant, stirring, and ultimately hopeful.",0.7429,"\u002Fw2kv5QFhiPCdBw5fjYMKrVaNdx6.jpg","2011-10-10","61a9cf88d2f5b50097044b78","Art","Graphic Designer",{"adult":4,"backdrop_path":228,"genre_ids":229,"id":230,"title":231,"original_language":24,"original_title":231,"overview":232,"popularity":233,"poster_path":234,"release_date":235,"softcore":4,"video":4,"vote_average":236,"vote_count":237,"credit_id":238,"department":78,"job":79,"media_type":31},"\u002FhPY11YZci4JLbviU26UjyGqYOog.jpg",[49,42],1258280,"Delicate Arch","Four young friends with fracturing relationships take a camping trip to Southern Utah in order to escape an ecological disaster up North.  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SWANS has always been a collection of singular performers, but there's been one constant since its formation in 1982--singer, songwriter Michael Gira. 'Where Does a Body End?' is a SWANS documentary with unfettered access to hundreds of hours of Gira\u002FSWANS archives of never-seen-before recordings, videos, and photographs. 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