[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F81749:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":10,"birthday":11,"deathday":12,"gender":13,"homepage":14,"id":15,"imdb_id":16,"known_for_department":17,"name":18,"place_of_birth":19,"popularity":20,"profile_path":21,"combined_credits":22,"images":1481},false,[6,7,8,9],"Manoel Candido Pinto de Oliveira","Manuel de Oliveira","Мануэль де Оливейра","Мануэл Ди Оливейра","Manoel de Oliveira (11 December 1908 - 2 April 2015) was born in Porto, Portugal to Francisco José de Oliveira and Cândida Ferreira Pinto. His family were wealthy industrialists. Oliveira attended school in Galicia, Spain and his goal as a teenager was to become an actor. He enrolled in Italian film-maker Rino Lupo's acting school at age 20, but later changed his mind when he saw Walther Ruttmann's documentary Berlin: Symphony of a City. This prompted him to direct his first film, also a documentary, titledDouro, Faina Fluvial (1931). He also acted in the second Portuguese sound film, A Canção de Lisboa (1933). His first feature film came much later, in 1942. Aniki-Bóbó, a portrait of Oporto's street children, was a commercial failure when it opened, and its merit only came to be recognised over time. This drawback forced Oliveira to abandon other film projects he was involved in, and to dedicate himself to running his family vineyard. He re-emerged onto the film scene in 1956 with The Artist and the City, a work that marked a turning point in Oliveira's conception of the cinema. In 1963, O Acto de Primavera (The Rite of Spring), a documentary depicting an annual passion play, marked a turning point for his career. This was shortly followed by A caça (The Hunt), a grim feature film that contrasted with the happy tones of his previous documentary. Despite the widespread acclaim garnered by both films, he would not return to the director's seat until the 1970s. Since 1990 (when he turned 82), he has made at least one film each year.  Oliveira has said that he direct movies for the sheer pleasure of doing it, regardless of critical reaction. He maintains a quiet life away from the spotlights, despite multiple honours such as those of the Cannes, Venice and Montreal film festivals. He has been awarded two Career Golden Lions in 1985 and 2004 and a golden palm for his lifetime achievements in 2008.","1908-12-11","2015-04-02",2,null,81749,"nm0210701","Directing","Manoel de Oliveira","Porto, Portugal",1.1469,"\u002FehZkNJjHu1mtq5Aa6OG9gtkODlc.jpg",{"cast":23,"crew":552},[24,43,57,73,87,101,112,123,135,145,157,167,180,193,209,221,234,246,258,267,281,292,304,313,322,329,342,352,362,370,382,392,399,409,416,426,436,449,462,475,486,498,510,521,531,542],{"adult":4,"backdrop_path":25,"genre_ids":26,"id":29,"title":30,"original_language":31,"original_title":32,"overview":33,"popularity":34,"poster_path":35,"release_date":36,"softcore":4,"video":4,"vote_average":37,"vote_count":38,"character":39,"credit_id":40,"order":41,"media_type":42},"\u002Fq0O8uTVPAYfTt2yu3iqicUJTsTt.jpg",[27,28],10402,35,49961,"A Song of Lisbon","pt","A Canção de Lisboa","Vasco is a medical student in Lisbon, supported by his rich aunts, whom he had falsely told he had already graduated. In fact, he devotes himself to a bohemian life, preferring the popular fairs and pretty women, especially Alice, a seamstress from the Castelinhos quarter, which rather upsets her ambitious father, tailor Caetano, who is familiar with Vasco's debts. After failing yet another final exam, he is surprised by his aunts' announcement that they will visit him in Lisbon to see his practice.",1.1188,"\u002Ft7zpnBcbbbKMWuZwk05r9PNongi.jpg","1933-11-07",8.5,45,"Carlos","52fe47b2c3a36847f81435af",9,"movie",{"adult":4,"backdrop_path":14,"genre_ids":44,"id":46,"title":47,"original_language":48,"original_title":49,"overview":50,"popularity":51,"poster_path":52,"release_date":53,"softcore":4,"video":4,"vote_average":54,"vote_count":54,"character":55,"credit_id":56,"order":54,"media_type":42},[45],99,219958,"A Friendly Handshake","en","En une poignée de mains amies","From the bridges of Porto to its estuary, two men are paying tribute to the elegant Douro River. Through Luís de Camões and Prince Henry the Navigator, through its Viking ships and dizzying bridges, the Douro is a great witness to the history and culture of Portugal. Jean Rouch and Manoel de Oliveira are walking alongside while reciting a poem written by de Oliveira himself. During their walk, they reflect upon documentary-making, the charm of the river, and what it represents to them.",0.8766,"\u002Fio0y0siYs6fE3QwslyGzOrQK5XY.jpg","1997-01-01",0,"","6473ebd15cd16e00bf11b625",{"adult":4,"backdrop_path":58,"genre_ids":59,"id":62,"title":63,"original_language":31,"original_title":64,"overview":65,"popularity":66,"poster_path":67,"release_date":68,"softcore":4,"video":4,"vote_average":69,"vote_count":70,"character":71,"credit_id":72,"order":13,"media_type":42},"\u002F39C6pMZ60m05MzEgntVFnTUEOBl.jpg",[60,61],18,36,57673,"Christopher Columbus, The Enigma","Cristóvão Colombo - O Enigma","A true story of a doctor and his wife who went on a journey in order to prove that discoverer Christopher Columbus was in fact Portuguese. Inspired by the book \"Cristóvão Colon Era Português\".",1.2506,"\u002F7iqVHvszm3XFr9WtDHrDTEEuTmf.jpg","2007-09-06",5.6,12,"Manuel Luciano (2007)","52fe493fc3a36847f8190953",{"adult":4,"backdrop_path":74,"genre_ids":75,"id":76,"title":77,"original_language":78,"original_title":79,"overview":80,"popularity":81,"poster_path":82,"release_date":83,"softcore":4,"video":4,"vote_average":84,"vote_count":70,"character":85,"credit_id":86,"order":13,"media_type":42},"\u002FerYGN6JJ6koag0F0tQf33sPgKog.jpg",[45],126996,"Marcello Mastroianni: I Remember","it","Marcello Mastroianni - Mi ricordo, sì, io mi ricordo","In 1996, Marcello Mastroianni talks about life as an actor. It's an anecdotal and philosophical memoir, moving from topic to topic, fully conscious of a man \"of a certain age\" looking back. He tells stories about Fellini and De Sica's direction, of using irony in performances, of constantly working (an actor tries to find himself in characters). He's diffident about prizes, celebrates Rome and Paris, salutes Naples and its people. He answers the question, why make bad films; recalls his father and grandfather, carpenters, his mother, deaf in her old age, and his brother, a film editor; he's modest about his looks. In repose, time's swift passage holds Mastroianni inward gaze.",1.1174,"\u002FffRcvOWpRyrs7i2gWsa4WjmrfFS.jpg","1997-09-10",7.6,"Self","52fe4aecc3a368484e16e1cb",{"adult":4,"backdrop_path":88,"genre_ids":89,"id":90,"title":91,"original_language":31,"original_title":92,"overview":93,"popularity":94,"poster_path":95,"release_date":96,"softcore":4,"video":4,"vote_average":97,"vote_count":98,"character":99,"credit_id":100,"order":13,"media_type":42},"\u002Fg4MmsGEh6WB7KY9qk1ndutMDNTw.jpg",[45,60],353794,"The Glory of Filmmaking in Portugal","A Glória de Fazer Cinema em Portugal","On 18 September 1929, José Régio sent a letter to Alberto Serpa expressing his desire to create a production company and start making films. For almost 90 years, nothing more was known: no reply was ever found and Régio never mentioned the subject again. The discovery of some old reels in a collector’s hoard seems to provide the ending to the story.",1.0681,"\u002FednPeLgcuC2pyObmfOv8xqhuLZV.jpg","2015-07-06",6.2,5,"Himself","64e555911feac100e1685896",{"adult":4,"backdrop_path":14,"genre_ids":102,"id":103,"title":104,"original_language":31,"original_title":105,"overview":106,"popularity":107,"poster_path":108,"release_date":109,"softcore":4,"video":4,"vote_average":54,"vote_count":54,"character":85,"credit_id":110,"order":111,"media_type":42},[45],269980,"Agostinho da Silva - A Living Thought","Agostinho da Silva - Um Pensamento Vivo","Life and legacy of Agostinho da Silva.  Traversing the biographical journey, the life and work of the Luso-Brazilian philosopher, this work has testimonies from himself and various personalities of Portugal and Brazil that allow us to unravel his personality and multifaceted thought.",1.2214,"\u002Fe3BpA569vw4GuKJHj1aP0ygSaiu.jpg","2003-01-01","537480670e0a267c6e003476",1,{"adult":4,"backdrop_path":14,"genre_ids":113,"id":115,"title":116,"original_language":31,"original_title":116,"overview":117,"popularity":118,"poster_path":119,"release_date":120,"softcore":4,"video":4,"vote_average":121,"vote_count":111,"character":55,"credit_id":122,"order":54,"media_type":42},[114,60],10751,283665,"Fátima Milagrosa","Aninhas (Aida Lupo), a paralyzed girl, asks for a miracle from the saint of her devotion, Our Lady of Lourdes, at the chapel of Penha (Guimarães), but her prayer is not heard - She turns her devotion to the Blessed Virgin directly, and joins the multitude that goes on a pilgrimage to the village where, ten years before, the Virgin Mary is said to have appeared to three child sheepherders.",1.8004,"\u002F57py3ocfWLURxkC58avM6BpfTqW.jpg","1928-01-02",8,"53d22febc3a368777500b5ba",{"adult":4,"backdrop_path":14,"genre_ids":124,"id":125,"title":126,"original_language":31,"original_title":127,"overview":128,"popularity":129,"poster_path":130,"release_date":131,"softcore":4,"video":4,"vote_average":132,"vote_count":133,"character":99,"credit_id":134,"order":54,"media_type":42},[45],333390,"The 15th Stone","A 15ª Pedra","Joáo Bénard da Costa, director of the Portuguese National Film Archives [deceased in 2009], interviews the dean of contemporaneous film directors [96-years-old then]. Two humanists of different philosophical backgrounds, both with their long, entire lives dedicated to culture in general (music, painting, literature) and to film in particular, discuss freely, sometimes haltingly, the director's power as a creator or a magician, the philosophy beyond particular scenes in classic movies, film technique, the importance of color, sound and music to films, art versus entertainment, and much more. Their talk takes place in a museum room, seating in front of \"The Annunciation\" (a 1510 oil painting by João Vaz, a Portuguese artist), which eventually leads to a discussion of 'Leonardo da Vinci', and the relationship between a trend-setter master and his disciples.",0.9663,"\u002FApr8CyImJjBChe0Y5s0yaGySajk.jpg","2007-10-26",6.5,4,"55188d7c9251416f0a005055",{"adult":4,"backdrop_path":14,"genre_ids":136,"id":137,"title":138,"original_language":31,"original_title":138,"overview":139,"popularity":140,"poster_path":141,"release_date":142,"softcore":4,"video":4,"vote_average":143,"vote_count":111,"character":55,"credit_id":144,"order":54,"media_type":42},[45],339489,"Oliveira, l'architecte","Paulo Rocha catches up with his “beloved subject” in Porto, where he made Douro, Faina Fluvial in 1929, and where today Oliveira reminisces about the figure of his father, his first experience of cinema as an actor, his past as a racing driver, his first technical experiences…",0.7151,"\u002F4Em8RjMLvGpUifTjA1fyi4fekDH.jpg","1993-10-06",7,"554e1cafc3a3682594004499",{"adult":4,"backdrop_path":146,"genre_ids":147,"id":148,"title":149,"original_language":31,"original_title":150,"overview":151,"popularity":152,"poster_path":153,"release_date":154,"softcore":4,"video":4,"vote_average":155,"vote_count":60,"character":85,"credit_id":156,"order":54,"media_type":42},"\u002FtE2m3BGyiUX7tY6meabWOYZKpDR.jpg",[45],338636,"Visit, or Memories and Confessions","Visita ou Memórias e Confissões","A long-hidden, personal doc about leaving a beloved house by the late, revered Portuguese director Manoel de Oliveira.",1.1095,"\u002F1tMlCorBC5SRtQm5Nz6kakABH4.jpg","2015-05-04",7.3,"5546a9e69251413fc0004630",{"adult":4,"backdrop_path":14,"genre_ids":158,"id":159,"title":160,"original_language":48,"original_title":160,"overview":161,"popularity":162,"poster_path":163,"release_date":164,"softcore":4,"video":4,"vote_average":165,"vote_count":121,"character":85,"credit_id":166,"order":143,"media_type":42},[45],85924,"Guest","Filmmaker José Luis Guerin documents his experience during a year of traveling as a guest of film festivals to present his previous film. What emerges is a wonderfully humane and sincere portrayal of the people that he meets when he goes off the beaten track in some of the world's major cities.",2.2719,"\u002FzlJ6QIJ6HHY5OxdbFFzUfvDzDLr.jpg","2011-03-25",6,"65fe4a7c1b1f3c017c989907",{"adult":4,"backdrop_path":168,"genre_ids":169,"id":170,"title":171,"original_language":172,"original_title":171,"overview":173,"popularity":174,"poster_path":175,"release_date":176,"softcore":4,"video":4,"vote_average":177,"vote_count":178,"character":55,"credit_id":179,"order":178,"media_type":42},"\u002FEauMAUVnteiy4Z0cIHjVAJbePx.jpg",[45],216649,"Nice - À propos de Jean Vigo","fr","Part of a series in which foreign filmmakers portray a region or town in France. Manoel de Oliveira looks at Nice.",1.1303,"\u002FvBvBjIulv4QV7epHKf6Njf8Ij4G.jpg","1983-01-01",5.7,3,"66ab9bfa477c56c78dd2cbe3",{"adult":4,"backdrop_path":181,"genre_ids":182,"id":183,"title":184,"original_language":172,"original_title":185,"overview":186,"popularity":187,"poster_path":188,"release_date":189,"softcore":4,"video":4,"vote_average":190,"vote_count":60,"character":191,"credit_id":192,"order":41,"media_type":42},"\u002FdliBbKnLVDEjl61o376uz8gRnrh.jpg",[60],108548,"Voyage to the Beginning of the World","Viagem ao Princípio do Mundo","Manoel is an aging film director who travels with the film crew through Portugal in search of the origins of Afonso, a famous French actor whose father emigrated from Portugal to France and in process remembers his own youth.",1.3654,"\u002FeuRxVGm8A3Y1y2rUafr5vKi027g.jpg","1997-05-16",6.7,"Driver","584cdfadc3a3682ad0006d69",{"adult":4,"backdrop_path":194,"genre_ids":195,"id":197,"title":198,"original_language":31,"original_title":199,"overview":200,"popularity":201,"poster_path":202,"release_date":203,"softcore":4,"video":4,"vote_average":204,"vote_count":205,"character":206,"credit_id":207,"order":208,"media_type":42},"\u002FrTnb5JsRwT31ttNk4Lj5kvRfATK.jpg",[196,60,61],10752,103417,"No, or the Vain Glory of Command","Non, ou a Vã Glória de Mandar","Episodes from throughout the entire military history of Portugal are told through flashbacks as a conscripted student of history recounts them to his fellow soldiers while they march through an African colony in revolt during 1973.",1.6658,"\u002FuC6I1yCKX2raTKSQfs2G5Ye4l21.jpg","1990-10-12",6.4,27,"Narrator","5987ccab925141059d01a77a",23,{"adult":4,"backdrop_path":14,"genre_ids":210,"id":211,"title":212,"original_language":31,"original_title":213,"overview":214,"popularity":215,"poster_path":216,"release_date":217,"softcore":4,"video":4,"vote_average":132,"vote_count":218,"character":219,"credit_id":220,"order":98,"media_type":42},[60],215256,"The Conversation Is Over","Conversa Acabada","The film was to be a documentary, but evolved during production to a fictional film. It nevertheless adheres strictly to the poems and letters exchanged by two of the most outstanding names of the Modernist Movement, Fernando Pessoa (in Lisbon) and Mário de Sá-Carneiro (in Paris). Their endless conversation was dramatically and suddenly terminated.",0.9442,"\u002FfkrSmwoVuUvsT00K6j3uuIc5j4o.jpg","1982-05-13",11,"Padre","59882007c3a368323402f49b",{"adult":4,"backdrop_path":222,"genre_ids":223,"id":224,"title":225,"original_language":31,"original_title":226,"overview":227,"popularity":228,"poster_path":229,"release_date":230,"softcore":4,"video":4,"vote_average":231,"vote_count":60,"character":232,"credit_id":233,"order":178,"media_type":42},"\u002Fk7ssfmvxvftywQrMx3t4EqfhkZE.jpg",[60,45],117406,"Porto of My Childhood","Porto da Minha Infância","Manoel de Oliveira's autobiographical documentary about returning to his hometown.",0.9756,"\u002FbNUnlO8ktyhebPrha0Uiq1s9HlH.jpg","2001-09-19",6.8,"Himself \u002F Narrator \u002F The Thief","59c81247c3a3687745004b11",{"adult":4,"backdrop_path":235,"genre_ids":236,"id":237,"title":238,"original_language":31,"original_title":238,"overview":239,"popularity":240,"poster_path":241,"release_date":242,"softcore":4,"video":4,"vote_average":231,"vote_count":41,"character":243,"credit_id":244,"order":245,"media_type":42},"\u002FdXcDfd31EqenNgYtWKttwQPHekY.jpg",[60],110214,"Inquietude","An anthology film drama featuring a poetic mirror structure based on existential identity. In \"The Immortals,\" adapted from a Helder Prista Monteiro play, two famous doctors, an 80-year-old father, and his 60-year-old son, contemplate senility and death. \"Suzy,\" from an Antonio Patricio story, is set in the '30s when a young courtesan dies on the operating table. \"Mother of the River\" is from an Agustina Bessa-Luis fable about eternal life.",1.023,"\u002F436eVHZlJMVGQJOlwr4IjQ1V8bu.jpg","1998-05-19","Tango Dancer","59ae6692925141078a053e15",15,{"adult":4,"backdrop_path":247,"genre_ids":248,"id":249,"title":250,"original_language":48,"original_title":250,"overview":251,"popularity":252,"poster_path":253,"release_date":254,"softcore":4,"video":4,"vote_average":255,"vote_count":256,"character":99,"credit_id":257,"order":178,"media_type":42},"\u002FhEPUs4yRZE0gFckKPf83OH8sQMp.jpg",[60,27],390,"Lisbon Story","Wim Wenders' homage to Lisbon and films. A sound engineer obtains a mysterious postcard from a friend who at the moment is filming a film in Lisbon. He sets out across Europe to find him and help him.",2.2667,"\u002FiqxvLET9q43BxxNXmit9nNiEPPM.jpg","1994-12-16",7.2,131,"59eef44a9251413db9025c36",{"adult":4,"backdrop_path":14,"genre_ids":259,"id":260,"title":261,"original_language":31,"original_title":261,"overview":262,"popularity":263,"poster_path":264,"release_date":265,"softcore":4,"video":4,"vote_average":54,"vote_count":54,"character":99,"credit_id":266,"order":54,"media_type":42},[45],500658,"Manoel de Oliveira, O Caso Dele","A tribute documentary to Manoel de Oliveira, on occasion of his 100th birthday.",1.0068,"\u002FffWTJy1YNTbo4uNWUUy1BclKFsS.jpg","2007-12-11","5a6905a6c3a3685abc006316",{"adult":4,"backdrop_path":268,"genre_ids":269,"id":271,"title":272,"original_language":31,"original_title":273,"overview":274,"popularity":275,"poster_path":276,"release_date":277,"softcore":4,"video":4,"vote_average":278,"vote_count":60,"character":279,"credit_id":280,"order":218,"media_type":42},"\u002Ff93jevCVLDydPN8zkz7wLetyedr.jpg",[270,60],10749,131478,"Doomed Love","Amor de Perdição","A story about doomed love between two people from different worlds and the impact in their lives.",1.2204,"\u002FaXSV541vbYTwNSh7lTh4q6NL4TR.jpg","1979-11-25",7.1,"Narrator (voice)","5aa1b7c59251412c5f0044c1",{"adult":4,"backdrop_path":14,"genre_ids":282,"id":283,"title":284,"original_language":31,"original_title":284,"overview":285,"popularity":286,"poster_path":287,"release_date":288,"softcore":4,"video":289,"vote_average":54,"vote_count":54,"character":290,"credit_id":291,"order":111,"media_type":42},[45],535153,"Jornal Português (1938-1951)","The newsreel series Jornal Português (1938-1951) was produced for the Secretariat of National Propaganda (SPN\u002FSNI) by the \"Portuguese Newsreel Society\" (SPAC), under the technical supervision of António Lopes Ribeiro. It was conceived and employed as part of the propaganda machinery of Salazar's regime.  Screened in cinema theatres prior to the main feature film, each issue of Jornal had approximately ten minutes in length and covered a variety of official government acts, national political news, major sports events and other assorted social and cultural affairs. Jornal Português is not only an indispensable document for the history of Estado Novo's propaganda, but also an unparalleled audiovisual archive of 1940s Portugal.",1.1011,"\u002FnornNj7qFqFYzHXYsafICL3IOWm.jpg","2015-12-14",true,"Self (archive footage)","5b4561480e0a264cde00142d",{"adult":4,"backdrop_path":293,"genre_ids":294,"id":295,"title":296,"original_language":31,"original_title":297,"overview":298,"popularity":299,"poster_path":300,"release_date":301,"softcore":4,"video":4,"vote_average":143,"vote_count":302,"character":55,"credit_id":303,"order":121,"media_type":42},"\u002F1htIx7V3gHdngJSXuU4YibqwMrY.jpg",[60],170368,"The Green Years","Os Verdes Anos","Nineteen-year-old Julio heads to Lisbon from the provinces and gets a job as a shoemaker for his uncle Raul. But when he meets Ilda, a confident young housemaid who becomes a regular shop visitor, his working-class values collide with the bourgeois trappings of modern life.",1.1055,"\u002Fbdw09WPUcz9mcByvx1qYLyf8Ma8.jpg","1963-11-29",33,"5cad51990e0a2630fc599b6c",{"adult":4,"backdrop_path":14,"genre_ids":305,"id":306,"title":307,"original_language":48,"original_title":307,"overview":308,"popularity":309,"poster_path":310,"release_date":311,"softcore":4,"video":4,"vote_average":54,"vote_count":54,"character":99,"credit_id":312,"order":111,"media_type":42},[45],601023,"No Tempo do Cinema","A 58 minute documentary about the life of João Bénard da Costa.",1.1071,"\u002F37dHXVfebghYTLO95rPWgz9xnSf.jpg","2006-05-21","5cd2a01c0e0a2627aa048e68",{"adult":4,"backdrop_path":14,"genre_ids":314,"id":315,"title":316,"original_language":31,"original_title":316,"overview":317,"popularity":318,"poster_path":319,"release_date":320,"softcore":4,"video":4,"vote_average":54,"vote_count":54,"character":55,"credit_id":321,"order":54,"media_type":42},[45],607433,"Conversazione a Porto","A conversation between the filmmaker Manoel de Olivieira and the writer Agustina Bessa-Luís, filmed in December 2005.",0.8831,"\u002FwbhnYBTPf1O7yAw9sqb3YTnjHNv.jpg","2006-01-01","5cfb1e7c0e0a267113c9b689",{"adult":4,"backdrop_path":14,"genre_ids":323,"id":324,"title":325,"original_language":31,"original_title":325,"overview":55,"popularity":326,"poster_path":14,"release_date":327,"softcore":4,"video":4,"vote_average":54,"vote_count":54,"character":55,"credit_id":328,"order":54,"media_type":42},[],649969,"Sem Cura - à saúde de Manoel de Oliveira",0.9099,"2011-01-01","5dd7f7ad12aabc00118e66ad",{"adult":4,"backdrop_path":330,"genre_ids":331,"id":332,"title":333,"original_language":172,"original_title":333,"overview":334,"popularity":335,"poster_path":336,"release_date":337,"softcore":4,"video":4,"vote_average":338,"vote_count":143,"character":339,"credit_id":340,"order":341,"media_type":42},"\u002F6fJgLOFJO5AAlieLZxfmTyZKOEy.jpg",[45],272074,"Cinématon","Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.",1.5274,"\u002F5l2dmFdiaFbt8XUyzmZxBeqGMJA.jpg","1978-12-20",4.9,"N°102","5e39ad724ca676001a55fafe",29,{"adult":4,"backdrop_path":14,"genre_ids":343,"id":344,"title":345,"original_language":346,"original_title":345,"overview":347,"popularity":348,"poster_path":349,"release_date":350,"softcore":4,"video":4,"vote_average":41,"vote_count":13,"character":55,"credit_id":351,"order":54,"media_type":42},[45],667189,"101","ca","An exploration of the movie \"The strange case of Angelica\" and an understanding Manoel de Oliveira's cinema.",0.8785,"\u002FfmnufWAFaZ26D6a4aNE3vrVzNae.jpg","2012-07-06","5e2dfd8ea5890200106565ba",{"adult":4,"backdrop_path":353,"genre_ids":354,"id":355,"title":356,"original_language":172,"original_title":356,"overview":357,"popularity":358,"poster_path":359,"release_date":360,"softcore":4,"video":4,"vote_average":98,"vote_count":13,"character":85,"credit_id":361,"order":143,"media_type":42},"\u002FppgWL2gsYIPaWDkSL91kweJL9eN.jpg",[45],695352,"Henri Langlois vu par...","Thirteen filmmakers share personal reflections on Henri Langlois—the visionary founder of the Cinémathèque Française—recounting his influence on their lives, his role in preserving film history, and his enduring impact on world cinema.",2.662,"\u002F4TrDrBXQgYnlKMFx7tLMn2l7kuE.jpg","2014-07-27","5e9df3104a4bfc0023d834b2",{"adult":4,"backdrop_path":14,"genre_ids":363,"id":364,"title":365,"original_language":172,"original_title":365,"overview":366,"popularity":367,"poster_path":14,"release_date":368,"softcore":4,"video":4,"vote_average":54,"vote_count":54,"character":339,"credit_id":369,"order":13,"media_type":42},[],756093,"Cinématon XI","Reel 11 of Gérard Courant's on-going Cinematon series.",1.7114,"1981-05-14","5f90c720d9f4a60037d79ba7",{"adult":4,"backdrop_path":371,"genre_ids":372,"id":373,"title":374,"original_language":31,"original_title":375,"overview":376,"popularity":377,"poster_path":378,"release_date":379,"softcore":4,"video":4,"vote_average":380,"vote_count":60,"character":55,"credit_id":381,"order":60,"media_type":42},"\u002FgF4K0W7x01Ss0lzgLK0rkwwmSaG.jpg",[60],104482,"The Divine Comedy","A Divina Comédia","In a mental institution the patients see themselves as people like Jesus, Lazarus, Martha, Mary, Adam, Eve, Sonia, Raskolnikov, Aliosha e Ivan Karamasov, a Philosopher, a Profet, Santa Teresa d'Avila, reciting the Divine Comedy.",1.3517,"\u002FgLRWIn5f0gH9Z8h79CiBupJOJUy.jpg","1991-10-11",6.6,"5ff9f130bdd568003f2aa25b",{"adult":4,"backdrop_path":14,"genre_ids":383,"id":384,"title":385,"original_language":172,"original_title":386,"overview":387,"popularity":388,"poster_path":389,"release_date":390,"softcore":4,"video":289,"vote_average":84,"vote_count":143,"character":85,"credit_id":391,"order":13,"media_type":42},[45],745698,"Agnès Varda: From Here to There","Agnès de ci de là Varda","Agnès Varda travels around the world to meet friends, artists and filmmakers for an expansive view of the global contemporary art scene.",1.3122,"\u002Fc9DjodpFeT04RX2g1rEYbNnuvIL.jpg","2011-10-01","60671aa3124c8d0029fb1776",{"adult":4,"backdrop_path":14,"genre_ids":393,"id":394,"title":395,"original_language":172,"original_title":395,"overview":55,"popularity":396,"poster_path":397,"release_date":368,"softcore":4,"video":4,"vote_average":54,"vote_count":54,"character":55,"credit_id":398,"order":54,"media_type":42},[],818189,"Cinématon n°102 : Manoel de Oliveira",0.9139,"\u002F3AhAplAd4LXp0fldDuWQbB3asQy.jpg","60766f3b19ab590057a1de36",{"adult":4,"backdrop_path":400,"genre_ids":401,"id":402,"title":403,"original_language":172,"original_title":403,"overview":404,"popularity":405,"poster_path":406,"release_date":407,"softcore":4,"video":4,"vote_average":54,"vote_count":54,"character":85,"credit_id":408,"order":218,"media_type":42},"\u002F3ITUfL2NCIUoVMZCvyMMl7zcmci.jpg",[45],202992,"Biette","Documentary about the the film critic and filmmaker Jean-Claude Biette.",1.1553,"\u002Fmth8se8c7P8zfFVyDpvRVTEZt20.jpg","2013-06-26","66e1d2a8f35a503c85118c40",{"adult":4,"backdrop_path":14,"genre_ids":410,"id":411,"title":412,"original_language":31,"original_title":412,"overview":55,"popularity":413,"poster_path":14,"release_date":414,"softcore":4,"video":4,"vote_average":54,"vote_count":54,"character":55,"credit_id":415,"order":13,"media_type":42},[45],1511023,"Cinéma Portugais – Un Mode d'Emploi",1.0064,"1990-01-01","686e96346036f18987540ddf",{"adult":4,"backdrop_path":14,"genre_ids":417,"id":418,"title":419,"original_language":31,"original_title":420,"overview":421,"popularity":422,"poster_path":423,"release_date":424,"softcore":4,"video":4,"vote_average":54,"vote_count":54,"character":55,"credit_id":425,"order":178,"media_type":42},[45],1512821,"The Life of Mirrors","A Vida dos Espelhos","The Life of Mirrors is one of the sections of the exhibition Luis Miguel Cintra - Small Theatre of the World. A commission by Serralves Foundation to Regina Guimarães and Saguenail, and constructed after an unpublished interview with Luis Miguel Cintra, this film is the result of a long and painstaking exercise of selecting and editing excerpts from films by Manoel de Oliveira in which Cintra participates as an actor. In this way, The Life of Mirrors is a reflective, retrospective essay film, which opens the Carte Blanche, thus establishing a gateway to Luis Miguel Cintra's cinematographic and cinephile career.",1.4059,"\u002Fyq6CmWgsuPTwO7BRHARUtae9Wee.jpg","2025-07-13","6874395a51092a0c63ba3ad4",{"adult":4,"backdrop_path":14,"genre_ids":427,"id":428,"title":429,"original_language":31,"original_title":429,"overview":430,"popularity":431,"poster_path":432,"release_date":433,"softcore":4,"video":4,"vote_average":165,"vote_count":111,"character":434,"credit_id":435,"order":54,"media_type":42},[60,27],885088,"O Improvável Não é Impossível","Film about Calouste Gulbenkian, produced for the celebrations of the 50th anniversary of the Calouste Gulbenkian Foundation.",0.8094,"\u002Fy378CWi794HHyEaLboHvEvQareV.jpg","2006-09-01","(voice)","697d2b89648a77dc7bea0b16",{"adult":4,"backdrop_path":437,"genre_ids":438,"id":439,"title":440,"original_language":31,"original_title":441,"overview":442,"popularity":443,"poster_path":444,"release_date":445,"softcore":4,"video":4,"vote_average":190,"vote_count":446,"character":55,"credit_id":447,"order":448,"media_type":42},"\u002F5Je5W2w1AtehkR1VZJGXsAyqWof.jpg",[60,61],95536,"A Talking Picture","Um Filme Falado","A meditation on civilization. July, 2001: friends wave as a cruise ship departs Lisbon for Mediterranean ports and the Indian Ocean. On board and on day trips in Marseilles, Pompeii, Athens, Istanbul, and Cairo, a professor tells her young daughter about myth, history, religion, and wars. Men approach her; she's cool, on her way to her husband in Bombay. After Cairo, for two evenings divided by a stop in Aden, the captain charms three successful, famous (and childless) women, who talk with wit and intellect, each understanding the others' native tongue, a European union. The captain asks mother and child to join them. He gives the girl a gift. Helena sings. Life can be sweet.",1.9332,"\u002FkVEWev0owMP6IYV1Y1wjyv0CkZH.jpg","2003-08-31",50,"697d310cb4649d0ac3e4e3cf",10,{"adult":4,"backdrop_path":450,"genre_ids":451,"id":452,"title":453,"original_language":31,"original_title":454,"overview":455,"popularity":456,"poster_path":457,"release_date":458,"softcore":4,"video":4,"vote_average":155,"vote_count":459,"character":460,"credit_id":461,"order":143,"media_type":42},"\u002FzOU9KOULP6HH4FafZTwMdawBQzL.jpg",[60],163880,"Benilde or the Virgin Mother","Benilde ou a Virgem Mãe","A young girl, Benilde, so protected by her religious family that she seemingly knows nothing about procreation, insists that her mysterious pregnancy is a miracle; however, her distressed bourgeois family decides that Benilde has lost her mind.",1.5794,"\u002F7l02l9Ujy9TEI6fGqdO4UzmKLZI.jpg","1975-11-21",14,"Screaming Madman (voice)","6999bcd01ee413172a6a30d7",{"adult":4,"backdrop_path":463,"genre_ids":464,"id":465,"title":466,"original_language":172,"original_title":467,"overview":468,"popularity":469,"poster_path":470,"release_date":471,"softcore":4,"video":4,"vote_average":84,"vote_count":448,"character":472,"credit_id":473,"order":474,"media_type":42},"\u002F1huGSSbdZZ2JNXcD8A0HQPvsTv2.jpg",[60,61],132799,"The Satin Slipper","Le Soulier de satin","During the century of the Spanish Gold, Doña Prouhèze, wife of a nobleman, deeply loves Don Rodrigo, who is forced to leave Spain and go to America. Meanwhile Prouhèze is sent to Africa to rule the city of Mogador. Ten years later Rodrigo leaves America and travels to Africa in search of Prouhèze to find out that she died and eventually meeting her daughter.",1.348,"\u002FkjnWD3yrKCy3RmalNugpr4TgOKX.jpg","1986-01-08","Gentleman bowing with hat","6999bcf323c7ba8bed80e4b2",31,{"adult":4,"backdrop_path":476,"genre_ids":477,"id":478,"title":479,"original_language":172,"original_title":480,"overview":481,"popularity":482,"poster_path":483,"release_date":484,"softcore":4,"video":4,"vote_average":97,"vote_count":459,"character":55,"credit_id":485,"order":218,"media_type":42},"\u002F5xKmt7y8TgiUjRKuvasoKAhAdCb.jpg",[28,60],473621,"Hitler in Hollywood","HH, Hitler à Hollywood","A bio-doc about Micheline Presle changes into a thrilling investigation of the long hidden truth about European cinema. This mockumentary thriller uncovers Hollywood's unsuspected plot against the European motion picture industry. Numerous directors and stars appear in the film, making it a choice morsel for all film lovers.",2.9687,"\u002F8gvpdZKfj3NYeIoZfwl2ayP9ZME.jpg","2011-05-04","6a244a721c8912b9e57807df",{"adult":4,"backdrop_path":487,"genre_ids":488,"id":489,"origin_country":490,"original_language":172,"original_name":386,"overview":492,"popularity":493,"poster_path":494,"first_air_date":495,"softcore":4,"name":385,"vote_average":132,"vote_count":165,"character":85,"credit_id":496,"episode_count":98,"first_credit_air_date":495,"media_type":497},"\u002FT2bKnmyLgJwnOfN12CBIjn5DKD.jpg",[45],76372,[491],"FR","Agnès Varda takes us on a journey of discovery as she travels the globe—from Stockholm to St. Petersburg, Lisbon to Rio de Janeiro, Mexico City to Los Angeles—meeting with friends, artists, and fellow filmmakers.",2.6818,"\u002F4FUWBC5LZbovsLvf6UsOaVkXgTN.jpg","2011-12-19","60ab0318c995ee00573c3709","tv",{"adult":4,"backdrop_path":499,"genre_ids":500,"id":502,"origin_country":503,"original_language":31,"original_name":505,"overview":55,"popularity":506,"poster_path":507,"first_air_date":508,"softcore":4,"name":505,"vote_average":54,"vote_count":54,"character":85,"credit_id":509,"episode_count":111,"first_credit_air_date":508,"media_type":497},"\u002FbNO9KRiHJkKeuIy38R6WwxP2GD7.jpg",[501],10767,224648,[504],"PT","Já Está",2.2789,"\u002F4rWrNrsd7EJ5MKs1GNrntS4ecx5.jpg","1987-04-25","643d3f894d679102ecd84f5a",{"adult":4,"backdrop_path":511,"genre_ids":512,"id":513,"origin_country":514,"original_language":31,"original_name":515,"overview":55,"popularity":516,"poster_path":517,"first_air_date":518,"softcore":4,"name":515,"vote_average":121,"vote_count":111,"character":519,"credit_id":520,"episode_count":111,"first_credit_air_date":518,"media_type":497},"\u002Ft6nD9kbPO7XkeYdmkFo8NtDWF4b.jpg",[501],225298,[504],"Zona+",2.3874,"\u002F6IeN3BKjUxNRj191bZgj5Atgbds.jpg","1994-09-19","Próprio","645032b98813e40106f8b318",{"adult":4,"backdrop_path":522,"genre_ids":523,"id":524,"origin_country":525,"original_language":31,"original_name":273,"overview":526,"popularity":527,"poster_path":528,"first_air_date":529,"softcore":4,"name":272,"vote_average":231,"vote_count":133,"character":434,"credit_id":530,"episode_count":165,"first_credit_air_date":529,"media_type":497},"\u002FbvErqiL8Sqvsztv9eqyeqIQakTX.jpg",[60],40705,[504],"A story about doomed love between two people from different worlds and the impact in their lives. Based on the novel of the same name by Portuguese writer Camilo Castelo Branco.",2.3475,"\u002FuzqGTpWUgRPxaw6PciTKdGSgtUU.jpg","1978-11-19","636428d9d207f3007937a173",{"adult":4,"backdrop_path":532,"genre_ids":533,"id":534,"origin_country":535,"original_language":31,"original_name":536,"overview":55,"popularity":537,"poster_path":538,"first_air_date":539,"softcore":4,"name":536,"vote_average":54,"vote_count":54,"character":55,"credit_id":540,"episode_count":178,"first_credit_air_date":541,"media_type":497},"\u002F98CzhiRrf6UnEXqiBvDIj4vCJ96.jpg",[45],297860,[504],"História do Cinema Português",2.7523,"\u002FeDGX53eXNkx5oaTOUK2nJenuxb2.jpg","2001-02-23","6897e638d1029113e65d0be6","2001-02-28",{"adult":4,"backdrop_path":14,"genre_ids":543,"id":544,"origin_country":545,"original_language":172,"original_name":546,"overview":55,"popularity":547,"poster_path":548,"first_air_date":549,"softcore":4,"name":546,"vote_average":98,"vote_count":111,"character":85,"credit_id":550,"episode_count":111,"first_credit_air_date":551,"media_type":497},[45],328178,[491],"Ciné regards",17.3566,"\u002FneCpAdj9o3EKkB5wntZt1nxCofb.jpg","1978-01-04","6a56694e64b66ad055cd3c9f","1981-05-30",[553,566,579,582,587,597,609,613,625,636,648,660,663,674,677,680,691,694,705,708,720,734,737,749,752,764,767,777,780,783,786,798,809,812,823,835,846,856,867,877,880,890,900,913,916,919,922,931,934,939,951,962,972,984,987,996,1001,1010,1015,1025,1028,1031,1035,1044,1047,1050,1061,1064,1067,1070,1073,1084,1087,1096,1099,1102,1105,1117,1120,1123,1126,1129,1132,1135,1138,1141,1145,1148,1151,1154,1157,1160,1163,1166,1169,1172,1175,1178,1181,1184,1187,1190,1193,1196,1199,1202,1206,1209,1212,1215,1218,1221,1224,1227,1230,1233,1236,1239,1242,1245,1249,1252,1255,1258,1261,1264,1267,1270,1273,1276,1279,1287,1290,1293,1296,1299,1302,1305,1308,1311,1314,1317,1320,1323,1326,1329,1338,1347,1350,1353,1356,1359,1362,1372,1375,1378,1381,1384,1394,1397,1400,1409,1412,1415,1418,1421,1424,1427,1430,1439,1442,1452,1461,1464,1468,1472,1476],{"adult":4,"backdrop_path":554,"genre_ids":555,"id":556,"title":557,"original_language":172,"original_title":558,"overview":559,"popularity":560,"poster_path":561,"release_date":562,"softcore":4,"video":4,"vote_average":204,"vote_count":563,"credit_id":564,"department":17,"job":565,"media_type":42},"\u002F20vIC3JXCFrsLwv0TpiBbK7IKh2.jpg",[28,60],36108,"To Each His Own Cinema","Chacun son cinema ou Ce petit coup au coeur quand la lumiere s'eteint et que le film commence","Commissioned to mark the 60th anniversary of the Cannes Film Festival, \"To Each His Own Cinema\" brought together 33 of the world's pre-eminent filmmakers to produce short pieces exploring the multifarious facets of cinema and their perspective on the state of their chosen artform in the early 21st century.",2.7755,"\u002F1bTniamnmxv8TY3AUrxddrNy9rV.jpg","2007-10-31",163,"52fe45cd9251416c9103edb3","Director",{"adult":4,"backdrop_path":567,"genre_ids":568,"id":569,"title":570,"original_language":31,"original_title":571,"overview":572,"popularity":573,"poster_path":574,"release_date":575,"softcore":4,"video":4,"vote_average":97,"vote_count":38,"credit_id":576,"department":577,"job":578,"media_type":42},"\u002FAvrq28yMYjCjDIYtus01bsbsdkc.jpg",[60,270],44411,"Eccentricities of a Blonde-Haired Girl","Singularidades de uma Rapariga Loura","On a train to Algarve, a young man recounts to a fellow passenger his past relationship with an eccentric young woman.",1.8496,"\u002FfQfRqJH8OAR5WcFeBqkwnOkQIKm.jpg","2009-04-30","52fe4687c3a36847f8103eb7","Writing","Screenplay",{"adult":4,"backdrop_path":567,"genre_ids":580,"id":569,"title":570,"original_language":31,"original_title":571,"overview":572,"popularity":573,"poster_path":574,"release_date":575,"softcore":4,"video":4,"vote_average":97,"vote_count":38,"credit_id":581,"department":17,"job":565,"media_type":42},[60,270],"52fe4687c3a36847f8103eab",{"adult":4,"backdrop_path":567,"genre_ids":583,"id":569,"title":570,"original_language":31,"original_title":571,"overview":572,"popularity":573,"poster_path":574,"release_date":575,"softcore":4,"video":4,"vote_average":97,"vote_count":38,"credit_id":584,"department":585,"job":586,"media_type":42},[60,270],"52fe4687c3a36847f8103edd","Editing","Editor",{"adult":4,"backdrop_path":588,"genre_ids":589,"id":590,"title":591,"original_language":31,"original_title":591,"overview":592,"popularity":593,"poster_path":594,"release_date":595,"softcore":4,"video":4,"vote_average":54,"vote_count":54,"credit_id":596,"department":17,"job":565,"media_type":42},"\u002F5nD35G94ON4KvQHmtnMm3QBeCUu.jpg",[],953153,"Romance de Vila do Conde","Manoel de Oliveira's homage to Vila do Conde, with a poem by José Régio. It was shot in 1965, but only completed in 2008.",1.2561,"\u002FloXPZEPHPXMlMAV6Q765BB4zQKm.jpg","2008-08-28","623b2f5ee942be00877f8d79",{"adult":4,"backdrop_path":598,"genre_ids":599,"id":600,"title":601,"original_language":31,"original_title":602,"overview":603,"popularity":604,"poster_path":605,"release_date":606,"softcore":4,"video":4,"vote_average":607,"vote_count":218,"credit_id":608,"department":17,"job":565,"media_type":42},"\u002FgnjRpJVy9FzAWKlZ7HGe5hvzgdX.jpg",[61],61841,"Word and Utopia","Palavra e Utopia","The story of Father Antonio Vieira, a 17th-century Portuguese priest who lived in Brazil and worked for better treatment of the Indians and to abolish slavery.",1.0444,"\u002FvvykzSYJAcSRsbd0IxGS1nIwEXV.jpg","2000-11-17",5.8,"52fe4666c3a368484e08ea13",{"adult":4,"backdrop_path":598,"genre_ids":610,"id":600,"title":601,"original_language":31,"original_title":602,"overview":603,"popularity":604,"poster_path":605,"release_date":606,"softcore":4,"video":4,"vote_average":607,"vote_count":218,"credit_id":611,"department":577,"job":612,"media_type":42},[61],"52fe4666c3a368484e08ea19","Writer",{"adult":4,"backdrop_path":614,"genre_ids":615,"id":616,"title":617,"original_language":172,"original_title":618,"overview":619,"popularity":620,"poster_path":621,"release_date":622,"softcore":4,"video":4,"vote_average":623,"vote_count":143,"credit_id":624,"department":17,"job":565,"media_type":42},"\u002F8psvvXOFh2pF4uHK7SPriWsVTsK.jpg",[60,459],65531,"My Case","Mon Cas","Manoel de Oliveira plays his film in three stages: the first part - a play, the second can be roughly defined as a silent film (with the behind the scenes read excerpts from Beckett works), but in the end the director brilliantly performs the same material of the avant-garde exercise. Surprisingly, a joke, repeated three times, each time everything sounds fresh and develops into an almost verbatim adaptation of the biblical \"Book of Job\" - a spectacular point in a parable about how hard to empathize with other people's misery, when you have your own.",0.9595,"\u002FeEVBFoff7XRcsN4ulgrXGhav7ds.jpg","1986-09-25",6.9,"52fe470ec3a368484e0b299f",{"adult":4,"backdrop_path":626,"genre_ids":627,"id":628,"title":629,"original_language":172,"original_title":629,"overview":630,"popularity":631,"poster_path":632,"release_date":633,"softcore":4,"video":4,"vote_average":165,"vote_count":634,"credit_id":635,"department":17,"job":565,"media_type":42},"\u002Fzkteot2z9I9j4xgzOvWZbd1EcOr.jpg",[60],17367,"Belle Toujours","38 years after the events in the Luis Buñuel classic Belle de Jour, Henri Husson thinks he sees Séverine one night at a concert. He follows her and makes her face her past and then takes a slow revenge on her.",1.6848,"\u002Ffy7ajB92MUB50uq9LhSrk3lEFoq.jpg","2006-09-08",20,"52fe47219251416c7508eb55",{"adult":4,"backdrop_path":637,"genre_ids":638,"id":639,"title":640,"original_language":172,"original_title":641,"overview":642,"popularity":643,"poster_path":644,"release_date":645,"softcore":4,"video":4,"vote_average":231,"vote_count":646,"credit_id":647,"department":17,"job":565,"media_type":42},"\u002FoIk31jAIz6f3pjpagyd6PtNxXe7.jpg",[60,28],49685,"I’m Going Home","Je rentre à la maison","The comfortable daily routines of aging Parisian actor Gilbert Valence, 76, are suddenly shaken when he learns that his wife, daughter, and son-in-law have been killed in a car crash. Having to take care of his now-orphaned grandson, he struggles to go on with his lifelong acting career like he's used to. But the roles he is offered -- a flashy TV show and a hectic last-minute replacement in an English-language film of Joyce's Ulysses -- finally convince him that it's time to retire.",2.2238,"\u002Fsh0VEL1VyTsSMJpw8yFBbugQ9BF.jpg","2001-05-13",46,"52fe47a0c3a36847f813ffed",{"adult":4,"backdrop_path":649,"genre_ids":650,"id":651,"title":652,"original_language":31,"original_title":653,"overview":654,"popularity":655,"poster_path":656,"release_date":657,"softcore":4,"video":4,"vote_average":132,"vote_count":658,"credit_id":659,"department":577,"job":612,"media_type":42},"\u002FzWmb8EMZNCuVaLnWUlYUaohneUz.jpg",[60,459,270],53413,"The Strange Case of Angelica","O Estranho Caso de Angélica","A photographer, Isaac, is asked by hotel owners to take portraits of their recently deceased daughter Angélica. When he looks at her through the lens of his camera, she appears to come back to life just for him. He instantly falls in love with her. From that moment, he will be haunted by Angélica day and night.",2.2576,"\u002FrFFtcZX8cu99RcOSB1IBTXQYjAF.jpg","2010-12-29",64,"52fe4864c3a36847f8164f45",{"adult":4,"backdrop_path":649,"genre_ids":661,"id":651,"title":652,"original_language":31,"original_title":653,"overview":654,"popularity":655,"poster_path":656,"release_date":657,"softcore":4,"video":4,"vote_average":132,"vote_count":658,"credit_id":662,"department":17,"job":565,"media_type":42},[60,459,270],"52fe4864c3a36847f8164f3f",{"adult":4,"backdrop_path":664,"genre_ids":665,"id":666,"title":667,"original_language":31,"original_title":667,"overview":668,"popularity":669,"poster_path":670,"release_date":671,"softcore":4,"video":4,"vote_average":84,"vote_count":672,"credit_id":673,"department":17,"job":565,"media_type":42},"\u002FvAzsFnjLY0Y4DCnLTuOho6dfJru.jpg",[60,114],81210,"Aniki-Bóbó","Two schoolboys, Carlitos and Eduardo, fight for the affection of a girl, Teresinha.",1.0278,"\u002Fu3ALny6no1YHFZ7DaKNKEhlpMuJ.jpg","1942-12-18",48,"52fe48009251416c9107cccb",{"adult":4,"backdrop_path":58,"genre_ids":675,"id":62,"title":63,"original_language":31,"original_title":64,"overview":65,"popularity":66,"poster_path":67,"release_date":68,"softcore":4,"video":4,"vote_average":69,"vote_count":70,"credit_id":676,"department":17,"job":565,"media_type":42},[60,61],"52fe493fc3a36847f8190959",{"adult":4,"backdrop_path":194,"genre_ids":678,"id":197,"title":198,"original_language":31,"original_title":199,"overview":200,"popularity":201,"poster_path":202,"release_date":203,"softcore":4,"video":4,"vote_average":204,"vote_count":205,"credit_id":679,"department":17,"job":565,"media_type":42},[196,60,61],"52fe4a1ec3a36847f81baac9",{"adult":4,"backdrop_path":681,"genre_ids":682,"id":683,"title":684,"original_language":31,"original_title":685,"overview":686,"popularity":687,"poster_path":688,"release_date":689,"softcore":4,"video":4,"vote_average":132,"vote_count":41,"credit_id":690,"department":17,"job":565,"media_type":42},"\u002FrZYmsJiGfwNwZRoR76b9cKdiRre.jpg",[60],103701,"The Uncertainty Principle","O Princípio da Incerteza","Having lost her place among the social elite, a widow remarries and starts a family.",1.7416,"\u002FjLSXzEp5BwhHOqVpULPYsRK1uHW.jpg","2002-05-17","52fe4a24c3a36847f81bc5f9",{"adult":4,"backdrop_path":437,"genre_ids":692,"id":439,"title":440,"original_language":31,"original_title":441,"overview":442,"popularity":443,"poster_path":444,"release_date":445,"softcore":4,"video":4,"vote_average":190,"vote_count":446,"credit_id":693,"department":17,"job":565,"media_type":42},[60,61],"52fe49889251416c750cb1d5",{"adult":4,"backdrop_path":695,"genre_ids":696,"id":697,"title":698,"original_language":172,"original_title":699,"overview":700,"popularity":701,"poster_path":702,"release_date":703,"softcore":4,"video":4,"vote_average":165,"vote_count":245,"credit_id":704,"department":17,"job":565,"media_type":42},"\u002FmZ5KZ1CCXmH49L16BvzyUlYToFD.jpg",[60],105448,"The Letter","La Lettre","A well-bred, lovely, spiritual, sad young woman marries an attentive physician who loves her. She feels affection but no love. Soon after, without design, she falls in love with Pedro Abrunhosa, a poet and performance artist. He also loves her. She keeps her distance from him, confessing her love to a friend who is a nun and, later, to her husband. Hunger for her love and jealousy consume him; she attends him as he wastes away. With his death, she can marry and express her passion, but what she does and how she explains herself, particularly to her cloistered friend, is at the heart of the film. Glimpses of convent life and of Abrunhosa on stage give contrast and mute comment.",1.3407,"\u002Fs246lJtSiJYuJR9WLecB7ZglySB.jpg","1999-09-22","52fe4a4dc3a36847f81c63a5",{"adult":4,"backdrop_path":181,"genre_ids":706,"id":183,"title":184,"original_language":172,"original_title":185,"overview":186,"popularity":187,"poster_path":188,"release_date":189,"softcore":4,"video":4,"vote_average":190,"vote_count":60,"credit_id":707,"department":17,"job":565,"media_type":42},[60],"52fe4a9fc3a36847f81d8bb7",{"adult":4,"backdrop_path":709,"genre_ids":710,"id":711,"title":712,"original_language":31,"original_title":713,"overview":714,"popularity":715,"poster_path":716,"release_date":717,"softcore":4,"video":4,"vote_average":718,"vote_count":646,"credit_id":719,"department":17,"job":565,"media_type":42},"\u002FhnV0mMWdki9d8jndoQJQWK1MPLd.jpg",[60],107693,"Abraham's Valley","Vale Abraão","Ema is a very attractive but innocent girl, so pretty that cars crash in her presence. In her youth she marries Dr. Carlos Paiva, her father's friend, to whom she is not attracted. They move to the valley of Abraham. Carlos loves her, but decides to sleep in a separate room to avoid waking Ema when he has to return late at night. As time goes by she begins to feel unhappy about her marriage, so she finds a new lover.",1.4733,"\u002FzU5moFVXIVZbjd6pcwo6J47sBbY.jpg","1993-09-01",7.4,"52fe4a85c3a36847f81d2cbf",{"adult":4,"backdrop_path":721,"genre_ids":722,"id":724,"title":725,"original_language":48,"original_title":726,"overview":727,"popularity":728,"poster_path":729,"release_date":730,"softcore":4,"video":4,"vote_average":731,"vote_count":732,"credit_id":733,"department":17,"job":565,"media_type":42},"\u002Fk5UdIRjdfW4iWatqswexiVeL6Ga.jpg",[723,60],9648,124614,"The Convent","O Convento","The journey of Michael Padovic, an American professor who arrives with his wife, Helene, at a Portuguese convent where he expects to find the documents needed to prove his theory: Shakespeare was born in Spain; not in England.",1.2288,"\u002FtRo6ETYSdSW98u8SmCvKrG57jTG.jpg","1995-09-06",5.3,28,"52fe4ab0c3a368484e161b6f",{"adult":4,"backdrop_path":235,"genre_ids":735,"id":237,"title":238,"original_language":31,"original_title":238,"overview":239,"popularity":240,"poster_path":241,"release_date":242,"softcore":4,"video":4,"vote_average":231,"vote_count":41,"credit_id":736,"department":17,"job":565,"media_type":42},[60],"52fe4acdc3a36847f81e2877",{"adult":4,"backdrop_path":738,"genre_ids":739,"id":740,"title":741,"original_language":172,"original_title":742,"overview":743,"popularity":744,"poster_path":745,"release_date":746,"softcore":4,"video":4,"vote_average":380,"vote_count":747,"credit_id":748,"department":577,"job":578,"media_type":42},"\u002FeYTmZ1xu2WSxQyXJHGxlugpLV6F.jpg",[60],110401,"Gebo and the Shadow","Gebo et l'ombre","Despite his age and general weariness, Gebo keeps on working as an accountant to provide for his family. He lives with his wife, Doroteia, and his daughter-in-law, Sofia, but it is the absence of João, son and husband, that worries them.Gebo seems to be hiding something, especially to Doroteia, who is anxiously waiting to see her son again. Sofia is also waiting for her husband to come home, and yet she fears him. All of a sudden, João arrives and everything changes.",2.0578,"\u002F9y5mkZ2n6e8CWKgoYflfygevXJ8.jpg","2012-09-10",17,"52fe4ad5c3a36847f81e418d",{"adult":4,"backdrop_path":738,"genre_ids":750,"id":740,"title":741,"original_language":172,"original_title":742,"overview":743,"popularity":744,"poster_path":745,"release_date":746,"softcore":4,"video":4,"vote_average":380,"vote_count":747,"credit_id":751,"department":17,"job":565,"media_type":42},[60],"52fe4ad5c3a36847f81e4187",{"adult":4,"backdrop_path":753,"genre_ids":754,"id":755,"title":756,"original_language":31,"original_title":757,"overview":758,"popularity":759,"poster_path":760,"release_date":761,"softcore":4,"video":4,"vote_average":278,"vote_count":762,"credit_id":763,"department":17,"job":565,"media_type":42},"\u002FhzplZBZiUq1viNw31AMylgQCCdV.jpg",[45],128368,"Working on the Douro River","Douro, Faina Fluvial","Short silent documentary from 1931 about those working on the River Douro in Oporto.",0.9606,"\u002F4aLekIlGVY1ShYkPjmKHOdVOCH7.jpg","1931-09-19",40,"52fe4b1bc3a368484e1780cb",{"adult":4,"backdrop_path":753,"genre_ids":765,"id":755,"title":756,"original_language":31,"original_title":757,"overview":758,"popularity":759,"poster_path":760,"release_date":761,"softcore":4,"video":4,"vote_average":278,"vote_count":762,"credit_id":766,"department":577,"job":612,"media_type":42},[45],"52fe4b1bc3a368484e1780d1",{"adult":4,"backdrop_path":768,"genre_ids":769,"id":770,"title":771,"original_language":31,"original_title":771,"overview":772,"popularity":773,"poster_path":774,"release_date":775,"softcore":4,"video":4,"vote_average":143,"vote_count":61,"credit_id":776,"department":17,"job":565,"media_type":42},"\u002FgVzKF6bT2SWRFK9JibRvk8lobc8.jpg",[60],110789,"Francisca","The life of a young man, son of an English officer who lets himself become a prisoner of love resulting in fatalism and disgrace.",1.3942,"\u002Fvik6JLVcDk8R29t6cKbnIQUxM26.jpg","1981-11-25","52fe4ae5c3a36847f81e74c3",{"adult":4,"backdrop_path":222,"genre_ids":778,"id":224,"title":225,"original_language":31,"original_title":226,"overview":227,"popularity":228,"poster_path":229,"release_date":230,"softcore":4,"video":4,"vote_average":231,"vote_count":60,"credit_id":779,"department":17,"job":565,"media_type":42},[60,45],"52fe4bb4c3a36847f8210647",{"adult":4,"backdrop_path":268,"genre_ids":781,"id":271,"title":272,"original_language":31,"original_title":273,"overview":274,"popularity":275,"poster_path":276,"release_date":277,"softcore":4,"video":4,"vote_average":278,"vote_count":60,"credit_id":782,"department":577,"job":578,"media_type":42},[270,60],"52fe4b79c3a368484e18ab61",{"adult":4,"backdrop_path":268,"genre_ids":784,"id":271,"title":272,"original_language":31,"original_title":273,"overview":274,"popularity":275,"poster_path":276,"release_date":277,"softcore":4,"video":4,"vote_average":278,"vote_count":60,"credit_id":785,"department":17,"job":565,"media_type":42},[270,60],"52fe4b79c3a368484e18ab55",{"adult":4,"backdrop_path":787,"genre_ids":788,"id":789,"title":790,"original_language":31,"original_title":791,"overview":792,"popularity":793,"poster_path":794,"release_date":795,"softcore":4,"video":4,"vote_average":796,"vote_count":245,"credit_id":797,"department":17,"job":565,"media_type":42},"\u002Fe6eesTwHHKD1Qo1VkyW8z6sMwyM.jpg",[60,45],145014,"Historic Centre","Centro Histórico","Four voices and their visions of Guimarães, cradle city of the Portuguese nation and European Capital of Culture in 2012.",0.8042,"\u002FwK7JYzY3gHEbrGn214prcS2aKb4.jpg","2012-11-10",6.1,"52fe4b4a9251416c750fe363",{"adult":4,"backdrop_path":799,"genre_ids":800,"id":801,"title":802,"original_language":31,"original_title":803,"overview":804,"popularity":805,"poster_path":806,"release_date":807,"softcore":4,"video":4,"vote_average":380,"vote_count":70,"credit_id":808,"department":17,"job":565,"media_type":42},"\u002Fe1EuNYGXkj5OSk8mbGsxIdIzhze.jpg",[60],129937,"Magic Mirror","Espelho Mágico","Luciano, fresh out of jail, was taken by his brother, Flórido, to serve in the home of wealthy Alfreda. He was surprised when she told him that her greatest desire was to see the Virgin Mary. Now comes this rich land owner with her sublime pretensions. Isn't it enough for her to have an Aston Martin and a Jaguar in the garage and ten different dresses per season? It was all professor Heschel's fault. Or someone else's. Anyway, to go beyond the promise is heresy. Alfreda said that she wouldn't rest until she saw the Virgin and made her some questions. Filipe Quinta, the Forger, says he has a solution. Meanwhile, Bahia, her husband, listens do music.",1.1768,"\u002F5VmasX7vjy5a2X1tan2P2JWWXWy.jpg","2006-03-09","52fe4b4ac3a368484e181d5f",{"adult":4,"backdrop_path":463,"genre_ids":810,"id":465,"title":466,"original_language":172,"original_title":467,"overview":468,"popularity":469,"poster_path":470,"release_date":471,"softcore":4,"video":4,"vote_average":84,"vote_count":448,"credit_id":811,"department":17,"job":565,"media_type":42},[60,61],"52fe4b9dc3a368484e19170d",{"adult":4,"backdrop_path":14,"genre_ids":813,"id":814,"title":815,"original_language":31,"original_title":816,"overview":817,"popularity":818,"poster_path":819,"release_date":820,"softcore":4,"video":4,"vote_average":278,"vote_count":821,"credit_id":822,"department":17,"job":565,"media_type":42},[60],186946,"The Hunt","A Caça","Two friends decide to go hunting but without guns, so that no accident will happen. As they stroll and talk, one of them falls into a hole in a hidden marshland. His friend runs away, and manages to gather a number of men that were in the vicinity. They form a human chain to pull the victim out, but their affliction mounts, as they have no strategy for doing it, and they can't understand each other.",1.0932,"\u002FjPf9dAWgbsCLq5zAsbGq1Utk8Er.jpg","1964-01-20",16,"52fe4d0c9251416c7512e20d",{"adult":4,"backdrop_path":824,"genre_ids":825,"id":826,"title":827,"original_language":31,"original_title":828,"overview":829,"popularity":830,"poster_path":831,"release_date":832,"softcore":4,"video":4,"vote_average":833,"vote_count":747,"credit_id":834,"department":17,"job":565,"media_type":42},"\u002Fo1ml0gPBAmW73hyR2ba8ihY6pJX.jpg",[45],186955,"The Artist and the City","O Pintor e a Cidade","The painter António Cruz wanders around the city of Porto painting what he sees: old and modern buildings, people arriving and leaving work in the factories, children playing. The impressionist realism of Cruz’s drawings dissolves into Oliveira’s vision of Porto, which at the same time portrays the painter and his work.",0.9528,"\u002FzWXE1JhXFx4qIsi8XvAzCuXTFzL.jpg","1956-11-26",7.8,"52fe4d0c9251416c7512e231",{"adult":4,"backdrop_path":836,"genre_ids":837,"id":838,"title":839,"original_language":31,"original_title":840,"overview":841,"popularity":842,"poster_path":843,"release_date":844,"softcore":4,"video":4,"vote_average":231,"vote_count":133,"credit_id":845,"department":17,"job":565,"media_type":42},"\u002Fzu0SKoINX6bdNMDWOe26FsG8Ahw.jpg",[45],186950,"Bread","O Pão","Each day, Man must work around the clock to produce and acquire bread: throwing the seeds into earth, helping the breeding of the corn, the corn's recolt, transport to the mills – traditional or industrial ones – manipulation of the flour into actual bread, transport to a variety of locations and consumers. And then, after the consumption, the cycle restarts.",0.6599,"\u002FAlRNSs5t0BuT3MhdDjIvaYHQVAI.jpg","1959-11-28","52fe4d0c9251416c7512e223",{"adult":4,"backdrop_path":847,"genre_ids":848,"id":849,"title":850,"original_language":31,"original_title":850,"overview":851,"popularity":852,"poster_path":853,"release_date":854,"softcore":4,"video":4,"vote_average":165,"vote_count":41,"credit_id":855,"department":17,"job":565,"media_type":42},"\u002FhSFsp9dDL2fKEGGMFDZwjh4aFCC.jpg",[60],191532,"Acto da Primavera","Local people of Curalha, a small village, keep a tradition of representing the Passion of Jesus, according to a 16th century text.",1.0252,"\u002FgOO22H7afRhbQpJqs2ccmZ83snZ.jpg","1963-04-10","52fe4c889251416c910f7f25",{"adult":4,"backdrop_path":857,"genre_ids":858,"id":859,"title":860,"original_language":31,"original_title":861,"overview":862,"popularity":174,"poster_path":863,"release_date":864,"softcore":4,"video":4,"vote_average":143,"vote_count":865,"credit_id":866,"department":17,"job":565,"media_type":42},"\u002FgsLrV7oz46LPtQ7KdDfXD3KTxzX.jpg",[60,459],198450,"The Cannibals","Os Canibais","This odd film is a major representative of an even odder film genre: direct-to-celluloid opera. It was commissioned by the Portuguese master of style, director Manoel de Oliveira from composer João Paes. Musically, it ranges from 19th-century romanticism to popular, modernist and even \"post-modernist\" styles. In the initially tame story, a host-narrator tells the story of a wedding between the two lovebirds: Viscount d'Aveleda and the beautiful Marguerite. However, what happens in the bridal chamber is incredibly bizarre. The events after that are even stranger, and the wedding guests and family indulge in cannibalism, among other perversions.","\u002FeSZ7Z5okvU198FQijlpXmF0q8TS.jpg","1988-11-10",19,"52fe4d7e9251416c91117f53",{"adult":4,"backdrop_path":868,"genre_ids":869,"id":870,"title":871,"original_language":31,"original_title":871,"overview":872,"popularity":873,"poster_path":874,"release_date":875,"softcore":4,"video":4,"vote_average":718,"vote_count":121,"credit_id":876,"department":577,"job":612,"media_type":42},"\u002F1VclFUp0v6QymYqlfe0gqOc06b6.jpg",[45],177377,"Famalicão","Short documentary about the town of Famalicão, in the North of Portugal.",1.1618,"\u002FdSoJGdWq1Om8kotc6FbMw4M9npd.jpg","1941-01-27","52fe4d85c3a36847f82653f7",{"adult":4,"backdrop_path":868,"genre_ids":878,"id":870,"title":871,"original_language":31,"original_title":871,"overview":872,"popularity":873,"poster_path":874,"release_date":875,"softcore":4,"video":4,"vote_average":718,"vote_count":121,"credit_id":879,"department":17,"job":565,"media_type":42},[45],"52fe4d85c3a36847f82653f1",{"adult":4,"backdrop_path":14,"genre_ids":881,"id":882,"title":883,"original_language":31,"original_title":884,"overview":885,"popularity":886,"poster_path":887,"release_date":888,"softcore":4,"video":4,"vote_average":607,"vote_count":70,"credit_id":889,"department":17,"job":565,"media_type":42},[45,60],178777,"Invisible World","Mundo Invisível","An anthology film following different stories around the theme of invisibility in the modern world.",0.9919,"\u002FkVIPK6TN8mfka9tst58guV4g4uj.jpg","2013-06-07","52fe4d9bc3a36847f826a415",{"adult":4,"backdrop_path":891,"genre_ids":892,"id":893,"title":894,"original_language":172,"original_title":894,"overview":895,"popularity":896,"poster_path":897,"release_date":898,"softcore":4,"video":4,"vote_average":132,"vote_count":459,"credit_id":899,"department":17,"job":565,"media_type":42},"\u002FuvRQtcgOV5elZtR142hjaAJQqix.jpg",[60,28],203949,"Party","The battle of the sexes? The forces of despair and seduction? On S. Miguel in the Azores, Rogério, a young man with old money, and his enigmatic wife Leonor host a garden party at their villa. The intriguing guests are an older unmarried couple, the philosophical and observant Irene, and Michel, a roué. While Rogério and Irene talk, Michel and Leonor go down to the sea. The conversations upset Rogério and capture Leonor's imagination. Five years later, the four dine at the villa. Michel and Leonor again leave the other two. Intentions and undercurrents are subtle. One of the four proves strong, one weak, and two must choose. Wind and rain bring down the curtain on both acts.",2.5282,"\u002FAeIZwSwdMrAuuBSj5Ji0aNA6Gu3.jpg","1996-06-27","52fe4ceac3a368484e1cc94b",{"adult":4,"backdrop_path":901,"genre_ids":902,"id":903,"title":904,"original_language":31,"original_title":905,"overview":906,"popularity":907,"poster_path":908,"release_date":909,"softcore":4,"video":4,"vote_average":143,"vote_count":910,"credit_id":911,"department":577,"job":912,"media_type":42},"\u002FtGc2nZm1CcQi4hVxuS9mWdn9l02.jpg",[28],215850,"Blind Man's Bluff","A Caixa","A blind beggar is robbed of his chest of money. The theft leads to a dramatic situation in the street where he begs every day.",0.7925,"\u002FgtfgjWY6zEi2QbxN9hR7BJL7Fi5.jpg","1994-11-18",13,"52fe4e0bc3a368484e20b119","Adaptation",{"adult":4,"backdrop_path":901,"genre_ids":914,"id":903,"title":904,"original_language":31,"original_title":905,"overview":906,"popularity":907,"poster_path":908,"release_date":909,"softcore":4,"video":4,"vote_average":143,"vote_count":910,"credit_id":915,"department":17,"job":565,"media_type":42},[28],"52fe4e0bc3a368484e20b10d",{"adult":4,"backdrop_path":14,"genre_ids":917,"id":46,"title":47,"original_language":48,"original_title":49,"overview":50,"popularity":51,"poster_path":52,"release_date":53,"softcore":4,"video":4,"vote_average":54,"vote_count":54,"credit_id":918,"department":17,"job":565,"media_type":42},[45],"52fe4e71c3a368484e22107d",{"adult":4,"backdrop_path":168,"genre_ids":920,"id":170,"title":171,"original_language":172,"original_title":171,"overview":173,"popularity":174,"poster_path":175,"release_date":176,"softcore":4,"video":4,"vote_average":177,"vote_count":178,"credit_id":921,"department":17,"job":565,"media_type":42},[45],"52fe4e1ec3a368484e20f261",{"adult":4,"backdrop_path":14,"genre_ids":923,"id":924,"title":925,"original_language":31,"original_title":925,"overview":926,"popularity":927,"poster_path":928,"release_date":929,"softcore":4,"video":4,"vote_average":54,"vote_count":54,"credit_id":930,"department":577,"job":578,"media_type":42},[60],690615,"Do Visível ao Invísivel","A satirical short film about technology.",1.3974,"\u002FwJJd4piEcc3qMibZLg0TKEapz0B.jpg","2005-06-08","61086dff9590e300458b87c2",{"adult":4,"backdrop_path":14,"genre_ids":932,"id":924,"title":925,"original_language":31,"original_title":925,"overview":926,"popularity":927,"poster_path":928,"release_date":929,"softcore":4,"video":4,"vote_average":54,"vote_count":54,"credit_id":933,"department":585,"job":586,"media_type":42},[60],"61086e369af1710076922a40",{"adult":4,"backdrop_path":14,"genre_ids":935,"id":924,"title":925,"original_language":31,"original_title":925,"overview":926,"popularity":927,"poster_path":928,"release_date":929,"softcore":4,"video":4,"vote_average":54,"vote_count":54,"credit_id":936,"department":937,"job":938,"media_type":42},[60],"61086e43dd2589007fdc883d","Art","Art Direction",{"adult":4,"backdrop_path":940,"genre_ids":941,"id":942,"title":943,"original_language":31,"original_title":944,"overview":945,"popularity":946,"poster_path":947,"release_date":948,"softcore":4,"video":4,"vote_average":949,"vote_count":218,"credit_id":950,"department":17,"job":565,"media_type":42},"\u002FwXTX8I9tlknnl0YAgxAWrKg96pf.jpg",[60],257896,"Day of Despair","O Dia do Desespero","Portrait of the last days of the life of Portuguese writer Camilo Castelo Branco.",1.181,"\u002Fnm2AUx8nzNKnL7HqI7DpoEE69rh.jpg","1992-10-30",6.3,"53152c979251412528001a2d",{"adult":4,"backdrop_path":952,"genre_ids":953,"id":954,"title":955,"original_language":31,"original_title":956,"overview":957,"popularity":958,"poster_path":959,"release_date":960,"softcore":4,"video":4,"vote_average":155,"vote_count":41,"credit_id":961,"department":17,"job":565,"media_type":42},"\u002FaxJ5IpreAgWG4bO8v1O1gSAGw90.jpg",[28,60],261532,"Past and Present","O Passado e o Presente","This is an intriguing avant-garde look at what motivates the leisurely classes in Portugal, for better or worse, by director Manoel de Oliveira. Set in a spacious country home peopled with a wide-ranging cast of characters, the drama begins as the friends of a widow come to console her on the loss of her husband. But at one point, the widow goes upstairs, encounters her husband, and is faced with his accusations about the past. This event and others provide the means of revealing the petty, self-serving, egocentric, and romantic pursuits of the melange of people in the house. - Eleanor Mannikka, Rovi",1.533,"\u002Fn68fHf08zUx23VEMQKNgRsoSXXf.jpg","1972-02-27","53346b8fc3a3680a1e002016",{"adult":4,"backdrop_path":14,"genre_ids":963,"id":964,"title":965,"original_language":31,"original_title":966,"overview":967,"popularity":968,"poster_path":969,"release_date":970,"softcore":4,"video":4,"vote_average":204,"vote_count":98,"credit_id":971,"department":17,"job":565,"media_type":42},[],274041,"The Panels of São Vicente de Fora: A Poetic Vision","Painéis de São Vicente de Fora: Visão Poética","The characters from a historical piece of art come to life to discuss poignant themes such as war and world peace.",1.0729,"\u002F9sQff3UwbLoqaX8WO10aHLAygES.jpg","2010-09-21","538f9b55c3a3680d5e00087e",{"adult":4,"backdrop_path":973,"genre_ids":974,"id":975,"title":976,"original_language":31,"original_title":977,"overview":978,"popularity":979,"poster_path":980,"release_date":981,"softcore":4,"video":4,"vote_average":982,"vote_count":133,"credit_id":983,"department":577,"job":578,"media_type":42},"\u002FoEdRS5eBhf2IYhP15hpJ9UUKUyU.jpg",[60],292849,"The Old Man of Belem","O Velho do Restelo","Don Quixote, Luís de Camões, Camilo Castelo Branco and Teixeira de Pascoaes meet in an eternal garden in the middle of a modern city and talk about life.",1.5881,"\u002FpZQwiMslolT6mI0vQzogvcnUyrf.jpg","2014-12-11",4.5,"5416d67a0e0a261c32005353",{"adult":4,"backdrop_path":973,"genre_ids":985,"id":975,"title":976,"original_language":31,"original_title":977,"overview":978,"popularity":979,"poster_path":980,"release_date":981,"softcore":4,"video":4,"vote_average":982,"vote_count":133,"credit_id":986,"department":17,"job":565,"media_type":42},[60],"5416d6670e0a261c230055d3",{"adult":4,"backdrop_path":14,"genre_ids":988,"id":989,"title":990,"original_language":31,"original_title":990,"overview":991,"popularity":992,"poster_path":993,"release_date":994,"softcore":4,"video":4,"vote_average":143,"vote_count":13,"credit_id":995,"department":585,"job":586,"media_type":42},[],568370,"Portugal Já Faz Automóveis","Reflecting the filmmaker's passion for automobiles, who in his youth participated in car races, the film portrays the attempt to manufacture a new model in the Ford factory in the city of Porto.",1.6336,"\u002F5Yq0EdohUWyNbBpUwMLrlvNYfIx.jpg","1938-02-03","653a3f6424f2ce01390ff3db",{"adult":4,"backdrop_path":14,"genre_ids":997,"id":989,"title":990,"original_language":31,"original_title":990,"overview":991,"popularity":992,"poster_path":993,"release_date":994,"softcore":4,"video":4,"vote_average":143,"vote_count":13,"credit_id":998,"department":999,"job":1000,"media_type":42},[],"653a3f898a0e9b010b28fc14","Production","Executive Producer",{"adult":4,"backdrop_path":14,"genre_ids":1002,"id":1004,"title":1005,"original_language":31,"original_title":1005,"overview":1006,"popularity":759,"poster_path":1007,"release_date":1008,"softcore":4,"video":4,"vote_average":448,"vote_count":111,"credit_id":1009,"department":585,"job":586,"media_type":42},[45,1003],10770,503313,"Lisboa Cultural","Seventeen experts on history and arts deliver brief lessons on their favorite subjects, considered the most relevant to cover nine hundred years of Portuguese culture. The camera shows from a distance, or in minute detail, the monuments or art pieces considered, or even the texts discussed by the narrators, reenacted on stage or recited by actors.","\u002FegeehCRrZx8QCcAEvzuGzQuoBDZ.jpg","1984-09-28","653a42e6b87aec011a1d3443",{"adult":4,"backdrop_path":588,"genre_ids":1011,"id":590,"title":591,"original_language":31,"original_title":591,"overview":592,"popularity":593,"poster_path":594,"release_date":595,"softcore":4,"video":4,"vote_average":54,"vote_count":54,"credit_id":1012,"department":1013,"job":1014,"media_type":42},[],"653a40c367825900e44733d3","Camera","Director of Photography",{"adult":4,"backdrop_path":14,"genre_ids":1016,"id":1017,"title":1018,"original_language":31,"original_title":1019,"overview":1020,"popularity":1021,"poster_path":1022,"release_date":1023,"softcore":4,"video":4,"vote_average":165,"vote_count":111,"credit_id":1024,"department":585,"job":586,"media_type":42},[],568223,"White Coal","Hulha Branca","Filmed with the same camera and the film stock remains of Douro, Faina Fluvial, portrays the inauguration of the hydroelectric power plant of Ermal, owned by Manoel de Oliveira's father.",1.113,"\u002FdcAviNHb7jzJLQJZPjfdKkAN9LC.jpg","1932-01-31","653a4197ec455200ea4dca13",{"adult":4,"backdrop_path":14,"genre_ids":1026,"id":1017,"title":1018,"original_language":31,"original_title":1019,"overview":1020,"popularity":1021,"poster_path":1022,"release_date":1023,"softcore":4,"video":4,"vote_average":165,"vote_count":111,"credit_id":1027,"department":999,"job":1000,"media_type":42},[],"653a41af24f2ce00e26acae5",{"adult":4,"backdrop_path":588,"genre_ids":1029,"id":590,"title":591,"original_language":31,"original_title":591,"overview":592,"popularity":593,"poster_path":594,"release_date":595,"softcore":4,"video":4,"vote_average":54,"vote_count":54,"credit_id":1030,"department":577,"job":578,"media_type":42},[],"653a40ab67825900e44733c5",{"adult":4,"backdrop_path":588,"genre_ids":1032,"id":590,"title":591,"original_language":31,"original_title":591,"overview":592,"popularity":593,"poster_path":594,"release_date":595,"softcore":4,"video":4,"vote_average":54,"vote_count":54,"credit_id":1033,"department":999,"job":1034,"media_type":42},[],"653a40bb091e620138b44844","Producer",{"adult":4,"backdrop_path":14,"genre_ids":1036,"id":1037,"title":1038,"original_language":31,"original_title":1038,"overview":1039,"popularity":1040,"poster_path":1041,"release_date":1042,"softcore":4,"video":4,"vote_average":54,"vote_count":54,"credit_id":1043,"department":1013,"job":1014,"media_type":42},[],771495,"O Poeta Doido, o Vitral e a Santa Morta","Documentary by Manoel de Oliveira filmed in 1965 and exhibited in 2008 in the Venice Film Festival.",0.8462,"\u002FcwtEzvC7vT5s0i3P9sKhIbh4RML.jpg","2008-09-21","653a40448a0e9b00eafb501e",{"adult":4,"backdrop_path":868,"genre_ids":1045,"id":870,"title":871,"original_language":31,"original_title":871,"overview":872,"popularity":873,"poster_path":874,"release_date":875,"softcore":4,"video":4,"vote_average":718,"vote_count":121,"credit_id":1046,"department":999,"job":1034,"media_type":42},[45],"653a42512811a100c90a9142",{"adult":4,"backdrop_path":14,"genre_ids":1048,"id":1037,"title":1038,"original_language":31,"original_title":1038,"overview":1039,"popularity":1040,"poster_path":1041,"release_date":1042,"softcore":4,"video":4,"vote_average":54,"vote_count":54,"credit_id":1049,"department":999,"job":1034,"media_type":42},[],"653a4037678259010109dfb4",{"adult":4,"backdrop_path":1051,"genre_ids":1052,"id":1053,"title":1054,"original_language":31,"original_title":1055,"overview":1056,"popularity":1057,"poster_path":1058,"release_date":1059,"softcore":4,"video":4,"vote_average":132,"vote_count":121,"credit_id":1060,"department":17,"job":565,"media_type":42},"\u002FzJXDcYbwWFfzU1rhn4bViQ4eXua.jpg",[61,60],274348,"The Fifth Empire","O Quinto Império - Ontem Como Hoje","Manoel de Oliveira directs José Régio's historical epic of religious and political power struggles. King Sebastião plans to make Portugal the world's Fifth Empire.",1.2212,"\u002FePgQdkTd4epfzicabFWBCkuzORP.jpg","2004-09-09","547a595d925141298a00314c",{"adult":4,"backdrop_path":901,"genre_ids":1062,"id":903,"title":904,"original_language":31,"original_title":905,"overview":906,"popularity":907,"poster_path":908,"release_date":909,"softcore":4,"video":4,"vote_average":143,"vote_count":910,"credit_id":1063,"department":585,"job":586,"media_type":42},[28],"548c502092514122ff0018ba",{"adult":4,"backdrop_path":901,"genre_ids":1065,"id":903,"title":904,"original_language":31,"original_title":905,"overview":906,"popularity":907,"poster_path":908,"release_date":909,"softcore":4,"video":4,"vote_average":143,"vote_count":910,"credit_id":1066,"department":577,"job":612,"media_type":42},[28],"548c4fcac3a36820be0016cc",{"adult":4,"backdrop_path":14,"genre_ids":1068,"id":428,"title":429,"original_language":31,"original_title":429,"overview":430,"popularity":431,"poster_path":432,"release_date":433,"softcore":4,"video":4,"vote_average":165,"vote_count":111,"credit_id":1069,"department":577,"job":612,"media_type":42},[60,27],"6168b8df681888008fc3fa74",{"adult":4,"backdrop_path":14,"genre_ids":1071,"id":428,"title":429,"original_language":31,"original_title":429,"overview":430,"popularity":431,"poster_path":432,"release_date":433,"softcore":4,"video":4,"vote_average":165,"vote_count":111,"credit_id":1072,"department":17,"job":565,"media_type":42},[60,27],"6168b8d6681888002352e675",{"adult":4,"backdrop_path":1074,"genre_ids":1075,"id":1076,"title":1077,"original_language":31,"original_title":1078,"overview":1079,"popularity":1080,"poster_path":1081,"release_date":1082,"softcore":4,"video":4,"vote_average":54,"vote_count":54,"credit_id":1083,"department":17,"job":565,"media_type":42},"\u002FxahlPgIIj9Uk740pCKx1Icax5Pk.jpg",[28],1013285,"The Conquered Conqueror","O Conquistador Conquistado","A group of tourists arrives to the historical center of Guimarães. The camera goes up over the shoulder of Alfonso Henriques' statue. The first king of Portugal, holding up his sword, demands respect. 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