[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F90694:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":8,"birthday":9,"deathday":10,"gender":11,"homepage":12,"id":13,"imdb_id":14,"known_for_department":15,"name":16,"place_of_birth":17,"popularity":18,"profile_path":19,"combined_credits":20,"images":398},false,[6,7],"질로 폰테코르보","جيلو بونتيكورفو","Gillo Pontecorvo, born November 19, 1919 in Pisa and died October 12, 2006 in Rome, is an Italian filmmaker. Of Italian Jewish origin, Gillou Pontecorvo is the brother of Bruno Pontecorvo, a nuclear physicist working for the USSR, and Guido Pontecorvo, an Italian-British geneticist, as well as the grandson of the Jewish industrialist Pellegrino Pontecorvo. He has three sons: Marco (cinematographer and director), Simone (painter) and Ludovico (physicist).\n\nA chemist by training, he quickly turned to journalism and became correspondent in Paris for several Italian publications. In 1941, he joined the Italian Communist Party (PCI), and participated in anti-fascist activities in northern Italy. After the Soviet repression of the Budapest uprising in 1956, he broke with the PCI, while continuing to claim Marxism. He started in cinema after the Second World War as assistant to Yves Allégret1 and Mario Monicelli in particular. From 1953, he produced his first documentary essays (Giovanna, MM, 1956). In 1956, he contributed to an episode of Die Windrose, supervised by Alberto Cavalcanti.\n\nThe following year, he directed his first feature film, A Called Squarcio (La grande strada azzurra, produced by Maleno Malenotti, based on a novel by Franco Solinas). Then he describes the concentration camp world in the film Kapò (1960), the story of a Jewish woman who becomes an auxiliary of the Nazis. The film was nominated for an Oscar for best foreign language film in 1961. It gave rise to a famous controversy over the \"Kapò tracking shot\", which Jacques Rivette had deemed unworthy in an article in Cahiers du cinéma entitled \"De l' abjection.” In 1966, he directed his most important film, The Battle of Algiers (La Battaglia di Algeri), a reconstruction of the police action of the French army during the Battle of Algiers which was a fundamental episode of the war. from Algeria. This film was awarded the Golden Lion at the Venice Festival, but remained banned in France for a long time and its exploitation caused a lot of uproar linked to the scenes of torture committed by the French army. In Queimada (1969), dominated by the interpretation of Marlon Brando, he once again attacks colonialism, with an evocation of the Haitian revolution at the beginning of the 19th century. Faced with the commercial failure of Queimada, Pontecorvo stopped making films. He still directed a secondary film, Operation Ogre (Ogro, 1979), on the assassination of Luis Carrero Blanco by ETA during Francoism, and collaborated on the film L'addio a Enrico Berlinguer (1984).\n\nIn 1992, he was appointed director of the Venice Film Festival. In 1993, during the 50th edition of the Mostra, Pontecorvo presented Steven Spielberg with an honorary Golden Lion, at the time of the release of Schindler's List. He died on October 12, 2006, at the age of 86, in Rome, Italy.","1919-11-19","2006-10-12",2,"https:\u002F\u002Fwww.spla.pro\u002Ffr\u002Ffiche.personnes.spla.5800.html",90694,"nm0690597","Directing","Gillo Pontecorvo","Pisa, Italy",0.8945,"\u002FiRwLtl4aRdZMsfwGBUMbgELsDG6.jpg",{"cast":21,"crew":192},[22,38,52,68,80,93,106,116,127,140,156,167,182],{"adult":4,"backdrop_path":23,"genre_ids":24,"id":26,"title":27,"original_language":28,"original_title":27,"overview":29,"popularity":30,"poster_path":31,"release_date":32,"softcore":4,"video":4,"vote_average":33,"vote_count":34,"character":35,"credit_id":36,"order":34,"media_type":37},null,[25],99,141561,"Pontecorvo: The Dictatorship of Truth","en","Presented by the late literary critic Edward Said, this thirty-seven minute 1992 documentary reflects on director Gillo Pontecorvo's youth and politics in an attempt to understand his approach to filmmaking.",0.8054,"\u002F2es6F6wzdZLuefK9JgDoSI9nqMD.jpg","1992-05-05",6,4,"Self","52fe4ab99251416c750ebe3f","movie",{"adult":4,"backdrop_path":39,"genre_ids":40,"id":41,"title":42,"original_language":43,"original_title":42,"overview":44,"popularity":45,"poster_path":46,"release_date":47,"softcore":4,"video":4,"vote_average":48,"vote_count":49,"character":35,"credit_id":50,"order":51,"media_type":37},"\u002F3bS6kI87azeL3jH59JXayasY1vR.jpg",[25],141562,"Marxist Poetry: The Making of The Battle of Algiers","it","To commemorate the fiftieth anniversary of THE BATTLE OF ALGIERS, we revisited our edit of the film and interviews with director Gillo Pontecorvo and producer Saadi Yacef, who discuss the process of representing Algeria's struggle for independence and the challenges of presenting a balanced view of the conflict.",1.6987,"\u002F6gHpQ8bRvcgMLb5566aLM86Ttbk.jpg","2004-08-01",7.2,5,"52fe4aba9251416c750ebe87",0,{"adult":4,"backdrop_path":53,"genre_ids":54,"id":57,"title":58,"original_language":43,"original_title":59,"overview":60,"popularity":61,"poster_path":62,"release_date":63,"softcore":4,"video":4,"vote_average":64,"vote_count":65,"character":66,"credit_id":67,"order":65,"media_type":37},"\u002F29ysTA3066CAi9RGV2ZjIpq0Zhk.jpg",[55,56],18,10752,156139,"Outcry","Il Sole sorge ancora","A neorealist tribute to the Italian resistance fighters of World War II.",1.5067,"\u002FwuJCAyxErkavH6CijAo7LMlD8Kh.jpg","1946-11-06",6.7,8,"Pietro","52fe4b959251416c910df4b5",{"adult":4,"backdrop_path":23,"genre_ids":69,"id":70,"title":71,"original_language":28,"original_title":72,"overview":73,"popularity":74,"poster_path":75,"release_date":76,"softcore":4,"video":4,"vote_average":49,"vote_count":77,"character":78,"credit_id":79,"order":51,"media_type":37},[25],275388,"Return to Algiers","Ritorno ad Algeri","Gillo Pontecorvo, who directed the insurrectionary classic The Battle of Algiers in 1966, returns to the city of Algiers to view the progress Algeria has made - for better or worse - since the departure of the French colonialist forces thirty years earlier.",1.2989,"\u002Fp7FBpBuT75bReflmpodshFY6Fs5.jpg","1992-05-13",3,"Himself","539760bb0e0a266dbf009f69",{"adult":4,"backdrop_path":81,"genre_ids":82,"id":83,"title":84,"original_language":43,"original_title":85,"overview":86,"popularity":87,"poster_path":88,"release_date":89,"softcore":4,"video":4,"vote_average":64,"vote_count":90,"character":35,"credit_id":91,"order":92,"media_type":37},"\u002Fd6CAYsTcRgdp0d91VJbv8O0V6Nh.jpg",[25],305415,"Elio Petri: Notes About a Filmmaker","Elio Petri... appunti su un autore","A documentary on the director’s career, featuring interviews with friends, collaborators, and filmmakers.",1.4044,"\u002Fcy6FzqhbtyvypRb5K7UoLkCrHUB.jpg","2005-09-03",9,"547086a692514112ee0046e1",1,{"adult":4,"backdrop_path":94,"genre_ids":95,"id":96,"title":97,"original_language":98,"original_title":97,"overview":99,"popularity":100,"poster_path":101,"release_date":102,"softcore":4,"video":4,"vote_average":103,"vote_count":92,"character":104,"credit_id":105,"order":51,"media_type":37},"\u002FrwBWhNv2pRay8lv41KDd8ao04Qm.jpg",[25],1244597,"La Bataille d'Alger, l'empreinte","fr","Cheikh Djemaï looks back on the genesis of Gillo Pontecorvo’s feature film, The Battle of Algiers (1965). Through archive images, extracts from the film and interviews with personalities, the filmmaker retraces the journey of a major work - from the events of the Algiers Casbah (1956-1957) to the presentation of the Lion of 'Or causing the anger of the French delegation in Venice - which left its mark as much in the history of cinema as in that of Algeria.",1.4813,"\u002Fj9bWdGrKJIFgBEMZFKHoARH5rua.jpg","2018-01-01",10,"Self (archive footage)","65cbf8e4ad50f0017bec3e17",{"adult":4,"backdrop_path":107,"genre_ids":108,"id":109,"title":110,"original_language":28,"original_title":110,"overview":111,"popularity":112,"poster_path":113,"release_date":47,"softcore":4,"video":4,"vote_average":103,"vote_count":92,"character":35,"credit_id":114,"order":115,"media_type":37},"\u002FjzWrAcwZoQnL2B4t4k1rZG530sV.jpg",[25],859936,"Five Directors On The Battle of Algiers","This 17-minute documentary is featured on the 3-Disc Criterion Collection DVD of The Battle of Algiers (1966), released in 2004. An in-depth look at the Battle of Algiers through the eyes of five established and accomplished filmmakers; Spike Lee, Steven Soderbergh, Oliver Stone, Julian Schnabel and Mira Nair. They discuss how the shots, cinematography, set design, sound and editing directly influenced their own work and how the film's sequences look incredibly realistic, despite the claim that everything in the film was staged .",1.3572,"\u002FhlxewWQaGTCTTnnlL5HQ5hHVeXE.jpg","65d0fe3b41eee101630839fe",7,{"adult":4,"backdrop_path":117,"genre_ids":118,"id":119,"title":120,"original_language":43,"original_title":121,"overview":122,"popularity":123,"poster_path":124,"release_date":125,"softcore":4,"video":4,"vote_average":103,"vote_count":92,"character":35,"credit_id":126,"order":51,"media_type":37},"\u002Fx6NbDqRswn8mzD4KVOTC82vNRVe.jpg",[25],1127495,"Gillo of Ladies and Knights, of Loves and Arms","Gillo: Le donne, i cavalier, l'armi, gli amori","Pontecorvo is one of those Italian filmmakers marked for life by neorealism. He declares that he decided to do cinema after leaving a screening of \"Paisa\" by Roberto Rossellini. The future filmmaker was then in Paris, a year after a war during which he became one of the main figures of the Italian resistance and one of the founders of the Youth Front. Leaving his status as a war hero behind him, Pontecorvo made his directorial debut with \"Giovanna\", a short film heralding a cinematic career dedicated to what he himself calls the \"dictatorship of truth.\"",1.0782,"\u002FymzftyJlV5rkon1biSpArpeVh9g.jpg","2007-10-11","65cc97f44a0b190147cde0ba",{"adult":4,"backdrop_path":128,"genre_ids":129,"id":130,"title":131,"original_language":43,"original_title":132,"overview":133,"popularity":134,"poster_path":135,"release_date":136,"softcore":4,"video":4,"vote_average":137,"vote_count":77,"character":35,"credit_id":138,"order":139,"media_type":37},"\u002F4EYRhu0UPTfKMVqFagWlJdY2Zsd.jpg",[25],336878,"Farewell to Enrico Berlinguer","L'addio a Enrico Berlinguer","A film of Enrico Berlinguer's funeral in Rome, briefly tracing his career as leader of the Italian Communist Party.",1.3756,"\u002FpjZ6N2y1yM41EJuJrp0Zc0LbDp3.jpg","1984-09-08",6.5,"65fcc81e197de40163149e04",29,{"adult":4,"backdrop_path":141,"genre_ids":142,"id":145,"title":146,"original_language":28,"original_title":146,"overview":147,"popularity":148,"poster_path":149,"release_date":150,"softcore":4,"video":4,"vote_average":151,"vote_count":152,"character":153,"credit_id":154,"order":155,"media_type":37},"\u002FrNxqquM6jUrm9rIBGtHc2NevC7y.jpg",[143,144],35,10751,16299,"The Stupids","An incredibly dull-witted family unknowingly stumble upon an illegal weapons deal while on the trail of their \"stolen\" garbage.",3.0473,"\u002FuR0EPkE66y2DU21NOZAu6xtfpQL.jpg","1996-08-08",4.8,92,"Talk show guest","58626c75c3a3681a7d03c312",13,{"adult":4,"backdrop_path":157,"genre_ids":158,"id":159,"title":160,"original_language":43,"original_title":160,"overview":161,"popularity":162,"poster_path":163,"release_date":164,"softcore":4,"video":4,"vote_average":51,"vote_count":51,"character":161,"credit_id":165,"order":166,"media_type":37},"\u002FwIrJFSsz19qXP61jVl10XEdxpQd.jpg",[25],1339928,"Franco Cristaldi e il suo cinema Paradiso","",1.107,"\u002FvzdMQzNpT0DoDcqffxyDIe6juRV.jpg","2009-09-16","66ceeeca5cddcbcd78bd833a",11,{"adult":4,"backdrop_path":168,"genre_ids":169,"id":170,"title":171,"original_language":43,"original_title":172,"overview":173,"popularity":174,"poster_path":175,"release_date":176,"softcore":4,"video":4,"vote_average":177,"vote_count":178,"character":179,"credit_id":180,"order":181,"media_type":37},"\u002F36TDy77RvpQ95VS3sHuSc0KnFsw.jpg",[55],114428,"The Wide Blue Road","La grande strada azzurra","Squarciò, a fisherman, lives with his family on a small island off the Dalmatian coast of Italy. Like his fellow villagers, Squarciò struggles against harsh living conditions, a scarcity of fish in nearby waters and exploitation by the local wholesaler. But while the other fishermen continue to use nets, he goes out to the open sea to fish illegally with bombs. But Squarciò borrows money, loses his boat, and in a moment of supreme desperation, has to bomb directly off-shore, causing the hatred and rejection of his fellow fishermen. Trying to save his family, Squarciò and his young sons sail their new boat out beyond the local waters and bomb-fish again. But this time, the sea exacts a terrible toll…",1.7499,"\u002FhMsVXoW72jZarVZZHEIFzeaEWZ7.jpg","1957-11-22",6.2,14,"(uncredited)","5c7b9c89925141634c49b906",16,{"adult":4,"backdrop_path":23,"genre_ids":183,"id":185,"title":186,"original_language":98,"original_title":186,"overview":187,"popularity":188,"poster_path":23,"release_date":189,"softcore":4,"video":4,"vote_average":65,"vote_count":92,"character":35,"credit_id":190,"order":191,"media_type":37},[25,184],10770,1359826,"Homo Cinematographicus","Homo Cinematographicus is a human species whose unit of measurement and point of reference is the cinema and its derivative, television. Filmed at the 1998 Cannes Film Festival, the film offers an unspecified number of statements, talking about memories and a thousand fragments of stories, titles and film scenes, the warp of a gigantic collective Chanson de geste.",1.4338,"1998-06-01","66ef76fc4a7f0b18b02632ce",22,[193,198,208,212,226,241,244,257,262,275,287,290,293,306,318,321,332,341,350,364,367,370,378,387,394],{"adult":4,"backdrop_path":168,"genre_ids":194,"id":170,"title":171,"original_language":43,"original_title":172,"overview":173,"popularity":174,"poster_path":175,"release_date":176,"softcore":4,"video":4,"vote_average":177,"vote_count":178,"credit_id":195,"department":196,"job":197,"media_type":37},[55],"6052c3ae447f9c002919b76f","Writing","Screenplay",{"adult":4,"backdrop_path":23,"genre_ids":199,"id":200,"title":201,"original_language":43,"original_title":201,"overview":202,"popularity":203,"poster_path":204,"release_date":205,"softcore":4,"video":4,"vote_average":115,"vote_count":11,"credit_id":206,"department":15,"job":207,"media_type":37},[55],950700,"Giovanna","This short is set in the early 1950s in a small textile factory in central Italy (Prato). Giovanna and her fellow female workers decide to enact a protest against the direction of the factory's dismissal plan, by occupying the factory and continuing to work until the proprietor cancels the dismissals. None of these women can really afford to lose their jobs, as it is the only income in the family. All workers receive moral and material support from their families, apart from Giovanna, who bravely endures her husband's disapproval. Almost all the women hold out for thirty-five days in spite of the proprietor's attempts to break their resistance. At first he blocks the road to the factory, then he cuts off electric power to increase their isolation; finally, he tries to convince them to accept the dismissal of at least a smaller number of them. But the women overcome these obstacles, determined to resist...",0.7131,"\u002Fq5QljoQT7pAdC1xVQCl7h0p6ViF.jpg","1955-01-01","6234892553866e001eb25809","Director",{"adult":4,"backdrop_path":23,"genre_ids":209,"id":200,"title":201,"original_language":43,"original_title":201,"overview":202,"popularity":203,"poster_path":204,"release_date":205,"softcore":4,"video":4,"vote_average":115,"vote_count":11,"credit_id":210,"department":196,"job":211,"media_type":37},[55],"62348932db4ed6001bf7e0f8","Writer",{"adult":4,"backdrop_path":213,"genre_ids":214,"id":216,"title":217,"original_language":43,"original_title":218,"overview":219,"popularity":220,"poster_path":221,"release_date":222,"softcore":4,"video":4,"vote_average":223,"vote_count":224,"credit_id":225,"department":15,"job":207,"media_type":37},"\u002Fzm5UNWMCJGGLEZzuGVoLDdM8Q1b.jpg",[215,55,56],36,42617,"Burn!","Queimada","The professional mercenary Sir William Walker instigates a slave revolt on the Caribbean island of Queimada in order to help improve the British sugar trade. Years later he is sent again to deal with the same rebels that he built up because they have seized too much power that now threatens British sugar interests.",3.2012,"\u002F4acIkXLazbf8LzduL9kj5f7q65q.jpg","1969-12-21",6.8,140,"52fe460dc3a36847f80e998d",{"adult":4,"backdrop_path":227,"genre_ids":228,"id":230,"title":231,"original_language":232,"original_title":233,"overview":234,"popularity":235,"poster_path":236,"release_date":237,"softcore":4,"video":4,"vote_average":238,"vote_count":239,"credit_id":240,"department":15,"job":207,"media_type":37},"\u002FsDhDeXl6si50rJuSjkNKklrzp1M.jpg",[55,215,229],53,64834,"Operation Ogre","es","Operación Ogro","Spain, 1973. Dictator Francisco Franco has ruled the country since 1939 with an iron fist; but he is now a very old and sick man. The future of the weakened regime is in danger. Admiral Carrero Blanco is his natural successor. The Basque terrorist gang ETA decides that he must die to prevent the dictatorship from continuing.",2.5366,"\u002FiqxC1i7nnCPZM9icd2WeMV0Bpgs.jpg","1979-09-28",6.922,51,"52fe46ecc3a368484e0ab693",{"adult":4,"backdrop_path":227,"genre_ids":242,"id":230,"title":231,"original_language":232,"original_title":233,"overview":234,"popularity":235,"poster_path":236,"release_date":237,"softcore":4,"video":4,"vote_average":238,"vote_count":239,"credit_id":243,"department":196,"job":197,"media_type":37},[55,215,229],"52fe46ecc3a368484e0ab6ab",{"adult":4,"backdrop_path":245,"genre_ids":246,"id":247,"title":248,"original_language":43,"original_title":249,"overview":250,"popularity":251,"poster_path":252,"release_date":253,"softcore":4,"video":4,"vote_average":254,"vote_count":255,"credit_id":256,"department":15,"job":207,"media_type":37},"\u002Fze7GsNSv418o7pzqc9fb00LWWDk.jpg",[55,56,215],17295,"The Battle of Algiers","La battaglia di Algeri","Former petty criminal Ali la Pointe becomes a commander of the Algerian Front de Liberation Nationale, directing a guerilla insurgency against the colonial French occupation. 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