[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F83281:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":8,"birthday":9,"deathday":10,"gender":11,"homepage":10,"id":12,"imdb_id":13,"known_for_department":14,"name":15,"place_of_birth":16,"popularity":17,"profile_path":18,"combined_credits":19,"images":269},false,[6,7],"Leonard Abrahamson","Leonard Ian Abrahamson","Leonard Ian Abrahamson (born 30 November 1966) is an Irish film and television director. He is best known for directing independent films  Adam & Paul (2004), Garage (2007), What Richard Did (2012), Frank (2014), and Room (2015), all of which contributed to Abrahamson's six Irish Film and Television Awards.\n\nIn 2015, he received widespread recognition for directing Room, based on the novel of the same name by Emma Donoghue. The film received four nominations at the 88th Academy Awards, including Best Picture and Best Director for Abrahamson. In 2020, he directed six episodes of and executive produced the television series Normal People, for which he was nominated for the Primetime Emmy Award for Outstanding Directing for a Limited Series.\n\nDescription above from the Wikipedia article Lenny Abrahamson, licensed under CC-BY-SA, full list of contributors on Wikipedia.","1966-11-30",null,2,83281,"nm1049433","Directing","Lenny Abrahamson","Dublin, Ireland",1.1487,"\u002FtQYjfuxoZW9JrMqdiIdZMc9OEnR.jpg",{"cast":20,"crew":48},[21,36],{"adult":4,"backdrop_path":22,"genre_ids":23,"id":25,"title":26,"original_language":27,"original_title":26,"overview":28,"popularity":29,"poster_path":30,"release_date":31,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":33,"credit_id":34,"order":11,"media_type":35},"\u002FvAQIgvoG9pARlnAaqDTyRnm6fKv.jpg",[24],99,1156323,"Bill Douglas: My Best Friend","en","The story of the extraordinary friendship between Scottish film maker Bill Douglas and his lifelong companion and collaborator Peter Jewell. 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This audacious cinematic collage offers both a unique snapshot of a single day in the life of Dublin and a vivid example of a bold guerrilla filmmaking model. The film is an eclectic, multi-authored impression of Dublin (within the bounds of the encircling M50 motorway) as it lived, died, breathed, made love, filled up and emptied, consumed, wept, was rained and shone upon, grew bright and then darkened again.",1.251,"\u002F8cAHen8c2NSczNcAujHDckDvNJn.jpg","2008-06-29","573352a8925141656b0036e9",{"adult":4,"backdrop_path":136,"genre_ids":137,"id":139,"title":140,"original_language":27,"original_title":140,"overview":141,"popularity":142,"poster_path":143,"release_date":144,"softcore":4,"video":4,"vote_average":145,"vote_count":146,"credit_id":147,"department":14,"job":63,"media_type":35},"\u002FeyrUZ6jvg1Qy3jUz5YH8U4UkFLP.jpg",[91,138],27,455108,"The Little Stranger","In a dusty post-war summer in rural Warwickshire, a doctor is called to a patient at lonely Hundreds Hall. Home to the Ayres family for over two centuries, the Georgian house is now in decline. 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